Piet Oudolf. The Work: Insights into the Concepts Behind His Gardens

Building design
From: Piet Oudolf. The Work, PLANTVS Verlag 2026. Original title: Piet Oudolf At Work © 2023 Phaidon Press Limited
From: Piet Oudolf. The Work, PLANTVS Verlag 2026. Original title: Piet Oudolf At Work © 2023 Phaidon Press Limited

How does the apparent randomness of a Piet Oudolf garden come about? The new monograph*Piet Oudolf: The Work* focuses on what usually remains hidden in his completed plantings: plans, grids, sketches, and handwritten notes. For the first time, the largest collection of these working documents ever published is available in German.

At a Glance:

  • Title: Piet Oudolf: The Work
  • Original title: *Piet Oudolf At Work*
  • Author and Designer: Piet Oudolf
  • Introduction: Cassian Schmidt
  • Additional Contributions: Rosie Atkins, Jonny Bruce, James Corner, Noel Kingsbury, and Hans Ulrich Obrist
  • Translation: Dr. Folko Kullmann
  • Publisher: PLANTVS GmbH
  • Original edition: © 2023 Phaidon Press Limited
  • Edition: 1st edition, 2026
  • Language: First published in German
  • Length: 288 pages
  • Format: 25 × 29 cm
  • Binding: Hardcover, fold-out plant illustrations, and Vitra inserts
  • ISBN: 978-3-912078-06-0
  • Price:69 euros (Germany)
  • Shipment: starting August 24, 2026
  • Main focus: Drawings, planting plans, and sketches of notable gardens by Piet Oudolf
  • Examples: The High Line in New York, Lurie Garden in Chicago, the Hauser & Wirth gardens in Somerset and Menorca, Maximilianpark in Hamm, and the Vitra Campus in Weil am Rhein

Behind the Apparent Naturalness

When you enter a garden designed by Piet Oudolf, you might at first think the plants have come together on their own. Perennials and grasses seem to blend together effortlessly; plantings appear to have grown naturally rather than been deliberately arranged. This controlled informality, however, is the result of precise planning—and is precisely what makes Oudolf’s gardens so challenging to execute.

Hardly any other designer has shaped the image of the naturalistic garden as profoundly as this Dutch designer. His plantings, from New York to Weil am Rhein, are now regarded as benchmarks for a use of plants that combines structure, dynamism, and seasonal change.

The monograph *Piet Oudolf: The Work* begins precisely where the finished planting normally conceals its history of creation. At its heart is the largest collection of Oudolf’s drawings, planting plans, and sketches ever published. For the first time, this insight into his planning work is also available in German.

Aus: Piet Oudolf. Das Werk, PLANTVS Verlag 2026. Originaltitel: Piet Oudolf At Work © 2023
Phaidon Press Limited
From: *Piet Oudolf. The Work*, PLANTVS Verlag 2026. Original title: *Piet Oudolf At Work* © 2023
Phaidon Press Limited

Planting Plans as Notation

Oudolf’s plans are far more than preparatory illustrations. They function as a notation of his plantings. Handwritten abbreviations, blocks, matrix plantings, and corrections made over the years reveal how the individual plantings are structured.

For landscape designers, this is precisely where the book’s special value lies: The plans not only show where specific plants are located but also allow one to understand how a planting is conceived and develops over time. This makes it clear, for example, why a planting retains its structure even in February or what consequences may arise if a plant species is missing.

Particularly detailed plans are designed as fold-out panels. This allows the drawings to be viewed in their entirety without losing sight of the complex relationships between individual planting areas.

An insert on the Vitra Campus also illustrates the implementation of a planting scheme step by step: from the plan to staking out the grid to planting the first plant. This makes the connection between the drawn plan and the completed planting immediately apparent.

Oudolf’s Work in the Context of Plant Use

The work is contextualized by an introduction by Cassian Schmidt, professor of plant use at THOWL Höxter and, until 2023, director of the Hermannshof in Weinheim. Schmidt situates Oudolf’s work within the decades-long debate on naturalistic plantings.

