A view of the Marina Bay Sands casino and hotel (L) and the skyline of Singapore's central business district May 27, 2016. REUTERS/Edgar Su/File Photo | For editorial use only.

The IFLA World Congress 2018 will take place in Singapore from July 18 to 21, 2018. This year, IFLA World Congress visitors will explore and discuss the topics of Biophilic City, Smart Nation and Future Resilience.

The 55th IFLA World Congress returns to Singapore. For the second time, the “City in a Garden” will provide a stage for professionals, government agencies and academics to reflect on the interactions between urban and natural environments from July 18 to 21, 2018 at the Sands Expo and Convention Centre, Marina Bay Sands.
Considered the largest and most important event for landscape professionals in the world, the congress is organized by the International Federation of Landscape Architects (IFLA) and the Singapore Institute of Landscape Architects (SILA).

This year, visitors to the IFLA World Congress will explore the themes of Biophilic City, Smart Nation and Future Resilience. The congress will explore greening strategies in fast-growing cities and the application of potential technologies to provide insights into design processes and capacities to adapt to changing environmental conditions. Participants can look forward to engaging with government agencies, business leaders, industry representatives, academics and opinion leaders.

Biophilic City:
Within this theme, the practice of landscape architecture in the context of rapidly growing cities will be explored. A biophilic city puts nature first in its design, planning and management. Participants can discuss what modern landscape architecture needs to look like to maintain its leading role in improving our urban and natural environment in a biophilic city.

Smart Nation:
Landscape architecture is also influenced by an increasingly digitized society. With the help of remote sensors and probes, we can expand the measurement and evaluation of our environment. Landscape architecture should contribute to an interdisciplinary approach and offer new, practical concepts to meet the diverse challenges of climate change and urbanization.

Future Resilience:
To clarify the role landscape architects take to improve critical infrastructure systems in the city. How do we ensure that these systems continue to function and remain resilient despite increasing threats from climate change? How can landscape architects design with limited resources?

Singapore as host

Singapore is a city-state that has made tremendous efforts to put nature at the center of all urban developments. The government is constantly striving to develop infrastructure and accommodate an ever-growing population – while preserving green spaces. Singapore is considered an example of an ideal biophilic city.

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Object in focus 2023: innovative products and solutions

Building design
Photo: James Hardie

Photo: James Hardie

The most beautiful, the best or the most sustainable product is worth little if it cannot be shown to its best advantage in a building. This applies to unique items as well as series and standard products. We show reference examples that have been created through the use of innovative products and solutions or have contributed to the development of custom-made products.

The most beautiful, the best or the most sustainable product is worth little if it cannot be shown to its best advantage in a building. This applies to unique items as well as series and standard products. We show reference examples that have been created through the use of innovative products and solutions or have contributed to the development of custom-made products.

It is often the economic framework conditions that set limits to the creativity of architects and planners. With Hardie Architectural Panel, the balancing act between high-quality design and convincing cost-effectiveness can be achieved. The large-format façade panels, measuring 3,048 x 1,220 x 8 millimetres, are made of durable fiber cement and have been specially developed for new builds or renovations. A special manufacturing process, in which the texture is applied in a single step, is the basis for the economical price-performance ratio. It is also associated with lower CO2 emissions, which is why the medium-density façade panels have been awarded the Eco 1 label by Ecobau.

Two different surfaces – brushed concrete and textured render – and six colors provide all the requirements for designing a building envelope. Special colors can also be selected according to individual customer requirements. The surfaces of Hardie façade panels are weather-resistant, easy to clean and the color finish is lightfast, making them particularly suitable for multi-storey residential, commercial and public buildings. The manufacturer James Hardie confirms this with a 15-year guarantee.

Hardie Architectural Panels can be installed as a ventilated rainscreen cladding (VHF) on a timber or aluminum substructure with or without insulation. The low panel weight simplifies installation. The finishing touches are provided by accessories that perfectly match the panel color. James Hardie has also developed an invisible fastening system for its large formats.

Product: Hardie Architectural Panel

Manufacturer: James Hardie

Order free samples here.

