On the road in the 7132 “House of Architects” in Vals

Building design

This dark, glamorous chamber was designed by Thom Mayne. A bright spot: the bathroom in neon yellow

Although remote, this hostel has little to do with the simple life in the countryside: The 7132 Hotel has opened next to Peter Zumthor’s thermal spa in Vals – with luxurious guest rooms specially designed by and for (star) architects.

Although remote, this hostel has little to do with the simple life in the countryside: The 7132 Hotel has opened next to Peter Zumthor’s thermal spa in Vals – with luxurious guest rooms specially designed by and for (star) architects.

It is said that ingenious architectural designs are sometimes created on napkins. What is certain, however, is that the thermal baths in Vals had already been built out of words before they were realized: “You have to build something,” Peter Zumthor had assured the Graubünden community, “that doesn’t exist yet. Not glass fun. But a thermal spa that is unique.” It was opened in 1996 – and the building, which is set into the slope, is made of concrete and 60,000 strips of Vals quartzite in three thicknesses, two widths and each 3.20 meters long.

The iron-rich water has dyed the wall at the entrance a rusty red, where it flows unfiltered. Otherwise, the thermal baths, which were listed as a historical monument just two years after they were completed, do not show their age; 190 people still book a few hours every day to bathe in the magnificent architecture and in water that is between 14 and 35 degrees and rich in calcium sulphate hydrogen carbonate. The spa architecture has won countless awards, but unfortunately its figures have never been as black as the quartzite from which it is built. Peter Zumthor would have liked to take over the spa himself, but the cash-strapped municipality narrowly opted for a buyer who promised to take over not only the spa but also the surrounding hotel and apartment buildings from the 1960s and turn them into a four-star hotel: the four-star “House of Architects” and the five-star superior hotel “7132” – incidentally the zip code of Vals. Guests can not only bathe in luxury, but also live, eat and travel in luxury – the restaurant at the 7132 has been awarded two Michelin stars and 18 Gault Millau points. And the price of the penthouse suites includes arrival in the hotel’s own helicopter.

The renovation began in 2012: Thom Mayne made the entrance area look a bit like the Guggenheim in New York and, like Tadao Ando, Kengo Kuma and Peter Zumthor, who had already designed so-called “Provisorien” for the opening of the thermal spa in the old spa hotel, transformed the shoebox rooms into suitably chic “rooms for architects”. The “Star” architects were not able to enlarge the 73 guest rooms, which are just 20 square meters in size; only for the suites in 7132 were several of the shoe boxes combined. But there was obviously enough room for a very different design: Zumthor immersed his rooms in bright red and black Stucco Lustro. Thom Mayne also opted for black: he wallpapered the walls, floor and ceiling with Vals quartzite and brightened up the gloom with a neon yellow bath egg. While Kengo Kuma and Tadao Ando worked minimalistically, as expected: Kuma implanted his rooms with a wooden cocoon made of oak, Ando focuses on not distracting from the view. Guests are now spoiled for choice.

The article about the 7132 hotel was published in Baumeister 05/2020.

POTREBBE INTERESSARTI ANCHE

Keeping an eye on the climate – restoration and the climate crisis

Building design
Careful cleaning of a painting at the Institute for Conservation and Restoration at the University of Applied Arts in Vienna. Photo: © Heidrun Henke

Careful cleaning of a painting at the Institute for Conservation and Restoration at the University of Applied Arts in Vienna. Photo: © Heidrun Henke

Time is running out for a sustainable turnaround in climate protection, as global warming has already risen by 1.2 degrees compared to pre-industrial levels. Despite all the setbacks, however, many institutions believe that 2021 is a good year for more effective climate protection. Could strategies that helped us in the fight against the virus also be useful in tackling the climate crisis?

Time is running out for a sustainable turnaround in climate protection, as global warming has already risen by 1.2 degrees compared to pre-industrial levels. Despite all the setbacks, however, many institutions believe that 2021 is a good year for more effective climate protection. Could strategies that helped us in the fight against the virus also be useful in tackling the climate crisis?

The University of Applied Arts in Vienna was innovative in this regard. The Central Artistic Subject (ZKF), a component of the restoration curriculum, had to do without practical exercises in the workshops in the summer semester of 2020 due to distance learning. However, the restoration department at the Vienna University of Applied Sciences has now taken advantage of the necessary change in teaching to prepare future restorers for tackling important social challenges.

In working groups, the students developed solutions based on practical examples. As at all universities, the switch to online teaching had to be completed in a very short space of time. Climate change also poses major challenges for the fields of restoration and cultural heritage conservation. The students in Vienna have now developed impressive solutions to practical restoration issues, even though it was not possible to work on the objects in the workshops. The ZKF familiarizes students with the challenges of restoration through theory and practice.

The increasing number of extreme weather events, for example, poses a serious risk to monuments and entire collections. According to UNESCO studies on climate change and cultural heritage, far-reaching effects are to be expected: Changing groundwater levels and precipitation affect the composition of soils and can negatively impact their preservative effect on archaeological finds.

Serious risk for monuments and collections

Heavy precipitation can cause salt mobilization and damage through crystallization in historic buildings made of natural stone. Climatic changes, especially higher temperatures and humidity levels, lead to pest infestation and mold, a danger for collections and objects made of wood and textiles in particular. Further threats are posed by the increasing spread of desertification and flooding.

