The Vogtshof in Herrnhut, the historical seat of the Herrenhut congregation, shows the characteristic architecture and the center of communal life in the Pietist settlement. Photo: Rixxo - Own work, CC BY 3.0, via: Wikimedia Commons
The Vogtshof in Herrnhut, the historical seat of the Herrenhut congregation, shows the characteristic architecture and the center of communal life in the Pietist settlement. Photo: Rixxo - Own work, CC BY 3.0, via: Wikimedia Commons

The Herrnhut Community was founded in the early 18th century in Herrnhut, Saxony, on the initiative of Nikolaus Ludwig von Zinzendorf. A group of exiles and religious refugees, primarily from Moravia and Bohemia, formed a Pietist community that sought to live according to biblical principles. The spatial organization of the settlements played a central role in this: houses, workshops, churches, and community spaces were arranged according to a clear, rational plan that took into account both practical needs and spiritual convictions.
The architectural style and urban planning of the Herrnhut community’s settlements are deeply rooted in the Protestant Reformation tradition and, at the same time, unique in their social intent. Each building not only served a functional purpose but also helped strengthen the community’s identity. The designs echo the Enlightenment’s concepts of the “ideal city”; the clarity of the structures and the simplicity of the forms reflect the religious ethos of the residents.

Arts and Crafts and Material Culture

In addition to architecture, arts and crafts played a central role in the settlements of the Herrnhut Community. The handmade Herrnhut stars are famous; they emerged in the community’s culture beginning in the 19th century and initially served as lights and symbols of the Christmas season in the homes and schools of the Herrnhuters. To this day, they have evolved into a globally recognized, identity-defining element of the Herrnhut tradition.
Furniture, textiles, and religious objects were also produced locally in many places and are characterized by simple, geometric forms and functional elegance. These items are an expression of a holistic design approach that combines aesthetics and everyday life, religious practice, and material culture. Furthermore, paintings, drawings, and prints documenting community life reflect the social organization and religious practices of the community. Such works of art are not merely decorative artifacts but provide valuable insights into the ideals and everyday reality of the community.

International Influence and Legacy

The planning principles and way of life of the Herrnhut community had a far-reaching influence beyond Germany. In the 18th and 19th centuries, its members founded missions and settlements in North America, Africa, and Asia, where the architectural and social concepts were often adopted and adapted to local conditions. The clearly structured layout, the emphasis on communal spaces, the separation by social status, and the close connection between work, education, and spirituality continue to shape the character of many Herrnhut settlements to this day.
This international context underscores the significance of the settlements not only as local landmarks but as testaments to a social and religious experiment with global impact. The settlements of the Herrnhut Community were inscribed on the UNESCO World Heritage List as a transnational serial World Heritage site. Christiansfeld in Denmark has been part of it since 2015; in 2024, the site was expanded to include Herrnhut in Germany, Bethlehem in the United States, and Gracehill in Northern Ireland. They are recognized under criteria (iii) and (iv) as an outstanding testimony to religiously motivated settlement and urban planning and to an independent, community-oriented way of life.

Significance Today

Today, the settlements of the Herrnhut community are of great historical and cultural significance. They serve as subjects of study for architectural and urban historical research and as tourist destinations that provide a deeper understanding of the world of early modern and modern religious communities. Restored buildings, historic cemeteries (Gottesäcker), museums, and archives preserve the original substance and make the planning principles and religious practices accessible to visitors. At the same time, they are a striking example of how religious beliefs can be translated into material culture and the built environment. The interplay of architecture, arts and crafts, and community life demonstrates that the Herrnhut community is far more than a historical footnote: it is a living testament to order, aesthetics, spirituality, and social vision that continues to inspire across the centuries.
The settlements illustrate how closely architecture, religion, and community life can be intertwined, while also offering a valuable model for the study of other religious or utopian communities. Their preservation and international recognition underscore that the Herrnhut vision is not only historically relevant but also culturally enriching for today’s generations.

