On the death of Richard Bödeker

Building design

especially in Saudi Arabia. (Photo: Stefan Leppert)

Landscape architect Richard Bödeker died in November 2019 at the age of 85. A great figure in German landscape architecture has thus left the stage. In fact, the world in which he moved for decades often became a stage – without Bödeker staging himself as a star. He never saw his appearance as a performance and […]

Landscape architect Richard Bödeker died in November 2019 at the age of 85. A great figure in German landscape architecture has thus left the stage. In fact, the world in which he moved for decades often became a stage – without Bödeker staging himself as a star. He never saw his appearance as a performance and yet it had an immense impact.

From 1974 onwards, his stage for many months each year was Saudi Arabia, a country that was still largely closed at the time. At that time, landscape architecture could only be realized there by those who possessed above-average planning expertise, courage and a thirst for adventure and were able to open up new horizons for themselves and others. To achieve the status of a friend in the very highest circles, you also needed the kind of dexterity that only very few people can muster in a completely foreign cultural environment. Bödeker’s expertise resulted in pioneering projects for Saudi Arabia’s capital Riyadh. First and foremost is the open space planning of the diplomatic quarter, for which he even received the coveted Aga Khan Prize in 1989. His persuasive power was responsible, if perhaps only to a small extent, for the process of an opening society that we are currently witnessing.

Although Büro Bödeker, for many years closely associated with names such as Horst Wagenfeld, Armin Boyer and David Elsworth, also realized numerous projects in Germany, his name will remain primarily associated with Saudi Arabia. Just a few months before his death, Richard Bödeker traveled to Riyadh to present his “Green First” philosophy to high-ranking personalities. The work on the Saudi Arabia stage continues, under the direction of his son Jens and other partners from the next generation.

Also from 2019: Prof. Dr. Géza Hajós passed away in Vienna in February 2019. Click here for the obituary: Géza Hajós.

POTREBBE INTERESSARTI ANCHE

#BeautySalonVanGoghMuseum

Building design
Amsterdam / Maurice van der Meijs

Amsterdam / Maurice van der Meijs

How the barber came to the museum: Last Wednesday, January 19, 2022, more than 70 museums, concert halls and theaters in the Netherlands protested against the ongoing closure of cultural institutions with unusual actions. In this way, the institutions drew attention to the unequal treatment of the cultural sector during the corona pandemic, as stores, hairdressers and gyms remained open. This is how […]

How the barber came to the museum: Last Wednesday, January 19, 2022, more than 70 museums, concert halls and theaters in the Netherlands protested against the ongoing closure of cultural institutions with unusual actions. In this way, the institutions drew attention to the unequal treatment of the cultural sector during the corona pandemic, as stores, hairdressers and gyms remained open.Amsterdam’s Van Gogh Museum, for example, was transformed into a beauty salon for a day: hashtag #BeautySalonVanGoghMuseum

In particular, the strict ban on cultural events since December 19, 2021 has met with resistance in the Netherlands. To express their protest, numerous museums therefore briefly opened for special events last Wednesday, January 19, 2022. In Amsterdam’s Van Gogh Museum, for example, nail artists were able to show off their skills, while other museums offered yoga classes, haircuts and manicures. Concert organizers also joined the unusual protest. Without further ado, the venerable Concertgebouw was transformed into a “Kapsalon Concertgebouw”, where you could also have your hair cut during a rehearsal of the symphony orchestra led by conductor Susanna Malkki! An unusual performance that met with great approval from the audience. Charles Ives’ Symphony Number 2 was played. “We don’t understand it and there is no justification for it, because in the last two years we have shown that it is very, very safe to go to a concert or a museum,” emphasized Simon Reinink, the director of the Concertgebouw.

Across the street at the Van Gogh Museum, visitors were offered manicures, beard care and a professional haircut at the same time under the hashtag #BeautySalonVanGoghMuseum , while viewing paintings by Vincent van Gogh. “We want to emphasize that it is safe to visit the museum,” commented Emilie Gordenker, the museum’s director since February 2020. “This is definitely something completely new at the Van Gogh Museum”. The museum director also adds: “More and more people are visiting museums in search of spiritual depth and the meaning of life, among other things. We also need a ‘mental’ gym!”. The area of ‘mental health’ is just as relevant for our museum, especially because of Van Gogh’s own mental state.”

Manicure, beard care and a professional haircut

Many institutions in the capital took part in the protests in this way. They all found it unfair that cultural institutions had to close during the lockdown, while stores, hairdressers and gyms remained open. On January 16, 2022, the one-month lockdown was eased in the Netherlands, allowing hairdressers, gyms and stores to reopen. Cultural institutions, on the other hand, were to remain closed.

Creative resistance on the part of cultural institutions

Gunay Uslu from the Dutch Ministry of Culture showed understanding for the protests, but urged caution. She wrote on Twitter: “There are creative protests on the part of cultural institutions. I understand this cry for help and that artists also want to show all the beautiful things they have to offer us, but the easing of the lockdown must take place step by step. Culture is right at the top of the agenda for us.” The government therefore held out the prospect of any easing of the strict coronavirus measures for January 25, 2022 at the earliest.

Reading tip: As of this week, solo self-employed cultural workers in Germany, including freelance restorers, can apply for Restart Aid 2022. They receive support that is not linked to operating expenses. Applications for Neustarthilfe 2022 in the funding period from January to March are now open. Read more here.

Ceramic diversity

Building design
Portfolio

Portfolio

The ceramics specialist NBK from Emmerich in the Lower Rhine region realizes façade designs that place the highest demands on creativity and inventiveness. For the detailed implementation of architectural designs, all resources in process engineering, color and glaze development, surface quality and the production process, right up to the firing of the ceramics, are activated.

With “Terrart”, the system for terracotta façades from NBK, a wide variety of design details can be realized in terms of shape, color, surface texture and glaze for unique, tailor-made solutions. NBK also offers unusual shapes, whether convex, concave, trapezoidal, curved or bent – with different radii and angles. Further variations are possible thanks to different profiles and matching corner solutions. With the option of combining different terracotta elements with each other, the variety of ideas and their realization can be increased even further. Whatever is to be expressed – from powerful to elegant, from restrained to eye-catching, from classic to avant-garde – NBK realizes individual architectural façade concepts.

An outstanding example of this is the residential tower at 111 West 57th Street in New York, which is currently being built next to the historic Steinway Hall and is therefore also known as the Steinway Tower. With a height-to-width ratio of 1:24, the tower will be the slimmest building in the world. For the exterior façade, the New York architectural firm SHoP Architects has opted for curved, extruded ceramics from NBK, finished with a special glaze. Upward-striving ceramic strips alternate with curved bronze profiles, and both give the window strips an incomparable look. The variety of ceramic profiles and the semi-transparent play of colors of the exclusive cream-white glaze, which shimmers from light to dark, create a lively effect.

Reeser Str. 235
46446 Emmerich
Emmerich, Germany

nbk.de