The popular Bambesch forest playground on the northern outskirts of Luxembourg was renovated. The concept by landscape architects Schwarze und Partner for the client, the City of Luxembourg, envisaged a playful interpretation of the city’s history and Luxembourg’s rocky landscape. In close cooperation with Richter Spielgeräte, an authentic, inclusive playground made of natural materials was created, embedded in the forest as a feel-good place for visitors of all ages.

At the entrance to the playground, the statue of the mermaid Melusine awaits the children next to the gnome village with playhouses and sand play facilities. Above, at the beginning of the watercourse with its many damming elements and water sources, the “Three Acorns” fort, a large playable castle complex, rises majestically. The “Hohler Zahn” castle ruins are located on another hill: they offer children an impressive view and an exciting descent down the tunnel slide to a huge climbing structure made of crooked robinia trunks. The “Three Towers” can be reached via the “Castle Bridge”, which is equipped with a wheelchair rocker as a bridge deck. A mystical basement made of artificial rock supports the wooden structure, which in turn contains a pretzel bakery and a guard room.

The various play functions in the historicizing elements are complemented by play equipment for spinning, seesawing, jumping and swinging. The playground, which was already popular before the renovation, is now a destination not only for Luxembourg families, but also for visitors from nearby countries.

Product: Play equipment

Manufacturer: Richter Spielgeräte GmbH and KaGo & Hammerschmidt GmbH (artificial rocks)

Project: Bambesch forest playground, City of Luxembourg

Architects: Schwarze und Partner, landscape architects mbB

richter-spielgeraete.de

The glass shell may be deceptive: The new headquarters of the insurance company for fire and natural hazards (ECA) of the Swiss canton of Vaud offers maximum security. The Swiss architects Architram Architecture et Urbanisme chose steel profile systems from Forster to meet the multi-layered safety requirements.

Due to the complex tasks of the building, the architects’ nested yet ingenious concept placed the emergency call center at the core. The functions are arranged in a ring around a central inner courtyard. The second floor houses training facilities, exhibition rooms and a restaurant. The ECA offices are grouped on the other levels and around the inner courtyard. In the plinth area and on the two floors above the public level, a striking external façade is designed in the form of offset trapezoidal surfaces that simulate a faceted structure. Plane glass façade bands on the second floor or towards the inner courtyard form a formal contrast. The façade surfaces are designed as mullion-transom façades with thermfix vario façade, glazing and door system elements from Forster. The focus here was on maximum security such as fire protection, smoke extraction, burglary protection and bullet resistance, depending on the area of the building.

The inner façade surfaces are clad with the forster fuego light system – also in the form of fire protection doors for the entrances within the office floors, to the stairwell and on the first floor as a transition to the inner courtyard. In addition to the glass shell, glass balustrades and walls complete the transparent and crystalline building concept on all sides.

Products:

  • Facades: forster thermfix vario E30 with RC3, FB3 or FB4
  • Doors: forster unico E30 with RC3 and FB3; forster fuego light El30 with RC3 and FB3
  • Sliding doors with escape route EN179 and glass joint EI30: forster fuego light

Manufacturer: Forster Profilsysteme AG, Arbon, Switzerland

forstersystems.com

For demanding construction projects, especially in the area of fire protection, specialist knowledge and tailor-made solutions are essential. Which basic planning elements are crucial for such projects and how can they be integrated into the planning at an early stage? What preventative steps are required? What organizational and technical facilities need to be provided and how can structural fire protection be optimized?

The new “Fire protection white paper” from Teckentrup deals with these aspects in detail. In addition to an explanation of standards and guidelines, practical examples are also given in which Teckentrup has successfully fulfilled fire protection requirements. Projects include the German Museum in Munich. Here, too, Teckentrup has demonstrated its expertise in fire protection. The building complex with over 66,000 square meters of exhibition space will be extensively renovated by 2028. During this time, numerous exhibits must remain in their rooms, and the stricter fire protection regulations required specialist knowledge when it came to modernizing the doors.

In the first construction phase, over 200 new steel doors from Teckentrup were installed for fire protection. Building in an existing building was the planning challenge; in addition, various structural conditions such as different existing walls and technical requirements had to be taken into account. Teckentrup mastered these challenges in collaboration with Teckentrup partner Jens Dunkel Glas- und Bauelemente GmbH.