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IBA Basel Specialist publication from the G+L editorial team

IBA Basel Specialist publication from the G+L editorial team

With the end of IBA Basel Expo at the beginning of June 2021, the International Building Exhibition Basel 2020 officially came to an end and with it the first effective International Building Exhibition in the border triangle between Germany, France and Switzerland. Everything you need to know about IBA Basel can be found here.

With the end of the IBA Basel Expo at the beginning of June 2021, the International Building Exhibition Basel 2020 officially came to an end and with it what was effectively the first International Building Exhibition in the border triangle between Germany, France and Switzerland. A closing film now summarizes the goals and developments of IBA Basel 2020.

The IBA Basel was the first International Building Exhibition to address the topic of spatial planning in border regions. International Building Exhibitions are a special format for urban and regional development. They are a hallmark of national building and planning culture. For more than a century, these experimental fields have brought current issues of planning and building to the forefront of national and international debate.

The origins of the IBA Basel date back to 2008, when everything began with the so-called first “draft memorandum”. This was drawn up by the Department of Construction and Transport of the Canton of Basel-Stadt together with the Trinational Eurodistict Basel TEB. In 2009, the TEB worked out the challenges and opportunities of trinational fragmentation and published these in the 2020 development strategy “A Future for Three”. In the strategy, it identified the main spatial planning objectives of “settlement development”, “transport development” and “landscape planning” as well as the “interactions with the areas of economic and population development” and “governance” and “financing of major metropolitan projects”. In 2010, the political players in the region jointly proclaimed the Basel International Building Exhibition.

2020: 20 projects with the IBA Basel label

In the ten years that followed, the IBA Basel put the shared responsibility for the agglomeration into concrete terms in projects, buildings, infrastructure and landscapes and provided impetus for a cross-border culture of cooperation, in line with the official IBA motto “Au-delà des frontières, ensemble – Growing together across borders”. Under the direction of Monica Linder-Guarnaccia, the IBA in the border triangle saw itself as an instrument of change. From 130 project proposals, the IBA team and a large number of stakeholders from the administration and interest groups launched 43 cross-border projects. A total of 20 of these were officially labeled as IBA projects in 2020.

To the memorandum of the IBA Basel

The memorandum of the IBA Expert Council describes the basis for implementing an IBA in ten recommendations. Precisely because the IBAs have no fixed regulations, their significance for building culture and urban development in a regional, national and international context must be constantly reviewed.

About the IBA Expert Council

The IBA Expert Council supports and advises the current IBAs and ensures that the developments, structures and content of the IBAs are in line with the quality criteria set out in the Memorandum. It also accompanies the preparatory phases of the IBA initiatives. The IBA Expert Council was appointed by the Federal Ministry of Building. Read more about the Expert Council here.

The initial situation of the International Building Exhibition Basel was that of a fragmented agglomeration. The central IBA task was to harmonize the different submission rights, legal bases, internal administrative processes, decision-making powers and financing models of the three participating countries and, last but not least, to build up intercultural competence. This was no easy task and without an understanding of the different mentalities and hierarchies, the implementation of real cross-border projects on an equal footing with the other party would not have been possible. In the course of the IBA in the border triangle, a paradigm shift took place in cross-border cooperation between German, French and Swiss stakeholders. The border region grew together on a political, economic and cultural level during the IBA years.

A budget of twelve million euros instead of one billion

Getting there was an adventure and many a stone had to be cleared away. The IBA in the three countries had to work with the different cultural influences of the three countries, the economic discrepancy between the flourishing economic metropolis of Basel and the agglomeration and the bilingualism – German and French. Above all, however, financing was a constant problem. Despite the support of 27 financing municipalities, the available budget remained far underfunded. The IBA Basel worked with twelve million, while the IBA Hamburg received one billion euros.
The planned three-year financing of the IBA Basel office and its project development fund placed additional demands on the ten-year project throughout its entire duration. This also became part of a recurring search for consensus, added value and return on investment.

