Mountain railroads: mobility in the mountains

Building design
Fresh air in the chairlift. Source: unsplash

Fresh air in the chairlift. Source: unsplash

We have long been fascinated by mountains that are as beautiful as they are forbidding. We want to climb, own and control them. The easiest way to reach the heavens is probably by cable car. However, these have only been around since the end of the 19th century. From cog railroads to double-decker cable cars, here are ten examples of means of transportation in mountain landscapes.

We have long been fascinated by mountains that are as beautiful as they are forbidding. We want to climb, own and control them. The easiest way to reach the heavens is probably by cable car. However, these have only been around since the end of the 19th century. From cog railroads to double-decker cable cars, here are ten examples of means of transportation in mountain landscapes.

Ropeways are built in places that seem impregnable. A distinction is made here between aerial and funicular railroads. Aerial cableways allow cabins, gondolas or chairs to float high above the ground. They are carried by one or more wire ropes.

The longest and highest aerial cableway is in Canada. However, the world’s first aerial cableway is much closer to home – in the Swiss canton of Obwalden. The cable car, built in 1992, was already a hit back then with its rotating cabin floor. Bad Reichenhall is also home to the world’s oldest preserved original large-cabin cable car. The so-called “Predigtstuhlbahn” from 1928 was considered a model of a perfect cable car. Today, the dodecagonal red gondolas are a listed building. But the nostalgic cable car is still in operation! A machine operator works in the mountain station.

In an aerial tramway, two cabins move synchronously on separate track ropes. A haul rope moves them up and down. The cabins are often large. This means they transport many people at once and usually at fixed departure times. Several smaller cabins tend to be used on circulating ropeways. Single-cable, bicable and even tricable gondola lifts move on fixed suspension cables and circulating traction cables for the gondolas. Tricable gondola lifts currently have the highest transport capacity – up to 5,500 passengers per hour. One example of this is the “Glacier Ride” in Zermatt. As the highest tricable gondola lift in the world, it transports up to 2,000 people per hour. Another highlight is that the gondolas have a glass floor. So you should be free from giddiness to enjoy this all-round view.

Funiculars move along a fixed route, often on rails. They are propelled by wire ropes that pull the cabins. In the past, water ballast tanks were used for this purpose. A piece of cable car history awaits tourists in Nidwalden in Switzerland, for example. The over 125-year-old “Stanserhorn-Bahn” transports them from Stans to the equally spectacular “CabriO” cable car. The nostalgic mountain railroad from 1893 impresses with its charming wooden cabins. Another funicular is the “Hungerburgbahn” in Innsbruck. This was designed by none other than star architect Zaha Hadid. The futuristically curved roofs of the cable car stations are intended to be reminiscent of glacier tongues and moraines. And in the Tyrolean village of Serfaus, there is a special version of the funicular: an underground air cushion cable car. Another highlight is the “Gelmerbahn”. For the last hundred years, this was used to build and operate a power station in the Bernese Oberland. Now tourists can also use this extraordinary mountain railroad in summer. At its steepest points, it has a gradient of 106 percent! This makes it the steepest open funicular in Europe. What’s more, on this rollercoaster-like ride, you are always sitting downhill with the car open.

These installations climb up the steepest slopes so that we can enjoy spectacular views while suspended in the air. The “l’Aiguille du Midi cable car” in France, for example, is a technological masterpiece. This cable car includes the world’s longest section of cable car constructed without intermediate supports.

The name says it all: “CabriO” is an open cable car. But that’s not all. It is also the world’s first cable car-guided double-decker. This Swiss mountain railroad is guided sideways between two cables. The cabin of the gondolas is fully glazed. As if that wasn’t enough, there is also an upper deck. Here you can breathe in the alpine air at an altitude of 1,900 meters. Sixty people fit in the cabin, thirty on the upper deck.

There are already gondolas that rotate 360 degrees. One example of this is the “Titlis Rotair” cable car. The gondolas of the world’s first revolving cable car spiral around themselves once on the way to the summit. Nothing stands in the way of a panoramic view.

Hay bales instead of tourists – some mountain railroads prioritize differently. For example, there is the Swiss “Buiräbähnli”. This miniature cable car is used to supply farms, but also takes visitors. Far from high-tech, only a wooden gate keeps the passengers in the red cabin.

Yes, they still exist. Beyond modern technology with fancy names, you can still find these models of transportation. The nostalgic “Vellau” basket lift, for example, consists of a chest-high metal basket for two people. It then takes you upright – and very leisurely – across meadows and forests to the Leiteralm.

The chairlift sounds a little more comfortable. Whether as a single seat or several next to each other, this mountain lift transports you upwards. Instead of sitting in a closed cabin, you sit in the fresh air. You are usually secured by a bar that can be pulled down from above.

Instead of ropes, gear wheels are used for locomotion. The jagged wheels engage with the rack on the ground. The Swiss “Pilatus Railway” is the steepest cogwheel railroad in the world. The original steam-powered cars are in the museum. Today, the line is modernized and runs on electricity. Switzerland also has a rack railroad with an extra sausage. The “Dampfwürstlibummler” from 1892 takes you up the Rothorn at a leisurely pace. In addition to the view, you can enjoy the famous Heizerwürstli sausages. These are cooked on the steam boiler during the ride.

Also interesting: What are the fastest trains in the world? We answer this question here.

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Singapore, Hotel Marina Bay Sands

Building design

The word “spectacular” is rarely appropriate in architecture. We make an exception for the Marina Bay Sands hotel.

