Inclusion and museums

Building design
Andreas Lander

Andreas Lander

Germany’s art museums have long been on the road to accessibility. Elevators and ramps for wheelchair users, guided tours with sign language interpreters for the deaf and museum cafés run by people with disabilities are all part of the offer. Four cities in the Leichter Reisen working group – Emden, Rostock, Magdeburg and Erfurt – are presenting accessible art museums and their special exhibitions in winter 2021 […].

Germany’s art museums have long been on the road to accessibility. Elevators and ramps for wheelchair users, guided tours with sign language interpreters for the deaf and museum cafés run by people with disabilities are all part of the offer. Four cities in the Leichter Reisen working group – Emden, Rostock, Magdeburg and Erfurt – present accessible art museums and their special exhibitions in winter 2021 – RESTAURO on inclusion in museums

“I have only ever collected what aroused desire in me – or what pained me to the core – what made me happy, but also made me angry,” said Henri Nannen, founder of the magazine “Stern”, describing his passion for art. In 1986, together with his future wife Eske, he founded the Kunsthalle Emden in his native town and donated his collection of classical modern art. Today, the “Travel for All” certified museum is one of the most important museums in northern Germany. Its collection comprises 1500 works from the beginning of the 20th century to the present day. Until January 30, 2022, four exhibitions will be on display in parallel, mainly presenting works from the museum’s own collection, including paintings by Josef Scharl and Hanns Ludwig Katz as well as Franz Marc, August Macke and Lyonel Feininger. Wheelchair users can move around the museum largely unhindered. The visitor service has a wheelchair and rollator on loan, as well as mobile seating. Guided tours are also offered in sign language.

In Rostock’s city center, the city’s Museum of Cultural History is hidden behind the thick walls of the former Convent of the Holy Cross, which dates back to 1270. The collection of Dutch art from the 16th to 19th centuries is outstanding, with paintings by Jan Brueghel the Younger and Willem Kalf as well as prints by Rembrandt and van Dyck. Medieval art from Rostock’s monasteries is on display in the historic refectory. There is also a collection of works that were confiscated as degenerate art during the Nazi era and transferred to the museum in 2009. The special exhibition “Made in Rostock – Rostock companies and their products from 200 years” from November 19, 2021 to February 27, 2022 is dedicated to legendary products from the Hanseatic city, such as playing cards from the Tiedemann lithography, liqueurs from Kranstöver or jeans from VEB Jugendmoden Shanty. All levels of the museum are accessible for wheelchair users via elevators. The guided tours are also wheelchair accessible.

Founded in the 11th century, the former Monastery of Our Lady in Magdeburg is the oldest surviving building in the city, an impressive Romanesque ensemble with a three-aisled basilica and a picturesque cloister – and the most important exhibition venue for contemporary art and sculpture in Saxony-Anhalt. The contrast of eras is what makes this museum so appealing. Excerpts from its extensive collection are displayed on five floors. The museum is easily accessible for wheelchair users via ramps and elevators. An audio guide with audio clips and videos is available via app and can be borrowed on site as a multimedia guide. The special exhibitions “Dieter Goltzsche, Landschaft mit Litfaßsäule” until February 20, 2022 and “Hans-Wulf Kunze, Fischfabrik” until January 6, 2022 focus on two East German artists and precise observers of their time.

