Mood Detection in a Room: AI Reads the Atmosphere

Building design
white-table-and-chairs-near-the-brown-building-during-the-day-E9d3PHN04Cs
White tables and chairs in front of a brown, modern building, photographed by Joe Ciciarelli.

Capturing the atmosphere of a space has long been a matter of gut feeling, experience, and the architect’s famous “seventh sense”—but now artificial intelligence is stepping in. Spatial tonality recognition: AI reads mood, dynamics, and social codes from architecture. Welcome to the age in which the invisible becomes visible and the unspoken becomes quantifiable. What does this mean for design, operation, and the myth of architectural instinct? Spoiler: It’s going to be uncomfortable, but highly interesting.

  • Spatial tonality recognition uses AI to measure and analyze atmosphere, mood, and interaction.
  • Germany, Austria, and Switzerland are still in the early stages, while international pioneers have long been experimenting.
  • Digital sensors, big data, and machine learning are defining new quality standards for architecture and interior design.
  • The technology raises questions about data protection, interpretation, and creative responsibility—and challenges designers’ self-image.
  • Practical applications range from office and school construction to hospitality and urban development.
  • AI-based tonality analyses can revolutionize planning processes, user feedback, and building operations—if one knows how to use them.
  • The battle for interpretive authority between humans and machines has begun. The debate over AI bias, ethics, and control is anything but academic.
  • In the global discourse, the understanding of spatial quality is shifting—from intuition to evidence, from feeling to data.

From Aura to Algorithm: How AI Reads Spaces

Architects love the ineffable. Atmosphere, mood, the famous aura of a space—all of this was long considered unmeasurable, something to be experienced rather than quantified. But the days when “intuitive spatial perception” was an exclusive domain are over. Artificial intelligence has begun to decode acoustic, visual, and social signals within a space. Microphones, cameras, and sensors for light, temperature, air quality, and movement provide a stream of data that is analyzed and interpreted by machine learning algorithms. Suddenly, the blurry becomes clear: What is the overall mood in the room? How is attention distributed? What unconscious communication patterns emerge?

The technology involved is anything but trivial. It’s not about simple volume measurements or temperature logs, but rather about recognizing patterns in multimodal data. AI systems analyze how background noise changes, how lighting moods affect user behavior, or how group dynamics manifest in movement patterns. In doing so, they capture not only the physical environment but also its subtle interactions with the people who use it. Atmospheric quality thus becomes a measurable, comparable parameter—and a new playing field for planners, developers, and operators.

In Germany, Austria, and Switzerland, this development is still in its infancy. While AI-based tonality recognition is already being tested in pilot projects for office buildings, hotels, and schools in the U.S. and Asia, there is still a great deal of skepticism here. Concerns about a loss of control are too great, and the legal framework remains too unclear. Nevertheless, the momentum cannot be stopped: The first German universities, design firms, and startups are researching methods for how architecture and AI can work together to optimize spatial quality. The question is no longer whether this technology will take hold, but how it will transform the industry.

The promise is by no means modest: Objective, data-driven insights are intended to complement subjective perspectives, uncover blind spots, and open up new creative possibilities. Where gut instinct once reigned, evidence will rule in the future. Tonal recognition in a space thus becomes the catalyst for a paradigm shift: from (supposedly) genius-level intuition to analytical precision.

But the road ahead is rocky. The interpretation of atmospheric data is anything but clear-cut. Where does ambiance begin, and where does noise end? When does interaction tip over into stress? AI analyzes, but the interpretation remains controversial. This is precisely where the explosive potential lies—and the opportunity for a new, data-informed architectural practice.

The Status Quo in the DACH Region: Between the Lab and the Latte Macchiato

Anyone taking a look at current practice in Germany, Austria, and Switzerland will encounter a field full of contradictions. On the one hand, the first prototypes for AI-based atmosphere analysis are being tested in coworking spaces and innovation labs. On the other hand, traditional architectural firms are still miles away from integrating such systems. The industry oscillates between fascination and resistance. While tech-savvy clients eye data-driven space optimization with curiosity, traditionalists defend the primacy of design intent. The fear of “surveillance” and “dehumanization” is omnipresent—and not always without reason.

