On the death of Karl Ganser

Building design
Karl Ganser saved Zeche Zollverein Essen from demolition.

Karl Ganser saved Zeche Zollverein Essen from demolition. (Photo: Jonas Tebbe via Unsplash)

Karl Ganser passed away on April 21, 2022. As Director of IBA Emscher Park, he was responsible for the largest structural program in Germany.

Karl Ganser passed away on April 21, 2022. As Director of the IBA Emscher Park, he was responsible for the largest structural program in Germany from 1989 to 1999. An obituary.

Karl Ganser died on April 21, 2022 at the age of 84 in Nattenhausen, where he spent his retirement in his grandfather’s old village smithy in his home town of Breitenthal. Karl Ganser is considered one of the most important geographers and urban planners in Germany. He has received numerous honors and awards for his work, such as the “National Prize for Integrated Urban Development and Building Culture” from the Federal Ministry of Transport and the Bavarian Nature Conservation Prize. He was committed to issues of urban development and monument protection as well as nature conservation and environmental protection.

He became well known as managing director of the IBA Emscher Park. From 1989 until his retirement in 1999, Karl Ganser was responsible for the largest structural program in Germany. The Duisburg-Nord Landscape Park, the Nordsternpark in Gelsenkirchen and the Zollverein in Essen were created under his leadership. He campaigned for the preservation of architectural witnesses to the industrial age in the Ruhr region. He saved buildings such as the gasometer in Oberhausen and the steelworks in Duisburg-Meiderich from demolition. Today, they are crowd-pullers in the region.

The fact that the steel and coal region developed into a knowledge and creative location is ultimately also thanks to Karl Ganser’s imagination and over 100 projects. He drove his ideas forward with great commitment and inspired other people. “He drilled the thickest boards, but with charm,” is how Roland Günther, art historian and biographer of Karl Ganser, describes him. “He was perhaps the most ingenious guy, who always found a way through unbelievable bureaucracies, through a constant ‘can’t, can’t, can’t’, to make it work after all. He made the impossible possible,” says Roland Günther. For this commitment, the state of North Rhine-Westphalia named him the “Architect of the New Ruhr Area”.

Karl Ganser’s career began with a degree in chemistry, biology and geography at the Technical University of Munich. His dissertation from 1964 dealt with the socio-geographical organization of the city of Munich according to election results. After completing his doctorate at the Institute of Geography, Karl Ganser became project manager in the urban development department of the City of Munich. Among other things, he was involved in the planning of the Olympic Games.

In 1970 he habilitated and in 1971 took over the management of the Institute for Regional Studies in Bonn (now part of the Federal Office for Building and Regional Planning). He held this position until 1980. Ganser then moved to the Ministry for Regional and Urban Development in North Rhine-Westphalia, where he headed the urban planning department under the leadership of Christoph Zöpel. The 1987 IBA in Berlin prompted Ganser to propose an IBA in the Ruhr region as a structural program to the ministry. From 1989 to 1999, he was the managing director of the IBA Emscher Park. Karl Ganser retired in 1999. During this time, he continued to work as a publicist, expert and mediator.

The film “Geheimnis Landschaftspark Duisburg-Nord” by Marika Liebsch tells the story of the Duisburg-Nord Landscape Park. You can find the film here.

POTREBBE INTERESSARTI ANCHE

“Tsuyoshi Tane: The Garden House” at the Vitra Design Museum

Building design
The exhibition "Tsuyoshi Tane: The Garden House" explains the construction and history of this special building on the Vitra Campus. Vitra / ATTA, Photo: Julien Lanoo

The exhibition "Tsuyoshi Tane: The Garden House" explains the construction and history of this special building on the Vitra Campus. Vitra / ATTA, Photo: Julien Lanoo

On November 18, 2023, the exhibition “Tsuyoshi Tane: The Garden House” will open in the Vitra Design Museum Gallery. It is dedicated to the recently built Tane Garden House on the Vitra Campus.

On November 18, 2023, the exhibition “Tsuyoshi Tane: The Garden House” will open in the Vitra Design Museum Gallery. It is dedicated to the recently built Tane Garden House on the Vitra Campus.

The Garden House by Japanese architect Tsuyoshi Tane is the latest building on the Vitra Campus and the first to be designed with the climate crisis in mind. The impetus for its construction came from Rolf Fehlbaum, Chairman Emeritus of Vitra, in 2020. In a letter to Tane, he explained that the Tane Garden House, together with the surrounding Oudolf Garden, should be the “first manifestation of a greater awareness of sustainability” on the Vitra Campus. It is important that the materials, working methods and usage methods used meet high ecological standards.

