Open Monument Day 2022 – a look back

Building design
General
Open Monument Day 2022: Prevention for successful monument preservation (restorer Mirko Finsch in Kannawurf Castle, Rimbach). Photo: © M.L. Preiss / German Foundation for Monument Protection

Open Monument Day 2022: Prevention for successful monument preservation (restorer Mirko Finsch in Kannawurf Castle, Rimbach). Photo: © M.L. Preiss / German Foundation for Monument Protection

Open Monument Day 2022: Whether fortifications, ships or churches, industrial plants, castles or windmills, residential buildings, gardens or archaeological sites – Germany’s monuments are just as varied as its regions. And that is exactly what makes the Open Monument Day – Germany’s largest cultural event – so varied, lively and fascinating every year. Take a look over the shoulders of restorers, craftsmen and architects as they go about their work and find out what committed citizens have done to save our cultural heritage

Open Monument Day 2022: Whether fortifications, ships or churches, industrial plants, castles or windmills, residential buildings, gardens or archaeological sites – Germany’s monuments are just as varied as its regions. And that is exactly what makes the Open Monument Day – Germany’s largest cultural event – so varied, lively and fascinating every year. Take a look over the shoulders of restorers, craftsmen and architects as they go about their work and find out what committed citizens have done to save our cultural heritage

Many monuments are not or only partially accessible to the public. Since 1993, this has changed every year on Open Monument Day, which is coordinated by the German Foundation for Monument Protection. More than 7,500 monuments are open to the public, and there are lectures, exhibitions, bicycle excursions and guided tours in buildings that are otherwise often closed to the public.

The free program, which is attended by millions of visitors, always takes place on the second Sunday in September. The nationwide opening event was held in Leipzig this year. The motto: “KulturSpur. A case for monument protection – Open Monument Day 2022”. It focused on the question of what knowledge and evidence can be gained by examining the original monument substance? What traces has human activity left behind over the centuries and through many layers of time? And what conclusions can monument conservation draw from this? In order to be able to examine traces on monuments, experts are needed to secure them, analyze evidence and uncover crimes, be they monument conservators, citizens’ initiatives, restorers, architects, archaeologists or historians.

Walls, floors, stairs, cellars and ceilings, as well as listed gardens and parks, are full of clues that need to be read. Monuments must therefore be preserved in their original substance and examined in a variety of ways using methods such as thermo-luminescence, stratigraphy or photogrammetry. Anyone looking for concrete examples in their area could find inspiration in a new app this time. In Leipzig, nine exhibition sites offered the opportunity to look over the shoulders of monument conservators as they worked, a Grundton D concert took place in the special setting of the historic city baths and knowledge about monuments was imparted on the subject of sustainability, flanked by numerous perspectives on this year’s motto. In previous years, the focus was on color on monuments, wood as a material, romantic monuments of the 19th century or “uncomfortable monuments beyond the good and beautiful”.

The event’s target audience includes all age groups, from schoolchildren, trainees and students to middle-aged people and senior citizens. At the same time, the Open Monument Day is a celebration of voluntary work: without the involvement of numerous associations, initiatives and many individual volunteers, it would not be able to take place. If a city would like to be recognized as a cultural highlight of particular importance, it can apply to host the nationwide opening ceremony on the website of the German Foundation for Monument Protection. The city authority responsible for implementing the Open Monument Day, such as the cultural office, the building authority or the monument protection authority, can also apply on behalf of the city. In addition to a strong external perception of the city as a city of culture, the advantages of the host role include an award ceremony, the possibility of top-class stage events for the opening ceremony or the visit of well-known political and cultural figures.

The program for cell phones and on the go

From guided tours in otherwise inaccessible places to concerts in historic walls and themed bike tours: you can discover the monuments and exciting (cultural) sites in the immediate vicinity. The monuments can be easily displayed on the Googlemaps map. Would you like to plan your personal Open Monument Day in advance? No problem! You can save the most exciting events and locations at any time. Thanks to the calendar and reminder function, you won’t miss a thing, and the route planning function will help you navigate from monument to monument.

The functions at a glance:

Visiting the former Pestalozzi School in Bonn on Open Monument Day 2022

The Werkstatt Baukultur Bonn network has been planning the program for the city of Bonn on behalf of the Lower Monument Authority since 2012. The Bonn program ranged from Roman times to outstanding post-war monuments in Bad Godesberg. Here, too, interested parties were able to explore the question of what insights and evidence can be gained by examining the original monument substance. And what conclusions does monument preservation draw from this? For example, from the history of the former Pestalozzi School, into whose premises the Bonn City Archive will move after the renovation.

