Non Hotspots – Design studio “Into the Wild”

Building design
A meeting place with a view and a gentle breeze is being created on the plateau with roof terrace. Graphic: Jannes Klipp

A meeting place with a view and a gentle breeze is being created on the plateau with roof terrace. Graphic: Jannes Klipp

A little cooling in the middle of the Berlin metropolis – this is the aim of Jannes Klipp’s design for the redesign of Volkspark Prenzlauer Berg. Cooling is not only to be provided by water evaporation, but also by a viewpoint and a pathway. Jannes Klipp explains exactly how in the following presentation of his work. The project was developed as part of the “Into the Wild” design studio at the TU Berlin.
A little cooling in the middle of the Berlin metropolis – this is the aim of Jannes Klipp’s design for the redesign of Volkspark Prenzlauer Berg. Cooling is not only to be provided by water evaporation, but also by a viewpoint and a pathway. Jannes Klipp explains exactly how in the following presentation of his work. The project was developed as part of the “Into the Wild” design studio at the TU Berlin.

It’s not just in our September 2023 issue that we make space for student projects. Students also present their own work on our website – for example in this article. You can find all the projects on our “Studies” topic page and the September issue is available in our store.

The design takes up the challenge of qualifying the Volkspark Prenzlauer Berg in view of the increasingly hot climate. In particular, shade, water and air are considered as landscape architectural instruments for creating cool places. As a large part of the park is already densely planted with trees, it is important to safeguard this quality for the future. Dying trees must be replaced by sustainable trees, vital trees must be preserved. Dying trees can continue to be used as deadwood.

As the park was built almost entirely on a mound of rubble, rainwater, which is already increasingly rare in Berlin, seeps away quickly and is hardly available to generate evaporative cooling. As a result, asphalt paths are maintained and the plateaus on the high points are sealed. In this way, rainwater can be collected efficiently and directed to the low point of the park, which invites people to linger by the water in partial shade.

The possibility of cooling off with a gentle breeze at high temperatures has not yet existed in the park. The dense woodland prevents the wind from reaching the exposed areas on the high points and the open area in the east of the park. As the wind blows constantly from the west during the summer months in Berlin, it makes sense to clear a path between the elevations, which would also ventilate the open park area.

The careful clearing of the hilltops makes it possible to create an airy vantage point on the newly designed plateaus, from which important visual relationships can once again be perceived. The spatial design of the plateaus is reminiscent of the shape of mountains of rubble and the characteristic snail-shaped paths used to access them, thus paying homage to the history of the site. While the plateau in the north provides shade as a “mountain grove” with pine trees, the southern “roof terrace” has a canopy that acts as a kind of landmark within the park.

The so-called “wind tunnel” is located within the cleared aisle. A new cross-connection is created here, which conveys a special quality of experience when walking through it. Walkers are protected from the sun by the high walls for many hours of the day. You experience the feeling of being surrounded by earth and the coolness stored in the soil.

You can feel the wind blowing along the aisle. The walls of the aisle are designed as heavyweight walls with the help of gabions. They can be filled with the excavated material from the aisle. As the elevations in the park were heaped up from rubble, the materiality and history of the site can be referenced in this metaphorical “cut through the ground”.

The design was created as part of the “Into the Wild” design studio at the TU Berlin. You can read more about the background to the studio and Volkspark Prenzlauer Berg here, and discover more designs by students here.

POTREBBE INTERESSARTI ANCHE

IBA Basel Expo opens

Building design

IBA Basel Expo

The IBA Basel Expo opens on May 13 on the Vitra Campus in Weil am Rhein. Find out more about the exhibition, IBA Basel 2020 and the specialist publication.

After a year of waiting, the IBA Basel Expo exhibition finally opens on May 13, 2021. Find out more about the exhibition on the Vitra Campus in Weil am Rhein, the conclusion of IBA Basel 2020 and the bilingual specialist publication.

