Muslim Academy Heidelberg: Interview with bhmp

Building design
Visualization of a multi-storey building with a park around it. The competition for the Muslim Academy Heidelberg was won by bhmp and baurmann.dürr Architekten. For the design, they developed an architectural language to match the building task. Visualization: baurmann.dürr Architekten | BHM Planungsgesellschaft mbH

The competition for the Muslim Academy Heidelberg was won by bhmp and baurmann.dürr Architekten. For the design, they developed an architectural language that matched the building task. Visualization: baurmann.dürr Architekten | BHM Planungsgesellschaft mbH

The Muslim Academy in Heidelberg, Baden-Württemberg, is the first building for political education under Muslim sponsorship. The competition for the project was won by the team from BHM Planungsgesellschaft and baurmann.dürr Architekten. In this interview, Max Hansen from bhmp explains what architectural language they found for the planning task, what the concept for the open spaces looks like and how the Muslim Academy Heidelberg will fit into the urban context.

The Muslim Academy in Heidelberg, Baden-Württemberg, is the first building for political education under Muslim sponsorship. The competition for the project was won by the team from BHM Planungsgesellschaft and baurmann.dürr Architekten. In this interview, Max Hansen from bhmp explains what architectural language they found for the planning task, what the concept for the open spaces looks like and how the Muslim Academy Heidelberg will fit into the urban context.

Editorial team G+L: In November 2023, you and baurmann.dürr Architekten won the architectural competition for the Muslim Academy Heidelberg. In the competition brief, the task was to find an architectural language that could represent a Muslim identity in Germany without reproducing stereotypes. What answer did you find with your planning partners?

Max Hansen: Language is a perpetual process, as both language and thinking are subject to change. This also applies to architecture and landscape architecture. We therefore decided to develop an ornament that is based on Islamic patterns, but at the same time still allows for interpretation. This ornament forms the dominant façade structure, which creates an impressive interplay of light and shadow inside the building. In the open space, we take up this pattern with the floor covering and continue it. In addition, isolated inlays in the seating and wall elements are reminiscent of the language with which we want to convey openness and identity.

There are no role models for the planning task of the Muslim Academy Heidelberg – a house of political education under Muslim sponsorship – it is a novelty. How did you design the open spaces?

We have worked very hard on the idea of the academy and tried to develop a concept that makes it possible to provide political and social education under religious sponsorship. The open space is designed to be very open and inviting. Groups of trees structure and define the space without obstructing it. They provide views of the surrounding area and mark the entrances to Bahnstadt and the academy. At the same time, the open tree arrangement creates space for events. Beds, seating and a water feature create an inviting and prestigious atmosphere. They reflect the identity of the Muslim Academy and structure the outdoor space.

The Muslim Academy will be built in Heidelberg’s new Bahnstadt district. How will the buildings and open spaces fit into the surroundings and what added value can they offer the city’s population?

The urban planning idea of the promenade strip, which ends at this point, was decisive for the design. The tapered plot dictated the shape of the building. It consists of a closed structure that rests on a transparent first floor. The connection to the surrounding area is very urban on the one hand and very scenic on the other. The promenade band marks this transition, which we have broken through by means of a bastion, thus utilizing the topography in terms of design and responding to the urban planning idea of Bahnstadt. The bastion is also part of one of two squares that form the prelude to the promenade strip and the academy. As the two squares are at different levels, they are spatially linked by the ribbon. The building picks up on this idea and thus enables the interplay between inside and outside. The result is an inviting character that offers the opportunity for social exchange and education. Both the open spaces and the building thus fit in well with the surroundings in terms of design, urban planning and society.

Max Hansen, Dipl.-Ing. (TUM) landscape architect, is team and project leader of the landscape architecture department at bhmp. His focus is on the design and processing of competitions. He regularly writes articles for specialist journals and is a lecturer in open space planning at Nürtingen University.

Read more: The October 2024 issue of G+L is dedicated to places of faith. The magazine is available in our store. Theresa Ramisch gives a first insight into the issue in her editorial.

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Stonematters

Building design

Limestone is used almost exclusively as a decorative material in Palestine – which means that know-how in the construction industry is being lost. This is why the AAU Anastas architecture firm is devoting itself to the use of limestone as a structural material: the recently constructed “Stonematters” pavilion in Jericho is a self-supporting vault. The project name is intended to imply that it is an important […]

Limestone is used almost exclusively as a decorative material in Palestine – which means that know-how in the construction industry is being lost. This is why the AAU Anastas architecture firm is focusing on the use of limestone as a structural material: the recently constructed “Stonematters” pavilion in Jericho is a self-supporting vault.

The project name is intended to imply that this is an important topic – but also to show how innovative techniques can be applied to the traditional material.

The architects from Palestine draw on the ancient principle of stereotomy: stone is used as the load-bearing building material, with the elements supporting each other. The concept goes back to the origins of construction.

The Stonematters vault has a span of seven meters and covers an area of 60 square meters. The structural elements are only twelve centimeters thick. In total, the vault consists of 300 individual parts.

Scales” research institute

AAU Anastas is conducting research into three-dimensional and parametric vaults with its “Scales” research institute together with the GSA Lab of ENSA Paris-Malaquais. The findings of the study will be used for the construction of a residential complex: “El-atlal” will be built as accommodation for artists and writers in Jericho. Stonematters is therefore a first test – and will serve as one of the roofs of the complex.

