Rethinking interiors: How “interior” spaces shape architecture

Building design
conference-room-with-long-table-and-chairs

Photo of an elegant conference room with long table and chairs, taken by
Carrie Hays on Unsplash.

“Interior” – sounds like sofa cushions and curtain advice? Far from it. Anyone who still believes that interior design is the icing on the cake of architecture has missed the big picture. In fact, “interiors” have long since shaped the DNA of our building culture – and are becoming a game changer thanks to digitalization, sustainability pressure and new usage concepts. High time to sharpen our focus: How is the interior revolutionizing design? Who is ahead of the game? And why is real interior design the hardest currency in the architecture business?

  • Interior design is no longer decoration, but the defining force of architecture.
  • Germany, Austria and Switzerland are facing a paradigm shift – interiors are becoming a driver of innovation.
  • Digitalization and AI are radically changing material selection, planning processes and user participation.
  • Sustainability demands circular and adaptive interior solutions instead of disposable designs.
  • Professional skills are shifting: data sovereignty, BIM expertise and sensor technology are becoming key.
  • Interiors have become the arena for social debates – from New Work to inclusion.
  • Global trends such as adaptive reuse, cradle-to-cradle and smart interiors show: The interior dominates the future.
  • The boundaries between architecture, interiors and cities are blurring – and challenging old role models.

The interior as an architectural machine: status quo in DACH

Anyone talking about interior design today needs to dress warmly. Because the term has become a battleground: A new self-confidence has long prevailed between architects, interior specialists, clients and users. The interior is no longer a stage for a few pieces of furniture, but shapes the behavior, identity and even the performance of a building. This rethink is noticeable in Germany, Austria and Switzerland – albeit with regional nuances. While in Vienna the classic coffee house interior is defended as a cultural asset, offices in Zurich are experimenting with flexible, sensor-equipped working landscapes. In Berlin, historical buildings are being radically reprogrammed: From old apartments to hybrid living spaces, from workshops to collaborative co-working spaces. Interiors are being rethought, recoded – and reassessed. The once neglected discipline is becoming an innovation platform, an architectural machine that is turning entire building concepts upside down. But despite all the euphoria, implementation is lagging behind across the board. The investor perspective, which sees the interior as a cost factor, still dominates. The interior is still too often sacrificed to quick taste. But the exceptions are growing – and with them the awareness that spaces must be developed from the inside out. The DACH region is at a crossroads: those who recognize the potential will be playing in the Champions League of building culture tomorrow.

Digitalization is both a driver and a brake. While BIM integration of interiors is almost standard in Zurich, German planners are struggling with incompatible software solutions and a lack of interfaces. Austria is focusing on pilot projects in which digital twins no longer stop at the façade, but record the user flow, indoor climate and furnishings. Switzerland is a pioneer in sensor-based room concepts that react to user behavior in real time. But the road ahead is rocky: standardization, data protection, technical interoperability – all of these are slowing down the big breakthrough. But: the direction is right. Anyone who still believes today that interior design is only about changing the wallpaper will be overrun tomorrow by AI-generated, parametrically optimized room concepts.

The interior has also become an arena for debates on sustainability. Whereas just a few years ago the fast furniture collection was considered a status symbol, the focus is now shifting to the circular economy. In DACH, more and more offices are focusing on reusable materials, modular systems and adaptive usage concepts. The interior is becoming a test track for new lifestyles: Sharing, upcycling, minimal footprint. But here, too, legislation is lagging behind, building regulations are silent on interior design – and the market is sluggish. Nevertheless, the pressure is growing because users demand more than just beautiful surfaces. They want healthy, flexible and sustainable spaces. Anyone who doesn’t deliver here is out.

And finally: the profession itself is changing. In the past, interiors were the domain of specialists; today, generalists with digital, technical and design expertise are needed. Training is lagging behind and professional associations are discussing new certifications. Anyone who wants to survive in the interior field must be able to program, model and moderate. This is the only way to solve the complex requirements between technology, sustainability and user experience. The days of pure aesthetics are over – interior design has matured into a highly complex discipline that is redefining the foundations of architecture.