From a pragmatic perspective, four main obstacles stand in the way of a breakthrough in the DACH region: data protection, a lack of standardization, costs, and cultural skepticism. In Germany, in particular, sensitivity to the issue of surveillance is especially pronounced. Anyone suddenly confronted with cameras and microphones in an open-plan office is more likely to think of a loss of control than of improved space quality. The legal situation is unclear, and many pilot projects fail due to user resistance or the hesitancy of the organizations behind them.

Nevertheless, the first real-world applications are already in place. In Vienna’s office towers, movement patterns and acoustic profiles are being analyzed to improve the quality of the environment. Pilot projects are underway in Munich schools where AI analyzes how lighting and acoustics affect learning behavior. In Zurich, hoteliers are experimenting with algorithms that combine guest feedback, indoor climate, and usage data. The results are still often fragmented and not scalable, but the field is growing.

The dynamics at the research level are particularly interesting. Technical universities and startups are working on methods to anonymize, aggregate, and meaningfully interpret environmental data. At the same time, new interfaces between design, simulation, and operation are being developed. The hope is that mood recognition will become a tool that empowers planners—rather than disempowering them. As always, those who invest early gain experience and a data advantage. Those who wait and see will later be overtaken by foreign providers.

Overall, the DACH region is thus a laboratory in the best sense of the word. Theory still dominates practice, but the pressure to innovate is growing. The next generation of architects and engineers will wonder why atmosphere isn’t measured when it has long been technically possible. The “latte macchiato” phase—lots of talk, little substance—won’t last forever.

Technology, Trends, and Pitfalls: What Professionals Need to Know

The key question for planners, engineers, and building owners is: How does tonality detection actually work technically in a space—and what are the concrete benefits? The focus is on sensor technology, data integration, and AI algorithms. Modern sensors measure temperature, humidity, CO₂, light, sound, movement, and even facial expressions or speech patterns. This data is collected in real time and analyzed on cloud-based platforms. With the help of deep learning, models are created that recognize typical patterns for a “good” or “bad” atmosphere.

This may sound like science fiction, but it has long been state-of-the-art in other industries. In retail, customer flow and moods have been analyzed for years to optimize sales areas. In the automotive sector, vehicles detect the driver’s emotional state. Applying this to architecture is logical—yet more complex. After all, spaces are not cars, and users are not customers. The context-dependence is enormous: What is considered inspiring background noise in a creative office would be viewed as a stress factor in a hospital.

This creates new demands for professionals. First: an understanding of sensor technology and data analysis is becoming a core competency. Second: the ability to derive design implications from data is in high demand. Third: collaboration with IT and data science experts is becoming the norm. Architects who continue to rely solely on renderings and mood boards will be out of the game in the future. The quality of a design is no longer measured solely by form and function, but by measurable experience.

Of course, there are pitfalls as well. Data quality, interoperability, and system maintenance are challenging. Standards are still lacking, and many providers are doing their own thing. Anyone using tonality recognition must be prepared to engage in a learning process. Errors and misinterpretations are part of the game. What matters is the ability to learn from setbacks and continuously improve systems. AI is not an oracle, but a tool—and remains dependent on intelligent human oversight.

The end result is a new professional role: the “atmospheric architect,” who combines data analysis, design, and user feedback into an integrated workflow. Those who master this not only design spaces but also orchestrate experiences. The future belongs to those who reconcile technology and creativity—and are willing to venture into new territory.

Sustainability, Ethics, and the New Question of Power

Atmospheric detection in a space is not only a technical issue but also a social one. Measuring atmosphere constitutes a deep intrusion into users’ privacy. The questions of data protection, transparency, and interpretive authority are central. Especially in the DACH region, where data protection is traditionally held in high regard, clear rules are needed. Technically, it is possible to anonymize data and evaluate only aggregated patterns. But the temptation to conduct personalized analyses is great—and the risk of abuse lurks in the shadow of enthusiasm.

