Preserving Pompeii

Building design

Ralf Kilian/ Fraunhofer IBP

How can the Pompeii World Heritage Site be permanently preserved from decay? Scientists from the Technical University of Munich (TUM), the Fraunhofer Gesellschaft and the ICCROM will be investigating this question over the next ten years with the “Pompeii Sustainable Preservation Project”. The eruption of the volcano Vesuvius in 79 AD buried Pompeii under masses of rock and lava […]

How can the Pompeii World Heritage Site be permanently preserved from decay? Scientists from the Technical University of Munich (TUM), the Fraunhofer Gesellschaft and the ICCROM will be investigating this question over the next ten years with the “Pompeii Sustainable Preservation Project”.

The eruption of the volcano Vesuvius in 79 AD buried Pompeii under masses of rock and lava and preserved it for centuries. Major excavations only began in the 18th century and uncovered the ancient city piece by piece. Each excavation brings new findings and is highly regarded by researchers and the public. In contrast, the conservation of the excavations and the long-term preservation of this unique site for posterity are neglected. Many finds have been taken to museums, but the uncovered walls and their extensive decorations in particular have not been adequately conserved and are increasingly falling into disrepair. From 2014, the scientists of the “Pompeii Sustainable Preservation Project” want to dedicate themselves to a block of houses in Pompeii, a so-called insula, as a research object and conserve it completely, from the elaborate wall painting to the smallest preserved wall. “It starts with drainage and doesn’t stop with newly designed protective structures,” says Erwin Emmerling, Professor at the Chair of Restoration at the Technical University of Munich.

Preventive restoration is a new and important approach. “This does not yet exist in an appropriate form. We want to find out how continuous restoration actually works,” says Emmerling. Simple, classic materials such as lime will be used. Large tools such as cranes cannot be used in the narrow alleyways of Pompeii. The researchers plan to use nanotechnologies to increase the flowability of the lime and thus stabilize the frescoes by backfilling. The scientists want to preserve the top layer of paint on the paintings with lime and silicon compounds. In addition to restorers and archaeologists, numerous researchers from other disciplines will also be working on the “Pompeii Sustainable Preservation Project”. This is because the ancient city is to be precisely surveyed and its condition recorded using aerial photographs. Seismic measurements will provide information about future stresses on the monument so that the preserved components can withstand these vibrations in the future. Civil engineers and structural engineers are also needed for this. There are also plans to re-vegetate suitable areas of Pompeii and the project as a whole will serve as a training center for conservators from all over the world.

The central project partners of the “Pompeii Sustainable Preservation Project” are the Technical University of Munich with the Chair of Restoration, Art Technology and Conservation Science, the Fraunhofer-Gesellschaft with the Fraunhofer IBP and the UNESCO-affiliated International Center for the Study of the Preservation and Restoration of Cultural Property (ICCROM). These institutions are leading the project in collaboration with the Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei and the Istituto Superiore per la Conservazione ed il Restauro, which is part of the Italian Ministry of Culture. The School of Geography and the Environment at the University of Oxford, the Department of Ancient History at the Ludwig-Maximilians-Universität München (LMU Munich), the German Archaeological Institute (DAI) in Rome, the University of Pisa and the Istituto per i Beni Archeologici e Monumentali of the Consiglio Nazionale delle Ricerche (CNR) are supporting the project as research partners.

POTREBBE INTERESSARTI ANCHE

Landscape in closed rooms

Building design

Exhibitions on landscape and landscape architecture – an untapped potential? In her master’s thesis “Exhibiting landscape. On the transfer of landscape to the interior”, Fanny Brandauer examines the relevance of the “exhibition” medium for landscape architecture. At Regine Keller’s Chair of Landscape Architecture and Public Space at the Technical University of Munich, she analyzes the extent to which landscape and landscape architecture can be translated into exhibitions […]

Long Night of Museums in Hamburg goes digital this time

Building design
General
Hamburg

Hamburg

Last Saturday, the digital Long Night of Museums took place in Hamburg for the first time. The event exceeded all the organizers’ expectations. Many contributions were produced by the museums themselves and new The Long Night of Museums was a digital experience in Hamburg last weekend due to the coronavirus pandemic. From the comfort of their own homes, visitors were able to […]

Last Saturday, the digital Long Night of Museums took place in Hamburg for the first time. The event exceeded all the organizers’ expectations. Many contributions were produced by the museums themselves and new ones


Eine virtuelle Tour durch das Maritime Museum in Hamburg mit Damián Morán Dauchez. Foto: Maritimes Museum, Hamburg
A virtual tour of the Maritime Museum in Hamburg with Damián Morán Dauchez. Photo: Maritime Museum, Hamburg

The Long Night of Museums in Hamburg could be experienced digitally last weekend due to the coronavirus pandemic. From home, visitors were able to take part in virtual tours, guided tours, musical experiences and live broadcasts in 38 museums via Facebook and YouTube. The Museumsdienst Hamburg proudly announced that over 10,000 people had taken advantage of the offer. A total of 74,000 people were reached via Facebook, a further 23,000 visits were made to the event website and almost 3,700 viewers watched the live broadcasts from six participating museums.

For example, visitors to the Museum of Medical History were able to look back from the coronavirus era to the cholera era. At the FC St. Pauli Museum, curators guided them through the Millerntor and the new permanent exhibition. In the composers’ quarter, the keys of Johannes Brahms’ piano resounded. And at the Neuengamme Concentration Camp Memorial, a live stream took them on a search for clues on the site. “The high level of commitment shown by Hamburg’s museums and the great response from participants to the digital broadcast of the Long Night of Museums in Hamburg far exceeded our expectations,” said a delighted Vera Neukirchen, Head of the Hamburg Museum Service. “Digital formats will be a valuable addition in the future.”

Originally, almost 900 events were planned for the Long Night of Museums in Hamburg’s 60 or so museums. They had to be canceled due to the spread of the coronavirus. But the organizers are full of praise: “We are thrilled by the creativity, determination and passion of the museum staff, who are creating digital access to our city’s natural science, history, music and art collections even during the necessary museum closures,” Vera Neukirchen continued. Incidentally, anyone who missed the live streams can watch them again and again on the museums’ websites.