Sculpture Network organizes international sculpture festival start’19

Building design

On January 27, 2019, sculpture fans will dedicate themselves to three-dimensional art at more than 70 locations worldwide. STEIN introduces the “stony participants”. They were driven by their “love of three-dimensional art”, writes the Sculpture Network team when they first organized a sculpture festival in 2004. They wanted it to be global, contemporary and unifying. And more than just lobby work. […]

On January 27, 2019, sculpture fans will dedicate themselves to three-dimensional art at more than 70 locations worldwide. STEIN introduces the “stony participants”.

They were driven by their “love of three-dimensional art”, writes the Sculpture Network team when they first organized a sculpture festival in 2004. They wanted it to be global, contemporary and unifying. And more than just lobby work. In the words of the organization, which now has around 1,070 members in 41 countries:

“It is often coincidences, contacts, encounters that decide the chances of a work of art. We want to give this chance a helping hand.”

What’s more, sculptures are rather distant to us these days, perhaps familiar from public spaces, but not from our living rooms. The annual sculpture festivals aim to change this and make sculpture accessible.

Every year at the end of January, members of the organization invite sculpture lovers all over Europe on the same day at the same time. In galleries, museums, studios and workshops. There are also online streams for visitors who are unable to travel. The theme for 2019 is “Three-dimensional art and society”. More than 70 hosts have registered and are also offering workshops, lectures and a look behind the scenes.

First of all, there are the museums:

the Belvedere in Vienna
the Museum im Kulturspeicher in Würzburg
the Kunsthalle in Mannheim
the Zeppelin Museum in Friedrichshafen
the Lechner Museum in Ingolstadt
the Gerhard-Marcks-Haus in Bremen
the Skissernas Museum in Lund, Sweden
the Museum of Contemporary Art in Zagreb
The Danish National Museum

Academic institutions are also taking part:
the Diedenhofen Sculpture School and Studio in Neckartenzlingen
the American University in Dubai
the University of Chittagong in Bangladesh
the University for the Creative Arts in Canterbury, England

The German hosts of start’ 19, who are showing stone sculptures, are

Silvia Withöft-Foremny. She is a freelance sculptor in Laatzen near Hanover. Withöft-Foremny works both abstractly and figuratively. In her studio SWF-Skulpturen she offers workshop talks at start’19 and exhibits her sculptures. Her favorite material is limestone: “Thüster limestone, for example, is very easy to work by hand and comes from the region. It is honest and hides nothing. A sculpture made from this material has to work through form.”

Also:
the Rainer Fest studio in Rothenklempenow
the Malstedt mill art workshop in Deinstedt
the studio 25_27 in Lippstadt
the Euregio Solar Center in Alsdorf

International hosts with a focus on stone sculptures in 2019 are

Creative Sculptors & Mae Art in India
Studio Pescarella in Italy
Sculpture international in Rhodes
the Gygax Seydoux studio in Bern
the Studio di scultura Sergio Rodella in Italy
the Studio Artistic on Mallorca

So it shouldn’t be difficult for sculpture lovers to find an event on January 27, 2019. The Sculpture Network has also launched a campaign in which everyone is invited to contribute their perspective and create and share their own work of art from a craft sheet.

POTREBBE INTERESSARTI ANCHE

Generative Urban Performance

Building design
view-of-a-city-with-tall-buildings-gwazYHc03mg
Modern skyline of a city with tall buildings, photographed by Thijs Scheper

Generative Urban Performance – the term sounds like startup bingo, a cocktail of buzzwords and a future in which cities are no longer built, but programmed. But there is much more to the buzzword than the next marketing trend from Silicon Valley. Generative Urban Performance stands for the ability of cities to develop dynamically with the help of AI, big data and digitally networked systems – far beyond traditional planning. Here, cities are no longer just thought about, but calculated, simulated, measured and adapted. Welcome to the age of the algorithmic city, in which performance is more important than perfection and in which architecture is no longer just built, but continuously updated.

  • The article highlights Generative Urban Performance as a new paradigm shift in urban development in German-speaking countries.
  • It explains how digital twins, AI and simulations make urban performance measurable and controllable.
  • He shows what technical, legal and cultural hurdles exist in Germany, Austria and Switzerland.
  • Specific innovations from international pioneering cities and their transferability are discussed.
  • The article analyzes the role of data, algorithms and governance for sustainable cities.
  • It highlights sustainability aspects, opportunities for climate resilience and social participation.
  • Debates on data sovereignty, algorithmic bias and democratic control are critically evaluated.
  • The expertise for planners and architects in dealing with generative, digital tools is explained.
  • The article positions Generative Urban Performance in the context of the global architecture and urban planning debate.