Although the incidence rate in the district of Lörrach is currently below 100 infections per 100,000 inhabitants, this was not the case on the planned opening day of the IBA Basel Expo, May 1, 2021. At that time, the federal emergency brake, which lasts until June 30, 2021, was active. The federal regulations state that museums and cultural venues – just like the Dome on the Vitra Campus, the German exhibition venue of IBA Basel Expo – are not allowed to open if the incidence value exceeds 100. This changes as soon as the incidence value in the relevant district is below 100 for five consecutive days. This is how the German government is trying to contain the coronavirus in Germany.

But now the time has finally come: the exhibition will be open from May 13, 2021. And the icing on the cake: Visiting the exhibition is free of charge.

Visitors can initially only view the exhibition during the opening hours of the Vitra Campus by registering in advance with a time slot. You can register for a visit here.
The organizers also ask visitors arriving from abroad to check and observe the current regulations for entering Germany on a daily basis. In addition, hygiene rules apply on site, such as wearing a medical mask/FFP2 mask and observing social distancing.

“We are delighted that we can now open the exhibition and hope that it will remain open to visitors until the planned last day of the exhibition, June 6, 2021,” explains IBA Managing Director Monica Linder-Guarnaccia. The joy is all the greater when you consider that the exhibition has already been postponed. The IBA Basel Expo “Crossing Borders Together” shows how innovative ways of crossing borders can create new spaces of experience for the population. In addition, the IBA Basel model projects can be experienced, and learning processes, formats and actors become tangible. Newly created connections and spaces will thus become visible across borders.
Further information and notes on the IBA Basel Expo “Crossing Borders Together” can be found here.

IBA Basel Expo – May 1 to June 6, 2021
Dome, Vitra Campus
Charles-Eames-Strasse 2
D-79576 Weil am Rhein

The International Building Exhibition IBA Basel 2020 celebrates its conclusion with the IBA Basel Expo. Garten + Landschaft provided information online about the projects, their creators and goals during the IBA Basel period. The final findings of the first cross-border International Building Exhibition in the border triangle of Germany, France and Switzerland have been used in collaboration with those responsible for IBA Basel 2020 to produce the specialist publication “IBA Basel 2020. Crossing borders together” in German and French, which is well worth reading. Our colleagues at Baumeister are also celebrating its completion: A Baumeister special issue on IBA Basel 2020 was published in May.

Scenic routes Norway

Building design
The landscape routes in Norway are legendary. Eleven new architectural projects will be completed along the routes in 2022.

The landscape routes in Norway are legendary. Eleven new architectural projects will be completed along the routes in 2022. Photo: Simo Räsänen via Wikimedia Commons

The Norwegian Scenic Routes are legendary. In 2022, the Norwegian Public Roads Administration will complete a total of eleven new architectural projects. By the end of 2022, there will be 172 completed projects on the Norwegian Scenic Routes.

The scenic routes in Norway are legendary. In 2022, the Norwegian Public Roads Administration will complete a total of eleven new architectural projects. By the end of 2022, there will be 172 completed projects on the Norwegian Scenic Routes. Here you can find an overview of all the new projects.

They are known far beyond the country’s borders. And attract millions of tourists every year. Over the past 30 years, the Norwegian Public Roads Administration has succeeded in turning the Norwegian Scenic Routes into an international attraction. These are 18 selected stretches of road that pass coastlines, fjords, mountains and waterfalls. Both architecture and art can be found along the roadside. Against the backdrop of the impressive Norwegian landscape. Instead of taking the fastest route via the main roads, drivers here choose the road as their destination.

The journey therefore becomes a real experience. The installations stretch from Jæren in the south up to Varanger in the north. And span a road network with a total length of 1,850 kilometers. The aim of the initiative was to make the journey along the routes exciting and inspiring. The tourism industry has succeeded in doing this with the projects over the last few years. In 2022, eleven more projects will be added to the existing 161.

The project was launched in 1994 and was originally limited to a few roads. Four years later, however, the Norwegian parliament decided to expand the project. As a result, municipalities were able to submit their own proposals. From the pre-nominated routes, the 18 routes known today as the Norwegian Scenic Routes were selected.

