Marion Ackermann becomes the new President of the SPK

Building design
Prof. Dr. Marion Ackermann becomes the new President of the Prussian Cultural Heritage Foundation. Photo: Felix Zahn

Prof. Dr. Marion Ackermann becomes the new President of the Prussian Cultural Heritage Foundation. Photo: Felix Zahn

Many had already suspected it: Prof. Dr. Marion Ackermann will become the new President of the Prussian Cultural Heritage Foundation from June 2025, as was announced yesterday, 8 July. The 59-year-old Ackermann, who is currently Director General of the Dresden State Art Collections, will succeed the 65-year-old President of the Foundation, Prof. Dr. Hermann Parzinger. He will retire on May 31, 2025.

Many had already suspected it: Prof. Dr. Marion Ackermann will become the new President of the Prussian Cultural Heritage Foundation from June 2025, as was announced yesterday, 8 July. The 59-year-old Ackermann, who is currently Director General of the Dresden State Art Collections, will succeed the 65-year-old President of the Foundation, Prof. Dr. Hermann Parzinger. He will retire on May 31, 2025.

The Board of Trustees of the Prussian Cultural Heritage Foundation (SPK) met on Monday, July 8, to appoint the successor to outgoing President Hermann Parzinger of Germany’s most powerful cultural institution. In December 2023, the Board of Trustees, which is chaired by Claudia Roth, Minister of State for Culture and the Media, had commissioned a search committee to find a successor to the current President of the SPK, Hermann Parzinger. The members of the search committee came from the states of Hamburg, Brandenburg, Berlin and North Rhine-Westphalia and, after intensive deliberations and a personal introduction to Marion Ackermann, voted unanimously in her favor and proposed her to the Board of Trustees yesterday. The SPK unites numerous museums, institutes and libraries under its umbrella, which recorded almost 3.6 million visitors in 2022. Ackermann is the first female president of the foundation and will head it from June 2025.

The Chairwoman of the Foundation Council, Claudia Roth, expressed her delight at the election of Marion Ackermann as the new President: “I am delighted that we have found an excellent new President for the Prussian Cultural Heritage Foundation in Marion Ackermann at such an early stage!” She emphasized Ackermann’s previous successes in the field of art and museums. She also stated that the outgoing Director General of the Dresden State Art Collections had shown that she understood how to lead an institution in the field of art and how to move it forward. She went on to say that the future president had an excellent international network and had proven herself as a museum manager, art expert and strategist. Born in Göttingen, Marion Ackermann studied art history, history and German language and literature at the universities of Kassel, Göttingen, Vienna and Munich. After completing her studies, she initially embarked on an academic career. She taught at the Academy of Fine Arts in Munich, the University of Augsburg and the University of Applied Sciences for Photo Design in Munich. She later worked in numerous museums, such as the Lenbachhaus in Munich and the Kunstsammlung Nordrhein-Westfalen. She has headed the Dresden State Art Collections since 2016. The association unites 15 museums and four institutes under one roof. The institutions it manages attract over two million visitors every year.

As the SPK announced in its press release, Marion Ackermann will already be working for the foundation before taking office on June 1, 2025. Together with Hermann Parzinger, this should ensure a smooth handover of office. Marion Ackermann, who completed her doctorate on the autobiographical and theoretical texts of Wassily Kandinsky in Göttingen, emphasized her delight at the election. She also stated: “The extraordinary, universal character of the institutions gathered under one roof in Berlin offers a unique opportunity: to complete the reform process and let the foundation shine internationally.” She also emphasized that this achievement could only be accomplished together and in solidarity. At the same time, she also said that her new role filled her with humility and great expectation. She highlighted her positions in Bavaria, Baden-Württemberg, North Rhine-Westphalia and Saxony as an advantage and announced that she would also use the experience she had gained there for the SPK in Berlin.
Hermann Parzinger, who studied pre- and early history, provincial Roman archaeology and medieval history in Munich, Saarbrücken and Ljubljana, held the post for 18 years. He shared Ackermann’s joy and called his office a “demanding but also wonderful position” that offers many opportunities to shape the future. He is looking forward to working with his experienced colleague, who enjoys an excellent international reputation, until the change of office in June.

The Prussian Cultural Heritage Foundation is considered the most powerful cultural institution in Germany and unites under its roof the National Museums in Berlin with a total of 15 collections and nine institutions, the Berlin State Library, the Secret State Archives of Prussian Cultural Heritage, the State Archive for Music Research and the Ibero-American Institute. Among the institutions administered by the SPK are such well-known institutions as the Pergamon Museum, the Altes and Neues Museum and the Alte and Neue Nationalgalerie. Millions visit the various institutions every year. In 2022, there were almost four million visitors. Since 2008, the foundation has been headed by Herrmann Parzinger, who is now retiring. Marion Ackermann is the first woman to take over as President of the Foundation. It is planned that she will lead the association for the next five years.

POTREBBE INTERESSARTI ANCHE

Competition results in April 2021

Building design

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We inform you about the competition results in April: the town center in Markt Erkheim, Südpark and Staudenweiher in Kelsterbach and the redesign of the market square in Neuerburg.

Interested in the latest competition results in landscape architecture, but don’t have time to look at them properly? In the G+L competition overview, Heike Vossen regularly provides information on the most exciting competitions. Here are the competition results in April 2021.