The sustainability debate also takes on a new dimension. By precisely measuring the quality of the environment, spaces can be controlled to meet specific needs: lighting, ventilation, temperature, acoustics—everything can be optimized, and resource consumption decreases. In this way, AI can help save energy, increase user satisfaction, and use space more efficiently. But sustainability is more than just efficiency. It also involves social aspects: Which groups benefit from the technology? Who is left out? How do we prevent AI-based systems from creating new forms of discrimination or marginalization?

The question of power is not trivial. Who controls the algorithms? Who decides which parameters constitute a “good” atmosphere? Architecture’s humanistic mission—to design for everyone—clashes with automated, data-driven systems geared toward average values or dominant user groups. The danger: AI reproduces biases, reinforces existing power structures, and turns the invisible into the new norm.

The ethical responsibility lies with the planners, but also with the operators and system developers. Clear guidelines, transparency, and participation are essential. Atmospheric sensing must not be a black-box process. Users must know what is being measured, how the data is used, and how they can influence the process. Architecture must decide: Does it want to become an extension of surveillance—or an enabler of new, equitable spatial experiences?

The global discussion on AI ethics, algorithmic bias, and human-centered design is well underway. Anyone who wants to remain competitive on an international scale must demonstrate that technology, ethics, and sustainability are considered together. The DACH region has the opportunity here to set standards—if it is bold enough and does not simply wait for regulations from Brussels.

Visions, Criticism, and the Shift in Architectural Self-Conception

Tonal recognition in a space is more than just a new technology. It is a challenge to architecture’s self-image. What remains of the “genius designer” when algorithms interpret moods and make suggestions? Is creative autonomy at risk—or is a new playing field opening up for creative intelligence?

Visionaries dream of buildings that respond to their users, adjust atmospheres in real time, and are constantly evolving. Adaptive architecture is becoming a reality: lighting, acoustics, room temperature, furnishings—everything can be orchestrated with the help of AI. Architecture is becoming a platform, an interface between people and their environment. The boundaries between design, use, and operation are blurring. Those who understand this will not become mere agents of technology, but rather choreographers of new worlds of experience.

Critics, on the other hand, warn of alienation, commercialization, and a loss of control. If algorithms call the shots, architecture risks degenerating into a service product: functional, efficient, but soulless. The danger of “technocrat bias” is real. Who decides what counts as a “good” atmosphere? Will spaces in the future be optimized for the majority—while minorities are overlooked? The debate over inclusion, difference, and diversity is more relevant than ever.

In the global discourse, the standards are shifting. Atmospheric quality is becoming a quantifiable competitive advantage. International companies, universities, and cities are investing in data-driven spatial optimization. Those who fail to keep up will lose their appeal to talent, investors, and users. At the same time, there is a growing longing for authenticity, uniqueness, and emotional connection. Architecture stands between data logic and poetry—and must reconcile both worlds.

In the end, the realization remains: tonality recognition is not a panacea, but a powerful tool. It does not demystify architecture; rather, it opens up new possibilities. Those willing to take responsibility can use this technology to make spaces more human, sustainable, and immersive. The future is open—and waiting for courageous pioneers.

Conclusion: Atmosphere is measurable—but architecture remains an art

Tonal recognition in a space demonstrates that what was once considered purely a matter of feeling can now be captured and shaped based on data. Artificial intelligence makes the invisible visible and forces architecture to step outside its comfort zone. But technology is not an end in itself. It demands new skills, raises ethical questions, and shifts the profession’s self-image. Those who use it wisely gain—in knowledge, control, and creative freedom. Those who resist will remain trapped in their own myth. The future of architecture will be more data-driven, but no less creative. Atmosphere is measurable—yet its magic remains a mystery that no AI in the world will ever fully unravel.

