Light Art: James Tapscott in Houston

Building design
James Tapscott is showing two immersive light artworks from his Arc ZERO series in Houston. The installation combines water, fog and light to create a walk-in landscape in a public space. Photo: Studio JT via v2com
James Tapscott is showing two immersive light artworks from his Arc ZERO series in Houston. The installation combines water, fog and light to create a walk-in landscape in a public space. Photo: Studio JT via v2com

Light Art Between Water, Space, and Perception

Today, contemporary light art extends far beyond traditional sculpture or object installations. Increasingly, immersive landscapes are being created in which light, water, mist, and movement merge into a unified experience. It is precisely within this interplay that the current work of Australian land and light artist James Tapscott finds its place; at City Place The Woodlands in Houston, he is presenting two large-scale works from his Arc ZERO series together for the first time.

The installation combines art and landscape in a way that is not merely viewed but experienced—a central feature of modern light art in public spaces.

A Landscaped Space as a Stage for Light Art

The location itself is part of the artistic concept. City Place is a publicly accessible, landscaped water and park area that combines nature, infrastructure, and recreation. Within this setting, the two works, Arc ZERO: Nimbus and Arc ZERO: Eclipse, unfold their full effect.

Rather than isolated art objects, a continuous spatial experience emerges in which visitors move through different atmospheres. Water is used not only as an element but as an active medium of light art, creating reflection, movement, and depth.

Arc ZERO: Eclipse – Light as Floating Geometry

Arc ZERO: Eclipse is a large-scale semicircular structure installed directly in a calm water basin. The reflection on the water’s surface creates the visual impression of a complete circle that appears to float weightlessly in space.

However, this effect is not static. Depending on the viewer’s vantage point, the direction of the wind, or the lighting conditions, the image changes continuously. Fog emanating from the structure disrupts the clear geometry, causing the circle to constantly take on new forms.

This highlights just how strongly perception in light art depends on movement and perspective. The work does not exist as a fixed object, but as a constantly changing state between the structure, the water, and the surroundings.

At night, integrated LED lighting systems further enhance the effect. The circular form begins to glow above the water, creating a serene, almost floating atmosphere that is reflected and doubled on the water’s surface.

Arc ZERO: Nimbus – a walk-through field of light

While Eclipse is based on distance and reflection, Arc ZERO: Nimbus is a work of direct physical experience. A ring-shaped steel framework is installed above a boardwalk through which visitors walk.

Here, light art is no longer merely viewed but physically experienced. The ring is permeated by dense fog that constantly shifts, dissipates, and reforms. Wind movements influence the structure of the fog, while light breaks it down into fine layers and color gradients.

The key difference from traditional installations is that the human body becomes part of the artwork. Every step alters the perception of space. Visibility and invisibility alternate in fractions of a second.

At certain moments, halo-like light phenomena emerge when moisture and light sources overlap. At night, this effect is intensified by warm-glowing LED elements that make the fog appear like a floating substance.

Two Works, One Coherent System

Although Eclipse and Nimbus are very different in form, they conceptually form a single system. Both works take water as their starting point—but in different states of matter and levels of perception.

  • Eclipse captures water as a mirror and creates stability
  • Nimbus dissolves water into the atmosphere and creates movement
  • The landscape connects both states into a continuous space of experience

This juxtaposition gives rise to a fascinating dialogue within the realm of light art: between form and dissolution, distance and proximity, observation and participation.

Visitors decide for themselves how they move through this space and which perspective they adopt. The art is not complete in and of itself, but comes into being in the moment of perception.

International Relevance of the Arc ZERO Series

The Arc ZERO series has been exhibited internationally since 2009 and ranks among the most significant bodies of work in the field of landscape-based light art. Installations have been realized in Asia, Europe, Australia, and the U.S., among other places, and have received numerous awards.

Particularly noteworthy are awards in Kaohsiung and Seoul, which confirm the series’ status as an important contribution to the development of contemporary public art in the landscape.

The current installation in Houston is unique in that, for the first time, two variations of the series can be experienced simultaneously in one location—a rare situation that further enhances the dialogic nature of the works.

Light Art as a Landscape Experience

James Tapscott’s works exemplify how light art is evolving: away from static objects toward open, atmospheric landscapes. Water, fog, and light become dynamic materials that are constantly changing and do not take on a fixed form.

