Designer Moritz Waldemeyer works with light to dynamize spaces and buildings. His projects show how closely the effect of architecture and its lighting are connected.
Designer Moritz Waldemeyer works with light to dynamize spaces and buildings. His projects show how closely the effect of architecture and its lighting are connected.
Perhaps the most intelligent work by designer Moritz Waldemeyer bears the bulky and regal title “By Royal Appointment”. The rather high, throne-like chair is shown in the classic press photos, sometimes subtly, sometimes brightly illuminated. It seems as if the chair and the light around it should be thought of together. And that is true. Because the seating furniture has a technically not so complicated, but intellectually brilliant highlight: It emits an aura of light around it, which in turn refers to the color of the user’s clothing. The design thus reacts directly to specific people. The distance between subject, object and space is eliminated. And light always plays a key role, if not THE key role. By Royal Appointment was shown at the Libby Sellers gallery in South Kensington, London. Waldemeyer also has his office in London. And in the west. Not in hyper-creative Hoxton or even further east, where the city is getting really rough and where inspiration-seekers from art to advertising are currently flocking. Perhaps Moritz Waldemeyer doesn’t need the roughness as inspiration. He has it in his vita, so to speak. He was born in Halle an der Saale in 1974. “Of course that shapes you”, he says today – “the predominant color of my childhood was grey”.
In future, Waldemeyer will focus even more on architecture. He has already worked with architects such as Zaha Hadid, Klein Dytham and Schmidhuber und Partner (the latter on a project for Audi). He is currently in negotiations with several large architectural firms. “I simply like the large dimensions. You can then set much stronger atmospheric accents.” In addition, working on a large scale with architectural backgrounds has another advantage: “The internal fixed costs are amortized more quickly.” The designer is also a bit of a businessman.
Read more in Baumeister 3/2014
Portrait: Ronald Dick; Photo: Moritz Waldemeyer