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Signal Iduna Park: architecture meets urban stadium art

Building design
woman-text-on-glass-pane-eU-Mx-rjyC0

Woman text on glass in the Xie Zilong Photography Museum, Changsha. Photo by K Hsu.

Signal Iduna Park: a legend made of concrete, steel and passion – and a lesson in urban stadium art that is much more than just soccer architecture. Anyone talking about the future of large public buildings cannot ignore Dortmund’s soccer temple. Why? Because it combines urban planning vision, digital transformation and sustainable architecture in one stadium – and because every architect who plans stadiums today must be measured against this unique building.

  • Signal Iduna Park is the largest stadium in Germany and the epitome of modern stadium architecture.
  • The evolution from a pure soccer arena to an urban multifunctional venue is a textbook example of contemporary urban planning.
  • Digital technologies and AI-supported tools are revolutionizing operations, security and the fan experience.
  • Sustainability remains both a challenge and a driver of innovation – from energy efficiency to the circular economy.
  • Today, planners and operators need far more than just floor plan knowledge: Data competence, process understanding and the courage to have visions.
  • The discussion about commercialization, identity and urbanity is shaping the architectural debate surrounding stadiums.
  • Signal Iduna Park is an example of the global transformation of sports venues into urban hubs.
  • The future lies in integrative, digital and resilient stadium concepts – with Dortmund as a blueprint.

Stadium architecture today: between goosebumps and infrastructure machine

Anyone standing in Signal Iduna Park for the first time immediately senses that it’s not just about soccer. The concentrated energy of the “Yellow Wall” has long since become a symbol for a new generation of stadiums. But while fans celebrate ecstatically, planners, architects and operators have completely different tasks to deal with. In Germany, Austria and Switzerland, stadium architecture has matured in recent decades from a pure sports venue to an urban infrastructure machine. The days of pure concrete bowls are over. Today, a stadium has to be multifunctional, permeable and integrated into the urban space. Signal Iduna Park shows how a building not only creates identity, but also functions as an urban hotspot – from an event space to a mobility hub.

Technical development is progressing rapidly. Modern arenas have long since become networked ecosystems in which digital control, security technology, building automation and visitor analytics go hand in hand. In Dortmund, the stadium has been repeatedly expanded, adapted and technically upgraded over the decades – from the renovation of the stands to the integration of digital access systems and high-speed WiFi for 80,000 people. This is not a luxury, but the standard for large-scale urban buildings, which must function as catalysts for urban development. The trend is similar in Austria and Switzerland, albeit often on a smaller scale and with greater integration into the respective urban landscape. The fundamental challenge remains: How can architecture, technology and urban society be successfully combined in a stadium project?

Signal Iduna Park is not only an architectural focus, but also a social laboratory. New forms of fan participation, mobility concepts and even neighborhood dialogues are being tested here. A stadium as a city in miniature is a reality in Dortmund. But not all that glitters is gold: the debate about commercialization, noise protection, traffic flows and sustainability is in full swing. While cities such as Munich or Basel think of new stadiums as urban development projects, Dortmund remains a pioneer for emotional identity and urban density. The big question: how can this balance between myth and machine also be ensured in future buildings?

Today, planners are faced with the task of designing far more than just grandstands. It is about quality of stay, integration into the urban context, sustainable choice of materials and technical resilience. Signal Iduna Park provides numerous blueprints for this: from the design of the fan curves to traffic logistics and flexible event areas. The architectural debate always revolves around the question of how much stadium a district can take – and how much city a stadium needs. The answer lies somewhere between urban planning courage and technical finesse.

In Switzerland, for example, new arenas are often part of larger development areas; in Austria, small but fine stadiums shape the local identity. But an international comparison shows: Anyone who understands stadium architecture as part of urban transformation inevitably ends up in Dortmund. There, stadium construction is becoming an art form – with all the opportunities and risks for urban planners, architects and investors.