Conclusion: The DACH region is at the beginning of a revolution. The interior is no longer treated as a sideshow, but is moving to the center of the architectural debate. Those who do not follow suit now will be overtaken by the next generation of smart, sustainable and digital spatial concepts. Inside is the new outside – and those who understand this are building the future.

Digital spaces: how AI, BIM and user tracking are rewriting the interior

Digitalization has arrived in the interior – and with full force. While some architects are still working on the façade, AI, BIM and smart home technologies have long since turned the interior into a data and innovation arena. What does this mean in concrete terms? First of all, the traditional design process is a thing of the past. Today, rooms are optimized parametrically, user behaviour is tracked, light, acoustics and climate are simulated in real time. The boundaries between architecture, interiors and technology are becoming blurred. Planners who are not at least BIM-savvy will fall by the wayside. In practice, this means that even in the early design phase, material databases are tapped into, usage profiles are created and variants are run through – all based on real data, all networked, all scalable.

What is particularly exciting is that AI-based tools not only generate attractive renderings, but also optimize spaces according to criteria such as quality of stay, energy efficiency and accessibility. The planner becomes a curator who distils the optimal room concept from a flood of data, scenarios and user feedback. In Switzerland, such processes are already part of everyday life: sensors measure CO₂ pollution, AI suggests changes of use and the system learns from the residents. In Germany and Austria, such approaches are still exotic, but the pressure is growing. After all, anyone who sleeps through digitalization will end up in a museum – and this applies not only to technology, but also to attitudes.

But digitization is not an end in itself. It is a tool for creating real added value: Healthier spaces, lower resource consumption, better user experiences. This requires technical expertise – and this goes far beyond traditional architectural studies. Anyone planning interiors today has to juggle databases, read program code and design interfaces. The days when a mood board was enough are definitely over. Anyone who is not prepared to plunge into the digital depths will be left behind.

At the same time, new areas of conflict are emerging: Who owns the data? Who decides what counts as an “optimized interior”? And how do we prevent algorithmic distortions from creating new forms of discrimination? The discussions are heated – and they will become even more so. One thing is clear: transparency, interoperability and user participation are the new key currencies. Those who slip up here will lose the trust of users – and thus their market success.

From an international perspective, German-speaking countries are both laggards and pioneers. While Asian cities are experimenting with fully networked smart interiors, DACH planners are focusing on quality, sustainability and data protection. This is not a disadvantage – on the contrary. Those who combine the best of both worlds will become role models. The future of interiors is digital, participative and sustainable. Everything else is folklore.

Sustainability and the new interior: Between greenwashing and genuine transformation

Sustainability in interiors – sounds like an eco-cliché? Not any more. Anyone planning seriously today cannot ignore the circular economy, resource conservation and adaptability. The interior has become the key zone for sustainable innovations. While the PV system still shines on the roof, the interior determines how long a building will really last. This is where ventilation takes place, where heating takes place, where materials are worn out or recycled. In the DACH region, the approaches are diverse: the spectrum ranges from modular partition walls in Viennese office buildings to recycled acoustic panels in Swiss schools. But they all have one thing in common: the aim of no longer seeing interiors as “consumables”, but as a resource in the building cycle.

The biggest challenges are obvious. Firstly, the consumption of materials is enormous. Tons of carpet, plasterboard and furniture still end up in landfill as soon as there is a change of user. Secondly, the lifespan of interiors is often disappointingly short. Quick in, quick out – that’s ecological madness. Thirdly, technical complexity is increasing. Circular systems, smart ventilation, adaptive lighting – it all needs to be planned, controlled and maintained. If you don’t pay attention here, you will produce chic but highly problematic high-tech tombs.

But there are solutions. Circular design principles such as cradle-to-cradle, modular construction kits and flexible furnishing concepts make a real transformation possible. In Switzerland, interiors are conceived as reversible systems: everything can be dismantled, everything is recyclable. In Germany, the first large-scale projects are experimenting with digital material passports that document the life cycle of each component. Austria is focusing on regional supply chains and local craftsmanship – not out of nostalgia, but as a response to global supply bottlenecks and climate pressure. The future of sustainable interiors lies in an intelligent mix of high-tech and low-tech, digital control and quality craftsmanship.

