Since October 2022, climate activists have been attacking famous works of art in European museums. Yesterday, the painting “Death and Life” by Gustav Klimt in Vienna’s Leopold Museum was hit. The Austrian Museums Association responded with an open letter to the activists
Since October 2022, climate activists have been attacking famous works of art in European museums. Yesterday, the painting “Death and Life” by Gustav Klimt in Vienna’s Leopold Museum was hit. The Austrian Museums Association responded with an open letter to the activists
The climate activists of the “Last Generation” have been making headlines for weeks: They are not only sticking themselves to the pavement, but also to painting frames of prominent works of art in European museums. Following various attacks, such as on Vincent van Gogh’s “Sunflowers” (National Gallery, London), Johannes Vermeer’s “Girl with a Pearl Earring” (1665/1667) in the Dutch art museum Mauritshuis or Claude Monet’s “Grainstack” (1890, Museum Barberini, Potsdam), a major work by Gustav Klimt became the target of so-called climate activists yesterday: Two men threw a black liquid at the glass-protected painting “Death and Life” in Vienna’s Leopold Museum. One of the activists then stuck his hand to the glass covering the painting.
Protected with glass: The painting “Death and Life” by Gustav Klimt
“Fortunately, the artwork was not damaged,” explained Hans-Peter Wipplinger, Director of the Leopold Museum in Vienna since 2015, immediately after the attack. The restoration team gave the all-clear for damage to the artwork and Josef Hoffmann’s original frame after an initial assessment. However, the damage to the glass and the safety framing as well as to the wall and floor was evident and considerable. The activists will have to bear the costs of cleaning and the deployment of the police, among others – a five-figure sum is to be expected.
Museums safeguard cultural heritage for future generations
“The concerns of climate activists such as those of the ‘Last Generation’ are justified, but attacking works of art is definitely the wrong way to achieve the desired goal of preventing the predicted climate collapse,” continues museum director Hans-Peter Wipplinger. “Museums are preserving institutions and in this sense are a prime example of sustainability. Art creates identity; preserving, restoring, documenting and presenting art to an art-loving public is one of the essential tasks of museum institutions, which we are passionate about. Museums are places of encounter and discourse in order to communicate cultural heritage and safeguard it for future generations.”
With this oil attack, the activists are referring to the sponsor, the Austrian oil and gas company OMV, which yesterday supported an open day with free entry on the occasion of Leopoldi Day. “People who are still exploring and drilling for new oil and gas have blood on their hands – you can’t wash that off with sponsorship,” the activists explain on Twitter. “We’ve known about the problem for 50 years, we have to finally act, otherwise the planet will be destroyed,” the two men shouted during their action. “Stop the fossil destruction. We are racing into a climate hell.”
Emergency plan for the worst-case scenario
Despite stricter controls – for example, bags must be handed in at the Leopold Museum – the climate activists smuggled the liquid into the museum in a hot water bottle under their clothes. However, they had already rehearsed for an emergency, as Hans-Peter Wipplinger explained in an interview with the Viennese daily newspaper “Standard” yesterday: “We have had increased security in the halls for some time, and fortunately a supervisor was standing three meters away and intervened immediately. Everything then proceeded according to our emergency plan: We evacuated the hall first, then called the police and the paramedics, then the restoration team. I was then informed. We went through the emergency plan several times to avoid initial damage.” There was also an emergency kit on each floor. “We couldn’t glaze the damaged painting itself because it is an old, original Josef Hoffmann frame that was used by Klimt and still has traces of Klimt’s paint,” explains Hans-Peter Wipplinger. “That’s why we installed this glass, which weighs hundreds of kilograms, almost bulletproof glass. That was a good investment.”
An open letter to the climate activists of the “last generation”
The Austrian Museums Association has now addressed an open letter to the members of the “last generation”: Museums are available as discussion and cooperation partners for climate protection concerns and strive to “make an effective public contribution to the discourse on changes to our planet and our livelihoods caused by human intervention and their negative effects on the climate, nature and their diversity”. At the same time, the Austrian Museums Association appealed to climate activists to refrain from doing anything “that endangers the preservation of our natural and cultural heritage and the role of museums as a place of education and learning”. Visitors should also be able to visit museums in the future “without major access restrictions and without general suspicion”.
ICOM also condemns the action due to the risk of damage
The Austrian National Committee of the International Council of Museums, ICOM-Austria, also condemned the action “in the strongest terms” due to the risk of damage: “Museums are places of dialog where socio-political issues are negotiated. However, the current impression is that the protest actions are primarily using the resonance space of museums to generate maximum attention”. Museums would generally support the concerns of the climate movement. ICOM is also asking for talks “to put what we have in common before what divides us”.
Yesterday, climate activists attacked a painting by Gustav Klimt in Vienna’s Leopold Museum with oil. You can see the attack by the “Last Generation” group, which is also active in Germany, in the video:
Last week, two activists from the “Last Generation” group glued themselves to a plinth in the Dinosaur Hall at the Natural History Museum (NHM) in Vienna. They were protesting “against the Austrian federal government’s fossil-fuel policy”. Activists had already wanted to stick themselves to the Natural History Museum in September, but were prevented from doing so.












