MUTEC 2022

Building design
General
Impressions of MUTEC. Photo: MUTEC

Impressions of MUTEC. Photo: MUTEC

What characterizes sustainable technologies that museums and other cultural institutions can use to make their exhibits more tangible? The concepts developed during the coronavirus pandemic can be put to the test in Leipzig from 24 to
26. November 2022 at MUTEC, the trade fair for museum and exhibition technology, to test their suitability

What characterizes sustainable technologies that museums and other cultural institutions can use to make their exhibits more tangible? The concepts developed during the coronavirus pandemic can be put to the test in Leipzig from 24 to
26. November 2022 at MUTEC, the trade fair for museum and exhibition technology, to test their suitability

A cooperation between MUTEC and ICOM Germany was agreed in 2019. Now it can finally be realized. As the largest forum for museum professionals in Germany and Europe, ICOM is primarily dedicated to the promotion of young scientists, museum-related specialist information and the international exchange of museum professionals. At the MUTEC exhibition, these and other interested parties can find out about areas such as buildings and technology, exhibition design and media presentation, as well as trends in visitor services or collection and cultural operations management. Offers for archives, depots and libraries are also aimed at specialists in these areas. The topic of accessibility is particularly well represented on a joint stand by the companies yomma and inkl. design from Berlin and Laville Braille from Paris. yomma offers high-quality sign language translation services and sign language courses. inkl. design designs inclusion with products and services, strategic consulting and barrier-free wayfinding systems. Laville Braille aims to make it easier to explore the world haptically with tactile images, Braille and relief prints.

MUTEC offers cross-sector ideas for museums, libraries, archives and other cultural institutions, as you can see here in the video:

Among the exhibitors in the other areas are companies such as Axess, Axiell, ERCO Leuchten, heddier electronic, MEDER CommTech, Robotron Datenbank-Software and Zeutschel. They will be joined by the Leipzig University of Applied Sciences (HTWK) and the Berlin University of Applied Sciences (HTW). “MUTEC veteran” AlfaVision is coming from Belgium. The company is known for developing museum concepts and scenographies. Ljusdesign Gobo & Highlight A/S (Denmark) will be represented for the second time, focusing on innovative lighting designs and solutions with sustainable materials. The three French companies include SPX-Lighting, a producer of high-performance light projectors specially designed for use in museums. Arenametrix is an omni-channel marketing platform that provides ideas for museums that want to better reach their target groups. Ask Mona is also pursuing this goal with the use of artificial intelligence. El Gabinete from Portugal is taking part for the first time. The service provider develops holistic concepts for exhibitions and presentations in collaboration with cultural institutions. Nature Planet from Denmark is one of the debutants. The world’s leading designer and sales partner focuses on gifts and accessories for zoos, aquariums and museums.

New additions at MUTEC 2022

Among the newcomers, amepheas from Vienna stands out with IT solutions for visitor management. This involves not only admission controls and ticket systems, but also the integration of tour planning, reservations for travel agencies, groups and individual visitors, as well as the storage of store items and cash register closing for administration. However, this year’s MUTEC not only has newcomers to offer, but also two new exhibition areas. The stage technology and equipment segment is aimed at the visitor target group of theaters and stages and cooperates with the Berlin University of Applied Sciences (BHT).

MUTEC – International Trade Fair for Museum and Exhibition Technology takes place parallel to “denkmal”. Together, denkmal and MUTEC form the international industry platform for the preservation and communication of cultural heritage – find out more in the video:

Under the heading MuseumsMerch, trade visitors will also find suppliers, products and program content from the museum store equipment sector. Valuable impulses and new practical solutions can also be found in the specialist program. The MUTEC Forum will feature five thematic blocks with different focal points, such as a panel discussion on “Security” moderated by Dr. Alke Dohrmann (SiLK – SicherheitsLeitfaden Kulturgut), while Markus Helle, editor-in-chief of HIGHLIGHT, will contribute his expertise as moderator in a panel discussion on “Light” and ask about the importance of multimedia staging that can be controlled with pinpoint accuracy and enables precisely defined light emission thanks to new, precise optics.

