Soundproofing the Ceiling in a Rental Apartment: Basics, Calculations, and Practical Application

Building design
A structural detail of the building related to soundproofing the ceiling of a rental apartment
Close-up of a cardboard ceiling—a spotlight on an unusual building material. Photo: omerhaktan

Anyone who lives in or manages a rental apartment will sooner or later face the urgent issue of soundproofing the ceiling: impact noise from neighbors above, airborne noise from the apartment next door, and the dull rumble of a washing machine on the floor above. Noise in apartment buildings is not a minor issue, but rather one of the most common causes of rental disputes, rent reductions, and renovation obligations. Those who understand the physical principles, regulatory requirements, and design options can make informed decisions in both existing and new construction.

  • What sound insulation in ceilings means from a physical standpoint and how sound propagates in buildings
  • The difference between airborne and impact sound, as well as their respective measurement parameters
  • Which standards and limit values apply to rental apartments and how they differ
  • How ceiling structures function from a design perspective and which materials achieve which effects
  • Why flanking transmission is often underestimated and how it affects the overall performance
  • Which measures actually help in existing buildings and what their limitations are
  • How sound insulation is calculated and evaluated, from planning through to final inspection
  • What rights and obligations tenants and landlords have regarding sound insulation

Acoustic Physics in Buildings: How Sound Is Generated and Propagates

Sound is a mechanical vibration that propagates through elastic media. In buildings, this occurs in two fundamentally different ways, both of which are equally relevant for sound insulation in the ceiling of a rental apartment. Airborne sound is caused by pressure fluctuations in the air—such as from speech, music, or the television—and propagates through the room as a sound wave. When this wave hits a structural element such as a ceiling, it causes it to vibrate, and this vibration is radiated back out as airborne sound on the other side. Impact sound, on the other hand, is caused by direct mechanical excitation of a structural element—typically by footsteps, children jumping, or moving furniture on the floor above.

The propagation of sound within a building does not follow only the direct path through the separating structural element—that is, the ceiling itself. A significant portion of the sound energy travels via adjacent structural elements: through walls adjoining the ceiling, through columns, beams, and utility shafts. In poorly designed structures, this so-called flanking transmission can mean that even a ceiling with excellent sound insulation does little to improve the overall result, because the sound simply travels around it. For soundproofing the ceiling of a rental apartment, this means: The ceiling is always part of a system, never an isolated component.

Sound energy is reduced in buildings through three mechanisms: reflection, absorption, and damping. Heavy, rigid structural elements reflect sound well and are therefore effective at reducing airborne sound. Soft, porous materials absorb sound energy and convert it into heat, making them effective at reducing impact sound. Damping via elastic intermediate layers interrupts the structure-borne sound path and prevents vibrations from being transmitted from one structural element to the next. These three principles form the structural basis for all soundproofing measures in ceilings.

Airborne Sound and Impact Sound: Measurement Parameters, Test Methods, and Standards

Two measurement parameters are key for sound insulation in the ceilings of rental apartments. The rated sound insulation index R’w describes the airborne sound insulation of a building component when installed, i.e., taking flanking transmission into account. It is expressed in decibels (dB): The higher the value, the better the insulation. The rated standard impact sound level L’n,w describes impact sound transmission: Here, the opposite applies—the lower the value, the better the protection. Both parameters are measured using standardized procedures defined in the DIN EN ISO 140 series of standards—or its successor, DIN EN ISO 10140, for laboratory measurements—and DIN EN ISO 16283 for on-site measurements.

The authoritative German standard for minimum sound insulation requirements in residential buildings is DIN 4109. It specifies the minimum R’w values and maximum L’n,w values that must be met for ceilings between apartments. The current version of DIN 4109, dated 2018, distinguishes between minimum sound insulation—which is mandatory under building codes—and higher requirements that can be voluntarily agreed upon and correspond to a more comfortable standard of living. In addition, VDI Guideline 4100 provides recommendations for three levels of sound insulation, the highest of which describes a level of comfort that significantly exceeds the standard.

