Paper fish – Update 2020

Building design

Observations from the field show that paperfish are increasingly appearing in various public and private buildings and are spreading widely in Germany. This is also shown by a comparison with other European countries Querner, Erlacher and Pospischil (2017) provide an overview of the paperfish species found in homes and buildings. These include the silverfish (Lepisma saccarina), paperfish (Ctenolepisma longicaudata), ghost fish […]

Observations from the field show that paperfish are increasingly appearing in various public and private buildings and are spreading widely in Germany. This is also shown by a comparison with other European countries


Grafik des Autors mit Papierfischchen-Funden. Foto: Stephan Biebl
Graphic of the author with paperfish findings. Photo: Stephan Biebl

Querner, Erlacher and Pospischil (2017) provide an overview of the species of fish found in homes and buildings. These include the silverfish (Lepisma saccarina), paperfish (Ctenolepisma longicaudata), ghostfish (Ctenolepisma calva), ovenfish (Thermobia domestica), combfish (Ctenolepisma lineata) and the rarely occurring antfish (Atelura formicaria). While ovenfish, combfish and ghostfish hardly play a role in homes, silverfish are known as unpopular roommates in the population. As the paperfish is very similar to the silverfish in appearance, lifestyle and the damage it causes (Kahn, 2018), the two species have been confused time and again for some time.

The paperfish Ctenolepisma longicaudata has been recorded worldwide in human dwellings and was first described in South Africa, where it was found in houses. In 1905, the Bavarian forestry scientist and entomologist Dr. Karl Escherich wrote a treatise on “The System of Lepismatids”, with reference to damage to books and collections by Ctenolepisma longicaudata. Individual reports date back to the early 19th century, when the paperfish was still referred to as an “indoor nuisance pest”. In Australia, Lindsay researched the biology and diet of the paperfish as early as 1940 with the support of the British wallpaper industry. Between 1998 and 2017, individual discovery reports followed from Belgium, the Netherlands, Sweden, Austria, the UK and the Czech Republic. “For the first time in Germany – the paperfish” was the title of a 2007 DpS article by Sellenschlo, which also included an identification key for paperfish. However, it was not until 10 years after the official first discovery in Hamburg that museum experts became aware of the topic through the articles “Die Papierfresser kommen” (Die Zeit, 2017) and “Neuer Materialschädling in der Kulturlandschaft (Landsberger, Querner 2017). Until then, the paperfish had not been a major issue for the general public or for most pest controllers. Meanwhile, the Dutch research and advisory station KAD has been researching the topic since 2002 and Norway has also reported an escalating increase from 2016 (511 cases) to 2018 (3433 cases), Norway (Aak et al 2019).

In addition to museums, libraries and archives, the paperfish can also increasingly be found in private homes or in nurseries, schools, retirement homes, hospitals, offices and storage rooms, food businesses, shops and kitchens. According to evaluations of insect sticky traps in daily practice, paperfish are being found more and more frequently than silverfish, which is also confirmed by experience from the Netherlands (Schoeslitsz 2014).

The fact is that the spread of paperfish is being promoted with the help of the increasing globalized mail order business, when millions of parcels and packages are delivered from house to house every day and the “paper eaters” have an edible transport medium at their disposal. The intermediate warehouses of wholesalers, logistics companies or parcel services serve as distribution points if there is a population of paperfish there. From research reports, the widespread distribution of paperfish in neighboring European countries such as the Netherlands and Norway has been known for some time, while in Germany there are still no official surveys on their distribution among the public. According to current Norwegian and Dutch studies, it is mainly modern buildings in which the climate with 20-26°C and 40-50% humidity favors the reproduction and spread of paperfish.

Our own observations over the last two years show a significant increase in the number of paperfish found each year, which is also confirmed by surveys of SBK companies and statements from pest control advice centers in Germany and Switzerland. At the same time, a parallel increase in the volume of parcel and courier shipments can be observed; in 2000, the volume of shipments was 1.69 billion shipments per year, in 2018 it was already 3.52 billion shipments and an increase to 4.4 billion is forecast by 2023 (data from Statista).

In the upcoming special edition, there will be a focus on “Paper restoration”. Read more on the topic of “Copper corrosion on paper” by paper conservator Veronika Schrieder M.A. (a KEK model project – carried out in 2019 by the Saxon State and University Library Dresden (SLUB) in cooperation with the ZFB – Zentrum für Bucherhaltung GmbH Leipzig) in RESTAURO 5/2020, which will be published on July 10, 2020, https://shop.georg-media.de/restauro/einzelhefte

POTREBBE INTERESSARTI ANCHE

Original and reproduction – What does the print edition of RESTAURO 5/23 have to offer?