Hidden elements came to light

The former vocational school was completed in 1913. In the 1970s, the administration building was demolished in favor of road construction. The school was initially continued as a special school. The building has been a listed building since 2007. Asbestos fibers have since been found in the plaster, which is why it was removed, revealing hidden elements such as bricked-up oculus windows in the classrooms. Cologne restorers have analyzed and protected all of the historical surfaces and furnishings, such as the wooden folding partitions and coloured frames on the walls, ahead of the upcoming refurbishment in line with heritage requirements. The original lecture hall is to be converted into a public library once the city archive has moved in. The old building will be joined by a new depot, which will create storage capacity for several decades.

Find out more about the listed Pestalozzi School from 1919 in Bonn in the video on Open Monument Day 2022:

Under monument protection: UNESCO World Heritage Quedlinburg

Located on the north-eastern edge of the Harz Mountains, the over 1000-year-old town of Quedlinburg, a UNESCO World Heritage Site, is an exemplary place between past and future, with Romanesque buildings, 2069 half-timbered houses and villas from the Wilhelminian and Art Nouveau periods. This time, 45 monuments opened their doors in the city center, including public and private renovation projects. Haus am Münzenberg 5 was included for the first time. The residential building built into the ruins of the former monastery church of St. Marien on the Münzenberg was purchased in 2017 by the Ernst Ritter Foundation, a trustee of the German Foundation for Monument Protection (DSD), and stands on part of the Ottonian vaults of the west building of the church.

The vaults have already been repaired and are part of the Münzenberg Museum. Remains of the former monastery church have also been preserved inside the residential building up to the attic, such as large parts of the brickwork and the former access to the nuns’ gallery. The building has been renovated since 2019 with the help of a mobile team from the Quedlinburg Youth Building Lodge and under the direction of an architectural firm from Quedlinburg with experience in listed buildings. This fall, the new class of the Jugendbauhütte will take care of the interior work. So far, excavation work has revealed a narrow relief from the time the church was in use, the remains of head niche graves and foundations, which have expanded our knowledge of the appearance of the medieval monastery complex.

Discover Quedlinburg digitally on Open Monument Day 2022:

View of the International Newspaper Museum in Aachen on Open Monument Day 2022

In Aachen, the building that now houses the city’s International Newspaper Museum has undergone an unusual number of different uses over the centuries, some of which are still visible, such as the s-shaped iron parts on the masonry or the roof beams from the 17th century. Built around 1500 by merging, converting and extending several houses, the “Great House of Aachen” was one of the few that was built entirely in stone and therefore survived the city fire of 1656. It was used as a town house, city weigh house, police headquarters, prison, customs post, air raid shelter and residential building for teachers at the Kaiser-Karl-Gymnasium. Even before the Second World War, it served as a museum building, at that time for the City History Museum. The City of Aachen’s newspaper museum has been housed here since 1931. Renovation work in 2009 brought new details of the building’s history to light. The roof truss of the rear part of the building could be dated to the time after the devastating city fire and a floor from the time the building was built was discovered in the cellar – all historical scars, additions and further developments which, after a long slumber, still reveal unknown things about the building and its inhabitants.

Discover the International Newspaper Museum in Aachen on Open Monument Day 2022 in the video:

Conclusion: Culture connects

Open Monument Day, Doors Open Days or Europejskie Dni Dziedzictwa – this is the name of the Open Monument Day in Belgium, Scotland and Poland. This campaign goes back to the idea of French Culture Minister Jack Lang. In 1984, he made monuments accessible to the public for the first time in France, thus paving the way for the birth of the Journées Européennes du Patrimoine. Just one year later, other countries took up this idea. In 1991, the Council of Europe initiated the European Heritage Days under Lang’s patronage – nine countries, including Germany, took part in the campaign. From the very beginning, the basic idea was to open up otherwise inaccessible architectural monuments to visitors free of charge every September or to stage special events. In 1999, this initiative became a joint action of the Council of Europe and the European Commission. The German Foundation for Monument Protection has been coordinating the Open Monument Day in Germany since 1993.

Tip: You can find the archive of the Open Monument Day here. There you can take a look at mottos, host cities and events that have taken place – from the beginning to the present day. You can read a review of the 2017 Open Monument Day here.

