New London squares

Building design

The new square in front of King's Cross Station was paved with granite. Photo: Hufton+Crow

Over the last 15 years, London has witnessed the revival of a distinctive element in its spatial matrix – the urban square – as a place of encounter, exchange, and civic identity. There are lessons to be learned from recently realized urban projects.

Over the last 15 years, London has witnessed the revival of a distinctive element in its spatial matrix – the urban square – as a place of encounter, exchange, and civic identity. There are lessons to be learned from recently realized urban projects.

Were the homebound students of Hogwarts School of Witchcraft and Wizardry to arrive at King’s Cross – among the buzz created by the 140,000 passengers using the station each day – they would be enchanted by the scale of recent change outside. Over the last 15 years, London has witnessed the revival of a distinctive element in its spatial matrix, the urban square, as the place of encounter, exchange, and civic identity. London’s urban garden square, of which there are more than 600, has shaped the city’s distinctive layout since the 17th century, and with it, to some extent, the image of public space today. Yet in a dynamic city like London, there are many facets to the way public space manifests itself.

Since the mid-1990s, London’s population has again been booming: In February 2015, the city became home to more people than at any time in its history. More than 8.6 million now live in London, and it’s estimated it will be home to 11 million by 2050. This growth, however, is constrained by the green belt, resulting in higher densities and increased demand on public space to perform harder. Triggered by the success of Royal de Luxe’s The Sultan’s Elephant spectacle in 2006 and, of course, the Olympics of 2012, Londoners and visitors share increasing expectations that streets and spaces will play a more prominent part in everyday life. The transformation of Trafalgar Square illustrates this point: The number of people using the square has increased 13 times since its redevelopment in 2003.

Many more spaces have seen intensification of use with support from the Mayor of London’s office, be it through Ken Livingstone’s 100 Public Spaces programme or the incumbent Boris Johnson’s Great Outdoors, mostly in areas with good public transport connections and high footfall.

Following an international competition, architects Stanton Williams were announced in 2010 as winners to design the new square as the final part of Network Rail’s £500 million redevelopment of King’s Cross and St. Pancras stations. A triangular space opens up the area previously occupied by a rather nondescript concourse extension and reveals Lewis Cubitt’s strong, double-arched brick station façade from 1852 for the very first time. Measuring more than 7,000 square meters, the granite-paved area acts predominantly as an open-air extension of the King’s Cross arrivals concourse that, together with John McAslan’s semi-circular station annex, has transformed how people access rail and underground services.

Read more in Topos 91 – Urban Squares and Promenades.

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Architecture.mountain.encounters

Building design

The mountain is Formula 1 for the construction industry. What works at an altitude of 3,000 meters usually also works in the valley.

October 13 – 16, 2016
Architecture Camp

The mountain is Formula 1 for the construction industry. What works at an altitude of 3,000 meters usually also works in the valley. Wind, snow, sun, rain – you have to be able to rely on your materials in extreme conditions. This is just as true for (high-altitude) mountaineers as it is for hut keepers in the mountains of this world.

A very special training and further education program awaits 50 architects at the International Mountain Summit 2016. At the Mountain Festival of Encounters, these architects from Germany, Austria, Switzerland and South Tyrol will not only encounter extraordinary speakers, but above all the mountain itself, as well as their own inner mountain.

“Everything is difficult high up”

Topics from the world of architecture are intermingled with insights from the craft, garnished with experience reports from hut owners and builders. Specialist lectures are followed by adventure hikes, a world premiere of a mountain film and a tour of Europe’s largest construction site in the mountains. This mix of further education has never been seen before in the world of architecture.

“Architect meets craftsman meets mountain hut owner – a summit meeting of a special kind”

Download pdf program

Registration at ims@prefa.com or +43 2762 502 849

Intercultural stonemasonry project

Building design

Munich)

The opening of the Intercultural Stonemasonry Project will take place on Saturday, September 10 at 1 p.m. in the Orangery in Kirchheimbolanden. After a welcome by Mr. Peter Stumpfhäuser, First Alderman of the City of Kirchheimbolanden, and a small snack on the terrace garden, a guided tour of the baroque terrace garden will follow, led by building researcher Achim Wendt. The intercultural dialog project […]

The opening of the Intercultural Stonemasonry Project will take place on Saturday, September 10 at 1 p.m. in the Orangery in Kirchheimbolanden. After a welcome by Mr. Peter Stumpfhäuser, First Alderman of the town of Kirchheimbolanden, and a small snack in the terrace garden, a guided tour of the baroque terrace garden will be given by building researcher Achim Wendt.

The intercultural dialog project brings together German and Ukrainian stonemasonry students. The three-week program, which runs from 09.09.2016 to 30.09.2016, aims to teach the professional techniques of the stonemasonry trade and also offers the opportunity to get to know a foreign culture and its people better.

The project is largely funded by the Eberhard Schöck Foundation in Baden-Baden and the master school for craftsmen in Kaiserslautern. Here, under the guidance of master stonemasons and based on the results of the building research from the baroque terrace garden, the covering slabs for retaining walls and pedestals will be produced.

The stonemasonry work will be complemented by a cultural program. This includes expert guided tours of museums in the region, various excursions, a visit to the Otterberg Abbey Church and the Bad Münster am Stein Stone Sculpture Museum as well as participation in the concerts of the Kirchheimbolanden International Organ Masterclass. On Thursday, September 29, at 4 p.m., the graduation ceremony will take place in the suggestive barn of the Theodor Zink Museum in Kaiserslautern.

Find out more about the project here.