In Houston, this creates not a traditional exhibition space, but a walk-through landscape of light in which perception, movement, and nature are inextricably linked.

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Fall Protection on Playgrounds: Materials, Details, and Best Practices

Building design
A closer look at surfacing and open-space materials related to fall protection on playgrounds
A weathered, painted surface featuring fish motifs—a detail from an urban setting. Photo: ghisini/Unsplash

Fall protection on playgrounds is one of the few areas of outdoor space design where a planning decision directly determines whether or not serious injuries occur. The material beneath and around climbing equipment, the depth of a loose-fill surface, the extent of the impact-absorbing zone, and the quality of maintenance are not minor details on the periphery of a design, but rather core technical tasks that are regulated by standards, relevant to liability, and whose effects are physically measurable. Anyone who plans, builds, or operates playgrounds must fully understand fall protection.

  • What fall protection on playgrounds entails and which standards govern it.
  • How the critical fall height is defined and what it means for planning
  • What types of impact protection materials exist, how they work, and how they differ.
  • How to correctly dimension and demarcate fall protection zones
  • What installation depths and maintenance requirements apply to bulk materials?
  • How bonded and unbonded impact protection surfaces compare in practice
  • What common planning and implementation errors occur and how they can be avoided.
  • How fall protection can be integrated into the broader context of playground planning, biodiversity, and the urban climate.

Basics: What fall protection on playgrounds means and which standards apply

Fall protection on playgrounds refers to all measures designed to reduce the impact energy of a falling child to such an extent that life-threatening or serious injuries—particularly head injuries—are prevented. Minor injuries such as scrapes or bruises are not considered an exclusion criterion, but rather an accepted residual risk of play. This distinction is enshrined in regulations and fundamental to planning: playgrounds should not be risk-free, but safe in the sense of a calculated, developmentally appropriate level of risk.

The relevant series of standards for playground equipment and impact protection in Germany and Europe is DIN EN 1176 (Playground equipment and playground surfacing), supplemented by DIN EN 1177 (Impact-absorbing playground surfacing—Determination of critical fall height). These standards define terms, test methods, minimum requirements, and documentation obligations. They are not legal regulations in the strict sense, but have the status of recognized technical rules. Anyone who deviates from them bears the burden of proof in the event of an accident to demonstrate that the chosen solution is equally safe. Compliance with these standards is practically mandatory for public playgrounds, daycare centers, and schoolyards.

In addition to the DIN EN standards, the accident prevention regulations of the statutory accident insurance institutions are relevant, in particular DGUV Rule 102-007 (formerly GUV-SI 8017) for daycare centers and schools. These regulations specify operator obligations, inspection intervals, and documentation requirements. Planners should always keep both levels in mind: the product-related standard for equipment and flooring on the one hand, and the operator-related regulations for inspection and maintenance on the other.

The critical fall height: a key concept in fall protection planning

The critical fall height (CFH) is the central design criterion for impact protection on playgrounds. It describes the maximum height from which a child can fall onto the playground surface without the impact exceeding a head injury threshold. This threshold is measured in the testing procedure according to DIN EN 1177 as the HIC value (Head Injury Criterion): An HIC value of 1000 is considered the threshold above which the risk of severe brain injuries increases significantly. The critical fall height is therefore not a fixed number, but rather a result of material testing: Every impact protection surface has a specific critical fall height, which is determined through standardized drop tests using a test specimen.

For planning purposes, this means: First, the free-fall height of the play equipment is determined. The free-fall height corresponds to the vertical distance between the highest accessible point of the equipment and the ground below. This value must be less than or equal to the critical fall height of the chosen impact-absorbing surface. A climbing tower with a platform at a height of three meters therefore requires a surface with a critical fall height of at least three meters. If this requirement is not met, the playground does not comply with regulations, regardless of how attractive the equipment is designed.

A common misconception in practice is to equate the free fall height with the overall height of the equipment. The decisive factor is always the highest point a child can reach as intended—platforms, ladder rungs, climbing holds, and similar elements—not the overall structural height of the equipment. At the same time, it is important to note that equipment with a free fall height of less than 60 centimeters does not require a separate impact-absorbing surface according to DIN EN 1176, provided the existing floor does not present additional hazards such as edges or hard surfaces. However, this threshold does not mean it is acceptable to use hard surfaces under small pieces of equipment, as children can also fall awkwardly from low heights.