Professional planners must adapt to new rules of the game. It is no longer enough to stroke material samples and collect eco-labels. Knowledge of life cycle assessment, materials research and building technology is required. If you want to build sustainable interiors, you need a toolbox that ranges from material flow analysis to AI-supported operation. The good news is that those who invest here can not only remain competitive, but also create real added value – economically, ecologically and socially.

Of course, there is also criticism. Greenwashing lurks around every corner, marketing promises overtake reality. But the pressure is growing. Users, investors and legislators are demanding evidence, data and transparency. Those who deliver here set standards. Those who continue to rely on facade cosmetics will be left out. The interior has become the touchstone of true sustainability – and only those who act honestly here will survive.

Global perspectives, local answers: Interiors as the laboratory of the future

The interior has long been a global field of experimentation. While tiny micro-apartments in Tokyo make the most of every cubic meter, adaptive loft concepts are being created in New York that merge work, leisure and living. Scandinavian countries are focusing on radical flexibility – rooms are converted to suit the daily rhythm, furniture moves out of the wall and technology disappears out of sight. The international discourse is fast-paced: adaptive reuse, smart materials, sensor technology and AI-controlled control systems are shaping the agenda. What does this mean for the DACH region? On the one hand: inspiration and benchmarks. On the other hand: local building culture, high standards of data protection and a desire for consistency are not weaknesses, but assets. Those who cleverly adapt global trends instead of blindly copying them will become pioneers.

The great visions are currently coming from two directions. Firstly, the merging of inside and outside. Boundaries are blurring, loggias are becoming living spaces, offices are becoming neighborhoods, facades are becoming active interfaces. Secondly, the democratization of the design process. Users are no longer just consumers, but co-creators. Digital tools, open source platforms and participatory planning processes are turning the interior into a collective project. In Switzerland, participatory housing models have long been part of everyday life, and German cooperatives are following suit. Architecture is becoming a social laboratory, the interior a playing field for new ways of living and working.

But with this opening up comes new risks. Commercialization, data exploitation, technocratic bias – all this threatens if digital control takes place without social control. The debates about smart homes, surveillance and algorithmic discrimination are just the beginning. Those who fail to take countermeasures here risk turning the interior into a surveillance zone. Transparency, ethical guidelines and open standards are therefore not a luxury, but a necessity for survival.

At the same time, the global discourse offers enormous opportunities. Interdisciplinary teams, international partnerships and the exchange of best practices accelerate innovation. Anyone who ventures onto the global stage as a planner, developer or investor benefits from knowledge, networks and new markets. The interior has become an export product – made in DACH, scaled for the world.

The future of interiors is hybrid, digital and sustainable. Anyone looking to catch up now must be prepared to cut off old habits – and leave their comfort zone. The interior is no longer a playground, but the laboratory of tomorrow’s architecture. Those who understand this will set impulses – locally and globally.

Conclusion: Interior is the new foundation – and the toughest touchstone of architecture

The days when “interior” was dismissed as a decorative add-on are finally over. Interiors have become a matrix in which sustainability, digitalization and social change are condensed. This is a double challenge for professionals in architecture, planning and the real estate industry: those who do not see the interior as a strategic field will lose out. But those who boldly break new ground – digitally, circularly, participatively – can actively shape building culture. The interior is the new exterior, the laboratory, the foundation and the touchstone at the same time. The future of architecture will be decided in the interior. Those who oversleep this will wake up in the museum.

