New online store for gravesites

Building design
General
The "Grabkauf Online" online store for themed gravesites at Ohlsdorf Park Cemetery is the first of its kind in Germany. Photo: Hamburg cemeteries

The "Grabkauf Online" online store for themed gravesites at Ohlsdorf Park Cemetery is the first of its kind in Germany. Photo: Hamburg cemeteries

The Hamburg cemeteries have jointly developed a store for online grave purchases. Interested parties can now get an overview of the wide range of offers from the comfort of their own computer at home. Especially in the current times, in which direct contact must be avoided, the importance of online offers is once again increasing significantly, especially those that […]

The Hamburg cemeteries have jointly developed a store for online grave purchases. Interested parties can now get an overview of the wide range of offers from the comfort of their own computer at home.

Particularly in the current times, when direct contact must be avoided, the importance of online services is once again increasing significantly, especially those that save personal contact. The Hamburg cemeteries have now developed a store for online grave purchases. It offers 13 different themed gravesites at the Ohlsdorf cemetery – from the wildflower garden to the Ohlsdorf resting forest and the crypt.

Interested parties can get an overview of the variety on offer from the comfort of their own computer at home. Picture galleries and videos show the beauty of the grounds. It is also possible to look at plants from a distance with family members or friends and get advice. Many people who have so far been reluctant to tackle the subject can now find inspiration.

Of course, it is still possible to visit the facilities at Ohlsdorf Cemetery. A digital map is available for each grave site, making it easier to find them in the Ohlsdorf cemetery. The prices are also listed. The gravesites are offered on a precautionary basis. This means that anyone who purchases a grave pays the current price, regardless of when they use it. With the purchase, it is reserved for an unlimited period of time. It may then be used for 25 years from the time of death. However, all offers can also be purchased in the event of death.

Further information can be found here.

POTREBBE INTERESSARTI ANCHE

Baroque sleigh splendor in the Marstallmuseum

Building design
General

After three years of planning and restoration work, the completely redesigned room in the Marstallmuseum at Nymphenburg Palace opens its doors and presents the restored Baroque racing sleighs. The ringing of bells greets visitors as they enter the narrow room and see the magnificent Wittelsbach Baroque sleighs lined up side by side. Not only have the sleighs been freshly restored, but the exhibition room […]

After three years of planning and restoration work, the completely redesigned room in the Marstallmuseum at Nymphenburg Palace opens its doors and presents the restored Baroque racing sleighs.

The ringing of bells greets visitors as they enter the narrow room and see the magnificent Wittelsbach Baroque sleighs lined up side by side. Not only have the sleighs been freshly restored, but the exhibition room itself also appears in a completely new light. The illuminated acrylic glass surfaces on which the sleighs stand are reminiscent of ice and snow and allow the colors of the sleighs to shine from below. The new LED lighting with spotlights and spotlights completes the scene. The scenery is complemented by an exquisitely embroidered red silk velvet sleigh blanket, which is placed on a specially created model horse.

The restoration work on the sleighs cost 50,000 euros. A further 50,000 went into the redesign of the museum room. Among those involved were wood and furniture restorer Dr. Heinrich Piening and textile restorer Klaudia Ponz from the Bavarian Palace Administration. On the one hand, the sleighs were everyday objects and made of materials that had to be robustly constructed and resistant to water; on the other hand, they were considered prestigious objects that were mainly reserved for the nobility. This presented the restorers with a technological challenge. “All the materials were adapted to the fact that a sculpture on a racing car that is in the snow and rain has to last more than one ride,” says Piening.

As early as the 16th century, there were gilded and sumptuously decorated figurine sleighs at the Munich court. The “racing sleighs”, as they are described in the Marstall inventory from 1600, were a highlight of European sleigh culture in the Baroque period.

Renowned sculptors such as Johann Baptist Straub and Andreas Faistenberger created the sledges in their workshops and accentuated them with figures that turned the sledges into complete sculptures. For example, the goddess of hunting Diana is enthroned on one object, while another shows Hercules fighting the seven-headed Hydra. The sleigh body is designed as the body of a dragon, whose restored chandelier frame shimmers in a variety of colors. The sleigh with Cupid alludes to the erotic component of courtly sleigh rides. The lady always sat in the front of the baroque racing sleigh, while the cavalier behind her, half standing and half sitting on the platform, held the reins. The two got very close to each other.

Marstallmuseum in Nymphenburg Palace

With over 40 representative carriages and sleighs owned by the Wittelsbach family, the Marstallmuseum in Nymphenburg Palace documents 300 years of princely carriage building. Until the Second World War, it was housed in the large riding hall (now the Marstalltheater) on Marstallplatz near the Munich Residence. In 1952, the Marstallmuseum was established in the former stables of Nymphenburg Palace. It is one of the most important of its kind in the world.

A publication on the Wittelsbach state and gala carriages was published by Arnoldsche Verlag in 2002. A revised new edition is currently being planned. Rudolf H. Wackernagel: State and Gala Carriages of the Wittelsbachs. Stuttgart 2002.

