Social spaces through diversity

Building design
A total of 45 new apartments have been built in the Taylor Court, Chatto Court and Wilmott Court parts of Henley Halebrown. Photo: Nick Kane

A total of 45 new apartments have been built in the Taylor Court, Chatto Court and Wilmott Court parts of Henley Halebrown. Photo: Nick Kane

The Taylor Court, Chatto Court and Wilmott Court residential projects by Henley Halebrown in London have won the Civic Trust Award 2022. More about the project here.

The Taylor Court, Chatto Court and Wilmott Court residential projects by Henley Halebrown in London have won the Civic Trust Award 2022. More about the project here.

It is a bold and ambitious project commissioned by the London Borough of Hackney and represents the best of social housing, said the jury of the Civic Trust Awards 2022 about the building ensemble Taylor Court, Chatto Court & Wilmott Court in London and presented Henley Halebrown with the National Panel Special Award. The award proves that the London-based architecture firm is on the right track with its philosophy. For Henley Halebrown, buildings form the foundation of society: “They are our homes, they provide a setting for the health service, the education of our children and young people, and the arts. Equally they are the instruments of commerce. In each case the architecture is a catalyst for social interaction and personal endeavor. First and foremost, we consider this our responsibility.”

They have once again fulfilled this responsibility on the edge of the post-war Frampton Park Estate in London. In the Taylor Court, Chatto Court and Wilmott Court sections of the estate, 45 new apartments have been built. The development was made possible by the demolition of the former Frampton Arms pub and Lyttelton House – a small building with six apartments that no longer met modern requirements. In their place, Henley Halebrown developed three building complexes that were built at the same time, but responded individually to the context and the required program. They mediate between the post-war estate and the Victorianstreet. This is achieved, among other things, by means of partly porous spatial constellations at first floor level.

The combination of several elements also served as a design impulse for the architects. They worked with two different architectural traditions: one in which the wall serves to delimit spaces in monolithic forms, and the other in which frames are used to create space. Henley Halebrown see the wall itself as a social space and as an active part of an architecture that responds to the community. To this end, they designed loggias and spacious balconies for the residents, for example. It is not only the surroundings, the seasons and the weather that can be experienced in this intermediate space. The layered brick walls also serve as a buffer between the private area of the house and the public area of the district.

The theme of social space and how this can be produced also runs through other aspects of the architecture. Through a diverse selection of different residential typologies, for example, Henley Halebrown sought to promote a sense of belonging and thus also responsibility for one’s own place of residence. In the five-storey buildings Taylor Court and Chatto Court, the two lower floors are occupied by street-level townhouse apartments, while the upper floors are occupied by duplex maisonettes. The two buildings are connected on the first floor via an entrance portal under an open round arch. This creates interesting views of the adjoining quarter and enables a clear address to be created.

Wilmott Court is made up of apartments arranged around a three-storeyhall. On the two upper floors, the hall opens onto an inner courtyard, around which eight houses are grouped. Communal rooms of different sizes and designs complete the spatial program. This diversity of accommodation ensures variety within the building volumes. Instead of the uniform anonymity often found in social housing and mass accommodation, the architects hope that the design details will create a personally charged neighborhood.

The diversity on the inside contrasts with a uniform design on the outside. Henley Halebrown used handmade brick and red pigmented rendered mortarfor all three buildings. Despite the spatial distance between the Taylor Court/ChattoCourt and Wilmott Court ensemble, the buildings are recognizable as a unit thanks to their design signature. The planners chose subtle details as a reminiscence of the Hackney district. These include, for example, the aforementioned arched bridge between Taylor Court and Chatto Court on the former site of the Frampton Arms pub. Furthermore, the wedge-shapedfloor plan of the Wilmott Court building results from the historical curvature of the street. This picks up on the urban structure and improves the legibility of the building.

The design quality goes hand in hand with affordable housing prices. This was made possible by Hackney Council’s ambitious housing program to build hundreds of new council homes. No government funding was available for this. Instead, the entire project was financed through the direct sale of some of the apartments. This innovative, non-profit-oriented concept and the high-quality spaces will hopefully inspire not only the jury of the Civic Trust Awards, but also the entire population in the future.

More social housing: the architecture studio Atelier Archiplein has built a block of ten social housing units on behalf of the Nicolas Bogueret Foundation in Geneva.

