Limestone en bloc

Building design

Photo: Giaime Meloni

Solid, minimalist, sustainable: the social housing by Parisian architects Barrault Pressacco is an impressive contemporary interpretation of solid natural stone façades and demonstrates their potential in terms of resource conservation and eco-balance. The solid limestone façades of historic buildings and the prestigious townhouses of the Haussmann era characterize the Parisian cityscape. However, they are more than unusual in social housing. In the 11th arrondissement […]

Solid, minimalist, sustainable: the social housing by Parisian architects Barrault Pressacco is an impressive contemporary interpretation of solid natural stone façades and demonstrates their potential in terms of resource conservation and eco-balance.

The massive limestone façades of historic buildings and the prestigious townhouses of the Haussmann era characterize the Parisian cityscape. However, they are more than unusual for social housing. In the 11th arrondissement, Parisian architects Thibaut Barrault and Cyril Pressacco have realized such a project. In the structurally heterogeneous quarter of Rue Oberkampf, their new seven-storey building stands wall to wall with a magnificent residential building from the 1880s. The architects respond to its opulent façade decoration with contemporary interpretations of load-bearing limestone exterior walls made of solid ashlars.

Calm and subtly differentiated in their design, they appear both elegant and powerful in their homogeneity. Recessed window openings emphasize the thickness of the walls. The fact that there are no thin stone slabs in front is evident in the design of the walls. Neither slab joints nor vertical joints are visible: the ashlars were cut in the factory in such a way that they form both jambs and pilaster strips. Instead of an additive decoration as in the historical neighboring buildings, a puristic and fine structure is created here with clear geometric cut-outs. The beveled elements lend plasticity to the monolithic façade, enhanced by the grazing light.

As with many Parisian townhouses, the base floor with stores and the residential floors above are made of different materials: The first floor was constructed from dark exposed concrete. Its polished surfaces reveal the stone grain in a terrazzo-like manner and form a striking contrast to the cream-colored limestone of the six floors above. The architects also used polished exposed concrete for the wide-span lintels on the courtyard side, which give the façade a strong horizontal accent.

The architects did not base the load-bearing limestone façades primarily on the context or historical aspects of the building: “The sustainability and eco-balance of the natural material was important to us,” explains Cyril Pressacco. “Because compared to the energy and CO2-intensive production of steel and concrete, comparatively little energy is required to quarry, cut and move natural stone.” As a domestic product, limestone is available in large quantities in France and transportation routes are short. Limestone is solid, durable and low-maintenance: the traditional material and its construction methods “offer great potential that needs to be rediscovered”, they say. Barrault Pressacco also addressed this in an exhibition at the Pavillon de l’Arsenal in 2018, in which they presented innovative approaches to construction, cost-effectiveness and sustainability. Here, they focused on the limestones of the Paris Basin, their significance in the history of Parisian architecture and their use in current construction projects. The production from the nine still active limestone quarries with short production routes and the promotion of the local economy make limestone a regionally available resource and a promising material for the construction industry. (…)

You can find the complete article on social housing by Parisian architects Barrault Pressacco in our current Baumeister issue 09/2019.

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Planning in September: all news

Building design
Everything at a glance - the planning news in September,

Everything at a glance - the planning news in September, photo: Mailchip via Unsplash / Laura Celine Heinemann

Do you sometimes lack an overview? That happens to us too. That’s why you’ll find news, discussions and planning projects well organized here. September 2022 in retrospect.

Let’s start with some good news: in September 2022, the bdla published a Pixi book on landscape architecture entitled “Landscape architect Lena plans a park for everyone”. The 24-page book focuses on the profession of landscape architect.

Events for planning

In September, the Biennale of Urban Landscape was also held for the first time at the Gelsenkirchen Science Park. Over the course of two weeks, various stakeholders interested in the future of the urban landscape in the Ruhr metropolis came together. The special thing about it: The IBA Emscher Park started at the same location over 30 years ago.

The IAA will take place again in Munich in September 2023. Since 2021, the former motor show has presented itself as a major mobility event. However, the new trade fair concept has not only been met with praise. Find out more about the discussions surrounding the IAA 2023 here.

Also interesting: The bdla is organizing two interesting events at the beginning of October. The bdla Designer Days in Berlin and the Sustainability and Climate Adaptation symposium.

Park(ing) Day conquered public parking spaces in German cities in September. The annual event aims to draw citizens’ attention to the relationship between living space for people and parking spaces.

Occupy parking spaces, create seating. In Melbourne, researchers at RMIT University have developed a non-commercial parklet. It bears the name “playful parklet”.

Projects and competitions

A special competition: the surroundings of Notre Dame are to be redesigned. Two years after the fire at the famous cathedral, the city of Paris launched a competition. Bureau Bas Smets from Brussels, together with other planning offices, won over the jury.

The Calder Gardens is an exciting project in the making. Herzog & de Meuro and Piet Oudolf are planning the gallery and garden for the works of artist Alexaner Calder.

Energy crisis: what is the status of renewables?

Also interesting: hydropower is valued as a renewable energy source. At the same time, there is also criticism of the consequences that hydropower plants entail. Find out more about the pros and cons here.

Good news in the face of the energy crisis: more solar power was produced in the EU this summer than in any summer before. 99.4 terawatt hours were produced between May and August 2022, according to calculations by the think tank Ember City Climate.

A little off the beaten track

With Build the Change, the LEGO company wants to get children excited about sustainable construction and urban planning. Find out more about LEGO’s sustainability initiatives here.

Also: The latest G+L about lighting design is available here.

Contrasts made from recycled natural stone

Building design

Italian designer Moreno Ratti wants to set an example against the waste of natural resources. That is why he uses natural stone waste to create new objects. His “Contrasti” series is made from recycled marble. The bowls and vases in the “Contrasti” series each consist of two volumes: a rectangular block and a round element. The designer thus plays with contrasting […]

Italian designer Moreno Ratti wants to set an example against the waste of natural resources. That is why he uses natural stone waste to create new objects. His “Contrasti” series is made from recycled marble.

The bowls and vases in the “Contrasti” series each consist of two volumes: a rectangular block and a round element. The designer thus plays with opposing shapes – contrasts, as the Italian title translates.

One half of each object is finished; only the edges of the other are cut. In order to create a visual unity, the surfaces are treated uniformly.

Ratti cooperates with the Italian company Stonethica. The company recycles natural stone to produce new raw materials. These are slabs of marble slips from the Carrara region. According to the company, the elements are glued together with non-toxic resin.

Moreno Ratti explains: “The result of Stonethica’s ecological production cycle is the creation of a homogeneous material. The layered structure results from the combination and overlapping of stone slabs.”