INDIANA JONES 4.0

Building design

Archaeologists have a variety of tasks during excavations. Here, two people involved in the excavation are moving a restored capital. © Naga project

Archaeology as a treasure hunter and adventurer: the Indiana Jones films shaped the image of the discipline worldwide. But what is myth and what is reality? What content and challenges await archaeology students? And what skills should they have? […]

The archaeologist as treasure hunter and adventurer: the Indiana Jones films shaped the image of the discipline worldwide. But what is myth and what is reality? What content and challenges await archaeology students? And what skills should they have?

She had imagined archaeologists to be “funny little men who are not of this world”. All the more surprising for Indiana Jones’ movie partner when the archaeology professor played by Harrison Ford proves to be a daredevil action hero. “Indy” swings rapidly through every jungle course, escapes treacherous traps, unravels cryptic signs, explores secret chambers and passages and tracks down the most unlikely treasures along the way. His thrillingly brash explorer’s life was a huge hit at the international box office.

In real life, Hiram Bingham is said to have been the inspiration for the film character. The American archaeologist discovered the ruined city of Machu Picchu and other Inca ruins in Peru in 1911. Alongside Heinrich Schliemann, the discoverer of Troy, and the Briton Howard Carter, who found the tomb of the pharaoh Tutankhamun in the Egyptian Valley of the Kings in 1922, Bingham is one of the pioneers of antiquity research who are still associated with the image of treasure hunters and adventurers today.

The success of the Indiana Jones films brought a lot of attention to the profession of archaeologist. Since the first episode hit the big screen in 1981, enrolments in archaeology have increased worldwide. In West Germany alone, the figure was around 85 percent in the ten-year period during which the original trilogy was shown. While there were just under 1,300 archaeology students in the winter semester of 1980/81, the number had already risen to over 2,400 by 1989/90, according to data from the Federal Statistical Office.

However, the aims and methods of archaeology have changed fundamentally since the expeditions of Bingham and Carter. Although today’s archaeologists are still searching for relics of the past – sometimes in remote corners of the world – they use modern technologies such as drones and AI. They do not fight with hostile powers, but enter into international collaborations. What’s more, the focus is not on trophy hunting, but on scientific exploration and the preservation of humanity’s historical heritage.

According to the script, Indiana Jones was also initially convinced that archaeology is about science and not treasure hunting. He told his students: “Archaeology is the search for facts. Not the truth. If you’re interested in the truth, Dr. Tyrie’s philosophy class is at the end of the aisle. So forget these stories of hidden cities. We don’t follow old maps, we don’t discover missing treasures, and no X has ever marked a significant point anywhere.” Of course, it is precisely these stories that the film then lives out in a pleasurable and entertaining way.

Archaeology is exciting and diverse even without comic book action. Today, there are 52 Bachelor’s degree courses in archaeology in Germany, three in Austria and three in Switzerland. The archaeology courses have different focuses in terms of regions, eras or cultures. Special subjects include the Ancient Orient or Roman Antiquity. Students are first introduced to the theory and methodology of archaeology. This includes aerial archaeology or geophysical prospection, which can be used to visualize structures hidden in the ground. Specialized archaeology focuses on the cultural and social history of an area as well as the representation of the main and most important secondary languages.

Later, students learn scientific methods such as experimental archaeology, archaeometry, bioarchaeology and geoarchaeology. “What used to be documented with a pencil on graph paper is now done using electronic surveying systems, whose software you have to master as well as the evaluation of the data and the 3D visualization of the precious finds,” says Karin Fischer Ausserer, Head of Vienna City Archaeology, describing the development. In addition to the theory, students learn the craft of scientific excavation technology – usually as interns “in the field”.

The university course in conservation and restoration also enables students to specialize in archaeological cultural assets. In 1989, the State Academy of Fine Arts Stuttgart (ABK) introduced the diploma course “Restoration of archaeological, arts and crafts and ethnological objects”. This was followed by courses in Erfurt, Berlin and Munich. Together with the restoration workshops of the Roman-Germanic Central Museum, Johannes Gutenberg University Mainz offered the dual BA course in “Archaeological Restoration” in 2007. In addition, the CICS – Cologne Institute of Conservation Sciences – offers the course “Restoration and Conservation of Textiles and Archaeological Fibers”.

The tasks of restorers of archaeological cultural heritage consist of documenting, recovering, conserving, restoring and storing ground and underwater finds. During excavations, they work with excavation technicians to stabilize the finds before they are recovered. This initial treatment is important because archaeological objects stored in the ground are usually relatively poorly preserved.

Some conservators specialize in wet wood conservation or archaeological textiles. As they often find a mass of finds, precise finds management is essential. Documentation plays an important role in this context. Otherwise, all unrecorded aspects of the site would be lost once the excavation is complete, as every excavation always represents a planned destruction of cultural property. The conservators therefore record all the information contained in the archaeological object and the surrounding soil by means of drawings or photographs. In addition to microscopy, they X-ray the objects or use other imaging techniques such as 3D and neutron computed tomography or laser scanning.

