Industry and housing on the canal

Building design
The residential and commercial complex is located directly on the Canal de l'Ourcq in Paris. Photo: Stefan Tuchila

The residential and commercial complex is located directly on the Canal de l'Ourcq in Paris. Photo: Stefan Tuchila

In the east of Paris, from the Porte de la Villette onwards, there is currently a lot going on from an urban planning perspective. This is because economic and urban development is making great strides along the Ourcq Canal. New districts have already been developed in Pantin, Romainville and Bobigny in the recent past. The canton of Bondy is now also joining this process. Here, a new eco-district is being created on the banks of the canal, which will be completely greened in the future.

In the east of Paris, from the Porte de la Villette onwards, there is currently a lot going on from an urban planning perspective. This is because economic and urban development is making great strides along the Ourcq Canal. New districts have already been developed in Pantin, Romainville and Bobigny in the recent past. The canton of Bondy is now also joining this process. Here, a new eco-district is being created on the banks of the canal, which will be completely greened in the future.

The site itself is characterized by an industrial past. As part of the urban revitalization, a quarter with living space and high-quality recreational areas is now being created. Studio Brenac & Gonzalez, which had already realized a residential building in Romainville, wanted to take up this historical aspect in the current design of a new residential building. The French office, which can already look back on 80 years of company history, bases its work philosophy on the search for permanence beyond time: “Wewant tolocate our work both in our time and outside of time, always in search of theephemeraland the unchangeable,” is how they describe their approach.

The canal was once built to meet the drinking water needs of the city of Paris. It was also used to transport goods. As early as the mid-17th century, there were initial plans to use the water from the River Ourcq to supply Paris. However, the actual realization of the canal project did not take place until the beginning of the 19th century on the initiative of Napoléon I. For this purpose, the river Ourcq was partially diverted behind the village of Silly-la-Poterie, not far from the Forêt de Retz forest, and turned into a navigable waterway. Today, the canal no longer has any economic significance. However, its banks and accompanying paths serve as a popular recreational area for Parisians. In future, the residents of the new eco-neighborhood in Bondy will also be able to benefit from the proximity to the canal.

Brenac & Gonzalez chose an identity-forming building opposite the canal for this prominent location. It is one of a total of three structures. In addition to the figurehead directly on the canal, there is another building volume in the north-west corner of the site and a fragment derived from this block, which nevertheless develops an independent character. All three parts of the ensemble are characterized by a play of shifts and recesses. The resulting façade creates a varied volumetry. The division and formulation of the blocks also allows sufficient light to penetrate the block interiors. Furthermore, the fragmentation enables a variety of visual relationships with the surrounding landscape.

In addition to the references to the water and the surroundings, the connection to history was also particularly important to Brenac & Gonzalez. The materials used are therefore inspired by the former industrial character. Brick and metal are the materials of choice. To create a friendly and calming impression, the color palette is limited to white, sand and cream tones. The façade is made of chiseled brick monoliths. Despite the use of the same material, the bricks are intended to create a lively surface. The light beige brick continues to harmonize with the white-painted metal structures. The balconies made of metal brackets and tie rods, which lend both a harbor and industrial aesthetic, also pay homage to the industrial past. They structure the façade towards the canal, with the external staircase to the roof terrace being a particularly exciting detail.

After Brenac & Gonzalez won the competition for the realization in 2017, the residential and commercial complex was recently handed over to the clients. It now remains to be seen whether the ensemble has the potential to contribute to the development of a lively and green district along the Ourcq canal.

In the southern French city of Pau, CoBe & Paysage have designed the Laherrère Center, which is intended to be a place for living, working, training and economic development.

POTREBBE INTERESSARTI ANCHE

Villa with a view in Belgrade

Building design

Detached house in Belgrade

Efficient glass façade with perfect color matching In a suburb of Belgrade, a private client fulfilled his dream of a spacious villa with attractive views of the city. Situated on a hillside plot, the detached house designed by local architects Autorski Atelje Spajic impresses with its transparent building envelope made of glass from Swiss specialist Glas Trösch.