Comparison of impact protection materials: loose materials, mats, and bonded systems

The range of impact-absorbing surfaces can be divided into three main categories: loose bulk materials, prefabricated slabs and impact-absorbing mats, and bonded elastic surfaces. Each category has specific strengths, weaknesses, and conditions of use that must be carefully considered during the planning phase.

Loose bulk materials

Sand, wood chips, bark mulch, and gravel are among the oldest and most widely used impact-absorbing materials on playgrounds. Their effectiveness is based on energy absorption through the deformation and compaction of the material upon impact. Sand is the best-known material, but it offers a comparatively low impact protection height per unit of installation depth: To achieve a critical fall height of three meters, an installation depth of at least 30 centimeters is required, with the actual protective effect depending heavily on the grain size distribution, moisture content, and degree of compaction. Dry, loosely installed sand offers significantly better protection than wet, compacted sand. Regular loosening is therefore not merely cosmetic, but a safety-related maintenance measure.

Wood chips and bark mulch offer a higher critical fall height than sand at the same installation depth; they are lighter and less prone to compaction. However, they have the disadvantage of being organic materials that decompose, can promote mold growth, and provide habitat for insects and small animals. While the latter is not inherently negative from an ecological perspective, it can raise hygiene concerns in heavily used play areas. Bark mulch certified according to DIN EN 1177 has a defined particle size and composition that differs from standard garden mulch. Planners should explicitly insist on the use of products compliant with the standard and include this requirement in the specifications.

Gravel is less commonly used as a fall protection material, but it makes sense in certain contexts—for example, when the design of a playground calls for a natural aesthetic. Gravel compacts less than sand, is highly permeable, and is easy to maintain. With the appropriate grain size and sufficient installation depth, its impact protection meets standards. Disadvantages include the risk of injury from individual stones during falls and the tendency for children to step outside the impact protection zone.

Fall Protection Tiles and Rubber Mats

Prefabricated impact-absorbing tiles made of rubber granules or polyurethane-bonded cork are a widely used alternative to loose-fill materials, especially in heavily used or accessible play areas. They offer a defined, consistent level of protection, are wheelchair accessible, and do not require regular replenishment of loose fill. The critical fall height is tested and documented for each product, simplifying the planning process. Typical tile thicknesses of 40 to 100 millimeters cover critical fall heights of approximately 1.5 to 3 meters, depending on the material’s density and composition.

Disadvantages of rubber mats include higher purchase costs compared to bulk materials, limited repairability in case of damage, and environmental concerns regarding the production and disposal of rubber granules, which are often derived from recycled tires. Newer developments utilize natural rubber or cork-based systems, which have a more favorable environmental footprint. In practice, rubber mats show wear at the edges and seams under heavy use, requiring regular inspection and replacement as needed, since raised mat edges themselves can pose a tripping hazard.

Bonded impact protection surfaces

Bonded elastic surfaces, also known as artificial turf with impact-absorbing underlay or impact-absorbing synthetic surfaces, are installed on-site and form a seamless, water-permeable surface. They are particularly popular in schoolyards and heavily used play areas because they are durable, easy to maintain, and visually appealing. Their protective effect stems from the combination of surface thickness and material elasticity; here, too, product-specific testing in accordance with DIN EN 1177 is required. Bonded surfaces can be colored and integrated into play areas, opening up design possibilities.

However, bonded systems are subject to thermal stress in hot weather: Dark rubber surfaces can heat up to temperatures in summer that are problematic for small children upon direct skin contact. This aspect is gaining increasing importance in the context of urban heat island effects. Light colors and the integration of shading elements are planning solutions, but these are not always sufficient. From an urban ecological perspective, bonded paving also seals surfaces, which promotes neither infiltration nor biodiversity. Planners should consider whether its use should be limited to the immediate impact protection zone or whether loose-fill materials represent a more ecologically sound alternative.

Fall protection zones: sizing, demarcation, and overlap

The fall protection zone is the area around playground equipment that must be equipped with suitable impact-absorbing surfacing. Its dimensions depend on the type of equipment, its height, and the potential trajectory of a falling child. DIN EN 1176 specifies minimum distances for various types of equipment, measured from the outer edge of the equipment. For equipment with a free fall height of up to 1.5 meters, the minimum distance is generally 1.5 meters; for greater fall heights, this value increases accordingly. Swings require particularly generous fall protection zones due to the potential forward and backward trajectory of a child, the size of which is determined by the suspension height and the length of the swing ropes.

