Les Violettes: A school in harmony with nature

Building design

The HEMAA school in collaboration with Hester's Oyon in Mareil-Marly. Credit: Sergio Grazia

The Les Violettes school has been extended: In Mareil-Marly, a suburb of Paris, the architecture firm HEMAA has realized a remarkable school project in collaboration with Hesters Oyon: the expansion of the Les Violettes school complex. The project includes a new daycare center, a six-classroom extension to the elementary school and a leisure center. The school, which was built on a 2,000 square meter site, blends harmoniously into the surrounding landscape and uses the existing tree structure as a design element.

The building ensemble was designed to take up the special topography of the site. The architecture preserves and enhances the natural surroundings: transparent façades and a choice of wood and glass materials ensure a close interlocking of interior and exterior spaces. The positioning of the new buildings in the western part of the site also allows for optimal use of the open spaces as protected play areas.

The extension of the school was carried out with a clear focus on functionality and aesthetics. The buildings were deliberately fragmented and connected by two light-flooded, two-storey halls. While one of these halls marks the entrance area of the elementary school, the other acts as a link between the kindergarten and the covered play area. Thanks to extensive glazing, daylight is directed deep into the interior of the building.

In order to minimize the construction time and not interfere with ongoing school operations, the architects opted for a prefabricated timber construction method from French production. This not only reduced noise during the construction phase, but also the project’s CO2 footprint. The insulation is made of wood wool and natural materials characterize the entire interior concept. Visible wooden structures and untreated concrete walls create an authentic, warm atmosphere.

The choice of materials plays a central role in the architectural concept: while the first floor is clad with vertical wooden slats, the upper floor has a façade made of reflective aluminum. This reflective cladding picks up on the colors of the surroundings and changes the appearance of the school depending on the weather and season.

Another key concern of the architects was to promote an open and inspiring learning atmosphere. In the kindergarten, all classrooms are located on the first floor with direct access to the outside area – a wish expressed by the teachers in order to create the closest possible connection between learning and play areas. In the elementary school, generous glazing between classrooms and corridors provides natural lighting and transparency.

Another sustainable element is rainwater management: instead of complex drainage systems, the water is directed specifically into areas that can seep away, particularly around the existing trees. This preserves the natural water cycle while improving the microclimate at the same time.

The Les Violettes school project is an example of how contemporary architecture and sustainable building can go hand in hand. The combination of timber construction, well thought-out spatial organization and sensitive integration into nature creates an environment that is not only functional but also inspiring. The school thus becomes a place to learn, play and grow – surrounded by the trees of Mareil-Marly.

Read also: The Sint Lucas School in Antwerp designed by Atelier Kempe Thill.

POTREBBE INTERESSARTI ANCHE

#BeautySalonVanGoghMuseum

Building design
Amsterdam / Maurice van der Meijs

Amsterdam / Maurice van der Meijs

How the barber came to the museum: Last Wednesday, January 19, 2022, more than 70 museums, concert halls and theaters in the Netherlands protested against the ongoing closure of cultural institutions with unusual actions. In this way, the institutions drew attention to the unequal treatment of the cultural sector during the corona pandemic, as stores, hairdressers and gyms remained open. This is how […]

How the barber came to the museum: Last Wednesday, January 19, 2022, more than 70 museums, concert halls and theaters in the Netherlands protested against the ongoing closure of cultural institutions with unusual actions. In this way, the institutions drew attention to the unequal treatment of the cultural sector during the corona pandemic, as stores, hairdressers and gyms remained open.Amsterdam’s Van Gogh Museum, for example, was transformed into a beauty salon for a day: hashtag #BeautySalonVanGoghMuseum

In particular, the strict ban on cultural events since December 19, 2021 has met with resistance in the Netherlands. To express their protest, numerous museums therefore briefly opened for special events last Wednesday, January 19, 2022. In Amsterdam’s Van Gogh Museum, for example, nail artists were able to show off their skills, while other museums offered yoga classes, haircuts and manicures. Concert organizers also joined the unusual protest. Without further ado, the venerable Concertgebouw was transformed into a “Kapsalon Concertgebouw”, where you could also have your hair cut during a rehearsal of the symphony orchestra led by conductor Susanna Malkki! An unusual performance that met with great approval from the audience. Charles Ives’ Symphony Number 2 was played. “We don’t understand it and there is no justification for it, because in the last two years we have shown that it is very, very safe to go to a concert or a museum,” emphasized Simon Reinink, the director of the Concertgebouw.