Digital transformation: when the stadium becomes a smart arena

Signal Iduna Park is not only physically impressive, but also a digital pioneer. While soccer fans are still discussing the VAR, planners have long been working with digital twins, AI-supported visitor control and real-time data. In practice, this means that sensor technology measures visitor flows, controls air conditioning and optimizes security concepts. Digitalization turns the stadium into a learning system that can react flexibly to weather, capacity and threats. Such smart stadium approaches are still rare in Germany and Switzerland, but they are becoming the new standard. Dortmund shows how digital tools not only make operations more efficient, but also personalize the experience for visitors.

A look behind the scenes reveals: Where a stadium attendant with a bunch of keys used to rule, AI systems now monitor access control, fire safety and escape routes. Predictive maintenance, i.e. the predictive maintenance of building technology, has long been part of everyday life. Energy requirements, water consumption and waste volumes are analyzed and optimized in real time. This saves costs and resources – and increases reliability during operation. For architects and operators, this means a new form of responsibility: they must not only build, but also think digitally. The necessary expertise ranges from data analysis to IT security.

Digitalization also opens up new scope for sustainability. Intelligent control systems adapt lighting, heating and ventilation to actual needs. Smart mobility solutions guide travel, reduce emissions and relieve the burden on the neighborhood. Dortmund was an early adopter of digital visitor guidance, mobile ticketing systems and automated access control – a model that is now also being copied in Vienna and Zurich. The trick is to dovetail technology and architecture in such a way that they reinforce each other. Not everything that is digital is automatically better. But without digitalization, a stadium is simply no longer up to date.

Of course, there are also risks. Dependence on IT infrastructure, data protection issues and the danger of technocratic overcontrol are real challenges. Critics warn of the transparent fan, algorithmic discrimination and the commercialization of experience data. Architects and operators are called upon to ensure transparency and control. Signal Iduna Park relies on openness and dialog – an approach that should set a precedent. Because only if fans, the city and operators work together to build the digital future will the stadium remain a space for experiences and not just a data mine.

Ultimately, the digital transformation is turning the stadium into an urban hub that extends far beyond sport. Anyone shaping this transformation must think about technology, space and people together – and keep asking themselves who actually owns the new stadium. Dortmund has found a pretty clear answer to this question: It belongs to everyone who fills it with life.

Sustainability and the circular economy: from energy guzzler to green role model?

Stadiums have long been regarded as ecological problem cases. Huge concrete buildings, high emissions, energy wastage – the image was bad, the reality often even worse. But Signal Iduna Park is an example of how sustainability and stadium construction can go hand in hand today. Even during the numerous extensions and conversions, the planners focused on resource-saving materials, reuse and energy efficiency. Photovoltaic systems, rainwater harvesting and intelligent building technology have long been standard. In Germany, Austria and Switzerland, such measures are now mandatory – but Dortmund remains a reference point for innovative solutions.

A central topic is the circular economy. Signal Iduna Park demonstrates how components can be replaced on a modular basis, resources recovered and building materials recycled. This is not only ecologically sensible, but also economically attractive. Anyone planning stadiums today has to keep an eye on the entire life cycle: from the choice of materials to the construction phase and dismantling. This is where technical expertise pays off. Architects, civil engineers and operators need a deep understanding of sustainable building materials, energy and waste management and the integration of renewable energies.

The challenges are enormous: a stadium is an energy guzzler if it is operated incorrectly. Only intelligent concepts that combine architecture, technology and user behavior can effectively reduce emissions and resource consumption. In Dortmund, LED technology, efficient heating systems and sustainable mobility concepts were implemented early on. Cooperation with the city, local companies and research institutions creates synergies that extend far beyond the stadium walls. In this way, Signal Iduna Park is becoming a testing ground for urban sustainability.

Of course, there is also criticism. The construction of new stadiums still devours vast amounts of raw materials, and the “green stadium” often remains a marketing promise. But the trend is clear: without sustainability, there will be no more acceptance – neither from urban society nor from fans or investors. The pressure is growing to deliver real innovations instead of just collecting certificates. The discussion is similar in Austria and Switzerland, where sustainability is often considered on a smaller scale, with a focus on regional value creation and social integration.

