Rosentalturm Basel: Herzog & de Meuron’s “Rooseli”

Building design
The competition for the Rosental Tower in Basel has been decided: Herzog & de Meuron convinced the jury with the "Rooseli" design. Rendering: © Herzog & de Meuron

The competition for the Rosental Tower in Basel has been decided: Herzog & de Meuron convinced the jury with the "Rooseli" design. Rendering: © Herzog & de Meuron

The competition for the Rosentalturm Basel on the exhibition grounds has been decided. The “Rooseli” design by Herzog & de Meuron won over the jury. A public open space, a free-standing pavilion and a grove of trees are intended to bring the Rosental site back into the focus of the area.

The competition for the Rosentalturm Basel on the exhibition grounds has been decided. The “Rooseli” design by Herzog & de Meuron won over the jury. A public open space, a free-standing pavilion and a grove of trees are intended to bring the Rosental site back into the focus of the area.

In the not too distant future, another high-rise building could dominate Basel’s city skyline. It is to be built on the Messe Basel site. The chosen building site is currently still home to a parking garage. However, this is to be moved underground with its 1,448 parking spaces. This will make way for the “Rooseli” project. This is the design by Herzog & de Meuron in the competition for the Rosental Tower. Instead of cars, it will contain apartments, neighborhood-related uses, offices and hotel rooms. Herzog & de Meuron’s version of the Rosentalturm won out against seven participating planning offices. It is an idea “that successfully mediates between the different worlds of the trade fair and the neighborhood”, according to the press release.

The office has been working on the project since 2013. At that time, MCH Messe Basel invited three planning offices to develop a vision for the site for the first time. The priority was to clarify whether the existing multi-storey parking lot could be renovated. Or whether it would have to make way for a new building. It was also necessary to expand the possible uses. And to find an urban positioning for the site. The specifications to be adhered to were strict. For example, the existing number of parking spaces could not be reduced. Similarly, the plans were not to extend beyond the boundaries of the existing building and thus encroach on the surrounding areas. Buchner Bründler Architekten AG, Herzog & de Meuron and Morger Dettli Architekten AG finally took on the planning task. The first ideas were already available in October of the same year. Herzog & de Meuron and Morger Dettli were then commissioned to work on the project in greater depth. At the end of the process, the decision was made to apply to the Canton of Basel-Stadt for an amendment to the development plan.

On June 20, 2020, the time had finally come. The Grand Council of the Canton of Basel-Stadt approved the new development plan, which provides for densification with taller buildings. Based on this legal foundation, MCH Messe Badel launched an anonymous architectural competition in collaboration with the Department of Construction and Transport of the Canton of Basel-Stadt. At the beginning of 2022, seven offices were invited to submit a design for the realization of the Rosentalturm. On December 20, the international jury then decided on the winners. And chose “Rooseli” as the winner. Herzog & de Meuron designed a three-part ensemble of buildings. A tower rises up towards Messeplatz, visible from afar. A low longitudinal structure is being built along Riehenstrasse. A public open space is created between the two elements, which is complemented by a free-standing pavilion. The open green space will extend the Rosentalanlage – a park that has been shrinking for decades. A grove of trees will tie in with the existing park.

In their design from 2013, Herzog & de Meuron already conceived a green inner courtyard, at that time enclosed by a multi-storey plinth. The entire first floor was to be open to the public. This idea has survived to this day. As has the play with varying building heights. Although the dimensions have become much bolder. While the tallest tower at the time was 23 meters high, it is now 93 meters. The building is divided vertically into three volumes. The division is based on the eaves heights of the surrounding buildings. The setback creates green, sunlit terraces in front of the adjacent communal areas. The range of public uses is intended to promote “local neighborhoods for the residents”. In addition to the public and semi-public commercial spaces, the new Rosentalturm offers plenty of living space. The planners have opted for a mix of apartments. The spectrum ranges from 2.0 to 5.5-room apartments to shared housing projects. In addition, around 100 apartments are to be built in the affordable segment.

The jury ascribes a mediating function to the design. This probably refers to the mixed housing offer as well as the design response to the surroundings. Through the contrast between the high-rise tower and the low longitudinal building, the project responds to the large-scale trade fair buildings on the one hand and the small-scale neighborhood development on the other. However, the design does not respond to the existing parking garage. Instead of converting the structure, which is classified as robust, Herzog & de Meuron prefer to demolish it. Not only did the ramps of the multi-storey parking lot have a striking design, but the opportunity to save gray energy by reusing existing resources is also lost. However, this is contrasted by the jury’s assessment. It attests to the project’s “low environmental impact from construction and operation, a substantial contribution to urban heat reduction, biodiversity and species diversity as well as a high level of comfort and a healthy indoor climate.”