Across the street at the Van Gogh Museum, visitors were offered manicures, beard care and a professional haircut at the same time under the hashtag #BeautySalonVanGoghMuseum , while viewing paintings by Vincent van Gogh. “We want to emphasize that it is safe to visit the museum,” commented Emilie Gordenker, the museum’s director since February 2020. “This is definitely something completely new at the Van Gogh Museum”. The museum director also adds: “More and more people are visiting museums in search of spiritual depth and the meaning of life, among other things. We also need a ‘mental’ gym!”. The area of ‘mental health’ is just as relevant for our museum, especially because of Van Gogh’s own mental state.”

Manicure, beard care and a professional haircut

Many institutions in the capital took part in the protests in this way. They all found it unfair that cultural institutions had to close during the lockdown, while stores, hairdressers and gyms remained open. On January 16, 2022, the one-month lockdown was eased in the Netherlands, allowing hairdressers, gyms and stores to reopen. Cultural institutions, on the other hand, were to remain closed.

Creative resistance on the part of cultural institutions

Gunay Uslu from the Dutch Ministry of Culture showed understanding for the protests, but urged caution. She wrote on Twitter: “There are creative protests on the part of cultural institutions. I understand this cry for help and that artists also want to show all the beautiful things they have to offer us, but the easing of the lockdown must take place step by step. Culture is right at the top of the agenda for us.” The government therefore held out the prospect of any easing of the strict coronavirus measures for January 25, 2022 at the earliest.

Reading tip: As of this week, solo self-employed cultural workers in Germany, including freelance restorers, can apply for Restart Aid 2022. They receive support that is not linked to operating expenses. Applications for Neustarthilfe 2022 in the funding period from January to March are now open. Read more here.

Craftsmanship and restoration – Restauro 8/23

Building design
Craftsmen learn historical plastering techniques and much more in various training courses to become a restorer in the trade. Photo: Wikimedia Commons / BHD Propstei Johannesberg

Craftsmen learn historical plastering techniques and much more in various training courses to become a restorer in the trade. Photo: Wikimedia Commons / BHD Propstei Johannesberg

Monuments and works of art must be preserved and maintained in the long term. But what new products and digital solutions are currently available for conservators, for the preservation of monuments and for everyone involved in the preservation of cultural assets? And how do craftsmanship and science interact here? For example, the maintenance and restoration of listed buildings combines architectural history and building tradition with knowledge of the properties of historical building materials, modern technologies and environmentally friendly materials.

Monuments and works of art must be preserved and maintained in the long term. But what new products and digital solutions are currently available for conservators, for the preservation of monuments and for everyone involved in the preservation of cultural assets? And how do craftsmanship and science interact here? For example, the maintenance and restoration of listed buildings combines architectural history and building tradition with knowledge of the properties of historical building materials, modern technologies and environmentally friendly materials.

In times of war, terror and great uncertainty, positive news is balm for the soul. Especially when it comes to the restoration profession, there are many good prospects. Even if supply chain bottlenecks, interest rate hikes and a shortage of skilled workers have left many craft businesses in a tailspin, this does not apply to companies working in the preservation of historical monuments. Surveys of restorers in the trade have even shown that there will be a significant increase in work in the preservation and restoration of historic buildings compared to the decline in employment in the new construction sector. Another finding is that traditional craft businesses working in the preservation of historical monuments find it easier to find trainees. Statements that give hope. After all, cultural heritage must be preserved and maintained in the long term. This development is reflected in the newly regulated further training course to become a certified “Restorer in the trades – Master Professional for restoration in the trades”.

In the new issue, you can also find out which further training courses are available for tradespeople to learn skills for which there is usually no room in training, such as historical plastering techniques or gilding.

It is not only young people who are interested in conserving important works of art; it is also a fascinating task for stone sculptors, which often goes hand in hand with the desire to complete further training as a conservator. This is what happened to Heinrich Bauer-Bornemann. We show how he restored the epithaph for Heinrich von Bila in Merseburg Cathedral from scratch.

Preserving and restoring old buildings and the energy transition – these two goals do not have to be contradictory! In RESTAURO 8/23, you can find out how the energy transition can also be achieved in the field of monument preservation. It shows that vacuum insulation glass available on the market can be used to upgrade almost any existing window to low-energy house standards with very good heat transfer coefficients.

We also look at a particularly sensitive topic that is more topical than ever: how Germans deal with their history in relation to the Holocaust. We spoke to Matthias Weniger, curator of medieval sculptures and paintings at the Bavarian National Museum, about a very special (and hopefully soon possible again) trip to Israel. In his luggage: lots of silver.

The magazine is available here in the store.

We hope you enjoy discovering this issue.

RESTAURO editorial team

In RESTAURO 7/23, we looked at the topic of “Museums for the future”.Read more here in the editorial.