Life and death fair 2017

Building design

The “Life and Death” trade fair took place for the eighth time and set a new visitor record with 4,336 visitors – 510 more than last year. In mid-May, visitors to Messe Bremen were given a wide range of insights into the topics of life and death. The trends that could be discovered there are also of interest to stonemasons. The Life and Death trade fair […]

The Life and Deathtrade fair took place for the eighth time and set a new visitor record with 4,336 visitors – 510 more than last year. In mid-May, visitors to Messe Bremen were given a wide range of insights into the topics of life and death. The trends that could be discovered there are also of interest to stonemasons.

The annual trade fair deals with the areas of life, dying, mourning and farewell. 70 speakers informed the participants about these topics in a variety of lectures and workshops and a total of 128 dealers, manufacturers, artists, clubs and associations presented their products, services and information. Among other things, the focus was on prevention, care, support, saying goodbye, mourning and dying with dignity.
The trade fair is aimed not only at the target groups of full-time and voluntary workers in hospice and geriatric care, funeral services and pastoral care in cemeteries, but also at all other interested parties and people who are affected by these topics in general. The aim is to create a forum in which people can exchange ideas and ask questions openly and in a harmonious atmosphere.

At the LIFE AND DEATH trade fair, it was clear that the funeral culture is changing. Burial in a coffin is being replaced by cremation, which is becoming increasingly widespread. As a result, gravestones are also increasingly changing. There is an increasing demand for “offers that include grave care or do without it altogether”, explains Alexander Helbach from Aeternitas e.V. For example, “various forms of gardened communal gravesites, such as memorial gardens, columbaria, tree burials (in forests, but also in cemeteries) or burials at sea” are becoming more and more interesting for relatives.

This is also confirmed by Oliver Wirthmann, Managing Director of the Kuratorium Deutsche Bestattungskultur e. V. “So-called maintenance-free or low-maintenance grave arrangements are increasingly preferred. Grave maintenance is carried out jointly by a provider. This is a particular advantage for people who live far away but want to find a well-kept place.” The grave no longer represents social status, as was the case many years ago. Other aspects such as mobility, costs and, above all, individuality are increasingly taking center stage. “However, it is important to remember that graves are an overall artistic arrangement designed by stonemasons and that individual design is not possible,” adds Wirthmann.

Memorial diamonds

New options for personal and individual farewells are appearing more and more frequently. At LEBEN UND TOD, for example, memorial diamonds created from the partial ashes of the deceased were presented – a form that does not require a gravestone and fulfills the desire for individuality.

However, Wirthmann takes a critical view of this unusual and extravagant form of burial. “You should be careful with regard to psychological mourning,” he says. “The job of a funeral director is to accompany people and not to do everything the customer wants, but also to point out the consequences. And this option could be problematic. Because with memorial diamonds, a remnant of the ashes remains and makes it unclear in terms of grief psychology where the deceased ultimately is,” notes Wirthmann. Helbach also explains that unusual variants, such as commemorative diamonds, will continue to be an absolute exception.

The future of the conventional gravestone

Mobility, individuality and cremation. These aspects are becoming increasingly important in funeral culture. This raises the question: does the conventional gravestone still have a future? – “Definitely, yes,” answers Oliver Wirthmann. Even if the funeral culture is changing, particularly as a result of cremation, new alternatives are being offered. “The culture of gravestones has developed over many years. Its culture began where people started erecting stones,” explains Wirthmann. “The type and design of gravestones will change, but gravestones will always exist. They are a basic part of human culture and a sign against death,” adds Wirthmann.

Helbach is also convinced of this: “The conventional gravestone, which has shaped the appearance of many cemeteries for decades, will certainly not disappear completely.” However, it is important to respond to customer needs and wishes. Helbach sees opportunities for simple but appealing and individually designed gravestones, especially in communal burial grounds. Wirthmann is convinced by cremation, as it offers numerous options for subsequent burial. “However, if headstones are to remain attractive, people need to be made aware of the alternatives,” emphasizes Wirthmann.

It doesn’t always have to be the large headstone from the well-known mass-produced range. Small and individual gravestones or grave markers made of stone are possible. Furthermore, it is essential that “uniform rules apply in cemeteries and specifications are made so that ‘no colorful patchwork’ is created. At the same time, the density and breadth of regulations should be kept simple,” says Wirthmann, so that individual customer wishes can be taken into account and a certain amount of design freedom can be offered.

The next Life and Death will take place on May 4 and 5, 2018.

POTREBBE INTERESSARTI ANCHE

IGESA: From military hospital to security hub

Building design
Boman architects have converted a military hospital at Air Base 217 into a security hub. Including a "room of secrets". Photo: © Antoine Séguin

Boman architects have converted a military hospital at Air Base 217 into a security hub. Including a "room of secrets". Photo: © Antoine Séguin

The conversion of the former French military hospital IGESA exposed the raw structures, making the history tangible. In doing so, Boman Architectes realized their ambition to connect the past with the future.