Building construction basics for beginners

Building design
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Photo of a white sign on a brick wall, taken by jesus arango

Basic construction concepts – sounds like dry material from the first semester, but it is the actual DNA of every building. If you want to build, you need to understand what lies behind the load-bearing layer, foundations, thermal insulation and sealing. Otherwise architecture remains pretty theory, but not a resilient reality. It’s time to clear up the biggest misunderstandings and clarify what beginners in Germany, Austria and Switzerland really need to know.

  • This article provides a well-founded overview of the most important basic construction terms for beginners and explains their significance for planning and execution.
  • It sheds light on the current challenges in German-speaking countries – from the shortage of skilled workers to the jungle of standardization.
  • Technical innovations and the role of digital tools such as BIM and AI are presented in an understandable and critical way.
  • The focus is on sustainability and resource conservation as new guiding principles of building construction.
  • The article shows what knowledge planners, engineers and architects need today in order to build for the future.
  • It discusses common myths, sources of error and visions relating to building design principles.
  • The effects of digitalization on planning, production and construction sites are presented in detail.
  • Central controversies, such as the choice of materials, standardization and automation, are not left out.
  • The text places the topic in a global context and shows why construction know-how is the real raw material of the construction turnaround.

Why basic construction terms are more than just vocabulary

As an architect, you can of course concentrate on renderings, floor plans and the overall design. But sooner or later, every project ends up on the hard bench of building construction. If you don’t know how a foundation works, what the difference is between a load-bearing and non-load-bearing wall or how a waterproofing layer is constructed, you will be exposed faster than any bad joint. The basic concepts of building design are the vocabulary that turns ideas into a buildable reality. They are the tools that planners, engineers and contractors alike need to communicate with each other – and to avoid mistakes that can be expensive, embarrassing or both.

In Germany, Austria and Switzerland, this knowledge is traditionally held in high regard. No architecture degree without knowledge of building materials, no construction management without detailed knowledge. But the reality is less glamorous: Many newcomers struggle with standards that are constantly changing, material manufacturers who praise innovations as a panacea, and construction sites where theory and practice rarely speak the same language. The result: the basic terms either become memorized gibberish or a minefield in which ignorance quickly turns into botched construction work.

The challenge today is not just to know the terminology, but to understand it in the context of sustainability, digitalization and new construction processes. After all, what use is knowledge of traditional masonry bracing if 3D-printed walls, hybrid ceiling systems and robot-assisted prefabricated assembly will dominate the construction site tomorrow? The basic concepts are changing – and with them the demands on the next generation. Anyone who misses the boat here will get stuck in ornamentation and miss the chance to really build architecture.

At the same time, basic building design terms are more than just a list of definitions. They form the set of rules that enable planners to find their way through the maze of standards, guidelines and material innovations. Anyone who knows how a plinth connection works can identify moisture protection errors at an early stage. If you understand the difference between supports and continuous beams, you can involve structural designers and structural engineers in a targeted manner. And if you don’t think that heat transfer coefficients are chemistry, you can also have a say in sustainability.

At the end of the day, one thing is clear: basic building design concepts are not ballast, but the foundation for innovation, sustainability and quality in construction. If you understand them, you can have a say, help plan and build – on an equal footing with everyone involved in the construction process. If you ignore them, reality will catch up with you as quickly as a poorly sealed flat roof during the first heavy rainfall.

How digitalization and AI are turning building construction on its head

Hardly any other area of architecture is as characterized by continuity and tradition as building construction. At the same time, there is hardly any other area that is being shaken up as much by digitalization, automation and artificial intelligence. This sounds like a contradiction in terms, but it is the new reality on construction sites and in planning offices. Anyone starting out today has to deal with building information modeling, digital material passports and automated inspection processes – as naturally as with bricks or concrete.

In Germany, Austria and Switzerland, BIM has long been required reading. Without digital models that depict not only geometry, but also material, layer structure, load-bearing capacity and life cycle, little is possible. The new basic terms here are IFC, LOD, collision checking and attribution. Those who are not familiar with them remain trapped in the old 2D mindset and are left behind by the processes of the construction industry. AI-supported tools are already helping to find the right material combinations from billions of construction data, identify risks and even optimize construction details.

But digitalization is not a sure-fire success. The biggest challenge lies in the translation: how can traditional construction details be transferred to the world of parametric planning? How can the expertise of experienced construction managers be retained when more and more processes are automated and cast in algorithms? This shows that the basic concepts not only need to be digitally coded, but also critically scrutinized. After all, not every AI knows why a vapor barrier belongs on the warm side or why a ceiling support cannot simply come from a 3D printer.

