On the road at the Hotel Drei Zinnen in Sesto

Building design
The card room at the Hotel Drei Zinnen, photo: @ Stefano Scata

The card room at the Hotel Drei Zinnen, photo: @ Stefano Scata

“Old-fashioned in the best sense of the word,” was the verdict of our author Wolfgang Jean Stock at the time. The “On the road” section started in the Baumeister in the April 1997 issue and presented Clemens Holzmeister’s Hotel Drei Zinnen as the first hostel. It has since been carefully modernized: and is therefore worth a visit again 25 years later.

Rain from early to late. The weather forecast on WetterOnline does not look good for the tour to the Dreizinnenhütte in the Sesto Dolomites. However, Waltraud Watschinger doesn’t even have to look at the sky: “You can count on it staying dry until 6 pm!” And indeed it did: When the thunderstorm starts at 6.10 p.m., we are back safe and sound at the Hotel Drei Zinnen and served homemade cake in the games room under Rudolf Stolz’s cheerful figurines.

However, Ms. Watschinger doesn’t just know about rainfall: She knows the preferences of the regular guests at table 27 as well as the stories of former visitors, including Fred Zinnemann, five-time Oscar winner from Hollywood, and Julius Cardinal Döpfner. His letter of thanks from 19.8.1963 for “such beautiful vacation accommodation” is stuck in the house’s leather-bound photo album. She is also sure which carpenter can restore Tyrolean parlor furniture from the 1920s and 1930s and how the new fire alarm system works.

She has been running the Drei Zinnen in the Sesto district of Moos since 1983. Since the annexation to Italy after the First World War, the hotel has had “Tre Cime” written above the year 1929 on the front entrance. It was built by her grandfather, the mayor of the village was in short a far-sighted man: Hans Watschinger used a lodging license from 1811 to build a hotel that “was to join the ranks of the few famous Dolomite hotels”. At least. And it was to be designed by none other than Clemens Holzmeister – the Austrian architect and teacher who briefly ran an office with Luis Trenker in Bolzano and whose brother was the local doctor in Sesto.

And Holzmeister, who is memorialized in Ankara and whose catalog raisonné lists around 700 buildings at the time of his death in 1983, did not make it easy for himself: “The Alpenhotel’s special building mass alone makes it awkward to integrate into the townscape.”

Accordingly, it is well-proportioned, both inside and out, with six storeys on the slope. The 35 rooms are accessed up and down the stairs, while the cozy and glamorous public roomsare located at street level. The American Bar and the dining room, also painted by Rudolf Stolz, with its figurative wooden chandeliers. The hall and the parlor as well as the playroom and reading room were also designed by Rudolf Stolz. The heated outdoor swimming pool was also a sensation at the opening. When Heinrich Harrer, who later moved to Tibet, was hired as the hotel’s own ski instructor in 1937, the hotel and the whole area developed from a summer resort into a winter domicile.

But Mrs. Watschinger isto thank for themagic of the building today: she maintains the overall work of art of form, function and color, so that everything from the logo to the furniture, from the silverware to the art is original. The Bolzano architect Christoph Mayr Fingerle, who died in 2020, adapted the bathrooms to modern requirements and transformed the dance bar into a fine spa. That future interventions will also be implemented carefully and appropriately – “you can rely on that!” And that is still and always worth a visit.

Hotel Drei Zinnen
St. Josef Street 28,
Sesto

www.hotel-drei-zinnen.com

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At yesterday’s annual conference, Dr. Florian S. Knauß, Director of Collections at the Staatliche Antikensammlungen and Glyptothek München, presented the annual program for both exhibition venues. For the Glyptothek, 2018 primarily means temporary closure to carry out renovation work. The presentation of the annual program of the Staatliche Antikensammlungen und Glyptothek München began with a brief review of 2017. Dr. […]

At yesterday’s annual conference, Dr. Florian S. Knauß, Director of Collections at the Staatliche Antikensammlungen and Glyptothek München, presented the annual program for both exhibition venues. For the Glyptothek, 2018 primarily means temporary closure in order to carry out renovation work.

The presentation of the annual programme of the Staatliche Antikensammlungen und Glyptothek München began with a brief review of 2017, in which Dr. Florian S. Knauß, Director of Collections at both institutions, gave a thoroughly positive assessment. In addition to the objects on permanent display, the special exhibitions, in particular “Character Heads – Greek and Roman Portraits” and “Divine X Design – Dress in Antiquity“, were very successful. The former was even extended in a slightly modified form until the end of September 2018(RESTAURO reported on the portrait exhibition). The high level of interest is also reflected in the visitor numbers, which rose for the fifth time in a row in 2017.

“And we have ambitious plans to ensure that we remain successful in 2018. Nevertheless, the year will initially be dominated by the imminent closure of the Glyptothek,” says Florian Knauß. One and a half years of renovation work will take place in and around the building to make it barrier-free. The reopening is planned for summer 2020.

Half looking back, half looking forward, Dr. Florian S. Knauß emphasized that the Antikensammlungen and Glyptothek are dedicated to the classic tasks of a museum: collecting, researching, preserving and communicating. The exhibits in the permanent exhibition are therefore now supplemented by “The Special Object” – extraordinary individual objects that are presented prominently in loose succession. The first of these is a newly acquired terracotta altar (550-525 BC) from Greek Sicily.

In addition to the traditional exhibition catalogs, a series of publications can also be referred to this year. Volume 4 of the series “Forschungen der Staatlichen Antikensammlungen und Glyptothek” has just been published with the title “Das schönste Kaufbare. Investigations into sculptures in the Glyptothek”.

One part that does not take place in public view is conservation. “A very significant part of this work is carried out by the conservators, who ensure in their workshops that the collection pieces that have been entrusted to us can also be presented to future generations,” emphasizes the collection director.

What visitors can expect

In the coming months, visitors can once again look forward to “a broad and colorful mix of exhibition offerings”, says Florian Knauß. In March, the Glyptothek’s “Under the Roof of Athena” takes up the theme of King Ludwig I’s former inspiration for the exhibition house. When building the museum around 200 years ago, he wanted the ancient originals to serve as aesthetic models for contemporary artists and craftsmen to create something similar. Now students and graduates of the Municipal Vocational School for Woodcarving and the Municipal Technical School for Stone Technology/Master School for Stonemasonry and Stone Sculpture are exhibiting their work. They are intended to illustrate the extent to which handicraft work and visits to the Glyptothek can be combined.

Johann Joachim Winckelmann, the founder of scientific archaeology and art history, is the subject of the exhibition “Death in Trieste“. From June, visitors to the Antikensammlungen will learn about his significance for Munich.

From mid-June, visitors to the Glyptothek will be able to enjoy virtuoso marble sculptures. One characteristic of the contemporary Italian sculptor Fabio Viale is his play with materiality – something that also played a major role in antiquity, particularly in the Hellenistic era.

And all those who are short of gift ideas for their loved ones until shortly before Christmas may find a source of inspiration in the “Glanzlichter” exhibition at the Antikensammlungen. Wolfgang Skoluda, painter and jewelry maker, will be showing jewelry in dialogue with antiquity.

The complete annual program of the Staatliche Antikensammlungen und Glyptothek München can be found here.

Castle experience day 2016

Building design

Photo: Landesmedienzentrum Baden-Württemberg

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