Product: “Fire protection white paper” (free of charge)

Content: Basics and standards for fire protection door planning, escape and rescue routes, CE marking; practical examples of special buildings in detail

Manufacturer: Teckentrup GmbH & Co KG, Verl-Sürenheide

teckentrup.biz

The “ParkEntree” project in Schiedam, the Netherlands, is an exemplary residential concept for over-50s living together. Together with the residents, architects Inbo designed two buildings with a total of 89 apartments, 79 of which are ground-floor condominiums and ten rental apartments, spread over two courtyards. ParkEntree is part of the revitalization of the post-war Nieuwland district and also offers communal facilities such as two gardens, a clubhouse and a lounge. The light clinker brick façade plays a major role in the friendly appearance of the building complex: the architects chose the “Weimar HS” hand-struck clinker brick from Hagemeister, a light-colored yet robust brick that does not stain. Combined with the dark brown “Ruhrerde GT” brick with its iridescent silver-grey coal accents, the brickwork creates a lively façade appearance.

The façades are designed in relief with strong cornice sections that protrude up to 60 centimetres and lend them depth. The “Weimar HS” sorting used has a color spectrum ranging from cream white to sand yellow. The natural color nuances and shallow coal fire accents give the surface character, just as the imprints and conveyor marks from the production processes create a traditional hand-stroked look. As a contrast, the entrance areas of the terraced houses are accentuated with areas of the dark “Ruhrerde GT” clinker brick in dark brown to anthracite. With its many nuances, it also has a lively and tactile effect thanks to the coal firing.

The architecture of the ParkEntree thus matches the relaxed character of senior smart living.

Products: “Weimar HS” and “Ruhrerde GT”

Manufacturer: Hagemeister GmbH and Co. KG

Special feature: The hand-finished surface provides liveliness; strong cornice sections protruding from the façade give depth and structure.

hagemeister.de

In our B6 portfolio, we present new solutions and products for architects, including those from Solarlux and Agrob Buchtal.

Spaces for digital rituals

Building design
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Close-up of a modern building, photographed by Iewek Gnos, highlighting innovative digital architecture and structural design.

Spaces for digital rituals – sounds like a hip start-up lounge or the next esoteric workshop in a coworking space. But anyone who still believes that digitalization in the construction industry only means a bit of BIM and a few smart sockets has long since missed the real ritual. Architecture is facing a turning point: Where people used to come together to plan, celebrate or work, hybrid spaces are now emerging that merge analog and digital rituals. What characterizes these new spaces? Who is designing them? And why are they the next big thing for building culture, urban development and the profession itself?

  • Digital rituals are radically changing the use and design of spaces in architecture and urban planning.
  • Germany, Austria and Switzerland are experimenting with hybrid spatial concepts – boldly, but often hesitantly.
  • AI, sensor technology and real-time data are turning buildings and cities into interactive platforms for new forms of community.
  • Sustainability is taking on a digital dimension: the focus is on resource efficiency, adaptive use and sharing models.
  • The biggest challenge remains the interface between people, technology and space – and the question of sovereignty.
  • Architects need in-depth technical expertise, digital ethics and creative vision for these new spaces.
  • Global pioneers are setting standards, while German-speaking countries are still struggling with culture and norms.
  • Digital rituals open up opportunities for participation, transparency and resilience – but also harbor risks of alienation and control.
  • The debate about digital spaces is part of a fundamental paradigm shift in building culture.

Digital rituals: from Zoom meetings to new spatial planning

The pandemic has shown us how it’s done: suddenly half of Europe was sitting in their living rooms discussing building applications, holding lectures or celebrating weddings – all digitally, all somehow improvised. What began as an emergency solution has long since taken on a life of its own. Digital rituals are now part of everyday life: from daily stand-ups in the virtual project room to citizen participation via livestream and communal gaming in the neighborhood meeting place. But what actually makes a room a place for digital rituals? It’s not just sockets and Wi-Fi. It is the deliberate design of interfaces, transitions and atmospheres that combine physical and digital presence. Architects are faced with the challenge of no longer just thinking in terms of cubature and materials, but also software, data streams and interaction design. Anyone who believes that a screen in the foyer is enough has not understood the new spatial organization.