POTREBBE INTERESSARTI ANCHE

Neuland – Short lectures by the Modern and Contemporary Art specialist group

Building design
The new digital format is intended to present and discuss issues and projects in six-minute short presentations. Photo: Association of Conservators

The new digital format is intended to present and discuss issues and projects in six-minute short presentations. Photo: Association of Conservators

The speaker team of the VDR Modern and Contemporary Art Section invites you to Neuland on March 24, 2021 from 19:30 – 21:00. The new digital format is intended to present and discuss current issues and projects with several short lectures of around six minutes Neuland is a digital lecture series that will take place for the first time via Zoom on March 24 at 7:30 pm. […]

The speaker team of the VDR Modern and Contemporary Art Section invites you to Neuland on March 24, 2021 from 19:30 – 21:00. The new digital format is intended to present and discuss current issues and projects in several short lectures lasting around six minutes

Neuland is a digital lecture series that will take place via Zoom for the first time on March 24 at 7.30 pm. With changing topics, the aim is to provide a space for networking and the opportunity to exchange ideas, regardless of location. The special thing about Neuland is that the contributions are not directly about the restoration of a work or best practice instructions. Instead, the open topics are intended to encourage participants to look at projects, restoration work or ideas in the field of modern and contemporary art from a specific perspective.

The following course lectures will kick off the first event:

Julia Hartmann: Victor Vasarely – and the search for the right material

Thomas Prestel: Light and object life in contemporary art – should we rethink lighting strategies?

Mona Konietzny: Adhesive mesh as a technique for bonding fabric – and more?

Sophie Bunz: Methyl cellulose foam – thoughts and experiences on recipes and instructions in conservation

To participate, please send an e-mail to: “moderne-kunst@restauratoren.de”. You will then receive the link for the Zoom conference. Please note that the event is already fully booked due to high demand. The VDR specialist group will be offering a follow-up event soon.

Petra Kahlfeldt: Criticism of Berlin’s new building director

Building design
The BDA Architecture app is here!

The BDA Architecture app is here! (Photo: Paul Siewert via Unsplash)

Since architect Petra Kahlfeldt was appointed Berlin’s new Senate Building Director at the end of December 2021, criticism has been raining down from the German architecture scene. There is talk of a “victory for Berlin’s traditionalists” and that Petra Kahlfeldt’s previous commitment is in “stark contrast” to Berlin’s current challenges. In the context of the debate, the opinions […]

Since architect Petra Kahlfeldt was appointed Berlin’s new Senate Building Director at the end of December 2021, criticism has been raining down from the German architecture scene. There is talk of a “victory for Berlin’s traditionalists” and that Petra Kahlfeldt’s previous commitment is in “stark contrast” to the current challenges facing Berlin. The debate brings together the opinions of two highly renowned German architects. An overview of the current situation – including Petra Kahlfeldt’s first public reactions – by Theresa Ramisch, editor-in-chief of G+L – Zeitschrift für Landschaftsarchitktur und Stadtplanung.

It has been clear since December 2021 that architect Petra Kahlfeldt will succeed Regula Lüscher and Hans Stimmann. Petra Kahlfeldt will become Senate Building Director in the Berlin Senate Department for Urban Development, Building and Housing under Senator Andreas Geisel. She thus helps to determine the cityscape and overall planning of Berlin. Regula Lüscher, who is Swiss, held the office of Senate Building Director for 14 years. She retired in July 2021. Berlin’s former building senator Sebastian Scheel kept the position vacant until after the parliamentary elections. Petra Kahlfeldt’s appointment is currently drawing a protest from the German architecture scene.

Petra Kahlfeldt (*1960 in Kaiserslautern) studied architecture in Berlin and Florence from 1979 to 1985. After studying architecture, she worked at the Berlin architecture firm Henning Pohle and also worked independently in an office partnership with her husband Paul Kahlfeldt from 1987 until her appointment as Senate Building Director in 2021. She was also a research assistant at the Chair of Design and Building Construction at TU Berlin from 1990 to 1995. From 2001 to 2003, she chaired the BDA Berlin. Between 2004 and 2009, she taught as Sutor Professor for Monument Conservation and Design at the Hochschule für Bildende Künste and at HafenCity University in Hamburg. Since 2004, she has been a professor in the teaching and research field of “Historical Building Constructions, Monument Conservation and Design” at the Hamburg University of Fine Arts, HafenCity Hamburg, the University of Bologna and the Berlin University of Applied Sciences. She is also a member of various advisory boards. More about Petra Kahlfeldt here.

