Portrait Andrea Pataki-Hundt

Building design
Prof. Dr. Andrea Pataki-Hundt teaches restoration and conservation of written material, graphics and book illumination at the TH Köln. Photo: private

Prof. Dr. Andrea Pataki-Hundt teaches restoration and conservation of written material, graphics and book illumination at the TH Köln. Photo: private

Prof. Dr. Andrea Pataki-Hundt, a qualified conservator, teaches restoration and conservation of written materials, graphic art and book illumination at Cologne University of Applied Sciences. In RESTAURO, she talks about her work with students, her main areas of research and how it all began with an internship in painting conservation. Her heart beats for old books: Prof. Dr. Andrea Renate Pataki-Hundt […]

Prof. Dr. Andrea Pataki-Hundt, a qualified conservator, teaches restoration and conservation of written materials, graphic art and book illumination at Cologne University of Applied Sciences. In an interview with Restauro, she talks about her work with students, her research focus and how it all began with an internship in painting conservation

Her heart beats for old books: Prof. Dr. Andrea Pataki-Hundt has been Professor of Restoration and Conservation of Written Material, Graphics and Book Illumination at the TH Köln since 2017. But she also started small. “I first did an internship in the field of painting conservation at the Rosgarten Museum in Constance, then in Basel and then in Vienna at the Upper Belvedere,” explains Andrea Pataki-Hundt. This enabled her to gain an insight into all areas. She was most interested in the paper sector: to get to know the craft before studying, she did an apprenticeship as a bookbinder in Radolfzell. She then began her studies in the conservation and restoration of graphic art, archive and library materials at the State Academy of Fine Arts in Stuttgart.

Interplay of theory and practice

During and after her studies, Pataki-Hundt traveled abroad a lot. “There are highlights of book works in the USA. They have a very good sense of conservation there.” She has also restored works of art in Israel. “In Tbilisi, Georgia, there are not so many high-tech devices, but they love and appreciate their cultural assets, some of which are very old.” Today, the professor is able to use many of her contacts abroad for her students, who then also do internships there. The interplay of theory and practice that Andrea Pataki-Hundt realized in her own career is something she implements in her teaching: “We sometimes have very long lecture times of three-hour blocks, so it’s easy to combine the two: After a theoretical introduction, we go straight into the workshop and put what we’ve learned into practice. The students receive tailor-made work packages. This works very well in our subject because you can apply everything you’ve learned in theory, whether it’s dry cleaning or bleaching, leather deterioration or leather care.” This makes the subject more tangible.

Focus on adhesives

One focus of Andrea Pataki-Hundt’s research is adhesives: “I’m interested in how adhesives can be used. They are omnipresent, but more light needs to be shed on them.” Another area of research concerns artificial ageing. In order to properly restore historical material, such as an old leather strap, Andrea Pataki-Hundt is developing test pieces that should look exactly like the original through artificial ageing “I want to find out how artificial ageing can be even more closely imitated to naturally aged materials with climate control devices. The guidelines for artificial ageing are constantly fluctuating, as the reference measurements with naturally aged materials are becoming more and more refined,” explains Andrea Pataki-Hundt.

Since 2021 there is a podcast of the CICS of TH Köln. The conservation and restoration courses talk about their studies, report on projects and conduct interviews with professors, staff, students and alumni. In the first episode of the podcast, Prof. Dr. Andrea Renate Pataki-Hundt, head of the Conservation and Restoration of Documents, Graphics, Photography and Book Illumination course, talks about the characteristics of conservators and more. Listen in!

In this video from May 2021 you can see a lecture by Andrea Pataki-Hundt on paper conservation followed by a tour of the conservation workshops at the CICS (Cologne Institute of Conservation Sciences) / Institut für Restaurierungs- und Konservierungswissenschaft, Cologne:

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At yesterday’s annual conference, Dr. Florian S. Knauß, Director of Collections at the Staatliche Antikensammlungen and Glyptothek München, presented the annual program for both exhibition venues. For the Glyptothek, 2018 primarily means temporary closure to carry out renovation work. The presentation of the annual program of the Staatliche Antikensammlungen und Glyptothek München began with a brief review of 2017. Dr. […]

At yesterday’s annual conference, Dr. Florian S. Knauß, Director of Collections at the Staatliche Antikensammlungen and Glyptothek München, presented the annual program for both exhibition venues. For the Glyptothek, 2018 primarily means temporary closure in order to carry out renovation work.