Germany, Austria and Switzerland are experimenting. In Berlin, hybrid seminar centers are being created, in Zurich libraries are becoming collaborative platforms, in Vienna residential buildings are merging with co-working spaces and digital neighborhoods. Initial pilot projects show: The demand for spaces for digital rituals is enormous. However, there is still uncertainty as to how much digitalization a space can tolerate before it loses its social quality. This is where the real work for planners begins – and the struggle to find the right balance between technology and atmosphere.

Something that is often underestimated: Digital rituals are never purely technical. They are always also social and cultural practices. The space must enable people to meet, build trust and act together – even if part of this takes place in virtual space. This places new demands on acoustics, lighting and furnishings, but also on data protection and digital infrastructure. A hybrid space that does not reflect this complexity remains a backdrop with no effect. Anyone planning spaces for digital rituals therefore needs to know more than the DIN standards for media installations.

The debate about digital spaces is part of a larger paradigm shift. It is no longer just about units of use, but about processes, communities and network structures. Digital rituals are shifting the focus from ownership to access, from hierarchy to collaboration, from permanence to flexibility. Spaces are becoming temporary, adaptive, sometimes even self-learning. Architecture is facing competition from UX designers, software developers and data artists, who are also contributing to the new building culture. Those who don’t play along will be left out.

And of course there is also resistance. Not everyone wants to be constantly networked or monitored. The longing for offline, authenticity and retreat remains – and it becomes louder the more digital the environment becomes. Good spaces for digital rituals therefore always offer zones of deceleration, protection and freedom from algorithms. The trick is to interweave the one with the other without slipping into technocracy or digital folklore.

Technology as a driver: AI, data and the new spatial intelligence

You can spin it however you like: without technology, the idea of digital ritual remains mere theory. Only sensor technology, AI and cloud services make rooms truly interactive. In the smart office, algorithms measure room occupancy and suggest optimal workstations. In the smart city, the next available co-working spot is displayed via an app, while the light automatically adjusts to the time of day and individual biorhythms. Anyone who thinks this is still a dream of the future has missed out on the latest developments. Global metropolises such as Seoul, Singapore and Toronto have long since shown how AI-supported spatial intelligence enables new social interactions – and thus also creates new rituals.

In German-speaking countries, the reality is more differentiated. There are lighthouse projects: The open source platforms in Hamburg’s district centers, the adaptive learning architecture at Munich’s universities, the digitally networked neighborhood spaces in Graz. But the big hit has yet to materialize. The reasons are complex: fear of loss of control, lack of interoperability between systems, data protection concerns and, last but not least, a profession that struggles with the role of “room programmer”. But the trend is unstoppable: in future, every room that is to be used digitally will need its own data strategy – from network planning to AI-based process optimization.

This means that architects and planners will have to deal with things that used to be left to the IT department or facility managers. What data is collected? Who controls the algorithms? How are user interests protected? The technical side ranges from low-code platforms and building operating systems to augmented reality, which enables new forms of collaboration. If you don’t stay up to date here, you will not only lose touch, but also access to design sovereignty.

Of course, technology also brings with it new risks. Algorithmic distortion, surveillance, data misuse – all of this is not just the stuff of dystopias, but has long been part of reality. The question of how much control a digital space needs and how much autonomy it allows is a highly political one. New ethical standards and a critical awareness of the side effects are needed. If you want to shape digital rituals, you have to be more than just a technology optimist. They must be able to endure ambivalence – and make it productive.

The end result is the realization that technology is not an end in itself. It is a tool, a stage and sometimes a stumbling block. The best spaces for digital rituals are those that use technology in such a way that it strengthens social interaction – rather than replacing it. This is only possible if planners see digital as an integral part of the space and not as an add-on.

Sustainability reloaded: digital rituals as resource savers or energy wasters?

