Live Restoration at the Orangery Palace in Potsdam

Building design
Visitors can take a special look behind the scenes at the Orangery Palace in Potsdam on May 31. Photo: © SPSG / Nicole Romberg
Visitors can take a special look behind the scenes at the Orangery Palace in Potsdam on May 31. Photo: © SPSG / Nicole Romberg

Although the Orangery Palace in Potsdam remains closed due to extensive renovation work, the construction site will open on May 31, 2026, for an extraordinary cultural event. During the live restoration at the Orangery Palace in Potsdam, visitors will experience firsthand how restorers are preserving historic chandeliers, gilded details, and ornate wood imitations. The event combines historic preservation, history, and craftsmanship into a one-of-a-kind experience in Sanssouci Park.

Anyone who enters the palace on this special day will be immediately immersed in the world of historic interior restoration. Behind protective sheeting and amid scaffolding, experts are working on delicate 19th-century originals. Visitors can look over the restorers’ shoulders as they work and learn just how labor-intensive the preservation of historic palaces really is.
The focus of the live restoration is a monumental chandelier, which is being lowered to eye level specifically for the event. In front of the audience, the restorers demonstrate how the delicate glass arms are assembled and secured piece by piece. Many elements are covered with soft protective covers to prevent damage. This historic showpiece comprises around 3,000 glass pieces—an impressive example of the precision of restoration work.

Live Restoration at the Orangery Palace in Potsdam: Watch Restorers at Work

One of the most fascinating stops on the live restoration tour at the Orangery Palace in Potsdam is dedicated to the technique known as “Bois-Simulé.” This artful wood imitation was used in the 19th century to make simple materials appear like precious hardwoods. Using paints, glazes, and the finest brushes, artisans created deceptively realistic wood grains. On May 31, the conservators will demonstrate how these historic surfaces are reconstructed and preserved today. Visitors will gain firsthand insight into just how perfected historical illusionist painting already was over 150 years ago.

Gilding and Historical Finishes: When Gold Falls from the Walls

Another focus of the live restoration is historic paint layers and gilding. Over decades, moisture, temperature fluctuations, and the aging process have caused layers of paint and gold leaf to peel away from the substrate. The conservators demonstrate live how loose layers are stabilized using the finest tools. With spray guns and special consolidants, they secure endangered areas before irreparable damage occurs. This delicate work is almost reminiscent of surgical procedures—and reveals just how sensitive professional historic preservation is.

A Rare Look Behind the Scenes

Restoration work usually takes place hidden behind scaffolding and construction fences. That is precisely why the live restoration at the Orangery Palace in Potsdam is such an extraordinary event. Visitors not only gain rare insights into ongoing restoration work but also develop a new understanding of the importance of historic preservation and cultural heritage conservation. The event impressively demonstrates why the restoration of historic palaces requires time, artisanal expertise, and considerable financial resources. At the same time, it highlights just how much knowledge and precision goes into every restored door, every gold trim, and every chandelier

The Orangery Palace in Potsdam: History of a Prussian Masterpiece

The Orangery Palace in Potsdam—officially known as the “New Orangery”—is the largest structure in Sanssouci Park and ranks among the most significant palace complexes of the 19th century in Prussia. King Frederick William IV commissioned the building’s construction beginning in 1851, inspired by Italian Renaissance architecture and Mediterranean villa landscapes. The initial designs were by Ludwig Persius; later, Friedrich August Stüler and Ludwig Ferdinand Hesse continued the project. The palace was originally intended to serve as a winter home for exotic plants such as orange trees and also housed state guest rooms for the court.
Particularly well-known is the magnificent Raphael Hall with its copies of famous works by Raphael. After decades of neglect, the Orangery Palace is now undergoing extensive restoration. The live restoration event on May 31, 2026, offers a rare glimpse behind the scenes of this elaborate work.

The event promises an extraordinary experience for culture lovers, architecture enthusiasts, and anyone who would like to experience historical craftsmanship up close. The combination of the construction site, the palace’s history, and the precision of the restoration work makes the live restoration at the Orangery Palace in Potsdam one of the most exciting cultural events of 2026 in Brandenburg.

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The “ThinkBig” campaign was already a great success with young people at the last Bauma. They were able to carry out technical experiments or try out simulators. The participating exhibitors in the Nieder-Ofleiden quarry are also working with trade fair organizer Geoplan to prepare various activities in which schoolchildren can get active themselves. On August 31 and September 1, they will be guided around the trade fair by experienced trainees. The aim of the campaign is to create an informative exchange between young and old and between experienced and newly qualified specialists. The ThinkBig initiative also aims to attract young, future skilled workers.

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The pandemic is forcing museums to realign their offerings with a view to the necessary hygiene measures. Curators and conservators have increasingly turned their attention to online offerings in recent weeks


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The cultural sector is also currently working on a return to normality. The museums have reopened to the public. But what long-term effects will the pandemic have? The pandemic is forcing museums to realign their offerings with a view to the necessary hygiene measures. Disinfectant dispensers at museum entrances have become standard. The offer of guided tours and an exhibition-accompanying program has been suspended everywhere until further notice. Separate entrances and exits as well as floor markings at particularly narrow points on the tour ensure that social distancing is maintained. Museum staff are protected by a glass screen at the ticket counter. In addition to mouth and nose protection, many museum employees – such as those at the Bruchsal Castle Museum of Music Automatons – wear protective gloves. To support museums, the Museumsbund has made posters available for download to inform visitors about hygiene and social distancing rules in museums.

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You can read more on this topic in the upcoming RESTAURO 5/2020 with the cover story “New museum buildings and conversions”, which will be published on July 10, 2020, https://shop.georg-media.de/restauro/einzelhefte