In a suburb of Belgrade, a private client fulfilled his dream of a spacious villa with attractive views of the city. Situated on a hillside plot, the detached house designed by local architects Autorski Atelje Spajic impresses with its transparent building envelope made of glass from Swiss specialist Glas Trösch. (more…)

Aalto, Alvar

Building design

Alvar Aalto

Students at Bochum University of Applied Sciences write letters to famous architects, here to the Finnish architect Alvar Aalto.

The “Archipedia” series is a cooperation between Baumeister and Bochum University of Applied Sciences, Department of Architecture. Students of the “Architecture Media Management” Master’s program write virtual letters to the crème de la crème of the architecture world, in this case to the Finnish architect and designer Alvar Aalto.

Dear Mr. Aalto,

Last week I heard about a current competition that I think you would have been very interested in. This competition involves the expansion of the University of Helsinki and is entitled “campus2015”. Today the university, where you also studied from 1916 to 1921, bears your name. I would like to know your opinion on the submitted designs – would you have made the same decision if you had been on the jury? The surrounding buildings were already planned by you in 1966. How would you have positioned yourself in relation to today’s architecture?

Your travels in particular are always reflected in your architecture. For example, I can see hints of this in the church in Muurame (1926) – there are particular elements from the Italian Renaissance here, which you discovered for yourself on your wedding trip to Italy in 1924. How would you describe the influence of your travels? How important were the meetings with Walther Gropius and Le Corbusier for you?

The term “star architect” is often used in the architecture scene today. You would probably reject this term. You describe architecture as a servant of society. The holistic approach you take to your designs is already evident in your first internationally successful building, the tuberculosis center in Paimio. Even here, it was important to you to create not just simple rooms, but an environment that was optimally adapted for people. Here, as in many of your buildings, you designed the interior architecture in harmony with the building. This shows the complexity and precision of your designs. So it comes as no surprise to me that in 1933 you and your first wife Aino founded a furniture manufacturing company in your adopted home of Helsinki. This business provided you with the playful space to expand your design spectrum through material research and new technologies. Many of the objects you designed are still for sale today – the Aalto vase, which you designed in 1936, is particularly popular. As with the vase, organic forms can always be found in your architecture, as we can see from the Aalto Theater in Essen, which is named after you.

You have remained true to your dreams, even though an architect advised you during an internship in your youth to devote yourself more to journalism. Today, you are considered the most important Finnish architect of the 20th century, not only because of your buildings, but also because of your furniture. I hope that your attitude and your work will be taken into account when selecting the winner of the campus2015 competition.

Yours sincerely,

Carola Hestermann

Biographical data of Alvar Aalto

1898 born in Kuortane, Finland
1916-1921 Studied architecture at the Polytechnic in Helsinki
1923 First office in Jyväskylä
1933 Founding of the furniture manufacturing company ARTEK
1986 Finland: Banknote of 50 Finnish marks with portrait of Alvar Aalto
1988 Completion of the Aalto Theater in Essen
1928 Tuberculosis sanatorium, Paimio
1947 M.I.T. Senior Dormitory
1962 Finlandia Hall, Helsinki
1976 died in Helsinki, Finland

Further reading

Louna Lathi; Alvar Aalto: 1898-1976. paradise for little people; Publisher: Peter Gössel; Taschen Verlag
Karl Fleig (ed.); Alvar Aalto. Complete Works, 3 volumes; Basel 1999
Göran Schildt, Alvar Aalto – The Early Years, The Decisive Years, The Mature Years, 3 volumes; New York 1984, 1986, 1991

Further weblinks

www.awmagazin.de
www.alvar-aalto-gesellschaft.eu

Portrait: https://upload.wikimedia.org/wikipedia/commons/2/25/Alvar_Aalto1.jpg
Photo: https://upload.wikimedia.org/wikipedia/commons/b/bc/Heiliggeist_WOB.jpg