A look at Signal Iduna Park shows this: Sustainability is not an add-on, but an integral part of modern stadium architecture. Anyone planning today must minimize the ecological footprint and break new ground in the process. From urban farming on the stadium roof to zero-emission operation – the visions are there. The challenge now is to implement them without losing the myth of the stadium.

Architectural discourse and global debates: How much city can a stadium take?

Signal Iduna Park not only stands for architecture, but also for a heated debate: How much city is actually in the stadium – and how much stadium does the city need? While in other countries mega arenas are built as solitary structures on greenfield sites, Dortmund focuses on integration, identity and urbanity. The stadium is part of urban life, a transportation hub, a meeting place and a symbol of cohesion. This fusion of architecture and urban development is causing a stir internationally. Similar concepts are being discussed in Vienna, Basel and Zurich, but Dortmund remains a defining style.

Criticism of the commercialization of stadiums is omnipresent. Naming rights, VIP boxes, event areas – the balance between economic success and social responsibility is a constant balancing act. Signal Iduna Park shows that identity and authenticity are also possible in a commercially used stadium. The architecture plays its part in this: Visual axes, open facades, flexible use and the famous standing grandstand as a haven for fan culture. Such elements are not a minor matter, but the core of modern stadium art.

Digitalization and sustainability bring new challenges to the architectural discourse. What happens when algorithms decide on admission, security and comfort? How much technology can the stadium experience tolerate without dehumanizing it? And how can ecological and social goals be reconciled with economic requirements? Signal Iduna Park is a laboratory for these questions – it shows that innovation and authenticity need not be a contradiction in terms. But it also shows that it takes courage to break new ground.

Internationally, people look to Dortmund. FIFA, UEFA and numerous architecture firms use the stadium as a reference for competitions, studies and research projects. The global debate is increasingly revolving around urban integration, flexibility and resilience. Today, stadiums have to be able to do more than just play soccer: they are event spaces, mobility hubs, green lungs and social meeting places. Signal Iduna Park embodies this development in a unique way.

The question remains: What will the stadium of the future look like? Modular, digital, sustainable and open to all – these are the industry buzzwords. Dortmund is well on the way to making this vision a reality. Any architect, planner or operator who wants to be an international player today cannot ignore the lessons learned in the Ruhr region. Signal Iduna Park is more than just a stadium – it is a statement for urban stadium art in the 21st century.

Conclusion: Signal Iduna Park as a blueprint for the stadium architecture of tomorrow

Signal Iduna Park is not a relic, but a laboratory for the future of urban stadium art. Here, architecture, technology and urban society merge to create a unique experience that goes far beyond soccer. Digitalization, sustainability and urban integration are no longer options, but a must for all those who build stadiums today – in Germany, Austria, Switzerland and worldwide. Anyone who studies Signal Iduna Park learns that stadium construction is more than just engineering. It is about identity, community and the ability to rethink the city. The arena in Dortmund thus remains both a benchmark and a reminder: you can build a stadium as a machine – or as a work of art for the city. The choice is ours.

“Enthusiasm, team spirit, courage and willingness to learn.”

Building design

The founders of AllesWirdGut Architektur are Friedrich Passler

Four students, three cities, four offices – every year, the Baumeister Academy sends talented architecture students to work in renowned offices. But who is actually behind it and what do the architects get out of our program? We ask: this time at AllesWirdGut Architektur, who took part in the Baumeister Academy for the first time in 2019. Franzisca Rainalter is already in the starting blocks, her […]

Four students, three cities, four offices – every year, the Baumeister Academy sends talented architecture students to work in renowned offices. But who is actually behind it and what do the architects get out of our program? We ask: this time at AllesWirdGut Architektur, who took part in the Baumeister Academy for the first time in 2019. Franzisca Rainalter is already in the starting blocks, her six-month internship at AllesWirdGut Architektur begins in September. We met her future boss Andreas Marth and talked to him about his work and the next generation of architects.