POTREBBE INTERESSARTI ANCHE

IBA Basel Expo opens

Building design

IBA Basel Expo

The IBA Basel Expo opens on May 13 on the Vitra Campus in Weil am Rhein. Find out more about the exhibition, IBA Basel 2020 and the specialist publication.

After a year of waiting, the IBA Basel Expo exhibition finally opens on May 13, 2021. Find out more about the exhibition on the Vitra Campus in Weil am Rhein, the conclusion of IBA Basel 2020 and the bilingual specialist publication.

Although the incidence rate in the district of Lörrach is currently below 100 infections per 100,000 inhabitants, this was not the case on the planned opening day of the IBA Basel Expo, May 1, 2021. At that time, the federal emergency brake, which lasts until June 30, 2021, was active. The federal regulations state that museums and cultural venues – just like the Dome on the Vitra Campus, the German exhibition venue of IBA Basel Expo – are not allowed to open if the incidence value exceeds 100. This changes as soon as the incidence value in the relevant district is below 100 for five consecutive days. This is how the German government is trying to contain the coronavirus in Germany.

But now the time has finally come: the exhibition will be open from May 13, 2021. And the icing on the cake: Visiting the exhibition is free of charge.

Visitors can initially only view the exhibition during the opening hours of the Vitra Campus by registering in advance with a time slot. You can register for a visit here.
The organizers also ask visitors arriving from abroad to check and observe the current regulations for entering Germany on a daily basis. In addition, hygiene rules apply on site, such as wearing a medical mask/FFP2 mask and observing social distancing.

“We are delighted that we can now open the exhibition and hope that it will remain open to visitors until the planned last day of the exhibition, June 6, 2021,” explains IBA Managing Director Monica Linder-Guarnaccia. The joy is all the greater when you consider that the exhibition has already been postponed. The IBA Basel Expo “Crossing Borders Together” shows how innovative ways of crossing borders can create new spaces of experience for the population. In addition, the IBA Basel model projects can be experienced, and learning processes, formats and actors become tangible. Newly created connections and spaces will thus become visible across borders.
Further information and notes on the IBA Basel Expo “Crossing Borders Together” can be found here.

IBA Basel Expo – May 1 to June 6, 2021
Dome, Vitra Campus
Charles-Eames-Strasse 2
D-79576 Weil am Rhein

The International Building Exhibition IBA Basel 2020 celebrates its conclusion with the IBA Basel Expo. Garten + Landschaft provided information online about the projects, their creators and goals during the IBA Basel period. The final findings of the first cross-border International Building Exhibition in the border triangle of Germany, France and Switzerland have been used in collaboration with those responsible for IBA Basel 2020 to produce the specialist publication “IBA Basel 2020. Crossing borders together” in German and French, which is well worth reading. Our colleagues at Baumeister are also celebrating its completion: A Baumeister special issue on IBA Basel 2020 was published in May.

Scenic routes Norway

Building design
The landscape routes in Norway are legendary. Eleven new architectural projects will be completed along the routes in 2022.

The landscape routes in Norway are legendary. Eleven new architectural projects will be completed along the routes in 2022. Photo: Simo Räsänen via Wikimedia Commons

The Norwegian Scenic Routes are legendary. In 2022, the Norwegian Public Roads Administration will complete a total of eleven new architectural projects. By the end of 2022, there will be 172 completed projects on the Norwegian Scenic Routes.

The scenic routes in Norway are legendary. In 2022, the Norwegian Public Roads Administration will complete a total of eleven new architectural projects. By the end of 2022, there will be 172 completed projects on the Norwegian Scenic Routes. Here you can find an overview of all the new projects.

They are known far beyond the country’s borders. And attract millions of tourists every year. Over the past 30 years, the Norwegian Public Roads Administration has succeeded in turning the Norwegian Scenic Routes into an international attraction. These are 18 selected stretches of road that pass coastlines, fjords, mountains and waterfalls. Both architecture and art can be found along the roadside. Against the backdrop of the impressive Norwegian landscape. Instead of taking the fastest route via the main roads, drivers here choose the road as their destination.

The journey therefore becomes a real experience. The installations stretch from Jæren in the south up to Varanger in the north. And span a road network with a total length of 1,850 kilometers. The aim of the initiative was to make the journey along the routes exciting and inspiring. The tourism industry has succeeded in doing this with the projects over the last few years. In 2022, eleven more projects will be added to the existing 161.

The project was launched in 1994 and was originally limited to a few roads. Four years later, however, the Norwegian parliament decided to expand the project. As a result, municipalities were able to submit their own proposals. From the pre-nominated routes, the 18 routes known today as the Norwegian Scenic Routes were selected.

