Notre-Dame: Too few stonemasons

Building design

Notre-Dame should be rebuilt slowly and carefully. Photo: C00-License/skeez/Pixabay

Experts believe that the five years set for the renovation are not feasible. Partly because there are not enough stonemasons. On the status quo of the restoration plans and German offers of help. Just a few hours after Notre-Dame burned, it was clear that the reconstruction would not fail because of money. Although this is a controversial issue, it is a fact – even today […]

Experts believe that the five years set for the renovation are not feasible. Partly because there are not enough stonemasons. On the status quo of the restoration plans and German offers of help.

Just a few hours after Notre-Dame burned, it was clear that the reconstruction would not fail because of money. Although this is controversial, it is a fact – to date, donors have given around 900 million euros for the renovation of the Paris cathedral. What is more questionable is how the destroyed parts are to be rebuilt: According to historical models or modern designs? A steel roof truss instead of wood from over a thousand oak trees? In France, the damage is currently being assessed and the government has launched an architectural competition. French President Emmanuel Macron has also set a deadline that experts believe is unachievable: He wants the renovation of Notre Dame to be completed in 2024.

Wolfgang Zehetner, Chairman of the Association of European Cathedral Builders, says in an interview with Deutsche Welle that this would be difficult, especially in terms of the necessary skilled workers. There are very few stonemasons with experience in historical building techniques left in Europe.

After all, stonemasons and sculptors are already a rare species in general. But for the work on Notre-Dame, specialists are also needed who have completed their training at a cathedral building lodge if possible. These building lodges are like “the last Gallic villages”. The craftsmanship on today’s building sites simply looks completely different – industrial.

The Federal Association of German Stonemasons wants to collect and coordinate the offers of help and ideas from German stonemasons. So far, more than ten companies and individuals have come forward with concrete offers or ideas. In addition, stonemasons and sculptors are currently collecting offers of support in a Facebook group, which they want to pass on to the BIV.

Pieces could either be produced in companies and training centers and delivered centrally to Paris. It would also be possible for stonemasons and apprentices to help on site in Paris.BIV spokesperson Sybille Trawinski says that the offers of help also offer the opportunity to showcase the high level of expertise and specialist knowledge of stonemasons in the preservation of historical monuments and to contribute at an international level. And to make a contribution to the European community and cultural preservation. “Last but not least, it is also about Franco-German friendship and the common spirit of a trade, even across national borders,” says Trawinski.

BIV coordinates offers of help from companies and individuals

Minister of State for Culture Monika Grütters has commissioned Barbara Schock-Werner, monument conservator and former master builder of the cathedral, to take care of German offers of help for the cathedral. The BIV is in contact with her. But it’s about more than just stonemasonry – it’s also about German oak wood and data, for example. The Institute for Archaeological Sciences, Monument Studies and Art History at the University of Bamberg examined the transept, which suffered particularly badly from the fire, in detail from 2015 to 2018 as part of a project on Gothic church portals and measured it using 3D scanning techniques.

The scientists also argue that Notre-Dame should be renovated carefully rather than hastily. Art historian Stephan Albrecht says in an Arte interview that he believes a ten-year restoration period makes sense. Otherwise, he fears for the historical substance. After all, it originally took around 200 years to build one of Europe’s most important cultural monuments.

The latest industry news and expert knowledge for specialist fabricators can also be found in the current issue of STEIN magazine: www.stein-magazin.de/zeitschriften

YOU MAY ALSO LIKE

Architecture.mountain.encounters

Building design

The mountain is Formula 1 for the construction industry. What works at an altitude of 3,000 meters usually also works in the valley.

October 13 – 16, 2016
Architecture Camp

The mountain is Formula 1 for the construction industry. What works at an altitude of 3,000 meters usually also works in the valley. Wind, snow, sun, rain – you have to be able to rely on your materials in extreme conditions. This is just as true for (high-altitude) mountaineers as it is for hut keepers in the mountains of this world.

A very special training and further education program awaits 50 architects at the International Mountain Summit 2016. At the Mountain Festival of Encounters, these architects from Germany, Austria, Switzerland and South Tyrol will not only encounter extraordinary speakers, but above all the mountain itself, as well as their own inner mountain.

“Everything is difficult high up”

Topics from the world of architecture are intermingled with insights from the craft, garnished with experience reports from hut owners and builders. Specialist lectures are followed by adventure hikes, a world premiere of a mountain film and a tour of Europe’s largest construction site in the mountains. This mix of further education has never been seen before in the world of architecture.

“Architect meets craftsman meets mountain hut owner – a summit meeting of a special kind”

Download pdf program

Registration at ims@prefa.com or +43 2762 502 849

Intercultural stonemasonry project

Building design

Munich)

The opening of the Intercultural Stonemasonry Project will take place on Saturday, September 10 at 1 p.m. in the Orangery in Kirchheimbolanden. After a welcome by Mr. Peter Stumpfhäuser, First Alderman of the City of Kirchheimbolanden, and a small snack on the terrace garden, a guided tour of the baroque terrace garden will follow, led by building researcher Achim Wendt. The intercultural dialog project […]

The opening of the Intercultural Stonemasonry Project will take place on Saturday, September 10 at 1 p.m. in the Orangery in Kirchheimbolanden. After a welcome by Mr. Peter Stumpfhäuser, First Alderman of the town of Kirchheimbolanden, and a small snack in the terrace garden, a guided tour of the baroque terrace garden will be given by building researcher Achim Wendt.

The intercultural dialog project brings together German and Ukrainian stonemasonry students. The three-week program, which runs from 09.09.2016 to 30.09.2016, aims to teach the professional techniques of the stonemasonry trade and also offers the opportunity to get to know a foreign culture and its people better.

The project is largely funded by the Eberhard Schöck Foundation in Baden-Baden and the master school for craftsmen in Kaiserslautern. Here, under the guidance of master stonemasons and based on the results of the building research from the baroque terrace garden, the covering slabs for retaining walls and pedestals will be produced.

The stonemasonry work will be complemented by a cultural program. This includes expert guided tours of museums in the region, various excursions, a visit to the Otterberg Abbey Church and the Bad Münster am Stein Stone Sculpture Museum as well as participation in the concerts of the Kirchheimbolanden International Organ Masterclass. On Thursday, September 29, at 4 p.m., the graduation ceremony will take place in the suggestive barn of the Theodor Zink Museum in Kaiserslautern.

Find out more about the project here.