Algorithm instead of anecdote: the rise of the generative city

Anyone walking through Zurich, Vienna or Copenhagen today will notice little of this. At first glance, the cities appear as they always have: sometimes orderly, sometimes improvised, sometimes visionary, sometimes encrusted. But under the surface, a new operating system has long been running. Generative Urban Performance means that cities are learning to observe, evaluate and optimize themselves – automatically, data-driven and in real time. This is not a gimmick for nerds, but a fundamental shift in urban logic. Whereas individual master plans, expert commissions and political compromises used to set the pace, today urban development is based on continuous simulation and feedback. Sensors record traffic flows, air quality, energy consumption and social movements, algorithms model scenarios and suggest adjustments. The city is becoming an adaptive organism, a generative system that does not wait for the next land use plan, but reacts proactively. In Germany, Austria and Switzerland, however, this development is still in its infancy – and is encountering administrations that are experimenting digitally, but often still think in manual file mode. The problem is that those who fail to plan for generative urban performance not only risk inefficiency, but also a loss of relevance in the international competition between cities.

The most important innovations do not come from traditional architecture, but from the interface between computer science, urban sociology and engineering. Digital twins, for example, are no longer cute 3D toys, but highly networked decision-making instances that map different city levels in real time. Artificial intelligence recognizes patterns in traffic volumes, suggests alternative routes and optimizes the utilization of infrastructure. In Singapore, the entire water management system is controlled by AI-supported simulations. Helsinki uses machine learning to simulate the effects of new development plans on climate, mobility and quality of life. These generative systems are not only faster, but also more transparent – provided they are openly designed and democratically controlled. However, this is easier said than done, as the leap from pilot simulation to everyday operations is huge.

The gap between aspiration and reality is particularly evident in German-speaking countries. While international pioneering cities actively monitor and control their urban performance, many municipalities are caught between legal concerns, data protection and a lack of standardization. There is a lack of interoperable platforms, open interfaces and governance that sees data as a common good rather than a raw material for the next tender. Anyone who wants to take Generative Urban Performance seriously must not only build technical systems, but also rethink institutional and social structures. This is uncomfortable, but unavoidable. The debate about who owns the data and who controls the algorithms is in full swing – and will keep architecture and urban planning busy for a long time to come.

But as provocative as this upheaval may be, the potential is enormous. Cities are becoming more resilient because they can react dynamically to climate risks. They will become more efficient because resource requirements and infrastructure can be adapted in real time. And they will become more social when digital participation involves new groups that were previously excluded. However, these opportunities are not a sure-fire success. They have to be fought for against resistance, inertia and technocratic temptations. Generative urban performance means nothing less than a paradigm shift – and those who miss it will be left behind by the simulations of others.

This puts architecture under pressure. What was previously regarded as a one-off planning process with final approval is becoming an ongoing process. Buildings, neighborhoods and entire cities are no longer just built and billed, but are monitored, evaluated and adapted on an ongoing basis. This requires new skills, a different self-image – and the willingness to no longer think of architecture as a finished object, but as a dynamic, data-driven process. For many in the profession, this may sound like a loss of control. For the next generation, it is the greatest opportunity since industrialization.

Technology, talent, transparency: what professionals need to know now

Generative urban performance is not an exclusive playing field for IT start-ups or digital prodigies. Architects, urban developers and civil engineers who want to be part of it need solid technical expertise – and a clear view of the opportunities and pitfalls. First of all, it’s about data competence: What data is collected? How is it structured, processed and visualized? If you don’t understand the logic of data models, you will be left behind by the algorithms of your own city. This doesn’t just affect large cities – requirements are also growing rapidly in rural areas. Weather data, traffic flows, energy consumption, user behavior – they all merge in the digital twin to form the basis for decisions on planning and operation. Anyone who ignores this is planning without reality.

It is no longer enough to simply deliver a few renderings or maintain a BIM model. Generative urban performance requires simulation-based methods: scenarios are calculated before the first sod is turned. AI systems recognize correlations that remain hidden from human planners. Machine learning helps to evaluate alternative designs and dynamically optimize the performance of districts. If you want to be a professional, you don’t have to program everything yourself – but the principles and potential of generative systems must be well understood. This requires further training, openness and a willingness to cooperate with new disciplines. Architecture becomes a team game between creative design power and algorithmic intelligence.

