Shape, color and burger buns

Building design
Masquespacio have designed a new branch in pastel shades for the Bun burger chain. Photo: Gregory Abbate

Masquespacio have designed a new branch in pastel shades for the Bun burger chain. Photo: Gregory Abbate

The Spanish creative studio Masquespacio has designed a new branch for the Bun burger chain in Milan’s Brera district. The designers transformed the restaurant into a colorful space with a swimming pool feel.

The Spanish creative studio Masquespacio has designed a new branch for the Bun burger chain in Milan’s Brera district. The designers transformed the restaurant into a colorful space with a swimming pool feel.

Among the attributes that come to mind when it comes to fast food chains, the term “sophisticated” is certainly not the first association that springs to mind. But with their concept for the new branch of the Bun burger chain in Milan, the Spanish creative studio Masquespacio pursued precisely this goal. In the Brera district, Ana Hernándezand Christophe Penasse wanted to open up new spheres of sophisticated design while retaining a youthful and fresh touch. The design of a fast food restaurant is not new territory for the office. They have already designed a total of six branches for the Bun chain in Milan and one in Turin, thereby helping to fundamentally shape the brand. While other hamburger chains focus on a vintage or industrial look, Masquespacio take a different approach for Bun. Their designs are colorful and trendy, but at the same time stringent and high-quality.

The first collaboration between Masquespacio and Bun resulted in the store in Bligny in Milan. It shines in shades of green and purple and is unique thanks to the integration of existing bricks andarches. In the Turin store, on the other hand, Ana Hernándezand Christophe Penasse developed their design from the spatial constellation of three shop windows. The designers applied a different shade of color to each of the windows, creating a visual effect from the outside that allows viewers to wander from one world to another.

For the store in Brera, Masquespacio based their choice of colors on nuances they found in their surroundings. Instead of the extremely bright tones that predominate in other Bun stores, this time Masquespacio opted for four coordinated colors in reference to the historic Brera district. These are lilac, avocado green, pastel yellow and pastel blue. Although the look still stands out from the surroundings, it is more mature and sedate than in other bun bistros. At the same time, the designers use the color scheme to create a clear division of space.

In the entrance area, visitors to the restaurant are greeted by a fresh yellow and a delicate lilac hue. There are several small seating niches on raised levels. Two flights of stairs lead to a second area, which is decorated in pastel pink and avocado green. The third room is a special feature. While the first area faces the street and lets in direct daylight through large windows, the third area is set back at the end of the restaurant. However, Masquespacio deliberately staged what at first glance appears to be an unattractive spatial composition. Here, they reinterpreted the swimming pool concept that they had already used in Turin. While in Turin a seating area with light-colored tiles and pool ladders attached to the walls creates the impression of a swimming pool, Masquespacio worked with different materials in Brera. Here, mirrored walls give visitors the feeling of being surrounded by waves. The pastel blue color scheme and the lighting design do the rest to reinterpret the originally rather dark area into a place of discovery.

Terrazzo tiles, gold decorations and wood can also be found throughout the restaurant in Brera. Other aspects previously used in other Bun interiors, such as the play of different levels, the characteristic Bun furnitureand the lighting, also reappear in the Brera branch. In addition, the designers used dried plants in different colors to give the space an innovativetouch while supporting the more mature feel that was set as the theme for the project.

The Bun store is an unexpected location in the historic district of Brera. The design is thus a typical example of Masquespacio’s work. In 2010, Ana Milena Hernández Palacios and Christophe Penasse founded the design studio “with the aim of doing something different… something that makes us proud and passes on our goal of seeking innovation in every project”. With these words, the two themselves describe their approach. The unusual design and brand establishment of a fast food chain is just one of many projects that proves how the ingenious use of colors and shapes paired with a pinch of boldness can create exciting spaces where no one would have initially suspected them.

More burgers: Sapid Studio has designed a Japanese-inspired burger bar in Geneva. The interior of the “Sando” restaurant is characterized by the “boro boro” patchwork concept.

POTREBBE INTERESSARTI ANCHE

Elke Büdenbender and Prof. Dr. Thomas M. Weber-Karyotakis in front of the torso of Aphrodite. Photo: Birte Ruhardt/Gerda Henkel Foundation

The Gerda Henkel Foundation is committed to protecting cultural heritage in Jordan. In addition to an archaeological excavation in the city of Gerasa, the foundation is also supporting a digitization programme for historical finds in Amman. Federal President Frank-Walter Steinmeier drew attention to the funding projects by visiting both sites at the end of January 2018. On his trip to Jordan, Federal President Frank-Walter Steinmeier not only visited […]

The Gerda Henkel Foundation is committed to protecting cultural heritage in Jordan. In addition to an archaeological excavation in the city of Gerasa, the foundation is also supporting a digitization programme for historical finds in Amman. Federal President Frank-Walter Steinmeier drew attention to the funding projects by visiting both sites at the end of January 2018.

