Purple Path: New work of light art by James Turrell

Building design
A new work of art by James Turrell now enriches the Purple Path in the Ore Mountains. Photo: - James Turrell, Beyond Horizons 2025, 2025; Courtesy: Häusler Contemporary Zürich AG, Photo: Florian Holzherr

A new work of art by James Turrell now enriches the Purple Path in the Ore Mountains.
Photo: - James Turrell, Beyond Horizons 2025, 2025; Courtesy: Häusler Contemporary Zürich AG, Photo: Florian Holzherr

With the opening of “Beyond Horizons 2025” on November 28, 2025, the American light artist James Turrell will bring the Capital of Culture year Chemnitz 2025 to a glittering close. The new, permanent and expansive installation in Oelsnitz/Erzgebirge is not only an artistic highlight, but also a milestone in the development of the Purple Path and the region’s tourism development.

James Turrell’s work, which was specially designed for a derelict industrial hall on the site of a former coal mine, creates an unparalleled experience of light and space. As the largest permanent “Ganzfeld” of his career, “Beyond Horizons 2025” leads visitors into a shadowless world of colored light in which spatial orientation and temporal perception seem to blur.
The artwork consists of two interconnected areas: the Viewing Space (16 m deep, 7.5 m high, 10 m wide) and the Sensing Space (4 m deep, 9.5 m high, 11 m wide). While the Viewing Space functions as the first perceptual space, the Sensing Space opens up an open, seemingly boundless light space that intensifies the typical Ganzfeld effect. Over the course of an hour, the light program developed by Turrell changes step by step in twelve sections, creating a meditative and immersive experience.

The hall, which previously served as an industrial building and now houses Turrell’s installation, was transformed by H2 ARCHITEKTUR by hendrik heine. For this ambitious project, the entire steel skeleton of the 1600 square meter hall was dismantled, restored and rebuilt, including the crane runway. This transformation opens up a completely new perspective on dealing with historic buildings of industrial culture. The project was supported by state and federal funds provided by the Saxon State Ministry for Infrastructure and Regional Development. Minister of State Regina Kraushaar praised the result as a “place for world art” that links the history, present and future of the region in a special way. With a total funding sum of 4.25 million euros, a cultural beacon has been created here that radiates far beyond the Ore Mountains and artistically enriches the Purple Path.

James Turrell is one of the best-known land art artists and has already developed light art projects at other locations in Germany. Born into a Quaker family in 1943, Turrell has been exploring the interplay of light, space and perception since the 1960s. His spiritual influence – in particular the Quaker idea of “inner light” – flows into all his works. The artist has been developing his characteristic light spaces since 1966, later followed by internationally acclaimed Skyspaces. One of his lifelong large-scale projects, the Roden Crater in Arizona, impressively demonstrates his aspiration to make light a tangible, formative element. Over the decades, Turrell’s work has been presented in renowned institutions around the world, including the Solomon R. Guggenheim Museum in New York and the Japanese art island of Naoshima. With “Beyond Horizons 2025”, Turrell is now creating a new chapter of his light art in the Erzgebirge.

The work is located on the grounds of KohleWelt – Museum Steinkohlenbergbau Sachsen. To ensure the impressive effect of the light room, the number of visitors per time slot is limited to around ten people. Tickets can only be booked online. There is a special offer on the first Wednesday of every month: a free time slot is available in the morning for interested visitors.

The Purple Path art and sculpture trail, curated by Alexander Ochs, is one of the central and lasting projects of the European Capital of Culture Chemnitz 2025. Since 2022, the Purple Path has connected more than 60 international and regional artists and 38 municipalities in the Capital of Culture region. The permanently installed works are located in meadows, parks, churches, railroad stations, old industrial sites or mining areas and form a symbolic link between the region’s past and future. The history of the Purple Path is closely linked to the Ore Mountains – with mining dating back more than 860 years, industrialization and social changes over the centuries. The narrative “Everything comes from the mountain” characterizes the project and gives it a strong, authentic identity.
In addition to permanent installations, numerous successful temporary exhibitions took place during the Capital of Culture year 2025, such as Rebecca Horn’s “The Universe in a Pearl” and the textile exhibition “Entanglements”. In total, the Purple Path 2025 presented works by over 90 artists at 70 locations in Chemnitz and 38 municipalities in the Erzgebirge, Central Saxony and the Zwickau region. With the opening of James Turrell’s “Beyond Horizons 2025”, the Purple Path has now reached a new high point. The work of light art is not only an extraordinary conclusion to the Capital of Culture year, but also a powerful symbol for the cultural renewal of the region. The Purple Path is thus continuing to develop into a unique cultural experience – and an international attraction that impressively combines art, landscape and history.

POTREBBE INTERESSARTI ANCHE

Weave of history

Building design

The Granada Faculty of Architecture is located in a former military hospital. The conversion was awarded the Arquitectura Española 2015 prize.

Granada is characterized by two poles: The architecture bears stucco from the Muslim-Moorish dynasty, but the life of the inhabitants is typically Spanish. The narrow alleyways smell of cheap leather and oriental spices – in between tapas, Andalusian wine and the sounds of swallowed consonants.

Granada also developed from two urban cores. Albaicín, the Moorish quarter, winds its way up the hill north of the Alhambra. Gypsies built cave dwellings here from the 19th century onwards and brought flamenco to the city. The second historical core is the Realejo district, originally the Jewish quarter.