Opponents describe the decision as an affront

In the run-up to the appointment, numerous renowned architects, academics and initiatives had already called for a transparent and open process for filling the position. 450 architects, initiatives and associations had signed an open letter “For an open and transparent selection of the new Senate Building Director”. On Monday, December 20, 2021, the SPD officially announced that Petra Kahlfeldt would take over the position of the new Senate Building Director. Since then, there have been numerous comments in various media about Petra Kahlfeldt’s appointment. One of the loudest voices is probably the initiative around HG Merz, Philipp Oswalt and Matthias Sauerbruch. On archplus.net, they published a text with the subtitle “Declaration of war on a social and ecological urban policy” in the wake of Petra Kahlfeldt’s appointment. In it, they describe the appointment without a selection process and public discussion as an “affront to the signatories” of the above-mentioned open letter.

Criticism of Petra Kahlfeldt: conservative and pro-privatization

According to the publication, Petra Kahlfeldt’s “previous job profile is in stark contrast to the current challenges facing Berlin”. Together with her husband, she has so far been “responsible for the realization of villas and luxury residential complexes in the upper price segment”. According to the report, Petra Kahlfeldt does not stand for “a city oriented towards the common good”, “sustainable, climate-friendly urban development” or “affordable housing construction oriented towards the common good”. It threatens to “relapse into the ideological trench warfare of an era in which key issues for the future were neglected for a long time”. She is “close to conservative circles that have campaigned for the reconstruction of the city according to historical patterns”. She has also “repeatedly advocated the privatization of public spaces”. Kahlfeldt is co-author of a Berlin position paper “in which a far-reaching privatization of public land in the center of Berlin is called for”. Petra Kahlfeldt had “also repeatedly reaffirmed this position in later speeches”. Therefore, “considerable conflicts in Berlin’s urban society” and building policy blockades are to be expected.

Withdrawal of the appeal demanded

The text was signed by the following planners:

Those involved are calling for the appointment of Petra Kahlfeldt as Senate Building Director to be withdrawn and for an open and transparent selection process to be carried out “that is appropriate to this important office and worthy of a capital city”. You can read the exact wording here.

Matthias Sauerbruch on Petra Kahlfeldt: “no experience with more complex participatory processes”

The initiative is not alone in its criticism. Architecture critic Nikolaus Bernau described the appointment of Petra Kahlfeldt in the Berliner Zeitung as a “victory for Berlin traditionalists”. He came to the conclusion that the “well-situated bourgeois architectural aesthetic a la Kahlfeldt & Kahlfeldt” could not cope with the current challenges facing Berlin.
In an interview with Die Welt, the renowned architect Matthias Sauerbruch said: “Petra Kahlfeldt is a colleague who has simply run an architecture firm, who has taught to a certain extent at various universities and has sat on a number of juries. She is a very friendly and communicative person, but has no experience with more complex participatory processes or administration at city or state level.”

Petra Kahlfeldt represents positions that run completely counter to the coalition agreement

The Association of German Architects Berlin in turn published a statement entitled “New appointment of the Senate Building Directorate lacking transparency and vision” in which it defines the new appointment “according to apparently party-political criteria” as a missed opportunity to fill the “office that is so important for the development of the city with the support of the professional public.”

In a guest article on freitag.de, Kristin Feireiss and Matthias Grünzig, who also signed the publication on archplus.net, also spoke out in more detail. Here they once again point out the missing examples of affordable housing and the planning of new urban quarters in Kahlfeldt’s portfolio. Furthermore, Petra Kahlfeldt has no experience in managing administrations. At the same time, she represents positions “that run completely counter to the coalition agreement”. As a member of the Stadtkern planning group founded in 2011, she has been advocating the privatization of public properties and areas for years.

Arno Lederer positions himself against Matthias Sauerbruch

In a guest article on welt.de, Arno Lederer, on the other hand, deliberately takes a stand against the criticism of Petra Kahlfeldt and also against some of his fellow architects. “This defamation harms all architects” is the title of his article. In it, he describes Petra Kahlfeldt as a “renowned and widely respected architect” and asks directly whether Matthias Sauerbruch’s statements about Petra Kahlfeldt are defamatory. The interview is peppered with half-truths and insinuations. According to Lederer, Matthias Sauerbruch’s statements left behind a “deliberately manipulative devaluation of the Senate Building Director”. He had even considered whether the interview with the “intelligent and thoroughly charming colleague Sauerbruch” was a fake. At the same time, he is harsh on the eight “esteemed” colleagues who are calling for the appointment to be withdrawn. They do not “even have the linguistic skill to formulate the accusations in a question to the future Senate Building Director”.