This also addresses a question that is becoming increasingly relevant for contemporary landscape architecture: Which plant communities can withstand heat, drought, and limited maintenance budgets—and how can design quality be maintained without plantings becoming haphazard?

Additional contributions by Rosie Atkins, Jonny Bruce, James Corner, Noel Kingsbury, and Hans Ulrich Obrist round out the monograph.

Aus: Piet Oudolf. Das Werk, PLANTVS Verlag 2026. Originaltitel: Piet Oudolf At Work © 2023
Phaidon Press Limited
From: Piet Oudolf. The Work, PLANTVS Verlag 2026. Original title: Piet Oudolf At Work © 2023
Phaidon Press Limited

A Workbook Rather Than a Guidebook

Piet Oudolf: The Work is explicitly not intended as a guidebook, but rather as a monograph and workbook. The collection focuses on the design and planning process behind the well-known gardens, thereby making accessible a body of work that would otherwise remain hidden primarily in the archives.

For landscape architects and anyone interested in the use of plants, this volume thus offers an unusually direct insight into Oudolf’s working methods. From the perspective of the plans, the apparent ease of his plantings does not appear to be at odds with planning precision—but rather as its result.

Piet Oudolf. The bookis published by PLANTVS and will be available startingAugust 24, 2026.

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Bathrooms become a harmonious work of art when even seemingly small elements fit into the design concept. This includes the taps as well as the toilet flush plate and the shower channel. Geberit therefore offers several products in new colors and materials that can be used to create a uniform and harmonious bathroom ambience. New additions to the range include the “Sigma21” and “Sigma50” toilet flush plates in concrete-look and walnut (wood) finishes. In an exciting contrast, the Sigma50 release buttons or the Sigma21 design rings can be selected not only in classic chrome, but also in the metal colors rose gold, brass or black chrome. The “Sigma20” and “Sigma30” toilet flush plates also offer more design freedom in new design variants – tone-on-tone with the respective surface. The design rings and strips are now also available completely in white or black as well as in white or black matt lacquered. Accents in the latest trend colors are also possible with the floor-level shower: the “CleanLine80” shower channel is characterized by a self-contained, solid channel profile. It is available in lengths of 90 and 130 cm, but can be shortened as required. There is a choice of three colors: black chrome, champagne and stainless steel. This means that the CleanLine80 can be used to match the look of the tiles as well as the material and color of the fittings. In addition, most of the products mentioned have an “easy-to-clean” coating that makes cleaning easier.

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Digital ethics in urban planning: how algorithms cement prejudices

Building design
aerial-view-of-city-buildings-at-night-6ITSrEbSujY

Night view of the city buildings from the air, photographed by Zongnan Bao

Digital ethics in urban planning: how algorithms cement prejudices? We are no longer just building with concrete, steel and glass – but with code. What sounds like digital progress, however, harbors explosive potential for urban development. Because as soon as algorithms take hold, not only the skyline but also the fairness of the city is at risk. Welcome to the urban laboratory, where bias is just as firmly embedded as parking garages.

  • The article sheds light on the role of algorithms in urban planning and how digital biases are created.
  • It explains why ethical standards are indispensable in digital urban planning.
  • It shows the state of digitalization in Germany, Austria and Switzerland – between pioneering spirit and regulatory paralysis.
  • Innovative examples and gloomy pitfalls are critically contrasted.
  • The influence of artificial intelligence on urban processes is analyzed from a technical and social perspective.
  • Sustainability issues and the risk of algorithmic discrimination are examined with technical depth.
  • Professional skills and necessary know-how for planners in the age of digital bias are discussed.
  • Current debates, international perspectives and visionary approaches round off the article.

Algorithm instead of master plan: When bias is in the source code

Urban planning was once considered a discipline of compromise, based on expert understanding, political wrangling and public participation. Today, however, digital urban planning is becoming the new gold standard – and algorithms are playing the secret leading role. Whether it’s traffic optimization, land development or social infrastructure, computational models are helping to identify patterns, calculate scenarios and justify decisions based on data. That sounds like transparency and progress. But the devil is in the detail – and above all in the data set. Because algorithms are anything but neutral. They are as prejudiced as the society from which they originate. Training data reflects social inequalities, historical settlement patterns and economic interests. It is precisely where the digital twin of the city flexes its muscles that the great danger looms: the uncritical adoption of existing distortions, precisely cemented in the source code.