The word “spectacular” is rarely appropriate in architecture. We make an exception for the Marina Bay Sands Hotel: the Moshe Safdie office has built a trademark for the entire city-state of Singapore. Singapore is a metropolis with which no architectural image has ever been associated – neither a skyline like Hong Kong nor a waterfront promenade like Shanghai, nor an opera house like Sydney. The “Switzerland of Asia” may be considered prosperous, but it is also boring. This is set to change, and the Marina Bay Sands hotel, built on land reclaimed from the sea, is seen as a new sign of a more dynamic image.

The hotel ensemble is also a symbol of the new city district around Marina Bay and a huge landmark above the skyline: With three hotel towers 200 meters high and a one-hectare roof garden connecting the towers, ambitions are soaring skywards. There are 2,560 rooms, several fitness rooms, spas, restaurants and the 340-metre-long “Sky Park”, which is planted with exotic plants. Each of the three towers spreads out downwards into two slices, flanking a central axis. This publicly accessible lobby leads to stores, restaurants, a casino, theater, exhibition and event complex, a multi-storey luxury shopping mall and the ArtScience Museum in the shape of a lotus flower. There is also an “art trail”: seven installations by five artists, including Sol Lewitt, Antony Gormley and Zheng Chongbin, which make reference to light, water and wind. Finally, the resort also includes a casino with over 600 tables and 1,500 one-armed bandits.

But the main attraction is the Sky Park, which cantilevers out 65 meters over the north tower like a surfboard above the waves. Seen from below, its palm trees appear tiny and thus serve as a scale that makes the enormous dimensions of the building truly recognizable. Even those not staying in the hotel are welcome to enjoy an aperitif on the deck or in one of the restaurants up here. Only the infinity pool with its glass overflow edges – the longest in the world, of course – is reserved exclusively for hotel guests.

The view is also the attraction in the hotel rooms: the higher, the more impressive – and more expensive. However, the architectural ambitions here clearly lag behind those of the large sculpture and the more public areas. Supporting structure, pipe and shaft cladding emerge abruptly from the walls and ceilings, also a tribute to the complex supporting structure of the concave facades. But who, apart from architects, is bothered by a restless building services landscape when the view out over the bay and the Central Business District, illuminated at night, is so convincingly distracting?

Address

Marina Bay Sands
10 Bayfront Avenue
Singapore 018956
www.marinabaysands.com

“Stone+tec is and remains a trade-oriented trade fair”

Building design

Stone+tec will take place for the 20th time in Nuremberg from June 13 to 16, 2018. In its anniversary year, the trade fair is setting new priorities. Event Director Beate Fischer reveals what these are in an interview with STEIN. Together with her team, she already has her hands full – coordinating exhibitors and partners and organizing a […]

Stone+tec will take place for the 20th time in Nuremberg from June 13 to 16, 2018. In its anniversary year, the trade fair is setting new priorities. Event Director Beate Fischer reveals what these are in an interview with STEIN. She and her team already have their hands full – they have to coordinate exhibitors and partners and organize an extensive supporting programme. And to introduce some changes.

We look forward to meeting youon siteinJune to exchange ideas – drop by the STEIN stand in Hall 9, directly opposite the stand of the German Natural Stone Association.

Beate Fischer: Stone+tec has always been a trade fair that reflects the stone industry – and therefore picks up on all material and technology trends. We have been observing for some time that the market is once again increasingly focusing on local natural stone – we are dedicating a large special show to this trend. This year is all about sustainability. One change is our central event stage in Hall 9. We wanted a focal point where we could bundle all events. In addition to the opening, award ceremonies, lectures and the Forum Cemetery event series will also take place there.

How many exhibitors are you expecting?

We can’t say for sure yet – interestingly, it’s a characteristic of Stone+tec that exhibitors always register at very short notice. But what I can already say: We are once again very international and are expecting exhibitors from 29 countries so far, including two large joint stands from the Czech Republic and China, for example.

What highlights does Stone+tec offer?

The trade fair is divided into three sections: Machine Trends, Gravestones and Cemeteries and Materials. There are great program items in all three: In the machinery area, we have a special show on the treatment and processing of worktops in Hall 12, while an accompanying specialist forum will address the topics of CNC technology and robotics in daily discussions.

On the second day of the trade fair, the Cemetery Forum offers opportunities for exchange. There, various speakers will present successful practical examples and ideas from the “New paths in the cemetery!” competition. In addition, the Cemetery Culture Congress of the Association for Commemorative Culture will take place on the third day of the fair in the Brussels Hall. This will focus, for example, on the cemetery of the future and innovations.

In the materials area, the German Natural Stone Award will be presented. The highlight here is the special show “Our Natural Stone”, organized by the BIV and DNV, where 15 participants from Germany, Austria, Switzerland and South Tyrol will present their materials and also address the sustainability aspect of these materials.

Will the traditional stonemason, who hasn’t had much to do with machines so far, also be present?

Yes, the trade fair is mainly aimed at craft businesses from the construction and gravestone sectors. I believe that very few stonemasons can ignore the topic of digitalization and technology, which is why machines naturally always play a role. But Stone+tec is and remains a trade fair geared towards craftsmen. That’s why we also show a lot of inspiring craftsmanship, creative workpieces and special gravestones.

In 2018, Stone+tec will take place for the first time in a new rotation. Why was the trade fair moved to the even years?

The discussions we have had with exhibitors and visitors have shown that this new rotation fits better into the industry’s trade fair calendar. Finding a place between the other trade fairs and mandatory dates in the natural stone industry is not easy – but the new rotation makes it possible.

Ms. Fischer, thank you very much for the insights.

Stone+tec 2018 will take place from 13 to 16 June 2018 at the Exhibition Center Nuremberg. The day ticket costs 17 euros online in advance (advance sales start on April 17, 2018), 22 euros on site, the season ticket for all days of the trade fair costs 29 euros online in advance, 34 euros on site.

You can meet STEIN on site in Hall 9, Stand 535, directly opposite the stand of the German Natural Stone Association.