Inclusion: exhibits can be touched at the Angermuseum Erfurt

The art gallery in Erfurt, which is certified for all travelers, is dedicated exclusively to contemporary art. The magnificent patrician house from 1562 in the old town, which was converted in the Renaissance style, presents works from the modern era to the present day in 750 square meters of temporary exhibitions. Wheelchair users can access all floors of the museum via an elevator. One focus is on artistic photography. The special exhibitions on display until January 23 also deal with this form of representation: in “Continent – In Search of Europe”, photographers from the renowned Berlin agency Ostkreuz and the Akademie der Künste explore the theme of togetherness in Europe. “Documentary Photography Awards 12” shows the work of the four winners of the Wüstenrot Foundation’s Documentary Photography Award. The Angermuseum, located just 500 meters away, is housed in a baroque city palace from the early 18th century. The state capital’s art museum houses what is probably the most important collection of Erfurt and Thuringian art from the Middle Ages as well as a collection of German paintings from the 18th century to the present day, an extensive collection of prints and drawings from five centuries and a collection of arts and crafts. The highlight is the Erich Heckel room with the murals created by the artist in the 1920s. They are among the most important surviving murals of German Expressionism. The museum is steplessly accessible for wheelchair users. Guided tours for people with visual and hearing impairments and for people with cognitive impairments are available by prior arrangement. Exhibits can be touched. Sign language interpreters provide deaf people with interesting facts about the exhibition.

There are more barrier-free cultural offers on the website of the Leichter Reisen working group www.leichter-reisen.info. Ten German vacation regions and cities have joined forces since 2008 to form the Arbeitsgemeinschaft Barrierefreie Reiseziele in Deutschland (since 2018: Leichter Reisen). Together, they are pioneers in the development of travel offers for people with limited mobility, hearing, visual and learning disabilities, for the deaf and blind, as well as for families and senior citizens. Members include the regions of Eifel, East Frisia, Saxon Switzerland, Southern Wine Route, Franconia, Lusatia and Ruppin Lake District, as well as the cities of Erfurt, Magdeburg and Rostock.

Reading tip: You can find the guide to inclusive museums from the German Museums Association here.

To make paintings more accessible to blind and visually impaired people, the Paula Modersohn-Becker Museum in Bremen offers a 3D model of a nude of the artist herself. Find out more here.

POTREBBE INTERESSARTI ANCHE

1000-year-old gold earring found in Denmark

Building design
National Museum

National Museum

A prospector has found a rare gold earring, probably from the Middle East, in a field in West Jutland (Denmark) – probably a gift from the Emperor of Byzantium to a Viking chieftain. Such a work of art had never before been found in Scandinavia. Since last Monday, December 6, 2021, the piece of jewelry found by Vestergaard has been on display at the National Museum […]

A prospector has found a rare gold earring, probably from the Middle East, in a field in West Jutland (Denmark) – probably a gift from the Emperor of Byzantium to a Viking chieftain. Such a work of art had never before been found in Scandinavia. Since last Monday, December 6, 2021, the piece of jewelry found by Vestergaard has been on display at the National Museum in Copenhagen

Treasure hunting with metal detectors is becoming increasingly popular. Archaeologists are observing this trend, which is partly due to the development of increasingly powerful professional equipment, with concern, as it is all too easy to lose knowledge about the circumstances of a find through unprofessional excavation. On the other hand, cooperation with treasure hunters can also lead to new findings.

Following the spectacular discovery of a golden miniature Bible from the 15th century in a field in the county of Yorkshire, another amateur treasure hunter has now made a find: A man in Denmark has found a thousand-year-old gold earring in a field. 54-year-old Frants Fugl Vestergaard lives in the small Danish town of Ringkøbing and is a passionate treasure hunter. He discovered the jewelry in a field in West Jutland using a metal detector, according to the National Museum in Copenhagen. The earring probably came from Byzantium or Egypt and was probably a gift from the Emperor of Byzantium to a Viking chieftain, the statement continued. We know that the Vikings maintained trade relations as far afield as the Orient and even traveled to Constantinople on occasion from a 9th century runic inscription in the Hagia Sophia. There, a traveler from the north proudly proclaims: “Halvdan was here.”

