Renewed appeal: Better pay for restorers!

Building design
In a public letter dated 9 October 2023, Professor Dr. Andrea Funck, Head of the Conservation and Restoration course at the Stuttgart State Academy of Art and Design, called on ministries and authorities to pay restorers employed under collective agreements better. Photo: private

In a public letter dated 9 October 2023, Professor Dr. Andrea Funck, Head of the Conservation and Restoration course at the Stuttgart State Academy of Art and Design, called on ministries and authorities to pay restorers employed under collective agreements better. Photo: private

Andrea Funck, Professor and Head of the Conservation and Restoration course at the Stuttgart State Academy of Art and Design, called on ministries and authorities in a public letter at the beginning of October 2023 to pay restorers employed under collective agreements better. Because: The low pay of this professional group means that young people in Germany are becoming less and less interested in studying restoration science

Andrea Funck, Professor and Head of the Conservation and Restoration course at the Stuttgart State Academy of Art and Design, called on ministries and authorities in a public letter at the beginning of October 2023 to pay restorers employed under collective agreements better. Because: The low pay of this professional group means that young people in Germany are becoming less and less interested in studying restoration science

In a public letter dated 9 October 2023, Professor Dr. Andrea Funck, head of the Conservation and Restoration course at the Stuttgart State Academy of Art and Design, called on ministries and authorities to pay restorers employed under collective agreements better. The low pay scales in the public sector and the completely outdated pay scales from the 1968 BAT in the federal states are making studying conservation/restoration less and less attractive for young people. And this ultimately has negative consequences for the protection of cultural heritage.

Andrea Funck is Vice Rector for the Promotion of Young Talent and Research in Stuttgart. Her “Appeal for better pay: future viability of cultural heritage preservation and the next generation of conservators” was signed by 19 professors from all German universities who teach restoration and conservation. The appeal is another important building block in negotiating appropriate salaries and fees for conservators. In the view of the signatories, the future viability of restoration and thus the preservation of cultural assets, especially at state institutions in Germany, is endangered for two reasons: Firstly, the current classification policy of the federal states according to TV-L and secondly, the decreasing number of training institutions and opportunities for prospective restorers. In the last few years alone, three university locations in Germany have closed completely, as well as a specialization at the Potsdam University of Applied Sciences (metal restoration).

Both developments, which reinforce each other, are already leading to a noticeable decline in qualified specialists and unfilled positions, particularly in state institutions in Germany. The letter of 9 October was preceded by a letter with similar wording, which was sent by the then Director of the Württemberg State Museum, Prof. Dr. Astrid Pellengahr, and Prof. Dr. Andrea Funck, Head of the Conservation and Restoration of Archaeological, Ethnological and Artistic Objects course and Vice-Rector for Research and Promotion of Young Talent, on 21 June 2022 to the then State Secretary in the Ministry of Science, Research and the Arts.06.2022 to the then State Secretary in the Baden-Württemberg Ministry of Science, Research and the Arts, Petra Olschowski, Minister of Science, Research and the Arts of Baden-Württemberg since the end of September 2022.

Conservators in Germany are predominantly employed in museums, heritage offices and archives, most of which are funded by the federal states. However, the completely outdated pay scale from the BAT of 1968 still applies to this occupational group in the federal states. For decades, restorers have therefore generally been classified in the upper service (EG 8, 9 or 10) regardless of their diploma or master’s degree, which has been available since the 1970s, although the profession has developed fundamentally over the last 50 years from a predominantly manual activity to a scientifically based task. Such a classification is therefore no longer appropriate to the actual qualifications of conservators today and also has a detrimental effect on their hierarchical position in the institutions. This imbalance has been recognized in recent years for restorers employed in federal and local government institutions and has been adjusted under collective bargaining law, but not for those employed by the federal states.

Zu den Unterzeichnenden des aktuellen Appells zählen u.a. Prof. Dr. Tilly Laaser, Professorin für Konservierung und Restaurierung von Gemälden im Studiengang Konservierung und Restaurierung von Kunst und Kulturgut, CICS – Cologne Institute of Conservation Sciences der TH Köln, Prof. Dr. Steffen Laue, Studiengang Konservierung und Restaurierung, Naturwissenschaften, Fachhochschule Potsdam, Prof. Roland Lenz, Head of Conservation and Restoration of Wall Painting, Architectural Surfaces and Stone Polychromy, Stuttgart State Academy of Art and Design, Prof. Dr. Wibke Neugebauer, Head of Conservation and Restoration of Paintings and Painted Sculptures, Stuttgart State Academy of Art and Design and Prof. Dr. Jeannine Meinhardt, Conservation and Restoration of Stone, Potsdam University of Applied Sciences.

You can download the public letter here.

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Building design

© Takuji Shimmura

The “Home” project by French architects Harmonic & Masson and Comte Vollenweider Architectes is a first in Paris: it is the first residential building since the 1970s to reach a height of 50 meters.

The “grand ensembles”, the large French housing estates located on the periphery, do not have the best reputation. Time and again there are riots there, which have recently also reached the city centers. The authorities have a correspondingly allergic reaction: any building that is longer than 30 meters and has a repetitive arrangement of windows and balconies immediately brings the unpopular typology to mind. The last buildings date back to the 1970s, such as the “Olympiades” and “Front de Seine” estates in Paris. The city then stipulated that no building in the city center could exceed a height of 37 meters. The architectural idea of large housing estates seemed to have been forgotten.