A common misunderstanding concerns the distinction between laboratory and on-site measurement values. Sound insulation indices measured in the laboratory (without a prime, i.e., Rw) are always better than those measured on the finished building (with a prime, i.e., R’w), because flanking transmission is eliminated in the laboratory. Depending on the construction and building structure, the difference typically ranges from two to eight decibels. Anyone reading product data sheets must therefore pay close attention to this difference: A screed system advertised as having an impact sound improvement of twenty decibels in the laboratory may perform significantly worse on-site if the adjacent walls are not decoupled.

Structural Ceiling Construction: Solid Slab, Wooden Beam Ceiling, and Floating Screed

The raw ceiling forms the acoustic foundation. Solid reinforced concrete ceilings benefit from the law of mass: The heavier a structural element is, the more energy is required to set it in motion, and the less sound is transmitted to the other side. A reinforced concrete ceiling with a mass per unit area of three hundred kilograms per square meter already achieves a sound insulation index of approximately fifty to fifty-five decibels in its raw state. That sounds good, but it is not sufficient on its own to meet the requirements of DIN 4109 for floors between residential units, because impact sound is transmitted almost unimpeded through the rigid slab.

A floating screed is the most important and effective measure for reducing impact sound in solid slabs. In this method, the screed is not rigidly connected to the raw slab but is laid on an elastic impact sound insulation board that interrupts the structure-borne sound path. The screed assembly “floats” acoustically on the insulation layer. It is crucial that this decoupling be carried out consistently: The screed must neither touch the walls nor form a rigid connection to the supporting structure via pipe penetrations or thresholds. Even small sound bridges—such as a forgotten lump of mortar under the screed or a wall connection without an edge insulation strip—can reduce impact sound reduction by ten to fifteen decibels.

Wooden beam ceilings, such as those found in pre-World War II buildings and in modern wooden structures, present a particular challenge. Wood is lightweight and flexibly elastic, which means it transmits vibrations well. The mass per unit area of a wooden beam ceiling is far lower than that of a concrete ceiling, which negatively affects both airborne sound insulation and impact sound insulation in comparison. Remedies include adding dead loads (such as fill material made of sand or expanded clay between the beams), decoupled suspended ceilings, and floating structures. With wooden beam ceilings, a combination of several measures is almost always necessary to achieve values that comply with standards. Modern solid wood construction methods, such as cross-laminated timber (CLT) floors, achieve significantly better performance than traditional wooden beam floors due to their greater mass and targeted multi-layer designs.

Suspended subceilings are another option for improving sound insulation from below. They are particularly effective for airborne sound insulation when designed as a double-skin construction with a decoupled substructure. They offer little benefit for impact sound, however, because structure-borne sound is generated in the raw ceiling and the screed above it and is hardly affected by the suspended ceiling. However, a suspended ceiling can improve sound absorption in the room and thus reduce the reverberation time, which positively influences the subjective listening experience without increasing sound insulation in the physical sense.

Edge Transmission: The Underestimated Factor in Sound Insulation

In practice, flanking transmission is one of the most common reasons why carefully planned ceiling constructions perform worse than expected in the finished building. Sound introduced into a ceiling travels as structure-borne sound into the adjacent walls and from there into the ceilings and walls of the neighboring apartment. This indirect path can be acoustically shorter than the direct path through the partition ceiling if the flanking building elements are weaker than the ceiling itself.

In concrete terms, for sound insulation in rental apartment ceilings, this means: A high-quality partition ceiling with a sound reduction index of sixty decibels is of little use if the flanking walls only achieve fifty decibels. The overall result is determined by the weakest link in the transmission chain. The standard calculation method according to DIN EN 12354 takes this fact into account and allows for a prediction of the resulting R’w value by considering all transmission paths. Designers who perform this calculation early on can take targeted action before costly mistakes occur.

Structural measures to counteract flanking transmission include, for example, flexibly connected wall joints, separation joints between residential units that are consistently carried through all building components, and the decoupling of utility lines that can act as structure-borne sound paths. In solid-wall construction, flanking transmission can be controlled through sufficient wall mass and careful joint planning. In wood construction, it requires particular structural care because the low mass of the wood components promotes flanking transmission.