All images: © fischer heumann

The Sieg design promises a lively town center – restructured, legible and barrier-free for pedestrians. The landscape architects differentiate between a “paved center” along Marktstraße and a “green center” on Babenhauser Straße, which is transformed into a green corridor. A series of squares links the two centers defined in this way. More space and new qualities for pedestrians will be created along Marktstrasse thanks to a reduced road width and rearranged car parking spaces. The new market square in front of the town hall acts as the southern prelude to the town center, with the square at the inn at the northern end. The paving, which is limited to the path area along the market street, also covers the course of the street in both squares and forms a spatial bracket. The green center runs through the village with a footpath and cycle path between two streams. The prelude to the south is the paved square with large seating rings. Seating steps, stepping stones and a pump provide access to the banks and water.

All pictures: © bbzl

In the 1970s, the Südpark was created in Kelsterbach, Hesse, from a former backfilled gravel pit. The aging park is now to be transformed into a sustainable city park. The competition is embedded in the overarching “Kelsterbach Climate Island” program. The winning design creates a clear spatial and pathway concept that links Südpark and Staudenweiher with each other and with the outside world. Play and activity areas are added to the sides of the pathways and combine a diverse, flexible range of spaces and activities in the respective areas. With minimal intervention, the planners have divided the previously undefined woodland structures into clear woodland clusters and clearings, thus emphasizing the characteristic topography. The five large clearings form independent spaces with different uses – the forest room, the blue clearing by the pond, the play clearing with sports facilities, the meadow clearing for sunbathing and the picnic clearing. A barrier-free circular path lines the perennial pond and links it to the outside. There are viewing windows at each of the entrances.

All images: © Franz Reschke Landschaftsarchitektur GmbH

The market square as a “tableau”: This is how the Sieg design envisages it and aims to highlight the central square in accordance with its intended function as a stage for urban life. A uniform granite paving carpet is to define the old town in future, varying only in format and laying direction. The center of the square stands out as an inlay – darker and in large-format paving, with a uniform circulation and distance to the adjacent facades. Two loose rows of trees and benches support the spatial setting of the tableau on the long sides. The long rows of benches can be used on both sides and flank without separating. The market square itself should remain as free of traffic as possible: A corridor is defined for deliveries and parking spaces are arranged in the southern market street. At the end of the square in the north, the design also prioritizes pedestrian use up to the adjacent river and dispenses with further parking spaces.

Further competition results will be published at the end of April.

Here you can find the competition results in March 2021.

Read more competition results in March 2021 here.

On the road in the 7132 “House of Architects” in Vals

Building design

This dark, glamorous chamber was designed by Thom Mayne. A bright spot: the bathroom in neon yellow

Although remote, this hostel has little to do with the simple life in the countryside: The 7132 Hotel has opened next to Peter Zumthor’s thermal spa in Vals – with luxurious guest rooms specially designed by and for (star) architects.

Although remote, this hostel has little to do with the simple life in the countryside: The 7132 Hotel has opened next to Peter Zumthor’s thermal spa in Vals – with luxurious guest rooms specially designed by and for (star) architects.

It is said that ingenious architectural designs are sometimes created on napkins. What is certain, however, is that the thermal baths in Vals had already been built out of words before they were realized: “You have to build something,” Peter Zumthor had assured the Graubünden community, “that doesn’t exist yet. Not glass fun. But a thermal spa that is unique.” It was opened in 1996 – and the building, which is set into the slope, is made of concrete and 60,000 strips of Vals quartzite in three thicknesses, two widths and each 3.20 meters long.

The iron-rich water has dyed the wall at the entrance a rusty red, where it flows unfiltered. Otherwise, the thermal baths, which were listed as a historical monument just two years after they were completed, do not show their age; 190 people still book a few hours every day to bathe in the magnificent architecture and in water that is between 14 and 35 degrees and rich in calcium sulphate hydrogen carbonate. The spa architecture has won countless awards, but unfortunately its figures have never been as black as the quartzite from which it is built. Peter Zumthor would have liked to take over the spa himself, but the cash-strapped municipality narrowly opted for a buyer who promised to take over not only the spa but also the surrounding hotel and apartment buildings from the 1960s and turn them into a four-star hotel: the four-star “House of Architects” and the five-star superior hotel “7132” – incidentally the zip code of Vals. Guests can not only bathe in luxury, but also live, eat and travel in luxury – the restaurant at the 7132 has been awarded two Michelin stars and 18 Gault Millau points. And the price of the penthouse suites includes arrival in the hotel’s own helicopter.

The renovation began in 2012: Thom Mayne made the entrance area look a bit like the Guggenheim in New York and, like Tadao Ando, Kengo Kuma and Peter Zumthor, who had already designed so-called “Provisorien” for the opening of the thermal spa in the old spa hotel, transformed the shoebox rooms into suitably chic “rooms for architects”. The “Star” architects were not able to enlarge the 73 guest rooms, which are just 20 square meters in size; only for the suites in 7132 were several of the shoe boxes combined. But there was obviously enough room for a very different design: Zumthor immersed his rooms in bright red and black Stucco Lustro. Thom Mayne also opted for black: he wallpapered the walls, floor and ceiling with Vals quartzite and brightened up the gloom with a neon yellow bath egg. While Kengo Kuma and Tadao Ando worked minimalistically, as expected: Kuma implanted his rooms with a wooden cocoon made of oak, Ando focuses on not distracting from the view. Guests are now spoiled for choice.

The article about the 7132 hotel was published in Baumeister 05/2020.