Transparency is not a nice add-on, but a survival strategy. Only if the models, assumptions and algorithms are disclosed will urban planning remain comprehensible and democratically controllable. The danger of AI systems becoming black boxes and urban development slipping away technocratically is real. In Germany in particular, skepticism towards automated decisions is high – and quickly leads to political blockades. Therefore, anyone using generative performance must explain, document and communicate. This is tedious, but there is no alternative. The future of the city does not lie in secrecy, but in open dialog between data, disciplines and citizens.

Another challenge is interoperability. Today, cities and municipalities use a variety of software solutions, data silos and proprietary systems. If you really want to scale Generative Urban Performance, you have to create open interfaces, establish common standards and design platforms in such a way that they will still work in twenty years’ time. This sounds like administrative reform, but it is a basic prerequisite for successful digitalization. Those who ignore the uncontrolled growth will be slowed down by the complexity of their own systems. The future belongs to cities that see their digital twins as an open infrastructure – and not as an exclusive asset for individual providers.

Ultimately, governance is also crucial. Who decides which scenarios are simulated, which priorities are set and which data is used? Without clear responsibilities and democratic control, urban development threatens to become a pawn in the hands of software providers, data traders and lobby groups. Professionals in architecture and planning must play an active role in this debate. Only then will the generative city remain an opportunity for everyone – and not become a dystopian experiment in the service of profit and control.

Sustainability by design: Generative performance as a climate saver?

The promises are great: Generative Urban Performance is supposed to make cities more sustainable, climate-resilient and resource-efficient. But does the technology deliver what it promises? The fact is that digital twins can be used to simulate environmental impacts, energy flows and climate risks more precisely than ever before. Cities such as Vienna and Zurich are already using these systems to predict heat build-up in new districts, minimize land sealing and dynamically manage energy requirements. AI models recognize where green spaces are most effective for fresh air exchange or where photovoltaics on roofs are most beneficial. This sounds like a digital eco-paradise, but it is hard technical work – and requires the right data to be available in sufficient quality. This is the first major hurdle: many local authorities have neither the resources nor the data expertise to operate these systems in a meaningful way.

But sustainability is more than just technology. It is a question of governance, participation and social justice. Who decides what goals the generative city should pursue? Should it reduce car traffic or create more living space? Should green spaces be maximized or should commercial areas be densified? These conflicting goals cannot be resolved by algorithms alone. They must be politically negotiated, socially accepted and technically implemented. Anyone selling generative performance as a panacea is misjudging the complexity of urban sustainability. However, it is a powerful tool for making conflicts of objectives transparent and visualizing the effects of different options for action.

Generative systems add a new dimension to the sustainability debate. Climate protection is no longer seen as an abstract goal, but as a measurable performance. Cities can see in real time how emissions, temperature development and resource consumption are changing – and adapt their measures accordingly. This makes the debate less ideological and more fact-based. But it also harbors risks: Those who only focus on measurable performance quickly overlook the qualities that cannot be captured in data – social networks, cultural identity, quality of life in detail. Sustainability remains a complex goal that technology alone cannot guarantee.

A great opportunity lies in the integration of participation formats. Digital platforms make it possible to involve citizens in the process, provide feedback on simulations and set their own priorities. This makes sustainability more tangible and increases the legitimacy of political decisions. But the same applies here: only open, transparent systems create trust. Those who operate digital twins as black boxes are squandering the potential for genuine climate and social innovations.

The future of urban sustainability will be decided at the interface of technology, governance and participation. Generative Urban Performance is not a panacea, but it is a powerful catalyst. Those who use it correctly will not turn the city of tomorrow into a utopia – but at least into a place that can adapt dynamically to the challenges of the 21st century.

Criticism, controversy, control: who will shape the generative city?

As promising as Generative Urban Performance sounds, the debates about its risks and side effects are at least as loud as the applause. Critics warn of the commercialization of urban data, of algorithmic distortion and of urban development that is beyond the control of human planning. In fact, these risks are real: anyone who loses control of data, algorithms and platforms risks urban development in the service of tech companies, investors or political interests. The demand for data sovereignty, open source solutions and clear rules for the use of artificial intelligence is not alarmism, but a basic requirement for responsible urban planning.