Graduates of the Archaeology or Conservation and Restoration degree programs work primarily in archaeological research, but also in museums, archives and libraries. A large area of employment also lies in the preservation of monuments and archaeological sites. Private excavation companies are also looking for archaeology experts, as are prospecting companies whose aim is to explore and record archaeological sites in a particular area in a non-destructive manner. “There are also curious careers that ultimately have nothing to do with archaeology, but which can make good use of the skills of the ‘specialist for everything anyway’,” reports Karin Fischer Ausserer, for whom the archaeologist is a “universal genius”: “Because anyone working on an excavation should have just as much knowledge of materials science as they do of geology, zoology and anthropology.”

Graduates of the Archaeology or Conservation and Restoration degree programs work primarily in archaeological research, but also in museums, archives and libraries. A large area of employment also lies in the preservation of monuments and archaeological sites. Private excavation companies are also looking for archaeology experts, as are prospecting companies whose aim is to explore and record archaeological sites in a particular area in a non-destructive manner. “There are also curious careers that ultimately have nothing to do with archaeology, but which can make good use of the skills of the ‘specialist for everything anyway’,” reports Karin Fischer Ausserer, for whom the archaeologist is a “universal genius”: “Because anyone working on an excavation should have just as much knowledge of materials science as they do of geology, zoology and anthropology.”

For Konstantin Kárpáty, as for many of his fellow students, the Indiana Jones films were indeed a decisive factor in his decision to study, as he reports in an interview with the Berliner Morgenpost. “However, many students also stop in the first two weeks because they realize: Oh, Indiana Jones is really just a science fiction hero and doesn’t have much to do with reality.” Kárpáty himself, however, has not lost his enthusiasm for the subject even after the “reality check”. He completed his doctorate in early history at Ludwig-Maximilians-Universität (LMU) in Munich and works as an excavator and excavation manager for private and public archaeological excavations. On the social media channel “Excavation Time” and in the podcast “Ausgegraben” he regularly provides information about news from the specialist world.

In the lectures and seminars at LMU, Indiana Jones was definitely a topic – but as a negative example. “It’s always just about this one find,” says Kárpáty, explaining the plot of the Indiana Jones films. The historical context around it – a grave or settlement, for example – is destroyed. The context, however, is essential for evaluating the significance of a find.

But the archaeologist has more than just criticism of the Indiana Jones character. The saying “This belongs in a museum” is a core statement of archaeology, because “monument preservation primarily means not excavating in the first place.” But the clock is ticking on all archaeological finds and there is a risk that they will decay. Kárpáty is convinced: “It doesn’t belong locked away in some depot, but in a museum.”

Hermann Parzinger, President of the Prussian Cultural Heritage Foundation and a trained archaeologist, dispels the myth that archaeologists discover treasures every day. “You lose this image after the first lecture at university at the latest,” he wrote in Die Welt in June 2021. Archaeology is “hard work, not an adventure”. Instead of chasing after gold and mummies, he mostly rummaged through the garbage dumps of past millennia. With exceptions: “I myself had the fabulous luck of discovering oriental temples (1982 as a student in Bogazköy-Hattusa in Anatolia), gold treasures (2001 in Tuva) and mummies (2006 in the Mongolian Altai), but it was chance or luck, because the archaeologist always finds something different from what he expects.” According to Parzinger, however, nobody chases after a crystal skull like Indiana Jones with his shirt always well ironed.

Thomas Lucker can certainly understand the euphoria that the Indiana Jones films have created for the profession of archaeologist. Together with Jan Hamann, Lucker is the owner of the Berlin studio “Restaurierung am Oberbaum GmbH (RAO)”: “Ever since the Indiana Jones character came along, people have thought that working on archaeological excavations in exotic countries would be a great adventure – and they’re right. It’s just great!”

Lucker discovered an almost forgotten advanced civilization during an excavation project in Naga in 2000. The city in present-day Sudan was once the center of the ancient kingdom of Kush. Lucker and Hamann were commissioned to develop and implement a concept for the conservation and restoration of the architecture and artifacts.

Overwhelmed by the unique state of preservation of the ruins, Lucker is still in raptures today: “The temples stood there in the red desert sand as they did two thousand years ago and were no mirage.” However, the challenges of excavating are different to those in the Indiana Jones film: “In reality, you don’t have to fight Nazi villains and religious fanatics so much as visa problems, difficult material procurement and tricky digestion.” However, all the bugs, spiders, snakes and scorpions really do exist. Lucker is grateful for the experience he had in Naga, but is also very concerned about the current situation in Sudan. The fact that all excavations have been halted due to the bloody power struggle almost seems like a minor matter in view of the world’s biggest humanitarian crisis at the moment.

Read more: Monument preservation and restoration are undergoing technological change.

POTREBBE INTERESSARTI ANCHE

Pritzker Prize, this time again as a star award

Building design

Arata Isozaki, that is. This year. Born in 1931, the architect, urban planner and theorist was awarded the 2019 Pritzker Prize. And reactions are mixed.