Overlapping fall protection zones for adjacent equipment are permitted, provided the equipment cannot be used simultaneously in a way that would cause children to collide. This condition is difficult to guarantee in practice and should be avoided during the planning phase by ensuring sufficient distance between equipment. Particular attention should be paid to demarcating the fall protection zone from hard surfaces such as asphalt, paving stones, or concrete. Edging stones, lawn edges, or changes in surface material immediately at the boundary of the fall protection zone are potential tripping and impact hazards; the transitions must be flush and free of sharp edges.

In practice, it is frequently observed that fall protection zones shrink over time: loose material is compacted, edging shifts, and lawn edges encroach. Regular visual inspections, as required by operator regulations, must record and document these changes. A fall protection zone that is correctly dimensioned on paper but has been reduced to half its depth in reality due to material loss no longer provides the required level of protection.

Installation Depths, Maintenance, and Operator Responsibilities

The protective effect of bulk materials depends crucially on the actual installation depth. DIN EN 1177 specifies minimum installation depths for various materials and critical drop heights. These values apply to freshly installed, loose material; the effective depth decreases during operation due to use, weathering, and compaction. Planners should therefore specify an installation depth exceeding the minimum value to provide a buffer for settlement and compaction. For sand with a critical drop height of three meters, experts recommend an installation depth of at least 35 to 40 centimeters, although the standard value is 30 centimeters.

The operator’s responsibilities for playgrounds are divided into three stages: daily visual inspection (for heavily used facilities), regular operational inspection (generally monthly), and an annual main inspection by a qualified person. Specifically regarding impact protection, this means: The visual inspection identifies obvious defects such as foreign objects in the fill material, heavily compacted areas, or damaged paving slabs. The operational inspection measures and documents the installation depth. The main inspection includes a complete assessment of the impact protection’s effectiveness, potentially with recommendations for refilling or material replacement.

Foreign objects in the loose fill material are an underestimated risk: shards of glass, stones, metal parts, or animal excrement can impair its protective function and pose their own injury hazards. Regular sifting or raking of the loose fill material is therefore mandatory, not optional. In the case of sand, it is also important to consider that it is attractive as a play material and is carried by children from the impact-absorbing zone to other areas, which locally reduces the installation depth. Edging made of wooden planks, steel, or concrete limits material loss but can itself become a hazard if it protrudes or has sharp edges.

Common Planning Mistakes and How to Avoid Them

One of the most common mistakes in practice is underestimating the free-fall height. Planners sometimes base their calculations on the overall height of a piece of equipment or on manufacturer specifications that do not take all accessible points into account. A careful on-site measurement check after installation is essential, as installation tolerances and unevenness in the floor can alter the actual free-fall height compared to the planned value.

Another common mistake is the use of materials that may appear to provide impact protection but have not been tested in accordance with DIN EN 1177. Commercially available garden mulch, decorative gravel, or play sand without a test certificate do not necessarily meet the requirements. Planners and clients must insist on delivery with a test certificate and declaration of conformity and keep these documents in the operator’s records.

Accessibility and fall protection are often perceived as contradictory in planning. Loose materials are difficult for wheelchair users and children with mobility impairments to navigate, while hard surfaces compromise fall protection. The solution lies in differentiated zoning: access routes and waiting areas are designed with accessible, solid surfaces; the actual fall protection zones beneath equipment are covered with bulk materials or certified rubber mats. This combination complies with standards and is aesthetically pleasing, but requires careful planning from the outset.

Finally, the thermal stress on dark, impact-absorbing surfaces is often overlooked in the planning process. Black rubber tiles or dark gray plastic surfaces can heat up to temperatures in summer that are dangerous for small children upon direct skin contact. Shading from trees or sun sails, light-colored surfaces, and the selection of materials with low heat absorption are planning solutions that are gaining importance in the context of urban climate adaptation.

Fall protection in the context of playground planning, urban ecology, and climate adaptation

Impact protection on playgrounds is not an isolated safety feature, but rather part of an integrated open-space concept. The choice of impact protection material influences the impermeability, infiltration capacity, microclimate, and biodiversity of a play area. Loose materials such as wood chips or sand are permeable, thermally more favorable than rubber surfaces, and provide habitat for soil organisms. Bonded surfaces are impermeable, thermally stressful, and less ecologically valuable, but indispensable in certain usage contexts.