The potential is enormous: digital twins, automated tendering processes, smart sensor technology and material tracking make the construction site transparent, efficient and error-free – at least in theory. In practice, many planners are still struggling with incompatible software solutions, a lack of standards and the fear that their own knowledge will become superfluous. The truth is: basic building design concepts are not being abolished by digitalization, but rather raised to a new level. They are becoming the interface between man, machine and material. Those who understand them are not only fit for the next construction project, but also for the next update.

The technological change also poses new ethical questions for the industry: who is responsible if a BIM model is constructed incorrectly? Who decides which construction details end up in the database as standard? And how can we prevent the most important fundamentals from being sifted out by algorithms because they are not “efficient” enough? The debate is open – and it will decide whether the basic concepts of building design survive in the age of digitalization or become a footnote.

Sustainability: the renaissance of building construction

Anyone who believes that sustainability in construction is just a question of insulation thicknesses and eco-certificates has missed the real revolution. Sustainability starts with construction – and with its basic concepts. In Germany, Austria and Switzerland, the requirements for energy efficiency, resource conservation and climate protection have exploded in recent years. There is hardly a competition that does not ask about cradle-to-cradle principles, deconstructability or a minimal carbon footprint. This gives the basic concepts of building construction a whole new focus.

Today, newcomers need to know what a reversible connection is, how a layered structure is designed for pure recycling or why a wooden beam ceiling with clay filling is not only more sustainable, but also structurally more demanding than standard concrete. The choice of material is no longer just a question of statics and construction costs, but also of ecological balance, regionality and subsequent dismantling. Anyone who simply memorizes the classic layer structure will soon be out of the game. What is needed is an understanding of life cycles, material cycles and innovative construction principles.

The trend is clearly moving towards lightweight construction, modular systems, hybrid material combinations and digital production. However, each new system brings with it new basic concepts: What exactly is a carbon concrete wall? How does a wood-concrete composite ceiling work? What are the structural requirements of a straw bale house? And how can a façade be planned in such a way that it does not become a permanent construction site in terms of maintenance and dismantling? If you don’t ask, you quickly end up in the sustainability trap – nice certificates, but miserable practice.

The question of standardization remains critical: the flood of certificates, building standards and eco-criteria often creates more confusion than clarity. Newcomers must learn to find the right balance: What is technically necessary, what is ecologically sensible – and what is simply marketing? Basic building design terms help to separate the wheat from the chaff. They are the tool to ensure that sustainability does not degenerate into an empty phrase, but is translated into built reality.

From a global perspective, German-speaking building culture is definitely a pioneer when it comes to sustainable construction. But the international competition is not sleeping. Those who do not master the basic concepts will quickly be overwhelmed by new building materials, construction techniques and climatic challenges. The future belongs to those who combine classic construction principles with new sustainability goals – and who are prepared to rigorously cut off old habits.

Basic building design concepts as the key to the building turnaround

The future of building construction will not be decided by the most beautiful render graphics or the cleverest marketing, but by a solid knowledge of basic concepts. In Germany, Austria and Switzerland, the industry is proud of its building culture, but everyday life shows that this is not the case: The next generation is struggling with a lack of practical experience, the trade with a shortage of young talent and planners with a flood of standards that is slowing down even seasoned professionals. The turnaround in construction that is so often conjured up does not begin with new materials or super innovations, but with a return to what really counts: solid construction, well thought-out details and an understanding of the basics.

Digitalization, sustainability and globalization demand new answers. Beginners who don’t know what a thermal bridge-free construction looks like, how to separate components by type or how an airtight layer works will quickly be overwhelmed by the reality on the construction site. At the same time, knowledge of the basic concepts opens up new scope for innovation: those who know the rules can break them in a targeted manner – not out of ignorance, but out of creative and constructive sovereignty.

There is plenty of controversy: are classic masonry buildings still up to date? Does every new build really have to be a passive house? Is timber the solution to all problems or just another risk for fire protection and durability? The debates are heated, but they all revolve around the question of how basic building design concepts are redefined and applied. If you want to have a say here, you need more than a few memorized definitions. What is needed is the ability to critically question knowledge – and to translate it into practice.

The real challenge here is not the complexity of the technology, but the willingness to keep learning. The rules are changing, the materials are becoming smarter, the construction sites more digital. Only those who understand the basic concepts as living knowledge remain capable of acting. Anyone who thinks they know everything after their studies will be caught up by the next building regulation or the next material innovation sooner than they would like.

In the end, only one thing counts: basic concepts of building design are the key to a turnaround in construction. They create the basis for innovation, sustainability and quality. They are what endure in construction – even when the software needs an update. Those who master them not only build better, but are also fit for the future.

Conclusion: No progress in construction without basic concepts

Basic building design concepts are neither ballast nor a nostalgic compulsory exercise, but the cornerstone of any sustainable architecture. They combine tradition with innovation, theory with practice and sustainability with technical progress. In an industry that is changing rapidly, they remain the only firm anchor – provided that they are continuously developed and translated into digital and sustainable building practice. Those who ignore them will become a marginal note in construction history. Those who master them shape progress – and ultimately build better buildings.