You might think that digital rituals are one thing above all: energy-hungry. Server farms, 24/7 streaming, sensors at every socket – even the passive house standard becomes a farce when the digital infrastructure consumes more electricity than the building technology could ever save. But the truth is more complex. Digital spaces also offer opportunities for more sustainable use: spaces are shared, vacancies are reduced, mobility is reduced through home offices and virtual meetings. Adaptive control of lighting, heating and ventilation saves resources if used intelligently. But the big problem is that digital innovation can only become ecological progress if design, operation and data management are geared towards sustainability.

There are initial approaches in the DACH region. In Zurich, smart neighborhood networks are being used to manage shared resources such as tools, mobility services and energy. In Vienna, residential concepts are being developed in which digital platforms control the shared use of space and appliances. In Hamburg, experiments are being conducted with digital neighborhood management tools that measure the ecological footprint of buildings and districts in real time. But the system is lacking: there are hardly any binding standards, little monitoring and even less transparency about how sustainable digital rituals actually are.

The problem is that most sustainability certificates are lagging behind digital developments. They evaluate buildings according to traditional criteria – and overlook the fact that the real resource savings lie in operation, flexibility and sharing. Anyone planning digital rituals today must therefore develop their own criteria: How can data economy be achieved? How can the lifespan of digital infrastructure be extended? How can users be motivated to behave sustainably? This calls for innovative approaches that combine architecture, technology and social practice.

Another topic is the risk of digital exclusion. Those without access to digital services are left out – and this not only affects older people or “digital natives” in rural regions, but also urban milieus with specific needs. Sustainability therefore also means the greatest possible accessibility, usability and participation. Digital rituals must not become a new form of social division. They must build bridges, not walls.

Looking ahead shows: The sustainable digital space is possible – but it needs more than green labels. It needs a new culture of collaboration, transparency and taking responsibility. Architects, developers and users must work together to find out how digital rituals can become a driver for resource conservation. Only then will digitalization become a game changer for sustainable building culture.

Competence, control, creativity: what architects need to know now

Designing spaces for digital rituals requires more than traditional design skills. It requires a radical expansion of the skills profile. Architects today need to understand the language of programmers, design interfaces, control data flows and deal with legal issues of data sovereignty. If you can’t do this, you are handing over design sovereignty to others – to tech companies, facility managers or the users themselves. The question of “Who owns the digital space?” is becoming the crux of the profession.

In Germany, Austria and Switzerland, many planners are still struggling with this new role. Training is lagging behind, fees barely reflect digital services and building regulations are tailored to analog uses. But time is pressing: With every new platform, every new smart building toolkit, the influence of external players on interior design grows. If you want to survive as an architect, you have to turn yourself into a choreographer of digital rituals – and that means thinking in an interdisciplinary way, remaining curious and taking responsibility.

Technical know-how is only half the battle. It also requires ethical judgment, communication skills and the ability to moderate complex processes. The architect becomes a translator between users, technology and urban society. They no longer just define spaces, but also rules, processes and interaction patterns. This is challenging – but also a huge opportunity to re-establish the relevance of the profession.

Of course there is resistance. The fear of losing control is real: who controls the digital twin of a building? Who decides what data is collected? And how can misuse and surveillance be prevented? Clear governance structures, open standards and transparent procedures are needed here. The debate is in full swing – and it will shape architecture at least as much as the digitalization of construction production did twenty years ago.

Ultimately, anyone who designs spaces for digital rituals will become a pioneer of a new building culture. They not only create places, but also spaces of opportunity for participation, innovation and the common good. This may be uncomfortable – but it is precisely the kind of challenge for which architecture has always been best suited.

Conclusion: digital rituals are more than a trend – they are the future of building culture

Spaces for digital rituals mark nothing less than the beginning of a new era in construction. They challenge, they provoke, they open up horizons. Anyone who still believes that this is just about technology gimmicks or hip gadgets has not understood the seriousness of the situation. It’s about the question of how we want to live, work and design together in the future – digitally, analog and everything in between. The architecture of the future is hybrid, participative and data-driven. Anyone who wants to shape it needs expertise, courage and a healthy dose of self-irony. Because the real rituals are created where technology and people meet at eye level. Welcome to the age of real-time spaces.