The presentation of the annual programme of the Staatliche Antikensammlungen und Glyptothek München began with a brief review of 2017, in which Dr. Florian S. Knauß, Director of Collections at both institutions, gave a thoroughly positive assessment. In addition to the objects on permanent display, the special exhibitions, in particular “Character Heads – Greek and Roman Portraits” and “Divine X Design – Dress in Antiquity“, were very successful. The former was even extended in a slightly modified form until the end of September 2018(RESTAURO reported on the portrait exhibition). The high level of interest is also reflected in the visitor numbers, which rose for the fifth time in a row in 2017.

“And we have ambitious plans to ensure that we remain successful in 2018. Nevertheless, the year will initially be dominated by the imminent closure of the Glyptothek,” says Florian Knauß. One and a half years of renovation work will take place in and around the building to make it barrier-free. The reopening is planned for summer 2020.

Half looking back, half looking forward, Dr. Florian S. Knauß emphasized that the Antikensammlungen and Glyptothek are dedicated to the classic tasks of a museum: collecting, researching, preserving and communicating. The exhibits in the permanent exhibition are therefore now supplemented by “The Special Object” – extraordinary individual objects that are presented prominently in loose succession. The first of these is a newly acquired terracotta altar (550-525 BC) from Greek Sicily.

In addition to the traditional exhibition catalogs, a series of publications can also be referred to this year. Volume 4 of the series “Forschungen der Staatlichen Antikensammlungen und Glyptothek” has just been published with the title “Das schönste Kaufbare. Investigations into sculptures in the Glyptothek”.

One part that does not take place in public view is conservation. “A very significant part of this work is carried out by the conservators, who ensure in their workshops that the collection pieces that have been entrusted to us can also be presented to future generations,” emphasizes the collection director.

What visitors can expect

In the coming months, visitors can once again look forward to “a broad and colorful mix of exhibition offerings”, says Florian Knauß. In March, the Glyptothek’s “Under the Roof of Athena” takes up the theme of King Ludwig I’s former inspiration for the exhibition house. When building the museum around 200 years ago, he wanted the ancient originals to serve as aesthetic models for contemporary artists and craftsmen to create something similar. Now students and graduates of the Municipal Vocational School for Woodcarving and the Municipal Technical School for Stone Technology/Master School for Stonemasonry and Stone Sculpture are exhibiting their work. They are intended to illustrate the extent to which handicraft work and visits to the Glyptothek can be combined.

Johann Joachim Winckelmann, the founder of scientific archaeology and art history, is the subject of the exhibition “Death in Trieste“. From June, visitors to the Antikensammlungen will learn about his significance for Munich.

From mid-June, visitors to the Glyptothek will be able to enjoy virtuoso marble sculptures. One characteristic of the contemporary Italian sculptor Fabio Viale is his play with materiality – something that also played a major role in antiquity, particularly in the Hellenistic era.

And all those who are short of gift ideas for their loved ones until shortly before Christmas may find a source of inspiration in the “Glanzlichter” exhibition at the Antikensammlungen. Wolfgang Skoluda, painter and jewelry maker, will be showing jewelry in dialogue with antiquity.

The complete annual program of the Staatliche Antikensammlungen und Glyptothek München can be found here.

Castle experience day 2016

Building design

Photo: Landesmedienzentrum Baden-Württemberg

On Sunday, June 19, 2016, the sixth Castle Experience Day will take place. On this day of action, many palaces, castles and gardens will open their doors and offer an extensive cultural program. This year’s motto, “Schlosspitzen” (castle peaks), will be taken up in different ways by the venues, so visitors can look forward to a variety of events such as guided tours and festivals. The aim of the day of action is to […]

On Sunday, June 19, 2016, the sixth Castle Experience Day will take place. On this day of action, many palaces, castles and gardens will open their doors and offer an extensive cultural program. This year’s motto, “Schlosspitzen” (castle peaks), will be taken up in different ways by the venues, so visitors can look forward to a variety of events such as guided tours and festivals. The aim of the day of action is to offer the opportunity to get to know and experience the castles. The program is also aimed at families and offers interesting activities for young and old.

Restauro has put together the best event tips for you:

Bruchsal Castle

Deutschordensmuseum Bad Mergentheim