As part of the first presentation of the “Riegel – KulturBewahren” award at MUTEC 2016, Alke Dohrmann, a member of the SiLK project team, explains in the video what the security guidelines for cultural assets are all about.

A seminar led by Prof. Dr. Oliver Rump, who researches museum studies and museum management at the Berlin University of Applied Sciences (HTW), will provide answers to the topic of sustainability in museums. A workshop led by museum consultant Matthias Farke and security expert Clemens Heddier will address the question of how modern security technology can help to support the preventive conservation of objects.

How can objects be stored appropriately? What storage technology should be used? And how much reserve should be allowed for future collection growth?

Storage planning is not neglected either. Prevart is looking for solutions to the problems of museum work behind the scenes: In this context, Dr. Huber will be giving two courses as an experienced depot planner. The first will focus on the recording of quantity structures for depot and storage technology planning. How much space will be needed in the future? How can objects be stored appropriately, what storage technology should be used and how much reserve should be factored in for future collection growth? The second course analyzes the role of the user in depot planning. How can the common thread between users, architects, planners and contractors be maintained? The course highlights the various project phases, the project organization, the user requirements program, the right balance between optimum and maximum as well as communication in a project.

You can find a review of the previous MUTEC in 2018 here. The topics at that time were “Securing and preserving”, “Digitalization”, “Light” and “Accessibility”.

POTREBBE INTERESSARTI ANCHE

Viva la Piazza Zenetti

Building design
General

Since summer 2018, Piazza Zenetti in Munich has been an example of how a former parking lot can make neighbourly coexistence possible in a large city. Nevertheless, the planners responsible at raumzeug have to defend their project time and again.

Since summer 2018, Piazza Zenetti in Munich has been an example of how a rethought parking lot can make neighbourly coexistence possible in a large city. Nevertheless, the planners responsible at raumzeug have to defend their project time and again. G+L editor Theresa Ramisch presents the project here.

I always thought that the housing situation in Munich depended on how much money you had. But it’s actually a question of luck. At least if you believe the people of Munich. If you ask them where they live in the state capital, the classic answer is: “I was lucky.” Only after a meaningful pause is it revealed where the actual place of residence is. This is usually somewhere within or on the edge of the Mittlerer Ring. Well, or even in Großhadern. Happiness is subjective.
Yes, it takes a lot to find a suitable apartment in Munich. Money alone doesn’t always get you there. The pressure on space is enormous. So it’s no wonder that the financially weak creative scene in the Bavarian capital has little space left – for living and working. But also to initiate new projects. And this despite the fact that it offers so much potential for long-term urban development, as we discuss in the October 2019 issue of G+L.

But despite all these adversities, Munich’s creatives have managed to fight for a small inner-city area where creative bottom-up processes are once again possible. The Munich Schlachthofviertel. Here, players such as the Wanda e.V. association with Alte Utting or Bahnwärter Thiel are proving how creative projects can make a city like Munich – which is already considered to be highly liveable – even more attractive. What is special about the Schlachthofviertel, however, is that the Munich planning department is also jumping on the creative bandwagon that is currently thundering through the district. With the Piazza Zenetti.

Zenettiplatz led a dreary existence until the summer of 2018. There was no quality of stay here. Parking spaces defined the square. Nobody wanted to sit down and stay. But then, as part of the “City2share” project, the city invited tenders for the design of Zenettiplatz as a mobility station including a temporary neighborhood meeting place. The Munich office raumzeug was awarded the project and landscape architects Johann-Christian Hannemann and Felix Lüdicke developed a two-part square design, which is now – with further additions – in its second year.

The design

The southern area accommodates a wide range of mobility options with car-sharing parking spaces, e-charging stations and public transport bikes. The planners developed the northern area, which is part of the recreation and communication area, together with the residents in a needs analysis and a design concept. The result is a multifunctional, colorful square that is well received by the neighborhood.
An all-round, colorful piece of furniture – built as part of a participatory construction site – defines the spatial design. It encompasses the square and continues on the other side of the street, combining mobility with a place to stay. Six raised beds, a collection of potted plants and several rambling trees are responsible for the greenery on the otherwise very gray square.
In summer 2019, a carpet of grass was also added, which was only supposed to be here for two weeks. However, three dedicated neighborhood children campaigned to extend the lawn experiment over the entire summer – and beyond. The lawn is currently spending the winter at the neighbor’s, the Thiel railroad yard.

