On the road at the Volkshaus Basel

Building design
Volkshaus Basel

Volkshaus Basel

The Basel Volkshaus from 1925 had little original substance to show for itself due to extensive renovations. Herzog & de Meuron have reinvented the history of the building in their renovation and created an impressively harmonious atmosphere between yesterday and today.

The Basel Volkshaus from 1925 had little original substance to show for itself due to extensive renovations. Herzog & de Meuron have reinvented the history of the building in their renovation and created an impressively harmonious atmosphere between yesterday and today.

Since 1846, Underberg in the Lower Rhine region has been brewing a herbal digestif according to the secret recipe Semper Idem – but always something new. It is therefore fitting that two of the small bottles, wrapped in brown paper, are on offer in the hotel rooms of the Volkshaus. Tidied up in the Vitra toolbox, together with a book from the Swiss Diogenes publishing house, glasses, sewing kit and the remote control for the TV, which is conveniently hidden behind a curtain.

Semper Idem – but the Volkshaus itself is always new: Founded in the 14th century as a bailiwick, the place was transformed into a brewery and inn in 1845, and a beer and concert hall was added in 1874. Architect Henri Baur won the competition to build the new political, social and cultural meeting place in a prime location, which belonged to the city of Basel at the time. In 1925, the stately new Volkshaus was completed and expanded to include additional halls, a library and a hotel. A hybrid, one would say today, a city within the city, was the name of the game at the time. Demolition was averted in the 1970s, but the building was not treated with care.

When Basel architects Herzog & de Meuron were commissioned to renovate the Volkshaus in 2011, they found nothing of architectural significance, apart from the windows. Work began on the event halls, the bar and the brasserie. Suspended LED lights with thick-walled, hand-blown glass bodies replaced the chandeliers, and 255 bentwood chairs were commissioned from Horgenglarus. The design corresponds to the original from 1925, but the new backrests are all individually and visibly numbered. Today, as then, pewter covers the bar counter and tables. The mosaic fans on the floor were laid by hand. Etchings from the 17th century, enlarged on strips of wallpaper, adorn the washrooms as well as the walls of the 45 rooms and suites, which were completed at the end of 2020.

At least the architects found plans of the old staff bedrooms under the roof. They offered simple space for a bed, wardrobe and washbasin. The rooms are simple and beautiful, with furniture designed by the architects. They are entered through a wall unit, just as the meeting and office rooms used to be. It not only accommodates the checkroom, shower and toilet – the washbasin is free-standing, as in many historic Swiss hotels – but also gives rhythm to the corridor, as the shower has more depth. Incidentally, the Underberg does not replace the minibar: water, tea, coffee and apples are available on every floor. And the bitters are just as unnecessary. It’s really hard to find a hotel as wholesome and wellbeing-promoting as the Volkshaus.

Address:
Volkshaus Basel
Rebgasse 12-14
4058 Basel
Basel Switzerland
www.volkshaus-basel.ch

Would you rather go to Zurich than Basel? The architects at E2A have created an uncompromisingly modern ambience in the Hotel Placid.

POTREBBE INTERESSARTI ANCHE

Sebastian Stettner – Work assignment successful

Building design

From 1995 to 1999, the author restored five paintings from the main altar of the Franciscan church in Subotica (Hungary). The archive material available there already provided indications of the authorship of Sebastian Stettner (1699-1758). The documents in Subotica describe, among other things, the execution of the commission. According to them, Sebastian Stettner painted St. Michael “with extraordinary skill and expertise” in such a way that he […]

From 1995 to 1999, the author restored five paintings from the main altar of the Franciscan church in Subotica (Hungary). The archive material available there already provided indications of the authorship of Sebastian Stettner (1699-1758).

The documents in Subotica describe, among other things, the execution of the commission. According to them, Sebastian Stettner painted St. Michael “with extraordinary skill and expertise” in such a way that he steps on the devil. However, the client criticized the number of devils: “Why so many devils?” (Archivium 1751: 30). The artist therefore had to make changes to his painting and probably painted a completely new picture, as X-ray examinations showed no traces of overpainting. As things stand at present, he probably only submitted an oil sketch to the director of the House of the Order and chose the current iconographic concept before executing it. Unfortunately, these or other sketches by Stettner have not survived. They would have provided a better indication of his drawing skills and would have brought us closer to the art workshop where he studied.

However, by examining the materials and production techniques and evaluating the sources, a total of 14 works could be attributed to this master. The painter and gilder, whose origins are documented as “Dorst, Baijern” but could not be verified, settled in Buda (Hungary) in 1727, where he was granted citizenship in 1736. The city fathers made their decision dependent on the consent of two painters in Buda: Georg Falkoner (1646-1741) and Kaspar Landtrachtinger (1670-1744). Around 1738, his marriage to Maria Theresia Seth (1716-1789) enabled him to acquire a house in which he ran his workshop. His wife was also a painter and continued to run the workshop after Stettner’s death.
You can find out more about Sebastian Stettner’s painting technique in RESTAURO 4 / 2014.

Bumblebees in your cell phone

Building design

Which species of bumblebee is it? The "ID-Logics" app helps you identify them.

In the last 30 years, the number of flying insects has fallen by almost 76 percent. Prof. Dr. Jorge Groß and his team took this as an opportunity to develop an app designed to teach people about animals and plants. The app can now even be used to identify bumblebee species. With the “ID Logics” app […]

In the last 30 years, the number of flying insects has fallen by almost 76 percent. Prof. Dr. Jorge Groß and his team took this as an opportunity to develop an app designed to teach people about animals and plants. The app can now even be used to identify bumblebee species.

The “ID Logics” app has previously been used to identify trees, shrubs and mussels. At the end of April, the research team at the University of Bamberg, led by Prof. Dr. Groß, published an extension to the app. This enables laypeople and experts to identify bumblebee species. Groß hopes that this will awaken the public’s fascination with bumblebees and transfer their enthusiasm to all insects and nature conservation.

The project was supported by three different foundations: The German Federal Environmental Foundation (DBU) funded around 350,000 euros together with the Joachim Herz Foundation. The Lower Saxony Bingo Environmental Foundation (NBU) is contributing around 30,000 euros to the identification of the bumblebees until 2021.

Species identification is simple: with the help of pictures, specific questions and selection options for external appearance, the app recognizes the bumblebees within a very short time. It is error-tolerant, which means that it can correctly identify the species even if mistakes have been made in the information provided. It also provides additional information in the form of educational videos, fact sheets and distribution maps.

The data entered by users not only identifies the bumblebee species, but also enables the research team to accompany and support species identification. Above all, wild bees and rare bumblebee species can be reintroduced and their decline documented. The reintroduction works, for example, by planting certain flowers.

The long-term goal is to introduce “ID-Logics” throughout Europe and to add many other species groups such as ants and spring-flowering plants.