The IBA in the border triangle is not an architectural showcase in the traditional sense and has therefore been criticized several times in the past. According to critics, the lighthouse projects traditionally built for an IBA are missing. And yes, the International Building Exhibition Basel is not characterized by building construction projects. Rather, it defines a new era for the format of the International Building Exhibition itself. The background: unlike its predecessors – such as the IBA Stadtumbau in Saxony-Anhalt, the IBA See in Lusatia or the IBA Emscher Park – the Basel International Building Exhibition is not taking place in a traditionally structurally weak area.

The IBA of processes

The Basel region has been flourishing for decades with financially strong companies such as Novartis and Roche. The IBA in the border triangle did not arise out of an emergency situation. The challenge of the International Building Exhibition Basel was to establish a tri-national planning culture between more than 64 regional authorities and numerous private stakeholders over ten IBA years and to launch outstanding cross-border projects in a rolling process. The International Building Exhibition Basel is therefore an IBA of processes. This difference has not made it easy for it. In contrast to building construction projects, process innovation is difficult to present.

Out of 130, 20 projects prevailed

An International Building Exhibition puts social, future living environments up for discussion. It must have a message and this must be significant for other regions, it must be transferable. The International Building Exhibition Basel has shown internationally how measures to strengthen and develop a border region can be implemented together. The Basel International Building Exhibition shows how beneficial it is to take the needs of the other party into account. It has shown how participation and an interdisciplinary approach can increase project quality, even if they take more time and are more complex. The 20 labeled IBA projects together with the IBA project groups and the nominated projects speak for themselves.

IBA Basel closing film

The finissage on June 4, 2021 marked the official end of the IBA Basel Expo and with it the International Building Exhibition Basel. Together with the IBA Presidium, IBA Basel Managing Director Monica Linder-Guarnaccia invited guests to reflect on the findings of ten years of the IBA process and look ahead to the future development of the region.

Spatial planning development across national borders was the focus of the International Building Exhibition Basel. No IBA before the IBA Basel had ever dealt with this topic in this way. The special focus, objectives and developments of the IBA Basel are now summarized in a closing film for the IBA Basel 2020.

Garten + Landschaft provided information online about the projects, their creators and the IBA’s goals. The findings of the first cross-border International Building Exhibition in the border triangle of Germany, France and Switzerland have resulted in the publication “IBA Basel 2020. Crossing borders together” in German and French, which is well worth reading. Find out more here.

Our colleagues at Baumeister also celebrated with a special Baumeister issue on IBA Basel 2020 in May.

Observation tower at Lake Seljord

Building design

At Lake Seljord in the Norwegian province of Telemark, home to a sea monster called Selma, landscape architects and architects planned a “sea snake tower” as part of the “Seljord and its legends” project.

Building in a picturesque landscape is a delightful task. The planners set the scene, the landscape accentuates small buildings. On October 18, a new observation tower, the “Sea Snake Tower”, was opened on Lake Seljord in Norway. It is part of the Skiensvassdraget river system and the culmination of a series of landscape-based interventions placed around the lake as part of the “Seljord and its Legends” project by Feste Landscape Architects, Rintala Eggertson Architects and Springer Kulturstudio, all from Norway. The 15-meter-high tower opens up to the surrounding landscape at different heights. Viewing platforms on the various levels offer views of the landscape. The municipality of Seljord has just under 3,000 inhabitants and is located in the Norwegian province of Telemark. A sea monster called Selma is said to have been sighted for the first time in Seljordsvatn, a lake that lies partly within the municipality, as early as 1750. This is why the coat of arms of Seljord, developed in 1989, shows a yellow sea serpent on a red background. The creature in Lake Seljord is said to be between four and 50 meters long, have a horse or crocodile-like head and appear pitch black. There is also talk of a pair of front fins and humps. The projects of “Seljord and its legends” are documented in Topos 74.Buildings in special places are also the theme of the November issue of Garten + Landschaft. The magazine presents a selection of successful buildings as well as viewing platforms, towers, footbridges and bridges.


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Photos: Dag Jenssen