The projects along the routes include parking and rest areas, viewpoints and concepts for landscape conservation. Furthermore, several authorities are cooperating to maintain service facilities. Accommodation, restaurants and small stores selling local handicrafts can be found along the routes as an extension of the tourist offer. Norwegian artists and architects were the main designers of the attractions built. With the exception of the Steilneset Memorial project in Vardø. This was created in memory of 91 victims who were accused of witchcraft here and subsequently burned at the stake. The French-American artist Louise Bourgeois and the Swiss architect Peter Zumthor developed an atmospheric space in memory of this gruesome history.

They designed a burning chair surrounded by seven mirrors, which stands in a 125-metre-long memorial hall made of canvas. It is a special design in an equally significant location. Behind this lies the ambition of the landscape routes to capture the cultural history and spirit of the place and to stage it accordingly through architecture. The eleven new projects also have potential. The planners involved include well-known names.

Snøhetta designed a rest area bordering the sea in Trælvikosen, Helgelandskysten. 55 stepping stones lead from the mainland to a small island and then provide a view back to the coast. At low tide, the stones are visible and can be walked on. At high tide, however, they are completely submerged. Snøhetta thus plays with the tides and allows the landscape conditions to become part of the design. An engagement with nature is essential for the Norwegian Landscape Routes. Per Ritzner, press spokesman for the Landscape Routes, puts it this way: “Norwegian nature inspires respect. And you have to approach it responsibly.”

The other eleven new projects also take a variety of approaches. Architects Helen&Hard designed a medical building in Tyrvefjøra, Hardanger. They used tree trunks and roots, among other things, as building materials. The functional room program is intended to blend in with the mysterious atmosphere of the fjord. The Espenes, Hardanger project by Code Arkitektur is also located in the fjord landscape.

They span a roof construction over 64 m on twelve steel modules. Underneath are seating and toilet facilities – with a view over the Sørfjord. Haugen/Zohar Arkitekter also designed sanitary facilities in Flesefossen, Ryfylke, which are integrated into a structure made of wood and steel. This is connected to a concrete platform that towers over the Flesefossen waterfall, providing a spectacular view of the natural spectacle. Haugen/Zohar Arkitekter are represented with two projects. In Madland hamn, Jæren, they designed an illuminated shelter on a small hill overlooking the North Sea. It is reminiscent of the boat huts in the harbor.

Also interesting: The South Tyrolean Waalwege will they soon become intangible cultural heritage?

In Sluppen, Aurlandsfjellet, a small rest area is being built on the winding road based on a concept by Østengen og Bergo AS. Steps made of natural stone lead to the Erdalselvi waterfall. Meanwhile, a new viewing platform is being built at the Vøringsfossen waterfall on Hardangervidda. From the Fossetromma rock plateau, steps and bridges lead over the precipice, designed by Carl-Viggo Hølmebakk AS.

Another impressive bridge construction is the stone arch bridge in Måbø bru, Hardangervidda, built in 1910 over the River Borelo. When a newer route was built in 1986 with trunk road 7, the bridge fell out of use and was placed under a preservation order. 3RW designed new seating and a viewpoint in the immediate vicinity of the bridge, from which the river and bridge can be seen. The view is also a key design feature of the Brunstranda, Lofoten project by Studio Vatn & Jørgen Tandberg Arkitektur. Their sanitary building stands directly by the sea. In the warm interior, visitors can enjoy the view of the stormy waves.

Architecture along the Norwegian Scenic Routes as an attraction

The birdwatching huts on the coast in Hamningberg, Varanger, are more original. The architects at Biotope designed huts with a weatherproof, flame-treated outer façade and interior cladding made of driftwood collected locally. Hamningberg is an important stopover for migratory birds on their route.

In the future, the site should also become a magnet for bird lovers. The redevelopment in Sundshopen, Helgelandskysten, should also attract visitors. Here, Rever & Drage are building a 65-metre-long jetty from the Helgeland coast into the water. And are relying on traditional stone craftsmanship. The eleven new projects are diverse in their design. However, they always attempt to combine travel-related functions with the special features of the landscape in some way. Partly as a strong architectural contrast in the untouched nature. Sometimes as an element subtly woven into the landscape. When the construction work is completed, they will complement the Norwegian Scenic Routes as further attractions. And will also be able to attract more visitors in the future.

You can find out more about the Norwegian Scenic Routes on the Norwegian Public Roads Administration’s official website.