Sound Insulation in Existing Buildings: Possibilities and Limitations in Renovation and Retrofit

In existing buildings—that is, in existing rental apartments and multi-family homes—the options for improving sound insulation in the ceiling of a rental apartment are often limited, but by no means hopeless. The most effective measure from above—that is, at the floor level of the apartment above—is to replace or supplement the floor structure with a floating screed or a decoupled dry screed laid on impact sound insulation boards. However, this measure requires the cooperation of the tenant in the apartment above and is logistically challenging in buildings that are continuously occupied by tenants.

From below—that is, within the affected rental apartment—the effectiveness of measures is more limited. A suspended ceiling with a decoupled substructure and sound-absorbing fill can improve airborne sound insulation and reduce reverberation time, but it has little effect on impact sound. Carpet or floating floor coverings in the apartment above are more effective acoustically than any measure taken from below, because they dampen the sound source itself. A carpet with a suitable nonwoven backing can reduce the impact sound level by ten to fifteen decibels, which subjectively corresponds to a significant improvement.

For landlords, the question arises during renovations as to which sound insulation standard is required. As a general rule: In the case of a renovation that does not reach the character of a new construction, the landlord is not required to meet the current new-construction standard. The state of the art at the time the building was constructed is the determining factor. However, if a building is renovated so extensively that it is equivalent to a new construction, the current requirements of DIN 4109 apply. This distinction is legally significant and has been the subject of numerous court rulings.

Calculation, Planning, and Acceptance: From Standard to Practice

Sound insulation calculations during the planning phase are performed in accordance with DIN EN 12354, which allows for an engineering-based prediction of the resulting sound insulation index based on component parameters and building geometry. This method is not a substitute for measurements taken on the completed structure, but it is an indispensable planning tool for identifying weak points at an early stage. Specialists in building acoustics routinely use these calculations and, based on the results, can provide design recommendations that optimize the overall system.

The acceptance measurement on the completed building is performed in accordance with DIN EN ISO 16283 and provides the actual values achieved under real installation conditions. This measurement is recommended for new construction and extensive renovations to ensure that the planned values have indeed been achieved. If the requirements of DIN 4109 are not met, this constitutes a construction defect that justifies claims for remedial work. For tenants, knowledge of these measured values is important if they wish to claim a rent reduction due to unreasonable noise pollution.

The subjective perception of sound often differs from the measured values. Human hearing is not linear; rather, it perceives low frequencies differently than high ones. A decibel value alone therefore does not tell the whole story about the perceived noise level. The evaluation curves factored into the standard measurement parameters take this frequency dependence into account but cannot fully capture all subjective perceptions. Low-frequency impact noise in particular—such as that produced by subwoofers or heavy footsteps—is inadequately captured by standard measurement parameters and is the subject of current standardization discussions.

Soundproofing Ceilings in Rental Apartments: An Ongoing Planning and Legal Challenge

Sound insulation for ceilings in rental apartments is not a one-time planning issue that is resolved upon building acceptance. It is an ongoing task that affects planners, building owners, landlords, and tenants alike. The physical principles are clear and well understood; the structural solutions are available and proven. What is often lacking is consistent implementation across all trades, careful supervision of construction work, and the awareness that every sound bridge, every forgotten perimeter insulation strip, and every uninsulated pipe penetration measurably degrades the overall result.

The normative requirements of DIN 4109 describe a minimum standard intended to protect health and quality of life, but do not guarantee comfortable living. Those who set higher standards must contractually agree to stricter requirements and implement them in the construction process. VDI 4100 provides a practical framework for this. For building owners and investors seeking to create apartments that can be rented out over the long term, good sound insulation is not a cost center but an investment in tenant satisfaction and value retention.

Tenants who suffer from inadequate sound insulation have legal recourse if it can be proven that the standards in effect at the time of construction were not met. However, the burden of proof and the distinction between normal residential use and unreasonable disturbance are complex and require expert assistance in the event of a dispute. A building acoustics report that provides measurement data and contextualizes it within the relevant standards is the crucial tool in such situations. Those familiar with the fundamentals are able to read and evaluate these reports and draw the correct conclusions from them.

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Signal Iduna Park: architecture meets urban stadium art

Building design
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Woman text on glass in the Xie Zilong Photography Museum, Changsha. Photo by K Hsu.