The research work also aims to ensure that limestone is used again in contemporary architecture in Palestine. The study deals with computer simulations and fabrication techniques. The aim is to use contemporary construction techniques to reflect a local and global architectural language.

Computer simulations were used to determine the loads in the construction. This made it possible to determine how best to transfer them and calculate the optimal shape of the STEIN.

The entire project was developed with the expertise of people from the Jericho region. Various companies were commissioned and knowledge was gathered. The building blocks were sawn out of the raw blocks by one company – and transported to another for the carving work.

Styrofoam elements were attached to a scaffold for assembly. They form the underside of the vault. During the step-by-step dismantling of the scaffolding, attention was paid to movements or subsidence in the vault.

Aims of the project

After completion, many residents of Jericho and other parts of Palestine came to see the pavilion. The architects wanted to create a link between the country’s historical sites and urban morphologies – and also between the latest manufacturing processes and local factories. The basic idea behind the project is simple: limestone is a material that is available in large quantities in Palestine.

Commitment and goals of the Initiative Kulturzukunft Bayern

Building design
Dr. Markus Michalke and Anna Kleeblatt. Photo: Toby Binder

Dr. Markus Michalke and Anna Kleeblatt. Photo: Toby Binder

The Kulturzukunft Bayern initiative invited the cultural policy spokespersons of the Bavarian state parliamentary groups to a discussion in mid-July 2023. Since November 2022, the new association of now 36 funding and friends’ groups of Bavarian cultural institutions has been drawing the attention of politicians, the media and the general public to the shortcomings in cultural policy operations – and at the same time demanding long-term solutions from politicians

The Kulturzukunft Bayern initiative invited the cultural policy spokespersons of the Bavarian state parliamentary groups to a discussion in mid-July 2023. Since November 2022, the new association of now 36 funding and friends groups of Bavarian cultural institutions has been drawing the attention of politicians, the media and the general public to the shortcomings in cultural policy operations – and at the same time calling for long-term solutions from politicians

On Sunday, July 16, 2023, the Initiative Kulturzukunft Bayern invited the cultural policy spokespersons of the Bavarian state parliamentary groups to a discussion in the Audimax of the Technical University of Munich. Since November 2022, the new association of now 36 support and friends groups of Bavarian cultural institutions has been drawing the attention of politicians, the media and the general public to the shortcomings in cultural policy operations and at the same time demanding long-term solutions from politicians. The parties were therefore given the opportunity to discuss their respective positions on Bavarian cultural infrastructure in a lively debate on Sunday. Sanne Kurz (Bündnis 90/ Die Grünen), Volkmar Halbleib (SPD), Wolfgang Heubisch (FDP), Thomas Kreuzer (CSU) and Florian Streibl (Freie Wähler) accepted the invitation. The AfD abstained from the event.

As the highlight of the initiative’s high-profile series of events, at which Oliver Bäte, CEO of Allianz SE, spoke of the fact that “(…) you can ‘t be a top location for business if you’re not a top location for culture“, the panel discussion once again showed that the Free State of Bavaria is facing a huge mountain of tasks: In Munich alone, seven institutions such as the Residenztheater, the Gasteig and the Neue Pinakothek need to be renovated – not to mention the large number of other cultural venues throughout Bavaria.

At the initiative’s March event, Regula Lüscher, former Senate Building Director of Berlin, presented the idea of an “Opera Plus” as a solution. She called for the involvement of broader sections of society and to offer them an everyday venue that goes far beyond the cultural sector. There is also a need for well-considered interim buildings that, above all, promote cooperation between the individual theaters. However, this will not be possible without a coherent cultural strategy.

Easier said than done, especially as a renovation plan for the individual cultural institutions is far from enough: cultural education, digitalization, international competitiveness, visibility of the subculture and independent scene as well as consistent and transparent cultural funding are just a few of the many aspects that have been discussed and must be incorporated into a sustainable strategy development.

But it is not impossible! Representatives from Styria proved this to the initiative’s audience in June: Patrick Schnabl, Head of the Cultural Department of the Styrian Provincial Government, and Werner Schrempf, Director of the international cultural festival La Strada Graz, developed a comprehensive cultural strategy for Styria over the course of three years together with representatives from the fields of art and culture, education, society, regional development, tourism and social affairs. Communication at eye level and the change from cultural promotion to a culture of promotion were close to their hearts.

Hesse has also achieved something similar since 2019: at the same event, Julian Urban, one of the leading participants, reported on how they developed a cultural development master plan with the help of specialist workshops, regional conferences and online participation. This resulted in a cabinet decision and a government declaration in the state parliament and will now shape Hesse’s cultural policy for the next ten years.

So what have politicians taken away from the impetus provided by the initiative’s previous events? Within a very short space of time, the Kulturzukunft initiative has succeeded in drawing political attention to culture in Bavaria. However, the cultural cascade presented by Markus Blume, the Bavarian Minister of Culture, is highly controversial and a look at the party manifestos for the upcoming state elections in the fall is sobering. The topic is sometimes more, sometimes less elaborated.

Find out more in issue 6 of RESTAURO.