Risk prevention, emergency preparedness and planning as well as the initial care of and for cultural assets are and will continue to be essential tasks for conservators in the face of increasing natural disasters. Students therefore dealt with the effects of the predicted climatic changes on cultural assets in outdoor areas. The aim was to identify and characterize altered or new damage mechanisms for objects made of wood, metal and carbonate and silicate rocks.

Effects on archaeological cultural assets and soil finds

In view of the thawing of permafrost soils, the warming of the soil and the increasing number of heavy precipitation events, the effects on archaeological cultural heritage and soil finds are also a key issue. Fiona Frei, a student in the climate working group, emphasizes: “The changing climatic conditions are forcing us to rethink. We have to develop new ideas and approaches in restoration and put them into practice. This is the only way we can be prepared for climate change and preserve as much cultural heritage as possible.”

Ethical issues have also become the focus of restoration practice. The origin of objects – exhibits from the National Socialist era or religious cultural assets such as relics – raises questions to which restoration must have contemporary answers. Another team therefore developed a concept for how relics and human remains can be handled in a way that is both professionally and ethically appropriate for conservation. One of the practical examples is the Gall skull collection in the Rollett Museum in Baden.

Gall’s skull collection in the Rollett Museum in Baden

The collection comprises the remains of research carried out by the physician Franz Joseph Gall (1758-1828). His teachings on the brain gained questionable fame due to a misinterpretation. In 2019, the Institute for Conservation and Restoration took over the inventory and condition surveys as well as the conservation of the skull collection for the museum. Sophie Krachler, a student in the Ethics in Conservation working group, says: “The conservation of human remains is a diverse and challenging field of research. In contrast to other art and cultural assets, dealing with human remains makes us more concerned, it touches us. This has something to do with our capacity for empathy. Respect for the deceased and their descendants is also important. In the coming years and decades, many museums and anatomical collections will have to thoroughly process their holdings of human remains. This will hopefully take place within the framework of interdisciplinary projects.”

The knowledge gained from the working group will be incorporated into future teaching at the Angewandte, but can also be used by conservators in their day-to-day work. Lectures via Zoom complemented the online workshops for students. International experts enriched the Central Artistic Subject with theory and practical experience on the effects of climate change on cultural assets, both outdoors and indoors.

Raising students’ awareness of the climate crisis

Colleagues from universities, the international museum sector and the church were invited to discuss the issue of dealing with sensitive cultural assets, including Prof. Adrian Heritage from the Cologne University of Technology, Dr. Claudia Augustat from the Weltmuseum Wien and Elena Holzhausen, Chief Conservator of the Archdiocese of Vienna. The conservation science department at the University of Applied Arts Vienna also used the COVID-19 emergency to raise students’ awareness of the climate crisis and ethical issues surrounding contaminated cultural assets.

Tip: In RESTAURO 5/2021, you can read a report by the Institute of Conservation and Restoration at the University of Applied Arts Vienna on safeguarding the continued existence of the World Heritage Site.

Discover Rotterdam: Het Industriegebouw

Building design
Food halls in Rotterdam

Academy winner Alexandra has been sitting at her desk at MVRDV for a month now. Along the way, she introduces the most exciting industrial buildings in Rotterdam. We start with the building in which MVRDV also has its office: Het Industriegebouw.

Academy winner Alexandra has been sitting at her desk at MVRDV for a month now. Along the way, she introduces the most exciting industrial buildings in Rotterdam. We start with the building in which MVRDV also has its office: Het Industriegebouw.

“The coolest workplaces in Rotterdam!” – that was the promise made by young entrepreneurs Joost Prins and Tjeerd Hendriks when they started developing a conversion concept for an industrial building in the heart of Rotterdam in 2017. And lo and behold, they succeeded. Everyone wants to be here, including MVRDV.

“Het Industriegebouw” on the Goudsesingel was designed by architect Huig Maaskant and has been a national monument since 1991. The building, which was already planned before the war as an industrial building for large companies, was only realized between 1946 and 1956. In the post-war period, there was a desire for a new center of attraction for economic activities and so an office complex for many small companies was built instead and simply kept the name “Het Industriegebouw”.

The building stood empty for a long time and was temporarily used as a student hostel. Since 2017, it has returned to its former glory – the function and concept are as originally planned.

Different companies on four floors

Maaskant designed a U-shaped building with four floors. Commercial units were located on the first floor, residential areas and a canteen for employees on the top floor and offices on the two floors in between. There is a spacious garage in the inner courtyard, where MVRDV built its main offices. The courtyard is shared by the employees.

The building is made of brick and reinforced concrete. Only a few discreet decorations adorn the rhythmic façade. Balconies run around the entire courtyard side and provide exits and communication areas. Even back then, the guiding principle of the office building was to create flexible and open workspaces for different companies. This was intended to create a mixed working atmosphere and plenty of space for self-development. This is what “Het Industriegebouw” offers again today. You can rent small office spaces as well as individual desks.

The atmosphere of the complex lives from the people who work there: From architects to bicycle designers and hairdressers, it’s mixed. People meet for lunch and talk about the weather and weekends, or for coffee on the balcony and enjoy a bird’s eye view of the city.

Even at the time of its construction, Het Industriegebouw was intended to take the working world in Rotterdam a step further. Openness, light and interaction are the pillars that support the building. The working world in which we spend so much time, today as well as 60 years ago, is not just a place where we earn our living. It is a place where we enjoy spending time.

All pictures by Alexandra Tishchenko

The Baumeister Academy is an internship project of the architecture magazine Baumeister and is supported by GRAPHISOFT and BAU 2019.