Signal Iduna Park: a legend made of concrete, steel and passion – and a lesson in urban stadium art that is much more than just soccer architecture. Anyone talking about the future of large public buildings cannot ignore Dortmund’s soccer temple. Why? Because it combines urban planning vision, digital transformation and sustainable architecture in one stadium – and because every architect who plans stadiums today must be measured against this unique building.

  • Signal Iduna Park is the largest stadium in Germany and the epitome of modern stadium architecture.
  • The evolution from a pure soccer arena to an urban multifunctional venue is a textbook example of contemporary urban planning.
  • Digital technologies and AI-supported tools are revolutionizing operations, security and the fan experience.
  • Sustainability remains both a challenge and a driver of innovation – from energy efficiency to the circular economy.
  • Today, planners and operators need far more than just floor plan knowledge: Data competence, process understanding and the courage to have visions.
  • The discussion about commercialization, identity and urbanity is shaping the architectural debate surrounding stadiums.
  • Signal Iduna Park is an example of the global transformation of sports venues into urban hubs.
  • The future lies in integrative, digital and resilient stadium concepts – with Dortmund as a blueprint.

Stadium architecture today: between goosebumps and infrastructure machine

Anyone standing in Signal Iduna Park for the first time immediately senses that it’s not just about soccer. The concentrated energy of the “Yellow Wall” has long since become a symbol for a new generation of stadiums. But while fans celebrate ecstatically, planners, architects and operators have completely different tasks to deal with. In Germany, Austria and Switzerland, stadium architecture has matured in recent decades from a pure sports venue to an urban infrastructure machine. The days of pure concrete bowls are over. Today, a stadium has to be multifunctional, permeable and integrated into the urban space. Signal Iduna Park shows how a building not only creates identity, but also functions as an urban hotspot – from an event space to a mobility hub.

Technical development is progressing rapidly. Modern arenas have long since become networked ecosystems in which digital control, security technology, building automation and visitor analytics go hand in hand. In Dortmund, the stadium has been repeatedly expanded, adapted and technically upgraded over the decades – from the renovation of the stands to the integration of digital access systems and high-speed WiFi for 80,000 people. This is not a luxury, but the standard for large-scale urban buildings, which must function as catalysts for urban development. The trend is similar in Austria and Switzerland, albeit often on a smaller scale and with greater integration into the respective urban landscape. The fundamental challenge remains: How can architecture, technology and urban society be successfully combined in a stadium project?

Signal Iduna Park is not only an architectural focus, but also a social laboratory. New forms of fan participation, mobility concepts and even neighborhood dialogues are being tested here. A stadium as a city in miniature is a reality in Dortmund. But not all that glitters is gold: the debate about commercialization, noise protection, traffic flows and sustainability is in full swing. While cities such as Munich or Basel think of new stadiums as urban development projects, Dortmund remains a pioneer for emotional identity and urban density. The big question: how can this balance between myth and machine also be ensured in future buildings?

Today, planners are faced with the task of designing far more than just grandstands. It is about quality of stay, integration into the urban context, sustainable choice of materials and technical resilience. Signal Iduna Park provides numerous blueprints for this: from the design of the fan curves to traffic logistics and flexible event areas. The architectural debate always revolves around the question of how much stadium a district can take – and how much city a stadium needs. The answer lies somewhere between urban planning courage and technical finesse.

In Switzerland, for example, new arenas are often part of larger development areas; in Austria, small but fine stadiums shape the local identity. But an international comparison shows: Anyone who understands stadium architecture as part of urban transformation inevitably ends up in Dortmund. There, stadium construction is becoming an art form – with all the opportunities and risks for urban planners, architects and investors.

Digital transformation: when the stadium becomes a smart arena

Signal Iduna Park is not only physically impressive, but also a digital pioneer. While soccer fans are still discussing the VAR, planners have long been working with digital twins, AI-supported visitor control and real-time data. In practice, this means that sensor technology measures visitor flows, controls air conditioning and optimizes security concepts. Digitalization turns the stadium into a learning system that can react flexibly to weather, capacity and threats. Such smart stadium approaches are still rare in Germany and Switzerland, but they are becoming the new standard. Dortmund shows how digital tools not only make operations more efficient, but also personalize the experience for visitors.

