Not just for paper conservators! The IADA Congress in October 2023

Building design
Save the date: The 15th IADA Congress will take place between October 16 and 20 in Halle and Leipzig. Photo: IADA

Save the date: The 15th IADA Congress will take place between October 16 and 20 in Halle and Leipzig. Photo: IADA

Save the date! The “International Association of Archival, Library and Graphic Conservators (IADA) invites you to the 15th congress in Halle and Leipzig in October

Save the date! The “International Association of Archival, Library and Graphic Conservators (IADA) invites you to the 15th congress in Halle and Leipzig in October

The IADA has been meeting regularly since 1967 and deals with paper restoration and conservation issues. Most recently, the “International Association of Archive, Library and Graphic Conservators” had to meet online – like everyone else. This year, however, there will once again be the opportunity for a large congress with lectures, viewing programs, workshops and many opportunities for exchange. The 15th conference will take place between October 16 and 20 in Halle and Leipzig.

The need to present one’s own research is huge. Last year, 228 authors from 26 countries responded to the “Call for Papers” and submitted 112 abstracts of their work. 86 papers and posters were selected for presentation. They deal with research into foxing, historical treatments such as oxalic acid, as well as contemporary artists such as Gilbert and George and their methods and materials. Other topics include green ways of preserving parchment and the use of highly viscous polymer dispersions as new cleaning agents, as well as the use of nanomaterials for ink corrosion on historical documents. One lecture also deals with the color palette of roasted cellulose powders and their possible applications. Even this small selection shows how diverse the topics surrounding paper conservation are. The selection process was new and special this year: paper conservators were asked to evaluate the submitted proposals according to their professional relevance and topicality.

Marc Holly, head of the Saxony-Anhalt Conservation Advisory Center at the Gleimhaus in Halberstadt, is a long-standing member of IADA and has also submitted a topic. Together with Werner Möller from the Bauhaus Dessau Foundation, he will present his experiences with “Museum depots and archives in times of climate change and energy crisis” – and explain this using case studies from Saxony-Anhalt. Marc Holly has already attended the IADA congresses as a student of paper conservation, because he was interested in building a network and exchanging ideas on the development of paper conservation, which the international association offers. There will be a special opportunity for this this year: The organizers are not inviting people to a traditional reception as usual, but to a party at the TURM student club in Halle. The medieval tower is a perfect and atmospheric party location and part of Moritzburg Castle, which is also home to the Saxony-Anhalt Art Museum. “After the pandemic, the organizers attach great importance to personal meetings and exchanges,” says Marc Holly.

As always, this year’s conference was organized on a voluntary basis by a “20-memberorganizing team consisting of the IADA Board of Directors and a local team of paper conservatorsbasedin Halle and Leipzig,” says Renate Mesmer, IADA President and senior conservator at the Folger Shakespeare Library in Washington. About the choice of location, she told RESTAURO: “A fundamental goal of IADA has always been to keep congress registration prices low so that professionals from all countries and economic backgroundscanattend. After all, the restoration of cultural assets should bepossibleeverywhere. Halle and Leipzig are easily accessible and affordable for many IADA members and participants, especially by train or plane.”

After three days of lectures in Halle, there will be an extensive program of visits to museums and libraries and many workshops in Leipzig and Halle. For example at the Grassi Museum or the German National Library.

All information on registration, prices and the program can be found here.

POTREBBE INTERESSARTI ANCHE

Women in planning

Building design
from which white drawers protrude at irregular intervals.

Artwork on wall with drawers. Marubi National Museum of Photography, Shkoder, Albania. Architect: Casanova+Hernandez architects, 2016. | Not for sale to resellers.

Why is the G+L on women in planning so important? Because we lull ourselves too much into a sense of security.

We think female landscape architects are underrepresented. That’s why we’re giving them a platform in G+L 02/2020. We present projects by women, discuss why there are so few female office owners and whether the gender pay gap and the few women-led offices are individual or structural problems. Why is the G+L on women in planning so important? Because we lull ourselves too much into a sense of security.

Gender equality? We are almost all in favor of it. At the moment, it’s even downright hip to stand up for women’s rights and an absolute no-go not to take part in the relevant debates. Feminist issues have become part of discussions with family and friends. However, if you are confronted with questions about egalitarian gender relations in your own professional environment, things get trickier. In fact, it takes courage and overcoming to advocate for equal rights in front of your employer or colleagues.