With Vikings: hardly any jewelry as souvenirs

Since last Monday, December 6, 2021, the piece of jewelry found by Vestergaard has been on display at the National Museum in Copenhagen. “It is completely unique for us,” said museum curator Peter Pentz. “We only know of ten to twelve other specimens in the world and have never found one in Scandinavia. The Vikings would have brought back thousands of silver coins from their forays, journeys and trading expeditions, but hardly any jewelry,” said Pentz. He was surprised by the location of the find, as there is no known Viking site in the vicinity. Gold from Byzantium had previously been found as grave goods in Viking graves.

Who brought the gold earring to Denmark?

The earring consists of a crescent-shaped gold plate set in a frame of gold threads decorated with small gold balls and gold bands. The motif features two stylized birds around a plant symbolizing the tree of life. How the piece of jewelry came to Scandinavia remains a mystery. Researchers speculate that a Viking may have received the earring from the Byzantine emperor for his services as a bodyguard. Almost exclusively Scandinavians served in the so-called Varangian Guard, which was formed in 988 when the Kiev Grand Duke Vladimir I sent 6,000 Vikings to Emperor Basileios II. It is known from Icelandic legends that Scandinavian mercenaries returned home with silk and weapons, and it is also said that the emperor occasionally gave his bodyguard fine gifts. Another possibility is that a pilgrim brought the jewelry home.

Reading tip: In 2014, archaeologists in Oberding (Erding district) came across a deposit of almost 800 Early Bronze Age barbed ingots. After extensive restoration work and scientific analysis, scientists presented the sensational find in 2017, which can be admired in the Erding Museum. Read more here.

Architecture software: Why many are switching

Building design

Architectural firms are currently faced with the question: should they continue using their existing CAD software or switch to the future? Because 3D modeling and BIM are becoming increasingly important. “We used the software we’ve always used – but at some point we couldn’t get any further.” This is the almost unanimous tenor of architectural firms that have decided to switch […]

Architectural firms are currently faced with the question: should they continue using their existing CAD software or switch to the future? Because 3D modeling and BIM are becoming increasingly important.

“We used the software we’ve always used – but at some point we couldn’t get any further.” This is the almost unanimous opinion of architectural firms that have decided to switch to ARCHICAD software. The manufacturer of the program, GRAPHISOFT, asked the architects about their motives and uncovered some interesting facts.

The 2D/3D issue is at the forefront of the reasons for switching. Many offices use software solutions that are still heavily reliant on two-dimensionality. This is not the case with ARCHICAD, where working directly on the 3D model has always been at the heart of the system. You can plan intuitively and quickly on a central model. Every change also appears automatically in all floor plans, views and sections.

This is not only extremely time-saving – it is also better suited to today’s working habits, especially those of young architects. They want to move quickly into modeling, work on the living object, so to speak, and quickly deliver presentable, veritable results. Andreas Kleboth from Linz can also observe this in his office: “We have many employees who are familiar with ARCHICAD from their studies and are therefore very experienced and very fast at creating 3D models.”

A quicker sense of space, conditions and atmosphere: this is what more and more clients are demanding. This is where many of those surveyed see ARCHICAD’s great trump card. Architect Johannes Berschneider from Pilsach describes it like this: “The final icing on the cake are the clients, who sit here with their mouths open, watching and ‘walking through the building’.” He is referring to the 3D representations with which ARCHICAD enables impressive virtual building inspections virtually at the touch of a button.

Building Information Modeling is increasingly required in tenders in order to ensure an efficient project process across all phases and between all planning participants.

Training for the changeover

Almost all offices took advantage of the extensive training and support offered by GRAPHISOFT and its local partners. For architect Irene Kristiner from Graz, the ARCHICAD basic course was particularly helpful: “The program’s functions were explained to us right from the start, we were able to work with it directly, ask our questions and receive direct feedback.”

Interesting information portal

What do the individual architects think about their software? Why did they decide to switch to ARCHICAD? And how did the changeover go? GRAPHISOFT has set up an interesting information portal with film clips about various architecture firms in Germany and Austria. More information here.

Credit for all images: Alex Brunner, www.vonbrunner.com