Limestone en bloc

Building design

Photo: Giaime Meloni

Solid, minimalist, sustainable: the social housing by Parisian architects Barrault Pressacco is an impressive contemporary interpretation of solid natural stone façades and demonstrates their potential in terms of resource conservation and eco-balance. The solid limestone façades of historic buildings and the prestigious townhouses of the Haussmann era characterize the Parisian cityscape. However, they are more than unusual in social housing. In the 11th arrondissement […]

Solid, minimalist, sustainable: the social housing by Parisian architects Barrault Pressacco is an impressive contemporary interpretation of solid natural stone façades and demonstrates their potential in terms of resource conservation and eco-balance.

The massive limestone façades of historic buildings and the prestigious townhouses of the Haussmann era characterize the Parisian cityscape. However, they are more than unusual for social housing. In the 11th arrondissement, Parisian architects Thibaut Barrault and Cyril Pressacco have realized such a project. In the structurally heterogeneous quarter of Rue Oberkampf, their new seven-storey building stands wall to wall with a magnificent residential building from the 1880s. The architects respond to its opulent façade decoration with contemporary interpretations of load-bearing limestone exterior walls made of solid ashlars.

Calm and subtly differentiated in their design, they appear both elegant and powerful in their homogeneity. Recessed window openings emphasize the thickness of the walls. The fact that there are no thin stone slabs in front is evident in the design of the walls. Neither slab joints nor vertical joints are visible: the ashlars were cut in the factory in such a way that they form both jambs and pilaster strips. Instead of an additive decoration as in the historical neighboring buildings, a puristic and fine structure is created here with clear geometric cut-outs. The beveled elements lend plasticity to the monolithic façade, enhanced by the grazing light.

As with many Parisian townhouses, the base floor with stores and the residential floors above are made of different materials: The first floor was constructed from dark exposed concrete. Its polished surfaces reveal the stone grain in a terrazzo-like manner and form a striking contrast to the cream-colored limestone of the six floors above. The architects also used polished exposed concrete for the wide-span lintels on the courtyard side, which give the façade a strong horizontal accent.

The architects did not base the load-bearing limestone façades primarily on the context or historical aspects of the building: “The sustainability and eco-balance of the natural material was important to us,” explains Cyril Pressacco. “Because compared to the energy and CO2-intensive production of steel and concrete, comparatively little energy is required to quarry, cut and move natural stone.” As a domestic product, limestone is available in large quantities in France and transportation routes are short. Limestone is solid, durable and low-maintenance: the traditional material and its construction methods “offer great potential that needs to be rediscovered”, they say. Barrault Pressacco also addressed this in an exhibition at the Pavillon de l’Arsenal in 2018, in which they presented innovative approaches to construction, cost-effectiveness and sustainability. Here, they focused on the limestones of the Paris Basin, their significance in the history of Parisian architecture and their use in current construction projects. The production from the nine still active limestone quarries with short production routes and the promotion of the local economy make limestone a regionally available resource and a promising material for the construction industry. (…)

You can find the complete article on social housing by Parisian architects Barrault Pressacco in our current Baumeister issue 09/2019.

POTREBBE INTERESSARTI ANCHE

A monument in granite

Building design

An archaic-looking monument stands in the heart of New York. Embedded in a park, granite weighing several tons forms a memorial space in memory of Franklin Delano Roosevelt and his speech on the four freedoms.

An archaic-looking monument stands in the heart of New York. Embedded in a park, granite weighing several tons forms a memorial space in memory of Franklin Delano Roosevelt and his speech on the four freedoms.

Photo/©Franklin D. Roosevelt Four Freedoms Park/Iwan Baan

Almost a year ago, the time had come: the Franklin D. Roosevelt Four Freedoms Park was opened to the public. The designs were drawn up in 1973 and 1974, but due to Kahn’s death and numerous other unfavorable circumstances, they have not yet been implemented. Now, forty years later, the stone testimony of granite blocks weighing tons sits enthroned at the tip of Roosevelt Island in the heart of New York. With millimeter precision, huge granite blocks form an atmospheric space, behind whose walls the skyline of the mega-city is relegated to secondary importance. Instead, the view is of the river, the bridge and the sky. In a tapering park, the visitor is led through avenues and withdrawn from the hustle and bustle of the city. Their attention is automatically drawn to the monument to the speech made by President Roosevelt on the eve of America’s entry into the war in 1941, in which he argued about the moral preconditions for military intervention.

Photo/© Rober Schäfer

Thirty blocks of granite, 3.70 meters high and weighing 36 tons each, are positioned on the north, west and east sides of the platform to create a memorial space measuring just 18 square meters and lined with granite slabs. This opens to the south side to unfold the magnificent panorama of the East River in front of the President’s words carved in stone.

Photo/©Franklin D. Roosevelt Four Freedoms Park/Iwan Baan

Louis Kahn chose the granite for the monument himself. The stone had to be as pure as possible – without inclusions – and have an absolutely homogeneous surface. The architect attached particular importance to the stone surface not being veined in order to achieve the most glistening white-grey surface possible. This is why he ultimately chose the granite from Mount Airy in North Carolina. This quarry is the largest surface quarry in the world. The granite blocks and granite slabs were left as rough as possible in accordance with Louis Kahn’s specifications and were therefore not reworked or only minimally reworked.

Photo/© Rober Schäfer

Read more about the “Four Freedoms Memorial” in STEIN 5/2014.
You can find out more about Franklin T. Roosevelt, his presidency and his famous speech on the “Four Freedoms” on the “Digital Resource” website of the Four Freedom Park at fdr4freedoms.org.

A pink corner

Building design

Neuhāusl Hunal Architects have created a pink corner in a small first floor apartment in Prague. The founder of Studio U/U commissioned the office to redesign the apartment. In one room, the kitchen dominates together with a multifunctional podium that serves as a bed, storage room, library, changing room and bench. With its pink color, it is the highlight and invites you to cook!

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