Kahn speaks – Exhibition at Schnitzer&

Building design

ouis I. Kahn still speaks, decades after his death. Not in person, of course, but through his work and its exceptional architectural quality. In the Schnitzer& exhibition space in Munich’s Lindwurmstraße, a model of Kahn’s Institute of Management in Ahmedabad, India, is now on display.

Louis I. Kahn still speaks, decades after his death. Not in person, of course, but through his work and its exceptional architectural quality. In the Schnitzer& exhibition space in Munich’s Lindwurmstrasse, the spatial model of Kahn’s Institute of Management in Ahmedabad, India, is now on display against the backdrop of a wall-filling compendium of Kahn’s floor plans. The model and plans show Kahn’s architectural understanding of order; the model also has the appearance of a small city. Students from the Faculty of Architecture at the Technical University of Munich under the direction of Prof. Hannelore Deubzer, Full Professor of Spatial Art and Lighting Design, and senior assistant Rudolf M. Graf are responsible for the exhibition.

The gallery owner Martin Schnitzer and Hannelore Deubzer spoke at the opening of the exhibition. Rudi (as friends, colleagues and students know and call him) Graf didn’t want to say much at first – after all, Kahn was speaking for himself. Graf finally explained to the audience why this department has been letting students build room models of Kahn’s projects in 1:33 1/3 scale from MDF for twenty years. On the one hand, the tradition of spatial models goes back to Deubzer’s predecessor as chair holder, Friedrich Kurrent. The scale is considered suitable for depicting spatial-architectural issues in such a way that the viewer at least gets an essential impression of the (realized) design intention.

All projects as models

This is also where Graf comes in: During an excursion to the USA in 1998 (which the author of these lines was involved in organizing as a student assistant), Graf became aware of the special spatial, technical, aesthetic and not least poetic quality of various Kahn architectures. This should also be made comprehensible to students in teaching. This was also the reason for encouraging students to engage with Louis I. Kahn’s work as part of the subject “Spatial Theory”. And so, over the last 20 years, almost all of Kahn’s built and many unbuilt projects have been produced as models.

In addition, Kahn was not a topic in Graf’s studies “in the 70s”. Deubzer and Graf have made remedying this deficit a central and exemplary focal point of their architectural teaching. An example of this unusual, if not unique, approach to the work of an outstanding architect can now be seen in the Schnitzer& exhibition space.

The exhibition runs until April 4, and visitors can view it Monday to Thursday from 9 am to 5 pm and Friday from 9 am to 3 pm. The exhibition will be complemented by a lecture on the subject by Rainer Wetzels and a screening of the film “My Architect – A Son’s Journey”.

Pictures of the exhibition by Martin Schnitzer

YOU MAY ALSO LIKE

Elisabeth – a figure on the threshold of two wills

Building design
The depiction in which Mary meets Elizabeth has been depicted particularly frequently in art. Photo: Domenico Ghirlandaio, Public domain, via: Wikimedia Commons

The depiction in which Mary meets Elizabeth has been depicted particularly frequently in art.
Photo: Domenico Ghirlandaio, Public domain, via: Wikimedia Commons

Elizabeth is one of the few female figures in the New Testament whose theological significance extends far beyond her brief presence in the text. As the mother of John the Baptist, she stands at the intersection of Old Testament expectation and New Testament revelation – a position that has fascinated both the Bible and the visual arts. Hardly any other biblical figure combines prophetic witness, maternal authority and spiritual insight so impressively in a single figure.

Within the story of Jesus’ birth in the Gospel of Luke, Elizabeth plays a structurally indispensable role. Her story opens the first curtain of the drama of salvation: long childless and living in a priestly environment, she becomes the mother of John the Baptist through divine intervention. Luke’s Gospel thus deliberately draws on Old Testament narrative patterns – think of Sarah, Hannah or Ruth – in which barrenness is understood as a trial and overcoming it as a sign of election. In this literary tradition, she is not a marginal figure, but a theologically calculated intervention: the miraculous pregnancy of the old woman prepares the even more miraculous pregnancy of the young Mary.

The first chapter of Luke’s Gospel portrays Elizabeth as righteous before God, which is particularly important in the ancient context, as childlessness was considered a social and religious stigma. When the angel Gabriel announces the impending birth to her husband Zacharias, this marks a turning point that characterizes the entire narrative structure of the Gospel. The change from barrenness to fertility is no mere miracle – it is a signal of salvation history. The figure reaches its theological climax at the moment of the so-called Visitation, when Mary visits her relatives. At the sound of the greeting, the child leaps in Elizabeth’s womb – a prenatal recognition of Jesus, which is interpreted in the exegetical tradition as the first prophetic act of John the Baptist. Elizabeth’s words spoken in response – “Blessed are you among women, and blessed is the fruit of your womb” – were incorporated into the later Ave Maria, making it one of the most quoted phrases in the Christian liturgy. Here she does not act as a passive observer, but as a prophetic witness who names the identity of Jesus’ salvation even before his birth and thus linguistically crosses the boundary between the two testaments.