The projects along the routes include parking and rest areas, viewpoints and concepts for landscape conservation. Furthermore, several authorities are cooperating to maintain service facilities. Accommodation, restaurants and small stores selling local handicrafts can be found along the routes as an extension of the tourist offer. Norwegian artists and architects were the main designers of the attractions built. With the exception of the Steilneset Memorial project in Vardø. This was created in memory of 91 victims who were accused of witchcraft here and subsequently burned at the stake. The French-American artist Louise Bourgeois and the Swiss architect Peter Zumthor developed an atmospheric space in memory of this gruesome history.

They designed a burning chair surrounded by seven mirrors, which stands in a 125-metre-long memorial hall made of canvas. It is a special design in an equally significant location. Behind this lies the ambition of the landscape routes to capture the cultural history and spirit of the place and to stage it accordingly through architecture. The eleven new projects also have potential. The planners involved include well-known names.

Snøhetta designed a rest area bordering the sea in Trælvikosen, Helgelandskysten. 55 stepping stones lead from the mainland to a small island and then provide a view back to the coast. At low tide, the stones are visible and can be walked on. At high tide, however, they are completely submerged. Snøhetta thus plays with the tides and allows the landscape conditions to become part of the design. An engagement with nature is essential for the Norwegian Landscape Routes. Per Ritzner, press spokesman for the Landscape Routes, puts it this way: “Norwegian nature inspires respect. And you have to approach it responsibly.”

The other eleven new projects also take a variety of approaches. Architects Helen&Hard designed a medical building in Tyrvefjøra, Hardanger. They used tree trunks and roots, among other things, as building materials. The functional room program is intended to blend in with the mysterious atmosphere of the fjord. The Espenes, Hardanger project by Code Arkitektur is also located in the fjord landscape.

They span a roof construction over 64 m on twelve steel modules. Underneath are seating and toilet facilities – with a view over the Sørfjord. Haugen/Zohar Arkitekter also designed sanitary facilities in Flesefossen, Ryfylke, which are integrated into a structure made of wood and steel. This is connected to a concrete platform that towers over the Flesefossen waterfall, providing a spectacular view of the natural spectacle. Haugen/Zohar Arkitekter are represented with two projects. In Madland hamn, Jæren, they designed an illuminated shelter on a small hill overlooking the North Sea. It is reminiscent of the boat huts in the harbor.

Also interesting: The South Tyrolean Waalwege will they soon become intangible cultural heritage?

In Sluppen, Aurlandsfjellet, a small rest area is being built on the winding road based on a concept by Østengen og Bergo AS. Steps made of natural stone lead to the Erdalselvi waterfall. Meanwhile, a new viewing platform is being built at the Vøringsfossen waterfall on Hardangervidda. From the Fossetromma rock plateau, steps and bridges lead over the precipice, designed by Carl-Viggo Hølmebakk AS.

Another impressive bridge construction is the stone arch bridge in Måbø bru, Hardangervidda, built in 1910 over the River Borelo. When a newer route was built in 1986 with trunk road 7, the bridge fell out of use and was placed under a preservation order. 3RW designed new seating and a viewpoint in the immediate vicinity of the bridge, from which the river and bridge can be seen. The view is also a key design feature of the Brunstranda, Lofoten project by Studio Vatn & Jørgen Tandberg Arkitektur. Their sanitary building stands directly by the sea. In the warm interior, visitors can enjoy the view of the stormy waves.

Architecture along the Norwegian Scenic Routes as an attraction

The birdwatching huts on the coast in Hamningberg, Varanger, are more original. The architects at Biotope designed huts with a weatherproof, flame-treated outer façade and interior cladding made of driftwood collected locally. Hamningberg is an important stopover for migratory birds on their route.

In the future, the site should also become a magnet for bird lovers. The redevelopment in Sundshopen, Helgelandskysten, should also attract visitors. Here, Rever & Drage are building a 65-metre-long jetty from the Helgeland coast into the water. And are relying on traditional stone craftsmanship. The eleven new projects are diverse in their design. However, they always attempt to combine travel-related functions with the special features of the landscape in some way. Partly as a strong architectural contrast in the untouched nature. Sometimes as an element subtly woven into the landscape. When the construction work is completed, they will complement the Norwegian Scenic Routes as further attractions. And will also be able to attract more visitors in the future.

You can find out more about the Norwegian Scenic Routes on the Norwegian Public Roads Administration’s official website.