Open again

Building design
1948/49 Photo: © Bayerische Staatsbibliothek/Bildarchiv

1948/49 Photo: © Bayerische Staatsbibliothek/Bildarchiv

“Munich. Look here!” is the first exhibition to present a broad selection of the extensive photo archives of the Bayerische Staatsbibliothek. The exhibition at the Bayerische Staatsbibliothek is now open again and has been extended until July 31, 2020 For academics and those interested in research, the image archive of the Bayerische Staatsbibliothek is a place of longing, even though it was only established in 1985. Since […]

“Munich. Look here!” is the first exhibition to present a broad selection of the extensive photo archives of the Bavarian State Library. The exhibition at the Bavarian State Library is now open again and has been extended until July 31, 2020


Die Gaststätte Bayerischer Donisl in der Weinstraße: Der Donisl ist mit seiner Öffnungszeit bis 5 Uhr früh ein Symbol der langsamen Normalisierung der Nachkriegszeit. Georg Fruhstorfer, 1948/49 Foto: © Bayerische Staatsbibliothek/Bildarchiv
The Bayerischer Donisl restaurant in Weinstraße: With its opening hours until 5 a.m., the Donisl is a symbol of the slow normalization of the post-war period. Georg Fruhstorfer, 1948/49 Photo: © Bayerische Staatsbibliothek/Bildarchiv

For academics and those interested in research, the image archive of the Bayerische Staatsbibliothek is a place of longing, even though it was only established in 1985. By then, the library was already 427 years old and the history of photography had already lasted over 150 years. After all, Munich was an important center of the avant-garde in the 19th century alongside Paris and London. The mathematician Carl August von Steinheil and the mineralogist Franz von Kobell took the first photographs on salt paper or metal surfaces. The chemist Alois Löcherer experimented with glass plates and passed on his knowledge to the court photographers Joseph Albert and Franz Hanfstaengl, who documented Neuschwanstein Castle and took portraits of the ageing King Ludwig II.

It was not until 2019 that the state capital was able to return to this heyday. A new era had dawned for the image archive since the addition of the analog image collection of “Stern”, more than 15 million photos capturing legendary moments in contemporary history. “This brought us into a completely new dimension, an international one,” says Cornelia Jahn, head of the Maps and Images department. Since then, curators and restorers have been looking after these iconic slides, negatives and prints, which are being digitized as part of a long-term project – it was precisely this expertise that was decisive in the decision to donate the Hamburg image collection of the publishing house “Gruner + Jahr” to Munich.

Another prominent part of the extensive “knowledge repository” is the photo archive of photographer Felicitas Timpe, which focuses on scientific, cultural and public life in Munich between 1952 and 2000. Another important historical source is the archive of Hitler photographer Heinrich Hoffmann, who played a key role in the dictator’s self-promotion and denied any propagandistic intention in his photo chronicle of the Third Reich after the end of the war. The largest number of the 2.5 million images he left behind were confiscated after 1945 and are now in the National Archives in Washington. 66,000 images are accessible for research and exhibitions in this country.

The exhibition “Munich. Look here!”, the current exhibition of the image archive with around 280 motifs, which can be viewed until July 31, 2020. Since last Monday, the General Reading Room and the current photo exhibition have been open again – like all other areas of the library, however, with restrictions.

Read more about the exhibition in RESTAURO 3/2020, https://shop.georg-media.de/restauro/einzelhefte

POTREBBE INTERESSARTI ANCHE

“Tsuyoshi Tane: The Garden House” at the Vitra Design Museum

Building design
The exhibition "Tsuyoshi Tane: The Garden House" explains the construction and history of this special building on the Vitra Campus. Vitra / ATTA, Photo: Julien Lanoo

The exhibition "Tsuyoshi Tane: The Garden House" explains the construction and history of this special building on the Vitra Campus. Vitra / ATTA, Photo: Julien Lanoo

On November 18, 2023, the exhibition “Tsuyoshi Tane: The Garden House” will open in the Vitra Design Museum Gallery. It is dedicated to the recently built Tane Garden House on the Vitra Campus.

On November 18, 2023, the exhibition “Tsuyoshi Tane: The Garden House” will open in the Vitra Design Museum Gallery. It is dedicated to the recently built Tane Garden House on the Vitra Campus.

The Garden House by Japanese architect Tsuyoshi Tane is the latest building on the Vitra Campus and the first to be designed with the climate crisis in mind. The impetus for its construction came from Rolf Fehlbaum, Chairman Emeritus of Vitra, in 2020. In a letter to Tane, he explained that the Tane Garden House, together with the surrounding Oudolf Garden, should be the “first manifestation of a greater awareness of sustainability” on the Vitra Campus. It is important that the materials, working methods and usage methods used meet high ecological standards.