Traffic planning is a prime example. Algorithms based on historical movement data recognize patterns – but only those of the past. If you primarily analyze commuter flows from the suburbs to the city centre, you get solutions for drivers, not for pedestrians or cyclists. In this way, algorithms reproduce what has always been true. Progress? More like perpetuation. It’s the same game in housing promotion: Those who plan with old social data miss out on new social realities. Migrant communities, creative milieus, young families – they often don’t even appear in the database because they were previously invisible.

The fear of “black box urbanism” is therefore justified. After all, the algorithm does not make decisions objectively, but according to the parameters that are fed into it. Whoever sets these parameters ultimately determines who benefits and who is left behind. But transparency is often lacking. Not even the planners themselves always know how their models arrive at the results presented. The result: decisions appear rational, but are highly ideologically charged – and without democratic control.

This trend has long since arrived in Germany, Austria and Switzerland. Urban data platforms, digital twins, AI-based forecasting systems – they are omnipresent in pilot projects. But where is the debate about their social consequences? Where are the control mechanisms? Cities such as Vienna and Zurich are experimenting with open data and algorithmic transparency. But in many places, the principle of hope still prevails: it will work out, the main thing is digital. Anyone who thinks this way is systematically building the prejudices of the past into the city of the future.

The international architecture and planning scene has therefore long been discussing digital ethics. In New York, London and Singapore, ethics committees are being set up, algorithms disclosed and bias checks implemented. And here in Germany? The big debate takes place in the back room of IT departments at best – certainly not in the boardroom of urban development. As a result, algorithmic bias remains invisible for the time being, but is more effective than ever.

Digitalization and AI in urban planning: progress or a bottomless pit?

Anyone who sees digitalization in urban planning as a purely technical evolution has already lost the game. Because with every additional sensor, every new algorithm, every AI-based simulation, the complexity increases – and with it the risk of blind spots not being recognized. Modern cities are increasingly relying on digital tools to speed up processes and save resources. But speed is no virtue if it becomes an end in itself. In Germany, Austria and Switzerland in particular, the picture is striking: pioneers such as Hamburg and Vienna are focusing on smart city strategies and digital twins, but the majority of municipalities are struggling with fragmented systems, poor interoperability and data protection pitfalls.

AI-based decision-making sounds rational. But how rational can a system based on non-transparent data be? In practice, new concentrations of power are emerging: Whoever programs, controls and operates the systems or feeds them with training data gains considerable influence over urban space. The hope of automated fairness is a fallacy. Instead, a new form of technocratic intransparency is looming. And all this under the guise of efficiency.

At the same time, the pressure on planners to deal with data science, machine learning and digital ethics is growing. It is no longer enough to draw the development plan – now the algorithm must also be checked. The technical know-how of the next generation of architects and urban planners must therefore go far beyond CAD and GIS. An understanding of data models, critical reflection skills and the ability to question algorithmic decisions are becoming mandatory. Those who ignore this are leaving the city to the programmers – and rarely to the benefit of users.

The international debate on “ethics by design” is much more advanced than German-speaking practice. In the USA and Scandinavia, ethical guidelines are already anchored in the software architecture. In Germany, there is still a debate as to whether smart city algorithms should be publicly accessible at all. This creates an innovation backlog that prevents not only technical but also democratic progress. As a result, anyone who wants to design digitally has to deal with resistance, fears and ambiguities – not only on a technical level, but above all on an ethical level.

The urban planning of the future will not fail because of the question of whether algorithms are used, but how. The real challenge is not the tools, but the principles according to which they are developed and used. Without ethics, digitalization will remain a bottomless pit – and the city a mirror of its algorithmic distortions.