Since 2011, residential towers up to 50 meters high and office buildings up to 180 meters high have been allowed to be built again. The “Home” project by French architects Harmonic & Masson and Comte Vollenweider Architectes is therefore a novelty: it is the first residential building since the 1970s to reach a height of 50 meters. It is located in the Paris Rive Gauche district, which is otherwise characterized by architectural banalities: if you stroll along the main axis of the district, the Avenue de France, monotonous shopping and office buildings line up one after the other. The new housing construction is a welcome change. Even the otherwise very critical Parisian newspaper “Le Monde” thought so.

The new residential building consists of two towers that are connected by a five-storey base and combine offices, private apartments, social housing and parking spaces. The often criticized monotony of large buildings was deliberately avoided: both the façades and the floor plans are varied and structured differently.

The two towers differ in shape and orientation: the first is stepped and 37 meters high, while the second consists of twisted prisms and rises 50 meters into the air. The resulting plasticity allows for an expressive façade design: instead of monotonous concrete slabs, the architects used silver or gold-colored aluminum panels. In addition to the playfulness of the façade, the geometry naturally allows for optimal lighting and a magnificent view of the city – everything here refers to the architecture of the new millennium. One is reminded of the architecture of the Ørestad district in Copenhagen.

The “old” towers of the city can be seen from the individual terraces of the apartments: the glazed archives of Dominique Perrault’s National Library from the 1990s and the eight blocks of the large “Olympiades” housing estate. New high-rise buildings are being planned by Edouard François and Jean Nouvel. The new housing development in Paris Rive Gauche is its forerunner – a mediator between past and future.

Visualization of the Rhine-Ruhr Olympic Stadium: A sustainable athletics stadium as a central component of future-oriented urban development in North Rhine-Westphalia. © planquadrat Elfers Geskes Krämer GmbH

Visualization of the Rhine-Ruhr Olympic Stadium: A sustainable athletics stadium as a central component of future-oriented urban development in North Rhine-Westphalia. © planquadrat Elfers Geskes Krämer GmbH

The Rhine-Ruhr region is facing an exciting new challenge: the vision for an “Olympic Stadium Rhine-Ruhr” could become the starting point for a forward-looking urban quarter.

Planned as a temporary sports venue for the 2040 Olympic and Paralympic Games, the stadium will not only serve as an arena for global sporting events, but also as a basis for the creation of sustainable and resource-conserving urban development. With a clear focus on the circular economy, modular construction and climate-friendly design, this project is setting new standards for the urban planning and architecture of the future.

The “Rhine-Ruhr Olympic Stadium” will not just be a sports facility in the conventional sense. Rather, it will serve as a central building block for the development of a new, liveable urban quarter. The vision is based on the concept of using the stadium as a temporary facility during the Olympic Games and then converting it into a modular, sustainable structure that can continue to be used after the Games. This modular approach allows the stadium to be easily repurposed for later use as housing, office space, sports facilities and kindergartens.

The stadium is at the center of a new quarter that is being built on a former industrial wasteland in the Rhine-Ruhr region. Due to its central location and excellent connections, this brownfield site offers the ideal conditions for the development of a district that will not only offer modern architecture, but also a high degree of sustainability in its structure and use.

The “Rhine-Ruhr Olympic Stadium” has been geared towards sustainability from the outset. It is not only about the environmentally friendly design of the stadium itself, but also about the long-term use and conversion of the entire infrastructure. The concept is based on a modular construction method in which materials and resources are used as efficiently as possible in order to minimize the project’s ecological footprint.

The planned use of the former industrial site is a prime example of sustainable urban development. By consistently applying the principles of the circular economy, the area will be designed as a resource-conserving and climate-friendly living space for the future. After the Olympic Games, the stadium will become a symbol of progressive urban planning that meets the requirements of climate protection and resource conservation.

In addition, the entire district is being planned as a “city of short distances”. This means that living, working and living spaces are connected in such a way that residents have to travel as few distances as possible by car. This encourages the use of public transport and cycle paths, thus helping to reduce CO2 emissions.

A key component of the project is the close collaboration between architecture, urban planning and landscape architecture. The renowned landscape architecture firm geskes.hack from Berlin, together with the architecture and urban planning firm planquadrat Elfers Geskes Krämer GmbH, has developed a concept that sees the “Rhine-Ruhr Olympic Stadium” not only as a sports venue, but also as the center of a green, open space.

A large park is to be created in the center of the new urban quarter, which will serve as a meeting place for residents and visitors. The park will not only be a place for recreation, but also an important part of the district’s environmentally friendly infrastructure. Green spaces, water features and sustainable horticultural concepts will be combined here to improve the microclimate while creating a place for social interaction and the common good.

The use of rainwater management systems and the promotion of biodiversity are also taken into account. The park will thus not only contribute to recreation, but also to the ecological stabilization of the urban space and sustainably increase the quality of life of the residents.

The “Rhine-Ruhr Olympic Stadium” project represents a significant step in the development of sustainable cities. It combines innovative concepts of urban planning and architecture with a sustainable approach that meets the challenges of climate change. The modular construction of the stadium and the integration of the circular economy into the overall development of the district will create a model that shows how sports infrastructure can be designed in a sustainable and resource-saving way.

The new quarter will not only be a modern living space for the population, but also an example of future urban development. It will meet the demand for housing, workplaces and open spaces and at the same time play a pioneering role in terms of sustainability and resource conservation.

The “Rhine-Ruhr Olympic Stadium” is more than just a sports facility. It is the centerpiece of an innovative and sustainable urban project that not only meets the requirements of modern urban development, but also makes an important contribution to climate protection and resource conservation. With a clear focus on sustainability, modularity and the circular economy, this urban quarter will be a model for the cities of the future and create a lasting legacy for generations to come.

Find out more about the 2024 Summer Olympics in Paris and its impact on urban planning and architecture here.