The conversion of the former French military hospital IGESA exposed the raw structures, making the history tangible. In doing so, Boman Architectes realized their ambition to connect the past with the future.

Boman Architectes is a Paris-based architecture firm with an additional office in Nantes. It was founded in 2017 by Claire Borgès-Maunoury and Laurent Lustigman. Since then, the office has realized projects of various sizes.

From small sports facilities to the renovation of historic buildings, from the redesign of industrial sites to temporary installations. It is therefore not surprising that they were awarded the contract to adapt the military hospital.

The site served the architects as the basis for a digital transformation. The requirement to create a dynamic center for Smart Specialization Strategies companies resulted in the adaptation of the building on Air Base 217. The building dates back to the second half of the 20th century and was carefully renovated. The military hospital by Boman Architectes was given internal insulation made of wood wool in order to preserve the original façade.

Large bulletproof glass windows were installed for use as offices, which can be shaded on the outside with green fabric. Only a few changes were made to the interior. The exposed concrete structure was left untreated, as was the necessary building technology.

The visibility of the infrastructure is intended to create an ornamentation specific to the location. The building structure itself was only altered to a small extent in order to preserve the original identity of the site.

The new entrance area is now located in the area of the original spiral staircase. From there, you can access the two office floors and the meeting room on the first floor. The latter is separated from the entrance hall by a wooden wall.

The doors have the same surface finish as the wall, giving it a monolithic appearance. Acoustic curtains were also incorporated into the meeting room to ensure flexibility. This means that either 100 people can be accommodated at the same time, or up to three separate areas can be created.

The secure office wing of the center is located on the upper floor of the former military hospital. The so-called “Room of Secrets” is also housed here. This is a wooden construction clad with steel panels on the outside and structured with a wooden grid on the inside. The ceiling inside is brightly lit.

From the outside, it is clear that this is an addition to the historic building. It is symbolic of the new function of the military hospital and its forward-looking spatial program. The “Room of Secrets” is based on the rocket launch rooms of the 20th century. The area of Air Base 217 still retains a touch of secrecy and a top secret flair.

Buchner Bründler Architekten also treated the existing building with care when converting the old coach house in Basel.

Architecture software: Why many are switching

Building design

Architectural firms are currently faced with the question: should they continue using their existing CAD software or switch to the future? Because 3D modeling and BIM are becoming increasingly important. “We used the software we’ve always used – but at some point we couldn’t get any further.” This is the almost unanimous tenor of architectural firms that have decided to switch […]

Architectural firms are currently faced with the question: should they continue using their existing CAD software or switch to the future? Because 3D modeling and BIM are becoming increasingly important.

“We used the software we’ve always used – but at some point we couldn’t get any further.” This is the almost unanimous opinion of architectural firms that have decided to switch to ARCHICAD software. The manufacturer of the program, GRAPHISOFT, asked the architects about their motives and uncovered some interesting facts.

The 2D/3D issue is at the forefront of the reasons for switching. Many offices use software solutions that are still heavily reliant on two-dimensionality. This is not the case with ARCHICAD, where working directly on the 3D model has always been at the heart of the system. You can plan intuitively and quickly on a central model. Every change also appears automatically in all floor plans, views and sections.

This is not only extremely time-saving – it is also better suited to today’s working habits, especially those of young architects. They want to move quickly into modeling, work on the living object, so to speak, and quickly deliver presentable, veritable results. Andreas Kleboth from Linz can also observe this in his office: “We have many employees who are familiar with ARCHICAD from their studies and are therefore very experienced and very fast at creating 3D models.”

A quicker sense of space, conditions and atmosphere: this is what more and more clients are demanding. This is where many of those surveyed see ARCHICAD’s great trump card. Architect Johannes Berschneider from Pilsach describes it like this: “The final icing on the cake are the clients, who sit here with their mouths open, watching and ‘walking through the building’.” He is referring to the 3D representations with which ARCHICAD enables impressive virtual building inspections virtually at the touch of a button.

Building Information Modeling is increasingly required in tenders in order to ensure an efficient project process across all phases and between all planning participants.

Training for the changeover

Almost all offices took advantage of the extensive training and support offered by GRAPHISOFT and its local partners. For architect Irene Kristiner from Graz, the ARCHICAD basic course was particularly helpful: “The program’s functions were explained to us right from the start, we were able to work with it directly, ask our questions and receive direct feedback.”

Interesting information portal

What do the individual architects think about their software? Why did they decide to switch to ARCHICAD? And how did the changeover go? GRAPHISOFT has set up an interesting information portal with film clips about various architecture firms in Germany and Austria. More information here.

Credit for all images: Alex Brunner, www.vonbrunner.com