Sustainability and algorithmic fairness: the invisible risks of digital bias

When people talk about sustainability in urban development, they usually think of energy efficiency, land consumption or CO2 balances. But the digital component is often left out of the equation. Yet it is precisely algorithms that promise sustainable solutions – and can create new injustices at the same time. An AI system that optimizes mobility flows may save emissions, but only if it takes the needs of all city dwellers into account. If certain neighborhoods are systematically less well connected because they are considered “unprofitable”, a new form of digital exclusion will emerge. Sustainability without fairness is pure window dressing.

The dark side of digital progress is also evident in the area of climate resilience. Algorithms that create flood or heat maps are based on historical data. But who decides which variables are weighted? Where are measurements taken? And whose reality of life is depicted? In the end, it is often privileged districts that benefit from digital early warning systems. Those who live in data gaps remain invisible – and therefore unprotected.

For planners, this means a double responsibility. They not only have to develop sustainable solutions, but also ensure the fairness of the underlying data and models. This requires not only technical expertise, but also a new form of interdisciplinary cooperation. Urban sociologists, ethicists, computer scientists and citizen representatives need to sit down at the table together – otherwise urban planning will degenerate into a technocratic ivory tower.

The sustainability debate in the digital context has so far remained toothless in Germany, Austria and Switzerland. Although sustainability goals are included in digitalization strategies, concrete implementation is lacking. There is a lack of tools that measure and guarantee fairness and sustainability in equal measure. Innovative approaches such as algorithmic impact assessments or fairness audits exist, but are rarely used. Yet this is exactly what is needed to make the city of the future not only efficient but also fair.

Globally, the trend is clear: cities such as Toronto and Barcelona are incorporating algorithmic fairness into their smart city charts. In Germany, people are still discussing data protection and subsidies. The road to genuine digital sustainability is therefore still a long one – but there is no alternative.

Skills, criticism and visions: What professionals in digital urban development really need to know

The list of new requirements for architects and urban planners reads like an excerpt from a computer science course. An understanding of data, basic algorithmic knowledge, ethical evaluation skills and the ability to communicate digital processes in an understandable way – all of this is now part of the compulsory program. Those who fail to prepare for this will be overwhelmed by reality. Because digital urban planning shows no mercy to the ignorant. The central challenge is not only to operate the new technologies, but also to critically question and shape them. The ability to recognize and address bias is becoming the central quality criterion for professional work.

But there are huge gaps in knowledge. Many planners blindly rely on the promises of software providers. “The tool is certified, it will work” – an attitude that is highly dangerous in the age of algorithmic urbanism. After all, certificates do not guarantee social fairness. Only the combination of technical understanding and ethical reflection opens up the opportunity to use digital tools responsibly. Training, exchange and discourse are needed – beyond marketing events and PowerPoint battles.

Criticism comes primarily from civil society and international professional associations. There are calls for more transparency, binding ethical standards and independent audits. The idea of an “urban algorithm MOT” is no longer utopian. In practice, however, there is a lack of legal framework conditions and political will. This means that the responsibility remains with the professionals – and they must finally learn to accept it.

There are plenty of visionary ideas. From participatory algorithm platforms to AI-supported citizen participation – the possibilities are endless. It is crucial that control over the city is not delegated to the source code. At the end of the day, it’s people who have to decide, not machines. This requires courage, a willingness to experiment and a readiness to keep learning. The future of urban planning belongs to those who not only think digitally, but also act ethically.

These questions have long been part of the global discourse. The German, Austrian and Swiss planning culture urgently needs to catch up. Digital urban planning is no longer an experiment, but a reality – and with it the responsibility for a fair, sustainable and inclusive city.

Conclusion: Those who sleep through digital ethics are building the prejudices of tomorrow

The digitalization push in urban planning is both a curse and a blessing. Algorithms offer unimagined opportunities, but also new risks. Anyone who believes that digital tools automatically bring fairness and transparency is very much mistaken. On the contrary: without clear ethical guidelines, progress can quickly turn into a digital dead end. It is up to planners, architects, developers and decision-makers not to delegate responsibility to the algorithm. Only those who take digital ethics seriously will truly build the city of the future for everyone – and not just for those who are already in the data set.