On his trip to Jordan, Federal President Frank-Walter Steinmeier not only visited Abdullah Il ibn Al Hussein, the King of the Hashemite Kingdom of Jordan, schools, refugees and young entrepreneurs, but also the excavations in Gerasa and the Citadel Hill in Amman. The Gerda Henkel Foundation is involved in both locations.

In Gerasa, it supported the excavations by a team of Jordanian, French and German archaeologists. They excavated in the eastern baths of the city of Gerasa, which are among the largest Roman baths in the area. During this excavation campaign, the archaeologists found 100 fragments of marble figurines as well as a figurine of Aphrodite with an inscription testifying that it was donated by the Gerasa citizen Demetrios in 153/154 AD.

Digital documentation of the finds from Amman

Under the title “Patrimonies”, the Gerda Henkel Foundation promotes the preservation of cultural heritage in crisis regions. This endangered cultural heritage also includes finds that have already been recovered, preserved and exhibited in the Archaeological Museum at the Citadel in Amman. They are all being photographed and scientifically described with the help of the foundation. The digital database is intended to protect 100,000 years of human history from robbery, destruction and oblivion. Because what is recorded in the database is more difficult to trade, making theft less worthwhile.

The Gerda Henkel Foundation has accompanied the work of Dieter Vieweger, archaeologist and theologian, and Jutta Häser, project manager in Amman, and is showing several films on its website that give an excellent impression of the situation on the ground, the scope, the difficulties and the importance of the work. The eight films can be viewed at: www.lisa.gerda-henkel-stiftung.de

“With his visit, the Federal President honored the valuable commitment of the Foundation – also representative of the commitment of German institutions and institutions in the field of cultural property protection,” said the Federal President’s Office at the request of RESTAURO.

“We now have great rooms to go with our great collections”

Building design

After 16 years, the Staatsbibliothek Unter den Linden in Berlin has now been extensively renovated and extended. The Stuttgart-based firm hg merz was responsible for the project. After 16 years of lengthy conversion and renovation processes and 470 million euros spent, the Berlin State Library Unter den Linden opened digitally last Monday. This means that one of Berlin’s largest construction projects […]

After 16 years, the Staatsbibliothek Unter den Linden in Berlin has now been extensively renovated and extended. The Stuttgart-based firm hg merz was responsible for the project.

After 16 years of lengthy conversion and renovation processes and 470 million euros spent, the Berlin State Library Unter den Linden opened digitally last Monday. This marks the completion of one of Berlin’s largest construction projects. Founded in 1661, the research institution is considered one of the most important libraries in the world and is the largest academic library in the German-speaking world. Due to its importance, the monumental building has been adapted to the requirements of the 21st century since 2005 while it has remained in operation. Originally, the work on the 100,000 square meters of floor space was not due to be completed until 2012 and then 2016.

The research library, which was badly damaged during the Second World War and rebuilt during the GDR era, proved to be in greater need of renovation than originally assumed. For example, new supports had to be installed in the building to secure the old, listed concrete arches of the large dome. The overall concept for the general refurbishment and extension of Unter den Linden was the brainchild of Stuttgart star architect hg merz, who also modernized the State Opera diagonally opposite. In 2000, he won first prize in a Europe-wide competition. Individual construction tasks, such as the lighting concept or the material and color concept, were solved by hg merz in collaboration with artistic and technical offices.

The best-known feature of the old building, which has been renovated in line with its listed status, is the implanted glass cube of the central reading room, which opened in 2012. Now, after more than 70 years, it is once again accessible along the historical axis through the building complex via the entrance hall, fountain courtyard and the elegant main staircase and vestibule. The original spatial concept can now be experienced again. The reconstruction of the barrel vault in the main hall also restores the original cubature of the room.

In the reading room itself, the bright orange carpet has been renewed. The special reading rooms have also been redesigned and modernized: dark wooden shelves surround the books on the walls, with work areas in between whose linoleum table tops pick up the color of the carpet.
“We now have great rooms to complement our great collections,” says a delighted General Director Barbara Schneider-Kempf. The collections, which have grown over 360 years – including four pieces of world documentary heritage by Beethoven, Bach and Luther – are supplemented by around 100,000 media and extensive digital materials every year. The collection currently comprises more than 33 million different items, including 12 million books, autographs, printed music, magazines and newspapers as well as maps, globes and bequests.

The 620 workstations in the seven reading rooms currently have to remain empty. Due to the coronavirus, students and academics can only explore the redesigned library digitally for the time being. Important: From February onwards, lending operations will be restricted.

Speaking of libraries and reading material: discover the new library in Gundelsheim by Schlicht Lamprecht Architekten.