Schönbrunn Palace illuminated

Building design

Large gallery in Schnbrunn Palace after the renovation; Copyright: Bildagentur Zolles KG/Christian Hofer, 30.3.2012

The EU ban on light bulbs and the completion of restoration work in the state rooms of Schönbrunn Palace prompted the refitting of two halls with LEDs in 2011. The plan was to install lighting that would harmonize with the historical rooms. The key to this was a combination of LED lights with cut Swarovski crystals. These were integrated into the historic chandeliers and were intended to […]

The EU ban on light bulbs and the completion of restoration work in the state rooms of Schönbrunn Palace prompted the refitting of two halls with LEDs in 2011. The plan was to install lighting that would harmonize with the historical rooms. The key to this was a combination of LED luminaires with cut Swarovski crystals. These were integrated into the historic chandeliers and were intended to imitate the candlelight effect. Various aspects are discussed in retrospect.

You can find out more about Schönbrunn Palace in Restauro 07/2013

POTREBBE INTERESSARTI ANCHE

Old cemetery in a new guise

Building design

The Evangelical-Lutheran parish of the Middle Franconian market town of Altdorf was confronted, as elsewhere, with the increase in urn burials. Together with the landscape architects Martin Völker and Lars Möller and the Eichstätt sculptor Günter Lang, it therefore created three urn islands within the historic grounds, which are united by a common design language. Anyone entering the cemetery through the main entrance […]

The Evangelical-Lutheran parish of the Middle Franconian market town of Altdorf was confronted, as elsewhere, with the increase in urn burials. Together with the landscape architects Martin Völker and Lars Möller and the Eichstätt sculptor Günter Lang, it therefore created three urn islands within the historic grounds, which are united by a common design language.
Anyone entering the cemetery through the main entrance will not notice these places at first glance. Visitors will find a well-kept cemetery with plenty of greenery and numerous beautiful, historic stones. The steel steles that border the new urn islands blend so harmoniously into this greenery that they only catch the eye on closer inspection.

The surrounding steel band with 75-centimetre-high rectangular tubular steles at rhythmic intervals is coated in shades of grey and various shades of green. The entrance to each area is marked with a steel band engraved with a psalm. A font designed by sculptor Günter Lang was specially digitized for this purpose. Lang is the artistic director for the design of the urn steles within the islands. Each design goes through his hands before it is approved by the cemetery administration. All the steles have a uniform base area and height. What Lang is particularly keen on, however, is the use of local STEIN. Some sample steles, made by local stonemasons, are already in place. A granite from the Bavarian Forest has traveled the longest distance, while the other grave markers are made of Franconian sandstone or Jura limestone from the Altmühltal. Günter Lang also wants stones that have something to say. Psalms, sayings and quotations can be engraved around the stele, Lang advises. He does not want to be seen as a censor, but as a mentor who helps to improve existing designs. Around 40 urns are currently available, with a further 20 planned.

Each of the islands has a central seating area within the lawn. Rock pears provide shade and are particularly striking in spring with their white flowers. The islands are not static; if necessary, the steel strip elements can be taken apart and moved or replaced with new ones. This allows the areas to grow as more space becomes available. The modern design is not to everyone’s taste, but, according to Martin Völker, it has also received approval from many sides – from all age groups. Two of the urn spaces have already been taken, and one already has a stele with the owner’s name and date of birth engraved on it. Right next to a bench is a large stele by Günter Lang, a striking yet harmonious combination of steel and stone that serves as a lasting memorial.

The interview with Mr. Thust on the subject of cemetery development and other exciting pictures can be found in STEIN 12/2014!

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The mosaic cross of St. Martin’s Church

Building design

The mosaic cross by Claus Kilian (*1928) is attached to the exterior façade of the rectory of St. Martin’s Church in Hildesheim-Himmelsthür. The high-quality mosaic was made from smalt, gold, limestone and marble tessarae and depicts a typical scene from the life of St. Martin. The mosaic, which was only created in 1995, was in a very desolate condition. The […]

The mosaic cross by Claus Kilian (*1928) is attached to the exterior façade of the rectory of St. Martin’s Church in Hildesheim-Himmelsthür. The high-quality mosaic was made from smalt, gold, limestone and marble tessarae and depicts a typical scene from the life of St. Martin.

The mosaic, which was only created in 1995, was in a very desolate condition. The mosaic, which was glued to a plastic mesh, was peeling off in numerous places. It had already been glued again in various places. The adhesive used is probably not suitable for outdoor use. As the structure of the substrate and the adhesive used were the cause of the damage, the mosaic had to be removed from the wall, applied to a new substrate and reattached in its original position.

You can find out more about the removal, the new backing material and the fixing agent in RESTAURO 03.2014.

Photos (from top to bottom): Beate Skasa-Lindermeir, Rolf Gollnick