Another controversy concerns the question of democratic control. Who decides which scenarios are calculated and which performance targets are pursued? Without transparent processes and genuine participation, urban planning threatens to become a black box. The temptation to delegate complex political issues to algorithms is great – and can lead to a depoliticization that undermines the actual core of urban negotiation. Cities are not machines that can be adjusted at will. They are social, cultural and political entities in which conflicts have to be resolved and interests negotiated. Generative performance can support this – but never replace it.

The technocratic bias is also a problem. Those who focus exclusively on measurable performance quickly overlook the soft factors of urban quality of life. Architecture is more than efficiency, urban development more than optimization. Qualities such as identity, diversity, atmosphere and history can only be captured in data to a limited extent. Anyone who views Generative Urban Performance as an all-purpose weapon risks monotony, interchangeability and the loss of urban complexity. The challenge is to understand technology as a tool – not as an end in itself.

Internationally, the debate has long since flared up. After initial euphoria, cities such as Toronto and Barcelona have drawn boundaries, disclosed algorithms and tightened data usage guidelines. In Germany, there is growing pressure on administrations and planners to become actively involved in the governance of digital systems. Those who simply sit back and watch will be overwhelmed by the dynamics of their own city. Architecture has a key role to play here: it can mediate, moderate and shape – or become a vicarious agent of software logic. The choice lies with the discipline itself.

There are plenty of visionary ideas: open urban platforms, public interest algorithms, a focus on the common good and participatory simulations are not utopian, but tangible alternatives. The generative city is not a dystopian nightmare – but it is not a sure-fire success either. It will be what we make of it. And that, for a change, is not a question of algorithms, but of social will.

Conclusion: performance is not a goal, but a process

Generative urban performance is more than just the latest craze in the digital industry. It is an invitation to rethink the city – as a permanent process, as an adaptive system, as an arena for innovation and negotiation. Anyone who sees it as a mere technology project fails to recognize the depth of the upheaval. The city of the future will not be planned like a piece of furniture, but will continue to develop dynamically. Architecture, urban planning and engineering are at the beginning of a new era – and those who are not prepared to work with data, algorithms and participation will fall by the wayside. The question is no longer whether cities will transform generatively – but how openly, fairly and sustainably this change will be shaped. The performance of the city is not a goal, but an open process. If you want to shape it, you have to start now. Because the future is not waiting – it has long been simulated.

A new EVO quarter for Offenbach

Building design
A new EVO quarter in Offenbach am Main: (c) Johanna Moraweg

A new EVO quarter in Offenbach am Main: (c) Johanna Moraweg

This is what the future development prospects of the EVO site in Offenbach could look like after the coal phase-out: an urban planning design.

With the coal phase-out, many CHP plants will lose their raison d’être. What will happen to them afterwards? Will they convert or even close? Johanna Moraweg from the Rhein-Main University of Applied Sciences asked herself these questions in her Master’s thesis. As an answer, she developed a new quarter based on the site of Energieversorgung Offenbach (EVO). Her original, comprehensibly derived and creatively developed urban planning and spatial contribution to the future development prospects of the EVO site in Offenbach after the coal phase-out is impressive.

On August 8, 2020, the German government decided to phase out coal by 2038. This also affects the facilities of the Energieversorgung Offenbach (EVO) combined heat and power plant located in the Rhine-Main metropolitan region. But what will happen to the EVO CHP plant site in Offenbach am Main after the coal phase-out? What possibilities do the existing structures open up for the future of the site? What could a subsequent use, further use or conversion look like?

The particular challenge in the context of this work is to create the conditions for continuing to generate electricity and district heating at the site in an urban context even after the conversion. For EVO, the conversion to a gas plant is an option after the coal phase-out. At the same time, the site must open up to the surrounding area and become accessible again.

The necessary restructuring can be an opportunity to programmatically recode energy generation facilities. For the residents and users of the surrounding very different districts of Nordend, Hafen and Kaiserlei, this means creating a place for networking.

Nine visions describe the central idea of the designed EVO quarter and assign the ideas spatially. The sub-areas are bundled and united at EVO-Platz. This is where the different uses come together. It is a place that not only represents the EVO quarter, but also plays a central role as a space for dialog in the overall structure of the quarter and the surrounding districts.