A look behind the scenes reveals: Where a stadium attendant with a bunch of keys used to rule, AI systems now monitor access control, fire safety and escape routes. Predictive maintenance, i.e. the predictive maintenance of building technology, has long been part of everyday life. Energy requirements, water consumption and waste volumes are analyzed and optimized in real time. This saves costs and resources – and increases reliability during operation. For architects and operators, this means a new form of responsibility: they must not only build, but also think digitally. The necessary expertise ranges from data analysis to IT security.

Digitalization also opens up new scope for sustainability. Intelligent control systems adapt lighting, heating and ventilation to actual needs. Smart mobility solutions guide travel, reduce emissions and relieve the burden on the neighborhood. Dortmund was an early adopter of digital visitor guidance, mobile ticketing systems and automated access control – a model that is now also being copied in Vienna and Zurich. The trick is to dovetail technology and architecture in such a way that they reinforce each other. Not everything that is digital is automatically better. But without digitalization, a stadium is simply no longer up to date.

Of course, there are also risks. Dependence on IT infrastructure, data protection issues and the danger of technocratic overcontrol are real challenges. Critics warn of the transparent fan, algorithmic discrimination and the commercialization of experience data. Architects and operators are called upon to ensure transparency and control. Signal Iduna Park relies on openness and dialog – an approach that should set a precedent. Because only if fans, the city and operators work together to build the digital future will the stadium remain a space for experiences and not just a data mine.

Ultimately, the digital transformation is turning the stadium into an urban hub that extends far beyond sport. Anyone shaping this transformation must think about technology, space and people together – and keep asking themselves who actually owns the new stadium. Dortmund has found a pretty clear answer to this question: It belongs to everyone who fills it with life.

Sustainability and the circular economy: from energy guzzler to green role model?

Stadiums have long been regarded as ecological problem cases. Huge concrete buildings, high emissions, energy wastage – the image was bad, the reality often even worse. But Signal Iduna Park is an example of how sustainability and stadium construction can go hand in hand today. Even during the numerous extensions and conversions, the planners focused on resource-saving materials, reuse and energy efficiency. Photovoltaic systems, rainwater harvesting and intelligent building technology have long been standard. In Germany, Austria and Switzerland, such measures are now mandatory – but Dortmund remains a reference point for innovative solutions.

A central topic is the circular economy. Signal Iduna Park demonstrates how components can be replaced on a modular basis, resources recovered and building materials recycled. This is not only ecologically sensible, but also economically attractive. Anyone planning stadiums today has to keep an eye on the entire life cycle: from the choice of materials to the construction phase and dismantling. This is where technical expertise pays off. Architects, civil engineers and operators need a deep understanding of sustainable building materials, energy and waste management and the integration of renewable energies.

The challenges are enormous: a stadium is an energy guzzler if it is operated incorrectly. Only intelligent concepts that combine architecture, technology and user behavior can effectively reduce emissions and resource consumption. In Dortmund, LED technology, efficient heating systems and sustainable mobility concepts were implemented early on. Cooperation with the city, local companies and research institutions creates synergies that extend far beyond the stadium walls. In this way, Signal Iduna Park is becoming a testing ground for urban sustainability.

Of course, there is also criticism. The construction of new stadiums still devours vast amounts of raw materials, and the “green stadium” often remains a marketing promise. But the trend is clear: without sustainability, there will be no more acceptance – neither from urban society nor from fans or investors. The pressure is growing to deliver real innovations instead of just collecting certificates. The discussion is similar in Austria and Switzerland, where sustainability is often considered on a smaller scale, with a focus on regional value creation and social integration.

A look at Signal Iduna Park shows this: Sustainability is not an add-on, but an integral part of modern stadium architecture. Anyone planning today must minimize the ecological footprint and break new ground in the process. From urban farming on the stadium roof to zero-emission operation – the visions are there. The challenge now is to implement them without losing the myth of the stadium.

Architectural discourse and global debates: How much city can a stadium take?