Building design
Cover: The robot as sculptor? A 3D robot programmed by the Institute for Digital Archaeology in Oxford is able to produce millimeter-accurate replicas of the Elgin Marbles (British Museum) using lidar technology. Photo: © laura.veschi for Roboter srl and The Institute for Digital Archaeology

Cover: The robot as sculptor? A 3D robot programmed by the Institute for Digital Archaeology in Oxford is able to produce millimeter-accurate replicas of the Elgin Marbles (British Museum) using lidar technology.

Photo: © laura.veschi for Roboter srl and The Institute for Digital Archaeology

What is an original, a reproduction, a copy, an imitation, a forgery? And could showing reproductions, especially of frequently presented, prominent works, be a way of preserving cultural assets? But what consequences does this have for our perception of the originals? Conservators and art historians do important work in museums by recognizing what is genuine and what is false. What do the backs of artworks reveal? How can the results of an older restoration be recognized? And what scientific analysis methods are available to us today to examine works of art non-invasively?

What is an original, a reproduction, a copy, an imitation, a forgery? And could showing reproductions, especially of frequently presented, prominent works, be a way of preserving cultural assets? But what consequences does this have for our perception of the originals? Conservators and art historians do important work in museums by recognizing what is genuine and what is false. What do the backs of artworks reveal? How can the results of an older restoration be recognized? And what scientific analysis methods are available to us today to examine works of art non-invasively?

What exactly is an original, a reproduction, a copy, an imitation, a forgery? Could showing reproductions, especially of frequently presented, prominent works, be a way of preserving cultural heritage? The ancient Elgin Marbles, the marble sculptures and fragments from the Parthenon, are among the British Museum’s showpieces. London and Athens have been arguing about their repatriation for over 120 years. Now the debate is gaining new momentum – from an unexpected source. A 3D robot programmed by the Institute for Digital Archaeology in Oxford is able to produce millimeter-accurate replicas using lidar technology. This opens up completely new perspectives.

High-quality replicas of historical fittings for doors and window handles help with the restoration of listed buildings. At Ventano, these are painstakingly produced by hand using traditional sand casting methods. The Bissendorf-based company also specializes in handmade replicas of cement tiles.

The Restoration Center (RED) was founded in 1976 as a municipal cultural institute in Düsseldorf. In Ehrenhof 3a, in the immediate vicinity of the Museum Kunstpalast, restorers from a wide range of disciplines work in close cooperation with each other. Some rooms had been empty since 2005 because the installation of an air conditioning system had compromised the statics. In spring 2023, the interdisciplinary institute reopened after several years of renovation.

We hope you enjoy discovering this issue!

Dr. Ute Strimmer, Editor in Chief Restauro

Click here for the magazine.

In the last issue, we looked at “Preventive conservation” – an approach to the long-term preservation of art and cultural assets that aims to prevent damage in advance or minimize the risk of damage. To the magazine preview.

Doors close easily and silently with a magnet

Building design
Honored with the German Design Award: Winner 2019

Honored with the German Design Award: Winner 2019

Until now, the usual “push-pull-slide” motion sequence has characterized the opening and closing of interior doors. Simonswerk now offers an intelligent alternative: the “Keep Closed” magnetic locking system for wooden interior doors. Its discreet design also emphasizes linear and flush room concepts.

The combination of closing magnets and magnetic plate reliably holds the door leaf in its end position without current, noise or contact. The holding force can be infinitely adjusted as required, making opening and closing intuitive, smooth and quiet. The use of several magnets enables even doors with excess height and very heavy doors to be moved silently and smoothly.

Photos: Simonswerk GmbH, Rheda-Wiedenbrück

In addition to its convincing technical features, Keep Closed impresses with its filigree design. The hinge, locking unit and handle are finely coordinated. The door leaf and frame are flush with one another, and the locking technology is integrated into the frame and door leaf in such a way that it blends completely into the wooden surface. Alternatively, the locking magnet and magnetic plate can also be installed in the upper, horizontal area of the door. This means that the functional elements are completely hidden from view. Apart from the discreet handle, which is available in five different colors, no elements of the locking system are visible when the door is closed.
The innovative and design-oriented system is suitable for many areas of application – in both the private and commercial sectors.

Product: Keep Closed – the magnetic locking system for wooden interior doors
Manufacturer: Simonswerk GmbH, Rheda-Wiedenbrück
Awards: German Design Award, Winner 2019