No pictorial motif in which Elizabeth appears has had such a lasting impact on art history as the Visitatio – the Visitation. Since the early Middle Ages, it has been part of the established canon of Marian picture cycles, and the motif unfolds its full iconographic complexity in the High Renaissance at the latest. Giotto di Bondone depicts the encounter between the two women in the Cappella degli Scrovegni in Padua (around 1305) with physical immediacy: the intimate embrace becomes a visible form of divine grace that takes place in human contact. Giotto’s composition thus sets a standard for all subsequent depictions.
Domenico Ghirlandaio adopts the motif in his fresco of the “Visitazione” (1491) in Santa Maria Novella in Florence and anchors it in the spirit of Renaissance humanism: the two women meet in a balanced, almost symmetrical composition against a moderate architectural backdrop. The age difference – Maria is youthful, Elisabeth more mature and experienced – becomes a formal device that emphasizes the miraculous nature of both pregnancies. In northern Europe, Albrecht Dürer takes up the theme in his woodcut series The Life of Mary (around 1502-1510): The scene is more narratively condensed, embedded in a richly detailed everyday setting that transfers the sacred into the familiar.

In addition to the Visitation, Elizabeth can also be found in the depiction of the birth of John the Baptist. In late medieval panel paintings, she often lies in childbed surrounded by servants while the newborn is being bathed – an iconographic parallel to the birth of Mary, which embeds her role as mother in family and social contexts. A particularly impressive example is Rogier van der Weyden’s altarpiece with the “Birth of the Baptist” (c. 1455, Gemäldegalerie Berlin), in which the reclining Elizabeth forms the center of a carefully arranged group of women with quiet dignity.
In the Baroque period, the emotional energy of the visitation scene intensifies considerably. In his “Visitation” (c. 1612), Peter Paul Rubens lends it a dynamic physicality: Elizabeth confronts Mary with sweeping gestures, while light and color heighten the spiritual excitement of the moment to a pathetic level. Here she is not a silent companion figure, but a woman whose devout joy is directly expressed in her movement and posture.
Characteristic of her portrayal across all epochs is the pictorial emphasis on age. Greyish hair, finely drawn facial features and a measured posture allude to her advanced years and emphasize the wonderfulness of her motherhood. At the same time, these features lend the figure a special dignity: she stands for constancy and fidelity in faith, for a depth of experience that complements the youthful Mary.
The enduring presence of the figure in painting, sculpture and stained glass – even in contemporary interpretations – demonstrates how productive the few verses of Luke’s Gospel have remained as an artistic template. In Elizabeth, female experience of faith, prophetic clarity and maternal authority are condensed into a figure that asserts its own unmistakable voice between restraint and theological effectiveness.

Drought as an extreme weather event

Building design
Drought: Desolate landscapes and parched soils illustrate the increasing challenges posed by climate change and water scarcity. Photo: Brent Olson via Pixabay

Drought: Desolate landscapes and parched soils illustrate the increasing challenges posed by climate change and water scarcity. Photo: Brent Olson via Pixabay

Drought is no longer a rare phenomenon in Germany, but an increasingly significant environmental problem that has far-reaching consequences for nature, society and the economy. The persistent dry periods pose considerable challenges for water supply, agriculture and ecosystems. In view of global climate change, the issue of drought is becoming increasingly urgent and requires a comprehensive understanding of the causes, effects and adaptation strategies.

Drought is caused by the interaction of various natural and anthropogenic factors:

  • Lack of precipitation: a prolonged period of significantly below-average precipitation leads to a deficit of soil moisture and water in rivers and lakes.

  • High temperatures: Rising temperatures increase the evaporation rate of water from soils, plants and water bodies, which exacerbates drought.

  • Changes in land use: Intensive agriculture, drainage of wetlands and deforestation reduce the ability of the landscape to store and balance water.

  • Climate change: Man-made climate change influences all of the above factors, changing precipitation patterns and increasing the frequency and intensity of droughts.

These factors often interact and reinforce each other, making drought in Germany an increasingly complex and multi-layered problem.

The consequences of drought are manifold and affect almost all areas of life:

  • Agriculture: lack of water leads to crop failures, reduced plant growth and increased stress for crops. This jeopardizes food security and the economic existence of many farms.

  • Water resources: Falling groundwater levels and dried-up rivers affect the supply of drinking water, industry and energy production. Water scarcity can lead to conflicts of use between different sectors.

  • Ecosystems: Wetlands, peatlands and forests suffer from a lack of water, leading to a loss of biodiversity and habitat degradation.

  • Society: Water scarcity can exacerbate social tensions, reduce quality of life and also lead to economic damage in the long term.

The economic costs of drought and associated extreme weather events are considerable and highlight the need for sustainable management of water resources.

In order to effectively meet the challenges of drought, a variety of measures are required at different levels:

  • Sustainable agriculture: by adapting cultivation methods – such as mulch sowing, crop rotation and the use of drought-resistant varieties – soil moisture can be better conserved and the resilience of crops increased.

  • Efficient water management: The promotion of rainwater harvesting, the renaturation of wetlands and the unsealing of land help to strengthen natural water cycles and replenish groundwater reserves.

  • Forest conversion: Conversion to climate-resistant mixed forests improves the water storage capacity of the landscape and reduces the risk of forest fires.

  • Political measures: The introduction of water user charges, the promotion of adaptation projects and continuous monitoring of water resources are important instruments to promote the economical use of water.

  • Innovative approaches: Concepts such as agri-photovoltaics, which combine agricultural use with solar energy production, offer forward-looking opportunities to combine agriculture and climate protection.

Drought is a complex phenomenon with far-reaching effects on the environment, the economy and society. The increasing frequency and intensity of dry periods calls for a rethink in agriculture, water management and spatial planning. Targeted prevention and adaptation strategies can improve resilience to drought and limit the negative consequences. At the same time, addressing the issue opens up opportunities for innovation and sustainable economic activity.

Responsible use of water and soil is essential to ensure a livable environment for future generations.

If you are looking for further information on regional adaptation measures or support programs, there are numerous advisory services available from environmental authorities and specialist institutions.

Find out more about Beat the Heat here.