This is what the nine visions for the Evo Quarter in Offenbach am Main look like:

Production North

Stacked light industry and manufacturing share loading zones, maneuvering areas and freight elevators. The space-intensive transformer station is relocated to the largest hall roof.

Manufactory and studio courtyards

The focus here is on craftsmanship and small-scale production in shared courtyards as well as studios for students and graduates of the Hochschule für Gestaltung, which will soon be moving into the neighborhood of the EVO Quarter in Offenbach am Main.

Production South

Three production halls face the existing and introverted data centers and shield the production yard. This is partly a green residential courtyard.

Promenade in the Anlagenring

Offenbach’s Anlagenring will be extended to the Main and supplemented by a lively promenade. The upper storeys of the buildings on the Anlagenring will become residential space.

Green joint

A steel structure covered with plants turns the Green Gap into a vertical park between the existing introverted data centers on the power plant site.

Industrial joint

A transit space for the city districts between various industrial buildings creates an industrial atmosphere and unique spatial experiences.

Park at the coal depot

The former coal storage area becomes a public green space.

Gas plant

The new gas-fired power plant is located in a vacant brick hall on Andréstrasse and opens up its first floor zones to the neighborhood.

Boiler house

Inserted elements transform the steel frames in the former boiler house into vertical co-working areas. The first floor houses the instantaneous water heater and the substation for the district heating. The roofs will become viewing areas and sports facilities.

The conversion of the EVO site into the EVO Quarter in Offenbach am Main introduces a new type of quarter at this location. The installation of the gas-fired power plant in the urban space is part of the integrated urban development here, without, however, counteracting the design of a dense, socially diverse and mixed-use residential and supply location in the sense of sustainable urban development.

Investor-driven new construction projects in the surrounding area not only drive up prices and create social barriers, but also threaten to reshape the area and lead to a loss of identity. To counteract this, careful handling of the existing buildings is particularly important in this project.

The typical local industrial atmosphere makes a decisive contribution to the perception of the EVO quarter as an independent district of Offenbach am Main. It is neither the Nordend or the harbor nor the Kaiserlei, but an independent connection point for everyone equally. It is a common place of identification that contains something from each district and connects these very different places with each other.

A perceptible and closed spatial edge is planned as a clear marker in the surroundings, to structure the space in the quarter and to emphasize the continued ring of facilities. To this end, five courtyards are created in the quarter, which are formed to the north and south by large and high stacked halls and have various open space qualities. Towards the outside, however, the buildings will be lower and smaller, in keeping with the buildings in the neighborhood. The new development blends in with the residential buildings in the north end by taking up the curve of the street and not exceeding the storeys of the residential buildings.

The green joint integrates the data centers. Its construction is connected to the greenhouses installed on the roofs of the data centers. These are heated with the waste heat from the data centers and are the symbolic visualization of the energy recovery of by-products of a process. The green joint merges into the plant ring and is an important link between the surrounding area and the EVO quarter. Entrées act as dialog areas between the plan area and the surroundings. They are differently designed open spaces located at strategic points. The first floor use at the dialog spaces is to be open to the public, for example as stores or bicycle garages.

The steel structures of the boiler house and the engine house/turbine hall have been preserved and re-sheathed in a translucent manner so that the cubature remains legible. The interior can then be put to a new use following structural additions and restructuring.

Furthermore, an L-shaped building complements the central ensemble consisting of the preserved courtyard with the listed former guest tower and the associated workshops, thus forming another courtyard. The urban design is based on the existing courtyard structure and continues this as a spatial strategy.

The contrast to the clear, mostly orthogonal structures is formed by the industrial joint, where the gas power plant, the boiler house, the old metalworking shop and the district heating tanks come together. Here, the industrial buildings and spaces create an extraordinary place that is not defined by clear edges. The EVO square as a center is formed accordingly between the vision fields and is located at a position facing the Nordend.

A park on the site of the former coal storage area under the listed coal crane and the coal conveyor belt converted into a staircase are further unusual elements in the sequence of open spaces along the banks of the Main from Frankfurt to Offenbach harbor. The new staircase also leads from the park directly to the upper floor of the converted boiler house, where a viewing terrace offers a view of Offenbach and across Frankfurt to the Taunus mountains.

One day, the view from the region will also look back, or rather forward, to the city of Offenbach. The EVO Quarter has the potential to become a trademark for the city of Offenbach, which can act as a progressive player and realize a pioneering project in the region with the conversion of the EVO site.

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You can also find more student work here – it’s worth it!