The Tane Garden House has a relatively small footprint of just 15 square meters and serves both as a lounge for the gardeners on the site and as a viewing platform for visitors to the campus. The platform offers an elevated view of the surrounding Oudolf Garden. The facility was developed in a trial-and-error process in which many different options were explored in search of the essence of the site.

The garden house is a typical example of Tsuyoshi Tane’s way of working. His projects are always preceded by intensive research into the local conditions. The exhibition in the Vitra Design Museum Gallery shows how the new building emerged from such research.

Like an archaeologist, Tane embarks on a kind of journey of discovery and searches for the essence of each place – he even describes this process as archaeology, the “archaeology of the future”. In doing so, he primarily explores the use of traditional materials and the regional craftsmanship in dealing with them. Tane also uses the term “above ground” to describe renewable products such as reeds or wood. This contrasts with “underground materials”, which are heavily overused raw materials. Although Tane was inspired by the historical buildings in the Swiss open-air museum Ballenberg to use the materials that make up the garden house, his own structure was built using regional production techniques and in collaboration with local craftsmen. The aim was to generate the smallest possible CO2 footprint overall.

The exhibition in the Vitra Design Museum Gallery presents, among other things, precisely these materials as components of the building: from the traditional thatched roof and the well trough made of logs to the binding and knotting techniques of ropes used for the staircase balustrade. Visitors will also find architectural models as well as models of individual building elements, drawings of the building and evidence of collaboration with local craftsmen. The entire development of the building can be traced on the basis of over a hundred models and mock-ups that have gone through several experimental stages. The exhibits show Tane’s intensive engagement with the typology of the building and his playful approach. The Tane Garden House is a building that represents an experimental study in contemporary and ecological construction. The exhibition consists exclusively of the materials used in the development process.

The exhibition is accompanied by the publication “Tane Garden House”. It conveys Tane’s unique architectural approach, his discussions and exchanges with craftsmen, builders and others involved in the process using statements and drawings, prototypes and sketches, models and materials.

The exhibition will open on November 18, 2023 and will run until April 21, 2024, inviting anyone interested to come and see for themselves.

Until recently, another interesting exhibition was on show at the Vitra Design Museum: Everything about “Garden Futures” here.

Art in shape – The stone in January 2025

Building design
Jo Kley's "Bull" is one of more than 100 sculptures that the freelance artist has created in Germany and 20 other countries around the world. Kley has been carving sculptures out of natural stone for around 25 years, using them to bring irrepressible energy into solid forms. Jo Kley regularly takes part in symposia and has created numerous works for public spaces. The artist lives and works in Kiel. © Bernd Perlbach

In the first issue of the new year, we invite you to rediscover the ancient excavation sites of Pompeii through the eyes of renowned architectural photographer HG Esch. He shows the city in unprecedented clarity. We will also be presenting impressive sculptures made of natural stone that artist Jo Kley has created in recent years and taking a closer look at the mandatory e-invoicing that will apply to companies from 2025.

Trade fair in Munich

Right at the beginning of the year, another trade fair is on the agenda: BAU 2025. It could be worth coming to Munich, because the program reads promisingly. The building of the future is right at the top of the trade fair organizers’ agenda. Companies from the natural stone, ceramics and tile sectors await you in Hall A4.

Pompeii from above

From page 6 onwards, we invite you to take a completely new look at the ancient excavation sites of Pompeii with us. Renowned architectural photographer HG Esch and his team have embarked on a literally “historic” journey, during which spectacular drone photos were taken. They show the structures of the ancient city with unprecedented clarity.

Award-winning sculptures

After breathtaking photographic art, from page 14 we show impressive sculptures made of natural stone that artist Jo Kley has created in recent years. He remains true to his original profession as a stonemason and stone sculptor. Kley has already given advice and support to the winners of the “DMH” and “Gute Form” competitions twice during a workshop. In this way, he is preparing the ground for the artists of tomorrow.

Maoi in Berlin

Our author Dr. Inge Pett found out for you how a moai from Easter Island ended up in Berlin’s Gardens of the World. The replica of such a huge sculpture made of tufa stone had literally been growing grass for 25 years. Find out what the Moai are all about from page 30 onwards.

Electronic invoices

From page 48, we turn our attention to a topic that may be on the minds of many of you: e-invoices. They will be mandatory from 2025. Our author Marian Behaneck explains what this means for companies and what details you should pay attention to when creating, receiving, processing and archiving electronic invoices.

We hope you enjoy reading STEIN!

Your STEIN editorial team Redaktion@stein-magazin.de

The magazine is available here!

In our last issue 12/24, we looked at bathroom construction. Read more about it here.