How the other planning offices have dealt with the challenge will probably be on display from February/March this year. A public vernissage with all the contributions is then planned. Herzog & de Meuron, on the other hand, are already busy with the next planning steps. Over the course of the year, the design will be developed further to the point where the building application is submitted. The aim is to start construction as early as 2024. For the city of Basel, the exhibition center – together with the life science industry sites and the densification around the SBB train station – is an important urban development element. It is hoped that the new Rosentalturm building will further enhance the location. At best, the “Rooseli” site and the proposed diversification of uses will do justice to its urban structural relevance in the future. In social as well as ecological and aesthetic terms. And finally, outside of trade fair opening hours.

In Munich, another building project by Herzog & de Meuron is making headlines: Paketposthalle Munich.

POTREBBE INTERESSARTI ANCHE

Villa with a view in Belgrade

Building design

Detached house in Belgrade

Efficient glass façade with perfect color matching In a suburb of Belgrade, a private client fulfilled his dream of a spacious villa with attractive views of the city. Situated on a hillside plot, the detached house designed by local architects Autorski Atelje Spajic impresses with its transparent building envelope made of glass from Swiss specialist Glas Trösch.

In a suburb of Belgrade, a private client fulfilled his dream of a spacious villa with attractive views of the city. Situated on a hillside plot, the detached house designed by local architects Autorski Atelje Spajic impresses with its transparent building envelope made of glass from Swiss specialist Glas Trösch. (more…)

Aalto, Alvar

Building design

Alvar Aalto

Students at Bochum University of Applied Sciences write letters to famous architects, here to the Finnish architect Alvar Aalto.

The “Archipedia” series is a cooperation between Baumeister and Bochum University of Applied Sciences, Department of Architecture. Students of the “Architecture Media Management” Master’s program write virtual letters to the crème de la crème of the architecture world, in this case to the Finnish architect and designer Alvar Aalto.

Dear Mr. Aalto,

Last week I heard about a current competition that I think you would have been very interested in. This competition involves the expansion of the University of Helsinki and is entitled “campus2015”. Today the university, where you also studied from 1916 to 1921, bears your name. I would like to know your opinion on the submitted designs – would you have made the same decision if you had been on the jury? The surrounding buildings were already planned by you in 1966. How would you have positioned yourself in relation to today’s architecture?

Your travels in particular are always reflected in your architecture. For example, I can see hints of this in the church in Muurame (1926) – there are particular elements from the Italian Renaissance here, which you discovered for yourself on your wedding trip to Italy in 1924. How would you describe the influence of your travels? How important were the meetings with Walther Gropius and Le Corbusier for you?

The term “star architect” is often used in the architecture scene today. You would probably reject this term. You describe architecture as a servant of society. The holistic approach you take to your designs is already evident in your first internationally successful building, the tuberculosis center in Paimio. Even here, it was important to you to create not just simple rooms, but an environment that was optimally adapted for people. Here, as in many of your buildings, you designed the interior architecture in harmony with the building. This shows the complexity and precision of your designs. So it comes as no surprise to me that in 1933 you and your first wife Aino founded a furniture manufacturing company in your adopted home of Helsinki. This business provided you with the playful space to expand your design spectrum through material research and new technologies. Many of the objects you designed are still for sale today – the Aalto vase, which you designed in 1936, is particularly popular. As with the vase, organic forms can always be found in your architecture, as we can see from the Aalto Theater in Essen, which is named after you.

You have remained true to your dreams, even though an architect advised you during an internship in your youth to devote yourself more to journalism. Today, you are considered the most important Finnish architect of the 20th century, not only because of your buildings, but also because of your furniture. I hope that your attitude and your work will be taken into account when selecting the winner of the campus2015 competition.

Yours sincerely,

Carola Hestermann

Biographical data of Alvar Aalto

1898 born in Kuortane, Finland
1916-1921 Studied architecture at the Polytechnic in Helsinki
1923 First office in Jyväskylä
1933 Founding of the furniture manufacturing company ARTEK
1986 Finland: Banknote of 50 Finnish marks with portrait of Alvar Aalto
1988 Completion of the Aalto Theater in Essen
1928 Tuberculosis sanatorium, Paimio
1947 M.I.T. Senior Dormitory
1962 Finlandia Hall, Helsinki
1976 died in Helsinki, Finland

Further reading

Louna Lathi; Alvar Aalto: 1898-1976. paradise for little people; Publisher: Peter Gössel; Taschen Verlag
Karl Fleig (ed.); Alvar Aalto. Complete Works, 3 volumes; Basel 1999
Göran Schildt, Alvar Aalto – The Early Years, The Decisive Years, The Mature Years, 3 volumes; New York 1984, 1986, 1991

Further weblinks

www.awmagazin.de
www.alvar-aalto-gesellschaft.eu

Portrait: https://upload.wikimedia.org/wikipedia/commons/2/25/Alvar_Aalto1.jpg
Photo: https://upload.wikimedia.org/wikipedia/commons/b/bc/Heiliggeist_WOB.jpg