Restitution of a war loss in Stuttgart

Building design
Restitution of a war loss: at the end of September 2021, the Staatsgalerie Stuttgart received back a work of art that had been missing since the Second World War: Photo: Staatsgalerie Stuttgart

Restitution of a war loss: at the end of September 2021, the Staatsgalerie Stuttgart received back a work of art that had been missing since the Second World War: Photo: Staatsgalerie Stuttgart

At the end of September 2021, the Staatsgalerie Stuttgart received back a work of art that had been missing since the Second World War. It will be on display there for a few weeks from November as part of a special presentation. RESTAURO on the Restauro of a war loss In 1902, the painting “Fish and Shells on the Beach” by Jan van Kessel the Elder (1626-1679) from Ludwigsburg Palace was […]

At the end of September 2021, the Staatsgalerie Stuttgart received back a work of art that had been missing since the Second World War. It will be on display there for a few weeks from November as part of a special presentation. RESTAURO about the restitution of a war loss

In 1902, the painting “Fish and Shells on the Beach” by Jan van Kessel the Elder (1626-1679) came to the Staatsgalerie Stuttgart from Ludwigsburg Palace. During the war, it was stored together with other works of art in a vicarage and thus saved from destruction. However, when employees of the Staatsgalerie inspected the storage location in 1945, they found it almost completely empty.

At the end of 2020, the small painting was then identified in French private ownership and handed over to a representative of the Ministry of Science, Research and the Arts as well as the director and the provenance researcher of the Staatsgalerie at the Embassy of the Federal Republic of Germany in Paris on September 24, 2021. Prior to this, the former owner has been searching for the original owner with the help of an art expert and a lawyer.

As soon as the artwork has received a new frame and approval from the team of restorers, it will be on display for several weeks in the form of the special presentation “Bienvenue! Late homecoming of a war loss” in the rooms of the Staatsgalerie. With the return of this work, a painful gap can now be closed: The counterpart, which has been orphaned for 77 years, can now be presented again with its counterpart in the permanent collection.

In 2016, an Alsatian collector and archaeologist bought a valuable copperplate engraving by Albrecht Dürer at a flea market in Sarrebourg, France – a work that had been considered lost since the Second World War. When the expert discovered the stamp of the Staatsgalerie Stuttgart on the reverse of the sheet, he donated his find to the museum’s collection of prints and drawings. Read more here.

POTREBBE INTERESSARTI ANCHE

Elke Büdenbender and Prof. Dr. Thomas M. Weber-Karyotakis in front of the torso of Aphrodite. Photo: Birte Ruhardt/Gerda Henkel Foundation

The Gerda Henkel Foundation is committed to protecting cultural heritage in Jordan. In addition to an archaeological excavation in the city of Gerasa, the foundation is also supporting a digitization programme for historical finds in Amman. Federal President Frank-Walter Steinmeier drew attention to the funding projects by visiting both sites at the end of January 2018. On his trip to Jordan, Federal President Frank-Walter Steinmeier not only visited […]

The Gerda Henkel Foundation is committed to protecting cultural heritage in Jordan. In addition to an archaeological excavation in the city of Gerasa, the foundation is also supporting a digitization programme for historical finds in Amman. Federal President Frank-Walter Steinmeier drew attention to the funding projects by visiting both sites at the end of January 2018.

On his trip to Jordan, Federal President Frank-Walter Steinmeier not only visited Abdullah Il ibn Al Hussein, the King of the Hashemite Kingdom of Jordan, schools, refugees and young entrepreneurs, but also the excavations in Gerasa and the Citadel Hill in Amman. The Gerda Henkel Foundation is involved in both locations.

In Gerasa, it supported the excavations by a team of Jordanian, French and German archaeologists. They excavated in the eastern baths of the city of Gerasa, which are among the largest Roman baths in the area. During this excavation campaign, the archaeologists found 100 fragments of marble figurines as well as a figurine of Aphrodite with an inscription testifying that it was donated by the Gerasa citizen Demetrios in 153/154 AD.

Digital documentation of the finds from Amman

Under the title “Patrimonies”, the Gerda Henkel Foundation promotes the preservation of cultural heritage in crisis regions. This endangered cultural heritage also includes finds that have already been recovered, preserved and exhibited in the Archaeological Museum at the Citadel in Amman. They are all being photographed and scientifically described with the help of the foundation. The digital database is intended to protect 100,000 years of human history from robbery, destruction and oblivion. Because what is recorded in the database is more difficult to trade, making theft less worthwhile.

The Gerda Henkel Foundation has accompanied the work of Dieter Vieweger, archaeologist and theologian, and Jutta Häser, project manager in Amman, and is showing several films on its website that give an excellent impression of the situation on the ground, the scope, the difficulties and the importance of the work. The eight films can be viewed at: www.lisa.gerda-henkel-stiftung.de

“With his visit, the Federal President honored the valuable commitment of the Foundation – also representative of the commitment of German institutions and institutions in the field of cultural property protection,” said the Federal President’s Office at the request of RESTAURO.

Vandersanden Linge: The paving brick for ambitious projects

Building design

The large paving brick in Linge ® format from Vandersanden: Calm appearance, sustainability and an authentic character. Read more here. Sustainability and authenticity have established themselves as lasting trends in the design of public spaces. The Linge® format from Vandersanden picks up on current developments and offers creative solutions. The pavers in the special large format provide […]

The large paving brick in Linge ® format from Vandersanden: Calm appearance, sustainability and an authentic character. Read more about it here.

Sustainability and authenticity have established themselves as lasting trends in the design of public spaces. The Linge® format from Vandersanden picks up on current developments and offers creative solutions. The pavers in the special large format provide a rustic and calm look. At the same time, they perfectly cover the sustainability aspect.

Already very successful in neighboring countries, this unusual format is also gaining ground in Germany. It offers many facets, especially for urban architects. In addition to the different formats, the bricks also differ in terms of their properties. Vandersanden supplies them in four basic variants, each with its own individual characteristics:

The Linge® paving brick in the 80/80 format(L 245 x W 80 X H 80 mm) is the most robust brick in this series. It has three sanded sides in molded back, all of which are suitable as visible sides. This means it can be reused up to three times and always ensures a unique and fresh street scene.

The Linge® paving brick in 80/70 format(L 245 x W 80 x H 70 mm) is a special version with a high edge that is offset to the rear. Among other things, this prevents chipping under heavy traffic loads. As a result, the road surface retains both its look and feel.

The Linge® format 80/60(L 245 x W 80 X H 60 mm) has a lower height of 60 mm. This means that fewer raw materials are required during production. The low height is more than sufficient for the design of squares, sidewalks and cycle paths.

The Linge® clinker in the 60/80 format(L 245 x W 60 X H 80 mm) is the big and strong brother of the classic Waal format Riegel.

The large format of Vandersanden’s Linge ® bricks reduces the number of joints in squares, streets and paths. The rustic look of the bricks gives them an authentic appearance. In addition, their long service life, reusability and low number of joints underpin Vandersanden’s sustainability concept. The innovative clinker bricks are available as molded bricks, waterstruck or, in some cases, extruded, sanded or unsanded.

The innovative clinker bricks are available as molded bricks, waterstruck bricks or, in some cases, as extruded bricks, sanded or unsanded. You can find more information at www.vandersandengroup.de.

Also interesting: Schwerin architects realize multi-generation house in an unusual way with the help of Vandersanden clinker bricks.