The Tane Garden House has a relatively small footprint of just 15 square meters and serves both as a lounge for the gardeners on the site and as a viewing platform for visitors to the campus. The platform offers an elevated view of the surrounding Oudolf Garden. The facility was developed in a trial-and-error process in which many different options were explored in search of the essence of the site.

The garden house is a typical example of Tsuyoshi Tane’s way of working. His projects are always preceded by intensive research into the local conditions. The exhibition in the Vitra Design Museum Gallery shows how the new building emerged from such research.

Like an archaeologist, Tane embarks on a kind of journey of discovery and searches for the essence of each place – he even describes this process as archaeology, the “archaeology of the future”. In doing so, he primarily explores the use of traditional materials and the regional craftsmanship in dealing with them. Tane also uses the term “above ground” to describe renewable products such as reeds or wood. This contrasts with “underground materials”, which are heavily overused raw materials. Although Tane was inspired by the historical buildings in the Swiss open-air museum Ballenberg to use the materials that make up the garden house, his own structure was built using regional production techniques and in collaboration with local craftsmen. The aim was to generate the smallest possible CO2 footprint overall.

The exhibition in the Vitra Design Museum Gallery presents, among other things, precisely these materials as components of the building: from the traditional thatched roof and the well trough made of logs to the binding and knotting techniques of ropes used for the staircase balustrade. Visitors will also find architectural models as well as models of individual building elements, drawings of the building and evidence of collaboration with local craftsmen. The entire development of the building can be traced on the basis of over a hundred models and mock-ups that have gone through several experimental stages. The exhibits show Tane’s intensive engagement with the typology of the building and his playful approach. The Tane Garden House is a building that represents an experimental study in contemporary and ecological construction. The exhibition consists exclusively of the materials used in the development process.

The exhibition is accompanied by the publication “Tane Garden House”. It conveys Tane’s unique architectural approach, his discussions and exchanges with craftsmen, builders and others involved in the process using statements and drawings, prototypes and sketches, models and materials.

The exhibition will open on November 18, 2023 and will run until April 21, 2024, inviting anyone interested to come and see for themselves.

Until recently, another interesting exhibition was on show at the Vitra Design Museum: Everything about “Garden Futures” here.

Art in shape – The stone in January 2025

Building design
Jo Kley's "Bull" is one of more than 100 sculptures that the freelance artist has created in Germany and 20 other countries around the world. Kley has been carving sculptures out of natural stone for around 25 years, using them to bring irrepressible energy into solid forms. Jo Kley regularly takes part in symposia and has created numerous works for public spaces. The artist lives and works in Kiel. © Bernd Perlbach

In the first issue of the new year, we invite you to rediscover the ancient excavation sites of Pompeii through the eyes of renowned architectural photographer HG Esch. He shows the city in unprecedented clarity. We will also be presenting impressive sculptures made of natural stone that artist Jo Kley has created in recent years and taking a closer look at the mandatory e-invoicing that will apply to companies from 2025.

Trade fair in Munich

Right at the beginning of the year, another trade fair is on the agenda: BAU 2025. It could be worth coming to Munich, because the program reads promisingly. The building of the future is right at the top of the trade fair organizers’ agenda. Companies from the natural stone, ceramics and tile sectors await you in Hall A4.

Pompeii from above

From page 6 onwards, we invite you to take a completely new look at the ancient excavation sites of Pompeii with us. Renowned architectural photographer HG Esch and his team have embarked on a literally “historic” journey, during which spectacular drone photos were taken. They show the structures of the ancient city with unprecedented clarity.

Award-winning sculptures

After breathtaking photographic art, from page 14 we show impressive sculptures made of natural stone that artist Jo Kley has created in recent years. He remains true to his original profession as a stonemason and stone sculptor. Kley has already given advice and support to the winners of the “DMH” and “Gute Form” competitions twice during a workshop. In this way, he is preparing the ground for the artists of tomorrow.

Maoi in Berlin

Our author Dr. Inge Pett found out for you how a moai from Easter Island ended up in Berlin’s Gardens of the World. The replica of such a huge sculpture made of tufa stone had literally been growing grass for 25 years. Find out what the Moai are all about from page 30 onwards.

Electronic invoices

From page 48, we turn our attention to a topic that may be on the minds of many of you: e-invoices. They will be mandatory from 2025. Our author Marian Behaneck explains what this means for companies and what details you should pay attention to when creating, receiving, processing and archiving electronic invoices.

We hope you enjoy reading STEIN!

Your STEIN editorial team Redaktion@stein-magazin.de

The magazine is available here!

In our last issue 12/24, we looked at bathroom construction. Read more about it here.