The use

The planners’ aim was to ensure that the square could be used for a variety of purposes. And they have achieved this. The surrounding (currently green) furniture can be used for sitting, working, but also for running around and playing. There is an information board, which acts as a bulletin board and reports on current activities in the piazza, as well as a book exchange shelf, a deposit niche, a swap board and lockable boxes for toys and tools. Simple, robust and functional – this triad best describes the character of the Piazza.

But wouldn’t parking spaces make more sense?

The planners actively involve the neighborhood with joint activities. One such campaign was the fountain experiment that took place in Piazza Zenetti in mid-July 2019. If you look at the pictures, it looks fun, doesn’t it? And it was. The sad thing is that not everyone is convinced by the fun. Even after two years – even shortly after such a successful event – Johann-Christian Hannemann and Felix Lüdicke in Isarvorstadt are still discussing whether the space is being used at all and whether ten parking spaces wouldn’t make more sense. The planners from raumzeug repeatedly hear “gentrification” criticism at the square: that they are only staging the functioning of the piazza and that the neighbors don’t use the square at all.
Are the critics right? My opinion: No. Firstly, a hundred meters further on, behind the underpass on Tumblingerstrasse, there are always free parking spaces. You just have to use them. Secondly, we should all be driving less anyway. Thirdly, the raised beds are blooming and growing. Why is that an argument? They are looked after by some extremely dedicated space and bed sponsors from the neighborhood. Doesn’t that alone speak for the fact that the community in Piazza Zenetti works? I mean, apart from the fact that there’s always someone sitting here? … Exactly. And fourthly: I’ve rarely been to a place in Munich where neighborly togetherness comes about as easily as in Piazza Zenetti. We don’t need to discuss the fact that neighborly togetherness is rare in a big city like Munich and is becoming increasingly rare. Nor do we need to discuss the fact that we need spaces without consumer pressure that bring us closer together as people, as neighbors, that counteract the increasing anonymity in the big city and that activate togetherness instead of coexistence. Public spaces should invite, not exclude. And that is precisely what the Piazza does. Thanks to the spatial design by Johann-Christian Hannemann and Felix Lüdicke, but also thanks to the social commitment of the planners themselves. They can be found in the Piazza every Wednesday from 6 p.m. for the neighborhood meeting “putz, plausch und plan”. And they don’t even live in the neighborhood. That’s what I call commitment.

Also interesting on this topic: You can find a commentary on why Munich in particular needs creative projects in the October 2019 issue of G+L (topic “Creative city”). Written by: Johann-Christian Hannemann and Felix Lüdicke. Take a look inside the magazine here.

Photos: Johann-Christian Hanneman (raumzeug)

Energy-efficient refurbishment – sustainable building envelopes with DOMICO

Building design
Planum® façade in VO design in the colors "Officers Gold" and black-grey. Photo: ©nps tchoban vos Berlin

Transformation des Gebäudebestands als zentrale Zukunftsaufgabe

Die energetische Sanierung zählt zu den drängendsten Herausforderungen der europäischen Bau- und Immobilienwirtschaft. Insbesondere Gebäude aus den 1960er- und 1970er-Jahren stehen vor einem tiefgreifenden Modernisierungsbedarf. Verschärfte gesetzliche Anforderungen an EnergieeffizienzBrandschutzNachhaltigkeitGebäudehülleFassadeFassadenvorgehängte hinterlüftete FassadenDOMICOBrandschutzDämmungRaumklimaModulleiste „S“VorfertigungEffizienzDie Planum®-FassadensystemeNachhaltiges BauenGebäudehülleEnergieträgerPlanum®SolarLuftdichtheitFassadeEnergiePlanum®SolarGebäudehülleUnterkonstruktionGebäudehülleEnergieeffizienzFassadenPhotovoltaikWeitere Informationen zum Thema Sanierung finden Sie hier:



QR-Code – DOMICO Report „WOHNHAUSANLAGEN“