Granada, a city of education

Today, Granada is above all a university city – with 60,000 students, it is one of the largest educational institutions in Spain. The Escuela Técnica Superior Arquitectura, or ETS for short, was founded in 1994. For this purpose, the University of Granada acquired the building complex of a former military hospital located at the foot of the Alhambra – in the Realejo district.

In front of the campus is the oversized square “Campo del Principe”, which was created during the drastic urban planning changes of the Renaissance. From here, you can see the elongated façade of the ETS, which looks homogeneous with its white paint. In fact, behind it is an almost 14,000 square meter, historically grown network of buildings. At the end of the 1990s, this was to be made suitable for future architects to study. An international competition was held, which was won by Spanish architect Víctor López Cotelo.

The most important feature of the ensemble is the three inner courtyards: two of them are directly adjacent to each other and date back to the Renaissance, while the third and largest courtyard is located in the south-west of the complex and has been redesigned. These outdoor spaces provide orientation, not least because López Cotelo repeatedly creates visual connections to them and also to the surrounding alleyways. Despite the complexity of the building, it is therefore impossible to get lost. In order to create a system of paths without dead ends, it was necessary, among other things, to make openings – for example to the independent building of a former officers’ clinic, which was integrated into the complex in 1909 – which can still be seen today in the lower building height to the Campo del Principe.

You can find out more in Baumeister 1/2016

Home office with Han Solo

Building design

Unifamiliar en Sacramento California USA pavimento Cement Basalt Black designer Benning Design Construction fabricator Natural Stone Design

It’s been 40 years since the Empire Strikes Back: On May 17, 1980, the second Star Wars episode “The Empire Strikes Back”, the fifth by today’s count, premiered at the Kennedy Center in Washington D.C.. The global fan base of the mighty space opera saga is huge and the portfolio of merchandise seems endless. A very special personal tribute to his heroes from […]

It’s been 40 years since the Empire Strikes Back: On May 17, 1980, the second Star Wars episode “The Empire Strikes Back”, the fifth by today’s count, premiered at the Kennedy Center in Washington D.C.. The global fan base of the mighty space opera saga is huge and the portfolio of merchandise seems endless. Homeowner Rob Equi from Sacramento has created a very special personal tribute to his heroes from a galaxy far, far away a long time ago – with light and dark coverings from Neolith.

He felt the Force for the first time on his sixth birthday: it was May 25, 1977, the day the first Star Wars film “A New Hope” was released in cinemas, and as Rob Equi recalls, it was accompanied by a family outing. Since then, Star Wars has been an integral part of his life. The little boy from back then is now a doctor and retinal specialist, which – like his Jedi role models – allows him to use lasers professionally.

When he and his family renovated their home, he decided to give his home office and the adjoining lounge area a special touch: “I wanted to have a Star Wars-themed room. I had a whole range of high quality memorabilia that I wanted to showcase in a cool, fun and memorable way and I wanted to have a place where I could go after work and immerse myself in my childhood.”

The designer strikes back

Having already worked with Miche Victoria, Senior Designer at Benning Design Construction, during the first three phases of construction, Equi trusted her unreservedly to realize his very special request. “I told her in broad strokes what I wanted. It had to be a livable office space, so it couldn’t look like a movie set, but at the same time I wanted some design elements that reminded me of that universe. For example, lighting is a very important motif in these movies.” In her search for iconic scenes, Victoria found inspiration in the original trilogy.

The return of the holo chessboard

The flooring is often the first step in Miche Victoria’s design process because it is the foundation for everything else – as is the case here. The flooring in Equi’s home office, for example, appears to unknowing eyes as a circular, modern-looking black and white pattern. For Star Wars fans, it pays homage to the board on which Chewbacca and C-3PO play holo-chess in Han Solo’s spaceship, the Millennium Falcon.
Designer Victoria wanted a material that would fit in with the other design elements and that she was very keen on: Neolith coverings, called sintered stone by the manufacturer, she had used several times before in other projects and is convinced by these porcelain ceramics. She even goes so far as to say: “No other materials are an option for me. For a custom design like this, Neolith was a no-brainer. You can do so much with it. The customization possibilities are incredible. It really stands out from its competitors thanks to its many strengths and finishes. I love those seamless transitions.” To capture the aesthetic of the spaceship from the movie, she avoided the clean contrast of a traditional checkerboard and instead opted to combine the two Neolith variants “Basalt Black Satin” and the industrial-chic “Cement Satin”.
The designer was supported by sales partners Evolv Surfaces and Natural Stone Design Fabrication in the implementation of the customized motif. Client Rob Equi is very happy with the result: “The Neolith materials are simply fantastic. The matt finish fits perfectly with the inhabited universe of Star Wars. It’s not the typical sci-fi design where everything is polished, new and utopian.”

Jedi design tricks

In addition to the flooring, the lighting is also important for the right flair: behind Equi’s desk, two large backlit wall panels are reminiscent of the set of the battle scene between Obi-Wan and Darth Vader from the first part “A New Hope”, while the rest of the illuminated wall coverings in the office rotunda are inspired by the “I am your father” scene. Other lovely details and exhibits: on the wall of the lounge area next door is a life-size replica of Han Solo in carbonite. Here you are surrounded by Star Wars memorabilia of the host, such as costumes, an X-Wing pilot’s helmet and a blaster replica. Even though he himself is the biggest fan of the film series in the house, Rob Equi’s wife and children share his love of the heroic epic from a galaxy far, far away: they share their home with Boba Fett, an Imperial Death Trooper and Han Solo – as well as Chewie, of course, who in this case is not the Wookie and Solo’s best friend, but the family’s Labradoodle.