Within the framework of the “sponge city” concept, which is being integrated into open space planning in many German cities, the permeability of playground surfaces is gaining importance. Loose-fill materials with an open-pored substructure can absorb significant amounts of rainwater and release it gradually, thereby relieving the burden on the sewer system. Planners who consider impact protection and rainwater management together can transform playgrounds into multifunctional open spaces that combine safety, play value, and ecological performance.

Natural playgrounds, designed with natural materials such as tree trunks, boulders, and mounds of earth, place special demands on fall protection because free-fall heights are often difficult to determine and the equipment does not conform to standard designs. DIN EN 1176 provides guidance for natural play areas but allows for some interpretation. Expert planners familiar with these types of playgrounds can develop solutions that comply with standards while preserving the character of natural play areas without compromising safety requirements.

Fall protection on playgrounds is ultimately a cross-cutting issue that combines knowledge of standards, materials science, ecological understanding, and sound planning judgment. Those who master this discipline create play spaces that give children genuine freedom because they are safe enough to allow for risks and robust enough to withstand everyday use. That is the real goal: not a risk-free playground, but a cleverly planned, standards-compliant, and carefully maintained space where children can fall without being seriously injured.

Germany 2050 – Book review

Building design
Germany 2050 Cover © Kiepenheuer & Witsch

Germany 2050, Cover: Kiepenheuer & Witsch

Why do most people perceive climate change as being far away from them in terms of time and space? This phenomenon can be explained by “psychological distance”. In the documentary book “Germany 2050 – How climate change will change our lives”, German journalists Nick Reimer and Toralf Staud show that climate change is omnipresent in human life and changes everything unnoticed.

Germany 2050 – Time as a mirror

Over the last 30 years, environmental pollution has led to significant changes in the way we live. Although Germany and the world are working to reduce pollutants, the accumulated greenhouse gases will increase the air temperature. Using time as a mirror, the authors take readers on a journey through the next 30 years in this 374-page, picture-free book.

According to scientific findings, the average temperature will rise by at least two degrees Celsius by 2050. The way people in Germany live, work, relax and travel will change. People will also have to fight and cope with new viruses. Natural disasters will occur more frequently and flora and fauna will be endangered. Cities and landscapes will also change. The book shows that people’s reactions are based on historical experience. Meanwhile, climate change represents a complete failure of acquired knowledge. Therefore, it will endanger the future even more.

Psychological perspective

The book is not science fiction, but a documentary about past disasters caused by climate change. The wide audience made it an instant bestseller, because everyone wonders what tomorrow will bring. The authors take the opportunity to popularize knowledge about many relevant topics. In doing so, they subtly emphasize the climate as the most important influencing factor. In their previous book, “We Climate Saviors” (2007), the authors proposed practical measures to reduce half of carbon emissions by 2020. Unfortunately, reality has not lived up to their expectations. In this new book, the authors therefore take a new approach from a psychological perspective, rather than telling people what to do.

Contents

By citing facts and figures, the authors make people aware of climate change. They also allay their fears so that the so-called “psychological distance” can be reduced. Numerous aspects are relevant for the future of a country: People and nature, cityscape, society, economy and politics. The categorized table of contents allows readers to find the topics that interest them most at a glance. The negative facts in the book are astounding. What is certain is that temperatures will rise. In addition to physical health and social security, more attention should also be paid to psychological aspects. This should enable people to face up to the changes and dangers.

This book is both prophetic and cautionary. It will undoubtedly provide insight into future challenges for professionals in fields as diverse as architecture, industrial and product design, corporate investment and policy initiatives. Landscape architects and urban planners in particular should think about what cities of the future should look like in light of the development of rivers and forests, the use of new energy resources, changes in transportation and the lifestyles of the population.

The text was written in the “Scientific Writing Workshop Landscape Architecture” at the TUM Chair of Landscape Architecture and Transformation under Prof. Udo Weilacher. As part of the seminar, students select specialist literature and work together on individual book reviews.

In keeping with the topic, Elke Merten’s book “The Resilient City” also deals with climate change – and the role that landscape architecture plays in this.