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New Online Store for Grave Sites

Building design
The online store “Grabkauf Online,” which offers themed gravesites at the Ohlsdorf Park Cemetery, is the first of its kind in Germany. Photo: Hamburg Cemeteries
The online store “Grabkauf Online,” which offers themed gravesites at the Ohlsdorf Park Cemetery, is the first of its kind in Germany. Photo: Hamburg Cemeteries

Hamburg’s cemeteries have jointly developed an online store for purchasing gravesites. This allows interested individuals to conveniently browse the wide variety of options from the comfort of their own homes on their computers.

The “Grabkauf Online” online store for themed gravesites at the Ohlsdorf Park Cemetery is the first of its kind in Germany. Photo: Hamburg Cemeteries

Especially in these times, when direct contact must be avoided, the importance of online services is increasing significantly—particularly those that eliminate the need for in-person visits. Hamburger Friedhöfe has now developed a shop for purchasing graves online. The shop offers 13 different themed burial plots at Ohlsdorf Cemetery—ranging from the wildflower garden to the Ohlsdorf Forest of Peace to the crypt.

This allows interested individuals to conveniently browse the variety of options from the comfort of their own home on a computer. Photo galleries and videos showcase the beauty of the sites. People can also view the sites and seek advice with family members or friends, even from a distance. This can provide inspiration to many who have previously been reluctant to address the topic.

Of course, it is still possible to visit the facilities at Ohlsdorf Cemetery in person. A digital map is provided for each burial plot, making it easier to locate them within the cemetery. Prices are also listed. The burial plots are offered as part of pre-need planning. This means that anyone who purchases a burial plot pays the price in effect today, regardless of when they use it. Upon purchase, the plot is reserved for an unlimited period. From the time of death, it may then be used for 25 years. However, all options can also be purchased in the event of a specific death.

You can find more information here.

Tokyo, Andaz Hotel

Building design

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In the “Andaz Hotel” on the top floors of the second highest tower in Tokyo, the view is the main attraction. Despite the owners, an American hotel chain, the decor focuses on local color.

The view over Tokyo’s sea of buildings is familiar from the movie “Lost in Translation”. The view is also the main attraction at the Andaz Hotel on the top floors of the city’s second-highest tower. Despite the owners, an American hotel chain, the décor focuses on local color.

The topographically highest point in Tokyo, Atago Mountain, measures exactly 26 meters. In the past, this height was enough to see as far as Tokyo Bay – today, however, high-rise buildings obscure the view from the elevation on which the Atago Shrine has been attracting worshippers since 1603.

One of the newest towers in the city is the “Toranomon Hills Tower” by Nihon Sekkei Architects: 52 storeys high, it stretches into the sky, its floor plan reminiscent of a rhombus with partly rounded and partly chamfered corners. At 235 meters, Tokyo’s highest wedding chapel nestles triangularly under the sloping, triangular roof.

However, the tower cannot lay claim to the superlative “tallest building”, as the “Tokyo Midtown Tower”, which was completed in 2007, towers 13 meters above the Toranomon Hills Tower. However, static or structural problems were not the reason for the unbroken height record: the high-rise is so close to the Imperial Palace that additional storeys would have disturbed the privacy of the imperial family and were not approved.

But even without looking into the royals’ gardens and chambers, the view from the top six floors of the “Andaz Tokyo Toranomon Hills” hotel is hard to beat. New York designer Toni Chi and Tokyo-born interior designer Shinichiro Ogata have therefore focused the hotel rooms, which are at least 50 square meters in size by Japanese standards, entirely on the view: From the bed, from the sofa and from the desk, the view falls down to the city through the completely glazed front.

But it would be a shame not to take a look at the rooms too; the walls are clad in off-white panels covered with traditional shoji paper and set off with dark Hokkaido walnut wood, while sliding wooden walls transform the hallway into a dressing room in an ingenious and space-saving way.

Local materials and quotes from Japanese architecture and art history were also used in the elevators, lobby, spa and restaurant and interpreted in a contemporary way. The boutique hotel brand Andaz, which has opened its 12th hotel worldwide and its first in Japan with the Andaz Tokyo, places great value on authenticity: while Marcel Wanders designed the Andaz Amsterdam, for example, the Andaz Tokyo promises “Japanese experiences” for guests and locals.

The ambitious concept tolerates the inevitable breaks inherent in the term authenticity per se: the so-called Kumiko mural, puzzled together from thousands of wooden pieces, fits just as well into the almost six-metre-high hotel lobby on the 51st floor as electric light into the historic Atago shrine.

Address

Andaz Tokyo
Toranomon Hills 3-20-16-2F Nishi-Azabu Minato-ku
Tokyo 106-0031 Japan
Tel.+81 3 6830 1234, Fax.+81 3 6830 1211
www.andaztokyo.com