We had a similar experience when working on this issue. We asked numerous planners for statements on the topic of “women in planning”. The response was muted, to put it mildly. One planner wrote to us in an email that the topic was too complex for a statement. If this is the case, then we in the editorial team want to open up the discussion all the more.

In this issue, we take a look at the working and living environment of female planners in 2020, as well as whether and how planners need to respond to women as a separate stakeholder group in our designs.

The profession lulls itself into a sense of security

In this interview, we get expert input from Tanja Mölders, Junior Professor of Broadcasting and Space at Leibniz Universität Hannover, and talk to her about the gender pay gap, parental leave and quotas. We let the professionals have their say, including Doris Grabner from grabner huber lipp, who describes her positive experiences in the profession, and Laura Vahl from lavaland, who argues that politicians should set more guidelines for gender-equitable freedom. Only then would these become a reality.

What have we learned from working with the magazine? In terms of salary, career and family planning, there is also an imbalance between men and women in planning – to the detriment of women. However, the profession itself is hardly aware of this. They are lulled into a sense of security. As a result, there is no reason to take a closer look at the issue. We would like to change this and ask you to take the commentary in the current G+L to heart, because: We need to discuss it more openly.

You can purchase G+L 02/2020 on the topic of women in planning here.

Competition overview January 2020 (1/2)

Building design

Interested in the latest competition results in landscape architecture, but hardly have time to look at them properly? In the G+L competition overview, Heike Vossen provides monthly updates on the most exciting competition results. Domplatz Goslar, nsp christoph schonhoff landschaftsarchitekten stadtplaner, Hanover From stone square to collegiate garden: the imperial palace in Goslar is no longer to be surrounded by outdated functional buildings and parking lots, […].

Interested in the latest competition results in landscape architecture, but hardly have time to look at them properly? In the G+L competition overview, Heike Vossen provides monthly updates on the most exciting competition results.

From a stone square to a monastery garden: in future, the Imperial Palace in Goslar will no longer be surrounded by outdated functional buildings and parking lots, but will have an environment that makes its historical identity legible. The winning design is committed to the location and creates an open space that enters into a dialog with the imperial palace and cathedral area, but at the same time allows a contemporary approach to history. A large lower meadow roundel forms the new center, bordered by seating steps that blend into the rising topography. Like a large magnifying glass, the meadow roundel provides insights into history through fragmentary tracings of the former ground plans of the collegiate church and cloister. To protect the fragile remains of the foundations, a layer of gravel and poured concrete built on top marks the historical traces and gives the site the necessary robustness to allow it to be used for events.

The Ohne as an identity- and design-forming guiding element: the winning design for the Thuringian State Garden Show 2024 embeds the new Gartenstadt residential quarter in a coherent, varied green corridor including the renaturalized Ohne floodplain. The authors are building on the Green Axis coming from the southern part of the city and are leading it through the green corridor as a finely tuned path concept – partly as a striking promenade, partly as curved paths following the course of the stream. The new city edge promenade links the landscape park with existing footpaths and cycle paths and completes the network of paths to form a continuous circular route. The active zone is characterized by a robust range of play and sports facilities and presents itself as a park-like landscape with open meadow areas. The Ohne floodplain, on the other hand, is being developed as a high-quality, small-scale natural space with a meandering watercourse and undulating alluvial forest. Green fingers interweave the new garden city with the adjoining landscape and, according to the jury, also justify the elimination of the allotments in this location.

From parade ground to climate-active city square: instead of sealed traffic and parking areas, Ludwigsburg’s central city squares are to be given space for pedestrians and traffic is to be reorganized – in future, only public transport is to cross the squares. The winning design transforms Schillerplatz into a city tree and urban square with individual plane trees and long benches that provide sufficient space for events and festivals. Arsenalplatz, where soldiers used to patrol, will become a “green salon” with a large tree canopy (Paulownia tomentosa), mobile seating elements, drinking fountains and play areas. Similar to the castle courtyards, the center will have a light-colored gravel surface that can seep away, which the jury considers to be an interesting and necessary contribution to urban climate adaptation together with the new green volume. The design strengthens the connections for pedestrians and also links to the adjacent green spaces of the Arsenal and Zeughaus gardens, which are strengthened as a green oasis.