Sando, burger bar by Sapid Studio

Building design
Sando is a Japanese-inspired burger bar in Geneva, designed using the boro-boro patchwork technique. Photo: © Alicia Dubuis

Sando is a Japanese-inspired burger bar in Geneva, designed using the boro-boro patchwork technique. Photo: © Alicia Dubuis

Sapid Studio has designed a Japanese-inspired burger bar in Geneva. The interior of the restaurant is characterized by the Japanese “boro boro” patchwork concept. Find out more about the project here.

Sapid Studio has designed a Japanese-inspired burger bar in Geneva. The interior of the “Sando” restaurant is characterized by the “boro boro” patchwork concept. Find out more about the project here.

Sapid Studio is a collaboration between Cecile-Diama Samb and Michael Piderit. The two designed the interior for Sando, a restaurant in Geneva whose name is derived from the Japanese word “Sando-icchi” for sandwich. As the project consisted of renovating an existing burger restaurant, many of the functional requirements for the space had already been met. Instead, the two architects were able to focus on renovating key elements that would reflect Sando’s identity. The subtle, precise design elements give the restaurant a very special inner life. For example, the duo integrated the Japanese concept of “boro boro”. This process uses repaired or sewn-together materials to create a multi-layered patchwork effect.

The restaurant’s large central bar is clad in brushed stainless steel. This is inspired by omakase counters and is intended to facilitate dialog between guests and staff. A row of hanging textiles punctuates the bar. These bear Sando’s lettering and are made from recycled fabric produced by local upcycling studio Lundi Piscine. Eight birch wood bar stools in different shades surround the bar. A table-high counter surrounds the windows on the opposite side. This design refers to traditional Japanese ramen counters. Alternating natural and brown-stained birch wood panels match the other wood tones in the project and contribute to Sando’s unique patchwork.

The Boro Boro concept also means extending the life of an object. Both the art and the furniture in the restaurant’s interiors demonstrate this through their recycled fabric, mosaic tiled floors, Normann Copenhagen’s speckled Bit Stools made from recycled plastic, and metal café tables. The overall aim is to create a cozy, homely feeling that matches the uncomplicated menu of burgers, sauces and fries. The burgers themselves also have a reference to Japan with flavors such as teriyaki, tamago and miso bacon.

The minimalist design of the Geneva burger bar meets fast food culture. Sapid Studio wanted to keep as much of the original interior as possible, but still managed to completely renovate the burger restaurant in Geneva. For example, the existing bar was repainted and the tiled floor was patched up. The restaurant’s previous wooden paneling was removed and reused as panelling and counter. This made it possible to create an effective space while minimizing the amount of wasted material. Existing elements were reworked and surgically reassembled to create a patchwork.

Apart from the tapestries, the only wall decoration consists of custom-made prints by Swiss illustrator Kristell Silva Tancun. They show classic Japanese art motifs in combination with burgers, fries and other fast food products. The name of the design studio Sapid, which is an acronym of the two surnames of the founders (Samb and Piderit) but also describes a pleasant taste as a culinary term, is also fitting. Sapid Studio’s aim is to design spatial projects that nourish and sustain, always with a strong focus on the details.

Read more: Find out more about Japanese architectural drawings in this report on the Japanese Pavilion.

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KfW Building Award 2018

Building design

The application phase for the KfW Building Award 2018 ends on March 1, 2018 and is open to private developers and building cooperatives.

The application phase for the KfW Building Award 2018 ends on 1 March 2018. Until then, private developers or building cooperatives who have implemented a new construction project or extended, converted, modernized or revitalized an existing building in the past five years can apply.

The projects submitted will be assessed and awarded prizes as a whole. The decisive factor is the right balance of successful architecture and appearance, good integration into the structural environment, energy and cost efficiency, future-oriented and sustainable construction methods, optimal use of space and floor area as well as individual comfort.

“The KfW Building Award is intended to inspire the developers of today and tomorrow to renovate existing living space with foresight and to plan new living space with an eye to the future,” explains Ingrid Hengster, member of the Executive Board of KfW Bankengruppe. “We honor residential projects that meet the requirements of our time in an exemplary manner. The focus is on combining successful architecture with energy efficiency, accessibility and living comfort.”

The prize is endowed with a total of EUR 35,000. The winners in the categories “New Construction” and “Building in Existing Contexts” (extension, conversion, modernization) will receive a total of EUR 30,000. The first prize in both categories is endowed with EUR 7,000 each, the second prize with EUR 5,000 each and the winners of the third prize each receive EUR 3,000. In addition, the jury, chaired by architect Hans Kollhoff, has the option of awarding a special prize worth EUR 5,000.

The award ceremony will take place on May 17, 2018 at the Bertelsmann AG Representative Office in the capital, Unter den Linden 1, Berlin.

Further information and application documents can be found at www.kfw.de

that a person left behind in the fresh ash 11,000 years ago during a volcanic eruption. Photo: WWU/Ralf Hetzel

Everyone knows Pompeii. In 79 AD, after an eruption of Mount Vesuvius, numerous remains – including human remains – were preserved by the ash. Such traces were also found in Kula in western Turkey. During the construction of a dam in 1969, human footprints were discovered, among other things, the dating of which could not yet be clarified. Now, under […]

Everyone knows Pompeii. In 79 AD, after an eruption of Mount Vesuvius, numerous remains – including human remains – were preserved by the ash. Such traces were also found in Kula in western Turkey. During the construction of a dam in 1969, human footprints were discovered, among other things, the dating of which could not be clarified until now. Now, under the leadership of scientists from the Westfälische Wilhelms-Universität Münster, it has been proven that the footprints are around 11,000 years old – and therefore much younger than originally assumed. The assumptions ranged from 250,000 to 25,000 years.

A new method based on the analysis of particles produced by cosmic radiation in rocks near the surface was used for the dating. The particles used are the isotopes helium-3 and beryllium-10. The rocks dated in this way were deposited on the Earth’s surface at the same time as the volcanic ash from Kula. The new dating now enables archaeologists to reconstruct the settlement history of the region.

The study also proves that several volcanic eruptions have taken place in the Kula volcanic field, one of the youngest volcanic areas in the eastern Mediterranean, in the last 4,000 years. Kilometers of lava flows were deposited in the process. The study is presented in detail by Caroline Heinekea, Samuel Niedermann, Ralf Hetzela and Cüneyt Akal in the 34th issue of Quaternary Geochronolgy.