Our Academy winner Franzisca Rainalter starts her six-month internship at AWG on September 1st. If you could/had to do an internship in an office again today. Where would you go?
Definitely to AllesWirdGut – to Vienna or Munich!

And why should you go to AWG?
In addition to a varied insight into the world of work and everyday architecture, we also offer all interns the opportunity to improve their own cooking skills. In addition to working in the various project teams, one of the tasks is to support our cook in the canteen for a week ata time. In addition to healthy, home-cooked food, you will also receive valuable tips on how to use a knife and fork!

The internship is also a good opportunity to introduce yourself to us and the office, to prove yourself and to make a lasting impression. For us, these six months offer an excellent opportunity to get to know good and talented students better – we are happy to make use of this when looking for and acquiring future employees.
Many in our team started as interns/volunteers and have returned to our team as employees after completing their studies and are now a permanent part of our team.

This is your first time at the Baumeister Academy. Why are you taking part?
Because we believe that the Academy creates a win-win situation for both sides and because we hope to get to know and appreciate excellent new people along the way.

What do you expect from your trainees?
Enthusiasm, team spirit, courage and a willingness to learn.

Can the absolute beginners, those who have just come from university and are starting in your office, do anything? What do they lack?
Beginners are characterized by a certain naivety and impartiality in their approach to projects and problems. We really appreciate that!
One of our office’s recipes for success has always been that we look for unconventional solutions and are certainly not satisfied with the first answer and solution that comes along – another reason why we never wanted to specialize in one area or typology with our office and work in as broad a field as possible.

“It’s always been like this, it has to be like this again” is a killer of any progress and any design concept. That’s why we also see problems as potential – because they force us to break out of established and familiar thought patterns.
Solutions and concepts are discussed with the respective project teams in weekly workshops. Everyone can contribute to this discussion and help shape it directly and immediately – in the end, it’s all about working out and honing the best idea, and we don’t care whether this idea is put forward by a senior architect or an intern.

“Definitely nine-to-five – or even shorter if we can get the ideas down on paper faster!”

Are you more the “nine-to-five” type or more the “eleven-to-midnight” type? And what about overtime in the office?
Definitely nine-to-five – or even shorter if you can get the ideas down on paper faster!
We have largely flexible working hours and are certainly not workaholics (anymore). Of course, there are deadlines, deadlines and the occasional pressure of deadlines, where things can get longer – but any overtime is compensated for at short notice.
Ideas and creativity require periods of relaxation and plenty of time to be inspired. This doesn’t happen if we just sit at a desk or behind a computer.

What caused the last big argument?
The great thing about our office partnership is that we haven’t had a big argument in 20 years. Of course, we discuss a lot and don’t always agree – but in what is now our “longest relationship”, we have always been able to agree on major decisions without arguing or voting. That is certainly a stroke of luck!

Generalist or specialist? What does a young architect need to be today?
Generalist and all-rounder!

“When we founded our office 20 years ago as fresh graduates, we couldn’t have imagined in our wildest dreams where we are today with our 80-strong team.”

What has been your greatest success?
AllesWirdGut!
When we jumped in at the deep end 20 years ago as fresh graduates straight out of university, inexperienced and naïve, and founded our office, we could never have imagined where we are today with our 80-strong team. And we are looking forward to developing this further.

You’ve been in the architecture business for a long time. Is there anything that can still surprise you today?
An open and enthusiastic counterpart (client, craftsmen, etc.), who is open to ideas and concepts, surprises us again and again – but at the same time it is also the stroke of luck that makes us still passionate about designing and building.

Your tip for budding architects?
Open your eyes and ears – and get out into the world!

The Baumeister Academy is an internship project of the architecture magazine Baumeister and is supported by GRAPHISOFT and BAU 2019.