Arata Isozaki, that is. This year. Born in 1931, the architect, urban planner and theorist has been awarded the Pritzker Prize 2019. And reactions are mixed. Once again. Some are surprised that the man, whose well-known buildings (such as the Museum of Contemporary Art in Los Angeles or the Olympic Stadium in Barcelona) have all been standing for a while, had not received the major prize long ago. Others find the choice sensible; but some also find it rather unnecessary – why honor someone whose work is nearing its end, why not rather choose someone for whose (or whose) work the award can be a driving force? My colleagues in the editorial team reacted rather bored.

I think the Pritzker jury needs to make up its mind when it comes to award policy. At the moment, too many different motives seem to exist in parallel. Is this an award for a significant life’s work? For interesting offices that may be the future? For relevant political approaches? Each direction on its own is possible. All together is probably not.

And incidentally, I stand by the opinion I expressed two years ago: the Pritzker Prize is awarded too often. Every three, or even better, every four years would be a more sensible frequency.

Nevertheless, this should not go under: Congratulations, Arata Isozaki.

The visualization shows the town hall square in Oberwart with trees and a fog fountain in the middle where children are playing.

3:0 Landscape Architecture create a green promenade in Oberwart - and this is what it could look like. Visualization: 3:0 Landscape Architecture

Oberwart is getting a green promenade designed by 3:0 Landschaftsarchitektur. The Vienna-based firm won the architectural competition for the redesign of Oberwart’s town center.

More greenery for Oberwart town center

The redesign of Oberwart town center began back in summer 2021. At that time, the city launched a citizen participation project. The aim was to find out the needs of the population. The guiding principle behind the project was the intention to transform Oberwart into a more liveable place. In addition, the city was to become more forward-looking and climate-friendly. The participation process in March 2022 was therefore followed by an open architectural competition. Eight projects were submitted in the process. The winning office has now been chosen. 3:0 Landscape Architecture from Vienna won over the nine-member jury. Their vision for the new Oberwart town center meets the wishes of the citizens. For example, they had called for more greenery and less traffic in the town center. They also wanted cozy squares with more places to spend time. In addition to the feedback from the participation process, there were also other aspects to consider.

Challenges of the planning task

For example, the design quality of the landscape architecture was a key aspect. However, the designs also had to respond to the traffic conditions. The primary aim was to reduce traffic in the city center. At the same time, the needs of the local businesses had to be taken into account. 3:0 Landscape Architecture succeeded in taking all these aspects into account in their planning – by developing the Oberwart city promenade. This extends as a green ribbon for everyone from Rathausplatz to the Südtiroler Siedlung. The planting of new trees, water elements and plenty of seating provide an ecological and aesthetic upgrade. Furthermore, different spatial characters are created.

One ribbon – three characters

A front garden promenade is being created in front of the South Tyrolean settlement. It will serve as a haven of peace in the development. In addition to play and sports equipment that appeals to young and old alike, magnificent shrub beds and flowering meadows are also being created here. The so-called “twin gardens” are planted with fruit trees and create impressive flowering aspects throughout the year thanks to their biodiversity. Opposite the entrance to the town in front of the South Tyrolean settlement is the town hall square. Here, a more representative character is created, which pays tribute to the buildings of the town hall and district court. The spacious center of the square is designed to be flexible. It offers space for small and large events. The space is structured by two stringent tree grids. In addition to the shade cast by the trees, the new fog fountain also helps to cool the urban space. It also serves as a design accent that invites people to play in the swathes. The market promenade stretches between the two squares. In future, residents will be able to take a relaxed stroll under the planned avenue of trees. Seating areas invite people to linger.

Oberwart becomes climate-ready

Mayor Georg Rosner is highly satisfied with the jury’s decision. He is also certain that this will initiate a forward-looking process: With the plans presented today, we are taking an important step towards redesigning the town center. In 3:0 Landscape Architecture, the city has found an experienced partner in the climate-sensitive transformation of squares and cities. In Oberwart, for example, 3:0 Landscape Architecture is now planning to plant 200 trees according to the sponge city principle. The aim is to ensure that the city center is also prepared for prolonged periods of heat. Furthermore, surfaces open to evaporation will be laid in light shades of color. These are used for rainwater management. They also counteract heat storage. The climate-friendly promenade will thus become a green backbone for Oberwart, which will have a lasting positive impact on the city.

Steps towards realization

Until the project can be realized in 2024, the negotiation process is still pending. Among other things, it will be important to determine which preparatory and accompanying measures are necessary. By communicating with all parties involved in advance, the construction work should not interfere with business activities. Once all agreements have been made, the municipal council will decide to commission the work. And thus the green light for the realization of the new Oberwart city promenade.

The cooling of the square is directly considered by 3:0 Landscape Architecture. A retrofit that was necessary for Turbinenplatz in Zurich. A fog cloud is currently installed there as an immediate measure to cool the square in the medium term. Read here how this pilot project works: Alto Zürrus