New art store in Delft

Building design
Credit: Scagliola Brakkee

Credit: Scagliola Brakkee

Radius”, a center for contemporary art and ecology, has opened in Delft. Delft architects DP6 have redesigned a historic water reservoir and pump house for this purpose.

Many cities are home to magnificent, historic infrastructure buildings from the century before last. They are often listed buildings and local authorities are desperately looking for new uses – and donors – to preserve these sometimes highly decorative memorabilia. These include water towers. One of the most famous and largest towers, for example, caused a sensation when it was converted into a hotel: it is a huge round brick building in Cologne, built in 1864, decommissioned in 1930, opened as a hotel in 1990 and originally furnished by the well-known Parisian designer Andrée Putman.

The Dutch city of Delft has also been thinking about the subsequent use of its century-old industrial monument. It consists of a water tower, a pump house and an underground water reservoir at the foot of the tower. The facility stood empty for many years and only became a listed building in 2002. It has now been opened as the “Radius” art and ecology center. The Delft architectural firm DP6 has redesigned the buildings, adding an attractive entrance area and atmospheric exhibition rooms. For reasons of monument protection and also because of the “mission” of the center, it was important to the architects to proceed with minimal effort and to use simple, resource-saving materials and low-tech building technology.

The pump house and water tower are surrounded by the “Kalverbos” park, another historically significant small garden area on the northern edge of Delft city center. It was part of the city fortifications centuries ago and became a cemetery between 1829 and 1874. The water tower on the site dates back to 1896 and was extended in 1918 with a pump house and a large round basin below ground to store over two million liters of drinking water. The old concrete walls still show thick traces of lime today.

Exhibitions can now be seen in these underground halls. The exhibits – videos, light art and much more – focus on ecological themes with the help of contemporary art, while the rough, untreated walls form a robust backdrop. The management of the center works together with artists and ecologists, among others, to bring environmental issues closer to the population in lectures, seminars and exhibitions at this new location.

The architects have created a stimulating and varied atmosphere in the 500 square meter reservoir with minimal interventions and effective lighting effects. They have designed a circular route in concentric circles, with the rough walls interrupted at regular intervals to provide passages and views. The earth masses all around insulate and cool, so that the building services could be reduced to a minimum. To avoid unpleasant sound reflections, perforated birch wood panels are installed from time to time. The only visible installation is suspended from the ceiling in the form of a continuous track for lighting, projectors and information. The existing circumferential maintenance corridors are now used as benches and exhibition space, and electricity and heating cables can be concealed underneath.

Access to the art center has been relocated to the former pump house. There, a free-standing plywood housing serves as a bookshop in the entrance hall, while staircases to the left and right of it lead either down into the warehouse or up to the cafeteria on the mezzanine.

This use saved the Delft monument from decay. Last but not least, the initiative and perseverance of a private sponsor have turned this historic site into an attractive public attraction. In addition, attention is once again drawn to the small romantic garden. The 29-metre-high water tower, built in the so-called Dutch Neo-Renaissance style, can also be visited.

Radius, Center for Contemporary Art and Ecology, Delft, NL: www.radius-cca.org

Read more about another example of a monument and new use here: the grain silo in Berlin.

POTREBBE INTERESSARTI ANCHE

As the population increases, so does the density stress in Swiss cities and conurbations. At the same time, outdoor recreation and sport are becoming more important. A 2014 publication on the greater Zurich area provides examples of how existing green spaces can be made more accessible. Pieter Poldervaart analyzes the results in the December issue of G+L. The study Freiraumnetz Zürich can be […]

As the population increases, so does the density stress in Swiss cities and conurbations. At the same time, outdoor recreation and sport are becoming more important. A 2014 publication on the greater Zurich area provides examples of how existing green spaces can be made more accessible. Pieter Poldervaart analyzes the results in the December issue of G+L. You can download the Freiraumnetz Zürich study here.

8.42 million people lived in Switzerland in 2017, compared to 7.08 million or 19 percent fewer twenty years ago. In the past, this annual growth of one percent and the increasing demand for living space per capita was accompanied by a partly unchecked urban sprawl. Greater Zurich is particularly affected by the rapid growth in the resident population. Three million people live in the perimeter defined as the Zurich metropolitan area, which includes not only the canton of Zurich but also numerous municipalities in neighboring cantons and even in neighboring southern Germany.

Forecasts suggest that 30,000 people per year will continue to move to Switzerland’s economic center. In addition to housing and jobs, these people also need recreational space. In 2014, the Zurich Metropolitan Area Association therefore published an outline that shows the way to a “settlement-related open space network” – as the title suggests. In addition to describing the problem, the guide aims to show how existing recreational areas can be upgraded and new ones created and how planning is possible across municipal and cantonal boundaries. You can download the study here.

You can read the full article in G+L 12/18.

One brick prize, many awards

Building design
Main prizewinner of the German Brick Award 2019

City library

German Brick Award 2019 presented – one prize, many awards for exemplary energy projects

The results of the German Brick Award 2019 were announced on February 1: 120 submissions of exemplary energy-efficient brick projects from all over Germany made the decision difficult for the jury, chaired by Piero Bruno from the Berlin office of Bruno Fioretti Marquez. The high design quality ultimately led to a large number of awards – two main prizes, six special prizes in various categories and eight commendations.

The main prize for monolithic construction was deservedly awarded to Harris + Kurrle Architekten from Stuttgart for the municipal library in Rottenburg am Neckar. The jury praised “the sensitive positioning of the remarkable new building as a communicative and contemplative place in the fabric of the city”. It also praised the public building for its skillful, creative use of monolithic exterior wall constructions made of highly insulating bricks.

An extension

The main prize for multi-shell construction went to the remarkable extension to the Philosophy Department of the University of Münster by Peter Böhm Architekten from Cologne. “The building, modestly described as a ‘shelf wall’, cleverly incorporates the existing listed building and forms an attractive façade opposite the historic Fürstenberghaus,” said the jury. “In this case, the haptic brick becomes synonymous with sensual appeal and a cleverly reduced, ornamental appearance.”

A special prize for energy efficiency

Several special prizes were also awarded, including one for “Cost-effective, energy-efficient multi-storey residential construction”. This was won by the Ulm-based firm Braunger Wörtz Architekten with their project at Vorwerkstrasse 23/1 in Neu-Ulm. The new building for the Neu-Ulm housing association (NUWOG) comprises 31 publicly subsidized, barrier-free rental apartments in a six-storey building and is designed as a KfW Efficiency House 70. The jury: “The uncomplicated design with monolithic brick exterior walls, which are finished with a white cement scratch coat that does not require painting, guarantees this residential building a low-maintenance, long life.”

Awarded by: Ziegelzentrum Süd e.V. in cooperation with the
Federal Ministry of the Interior
www.ziegel.com

The exhibition can be seen until February 15, 2019 at the Haus der Architektur, Waisenhausstraße 4 in Munich. It will then travel to various universities.

Photos: Roland Halbe; Lukas Roth; Erich Spahn