Lederer: BDA should call for constructive dialog

In his guest article, he also addresses the BDA and its members directly. He asks whether this is really the way they want to deal with each other. It is a public office that is at stake here, not an individual building. Mutual defamation in public created the image of an “already quarrelling bunch that – for this very reason – should not be taken into consideration”, said Lederer. The demands for a transparent selection process were justified. The open letter had shown that German architects could speak with one voice. What followed was shameful. The BDA would now be well advised to firstly stand up against the public defamation and secondly to call for constructive dialog on the other side.

Berlin architecture critics Zohlen and Haubrich back Petra Kahlfeldt

But Petra Kahlfeldt also received support from other quarters. Alongside Arno Lederer, Berlin architecture critic Gerwin Zohlen also accused the authors of the archplus publication of defaming Petra Kahlfeldt and her architectural oeuvre. In his article, journalist and architecture critic Rainer Haubrich also described the new Senate Building Director as “a good choice”. In turn, Berliner Zeitung publisher Holger Friedrich defined the new SenateBuildingDirector in a debate article entitled “Wenn Frauen bauen: Zum Start von Senatsbaudirektorin Petra Kahlfeldt“, defined the appointment of Petra Kahlfeldt as an “opportunity”. The uproar surrounding her appointment would confirm an opportunity for a new start. The Berlin group of Stadtbild e.V. also publicly welcomed the appointment. Its founder Peter Dobrink wrote in the Berliner Zeitung that Petra Kahlfeldt stands for creative openness, harmonious proportions and local traditions. And that is exactly what Berlin needs now.

In a nutshell: the criticism of Petra Kahlfeldt

To summarize, a total of eight German architects and planners – indirectly supported by the BDA Berlin – have publicly denied that the new Senate Building Director is competent for the position. They accuse her of having outdated views. According to the critics, these are contrary to the modern, sustainable urban design that is now needed in Berlin. Petra Kahlfeldt is accused of approving the privatization of public real estate and spaces in Berlin’s city centre. In the past, she and her architectural firm have primarily realized luxury buildings and villas and have therefore not acted in the interests of the common good. The critics also question whether Petra Kahlfeldt can and wants to promote participatory processes in the sense of a participation-oriented urban society.

Petra Kahlfeldt responds to criticism

What is Petra Kahlfeldt’s opinion on all this? She has since responded to the criticism in various interviews. G+L has also been able to talk to her. In it, she points out that the post of Senate Building Director is not only a professional position, but also a political one. This is often forgotten. She is also surprised that she has been criticized before she has even been able to make a substantive decision. And in an interview with Die Welt, she also discusses her urban development vision. “My guiding principle is the compact European city,” is the headline of the article. And Die Zeit quotes Kahlfeldt as saying: “There will be more high-rise buildings”. However, both articles are subject to a charge.

However, an interview with Petra Kahlfeldt is freely available on radioeins.de. Here she explains her job in general and that she sees herself as a bridge builder in her new position. When asked whether she has experience with a larger scale or the creation of affordable housing, Petra Kahlfeldt replies that her traditional professional focus is actually on conversion areas. These were sometimes larger urban quarters or individual buildings. Her traditional area, however, is the design and construction of existing buildings. Petra Kahlfeldt answers the question of whether Berlin Mitte needs more privatization instead of social housing in the negative. There is a good reason why Berlin has decided not to sell state-owned planning areas. When asked about her proximity to the Stadtkern planning group, Petra Kahlfeldt replies that the group is defined by its interdisciplinarity. This is also where instruments are discussed with urban planners that can be established contrary to speculation. You can listen to the whole interview here.

In an interview with G+L editor-in-chief Theresa Ramisch , the new Berlin Senate Building Director Petra Kahlfeldt comments on the accusations made against her.