Signal Iduna Park not only stands for architecture, but also for a heated debate: How much city is actually in the stadium – and how much stadium does the city need? While in other countries mega arenas are built as solitary structures on greenfield sites, Dortmund focuses on integration, identity and urbanity. The stadium is part of urban life, a transportation hub, a meeting place and a symbol of cohesion. This fusion of architecture and urban development is causing a stir internationally. Similar concepts are being discussed in Vienna, Basel and Zurich, but Dortmund remains a defining style.

Criticism of the commercialization of stadiums is omnipresent. Naming rights, VIP boxes, event areas – the balance between economic success and social responsibility is a constant balancing act. Signal Iduna Park shows that identity and authenticity are also possible in a commercially used stadium. The architecture plays its part in this: Visual axes, open facades, flexible use and the famous standing grandstand as a haven for fan culture. Such elements are not a minor matter, but the core of modern stadium art.

Digitalization and sustainability bring new challenges to the architectural discourse. What happens when algorithms decide on admission, security and comfort? How much technology can the stadium experience tolerate without dehumanizing it? And how can ecological and social goals be reconciled with economic requirements? Signal Iduna Park is a laboratory for these questions – it shows that innovation and authenticity need not be a contradiction in terms. But it also shows that it takes courage to break new ground.

Internationally, people look to Dortmund. FIFA, UEFA and numerous architecture firms use the stadium as a reference for competitions, studies and research projects. The global debate is increasingly revolving around urban integration, flexibility and resilience. Today, stadiums have to be able to do more than just play soccer: they are event spaces, mobility hubs, green lungs and social meeting places. Signal Iduna Park embodies this development in a unique way.

The question remains: What will the stadium of the future look like? Modular, digital, sustainable and open to all – these are the industry buzzwords. Dortmund is well on the way to making this vision a reality. Any architect, planner or operator who wants to be an international player today cannot ignore the lessons learned in the Ruhr region. Signal Iduna Park is more than just a stadium – it is a statement for urban stadium art in the 21st century.

Conclusion: Signal Iduna Park as a blueprint for the stadium architecture of tomorrow

Signal Iduna Park is not a relic, but a laboratory for the future of urban stadium art. Here, architecture, technology and urban society merge to create a unique experience that goes far beyond soccer. Digitalization, sustainability and urban integration are no longer options, but a must for all those who build stadiums today – in Germany, Austria, Switzerland and worldwide. Anyone who studies Signal Iduna Park learns that stadium construction is more than just engineering. It is about identity, community and the ability to rethink the city. The arena in Dortmund thus remains both a benchmark and a reminder: you can build a stadium as a machine – or as a work of art for the city. The choice is ours.

“Enthusiasm, team spirit, courage and willingness to learn.”

Building design

The founders of AllesWirdGut Architektur are Friedrich Passler

Four students, three cities, four offices – every year, the Baumeister Academy sends talented architecture students to work in renowned offices. But who is actually behind it and what do the architects get out of our program? We ask: this time at AllesWirdGut Architektur, who took part in the Baumeister Academy for the first time in 2019. Franzisca Rainalter is already in the starting blocks, her […]

Four students, three cities, four offices – every year, the Baumeister Academy sends talented architecture students to work in renowned offices. But who is actually behind it and what do the architects get out of our program? We ask: this time at AllesWirdGut Architektur, who took part in the Baumeister Academy for the first time in 2019. Franzisca Rainalter is already in the starting blocks, her six-month internship at AllesWirdGut Architektur begins in September. We met her future boss Andreas Marth and talked to him about his work and the next generation of architects.

Our Academy winner Franzisca Rainalter starts her six-month internship at AWG on September 1st. If you could/had to do an internship in an office again today. Where would you go?
Definitely to AllesWirdGut – to Vienna or Munich!

And why should you go to AWG?
In addition to a varied insight into the world of work and everyday architecture, we also offer all interns the opportunity to improve their own cooking skills. In addition to working in the various project teams, one of the tasks is to support our cook in the canteen for a week ata time. In addition to healthy, home-cooked food, you will also receive valuable tips on how to use a knife and fork!

The internship is also a good opportunity to introduce yourself to us and the office, to prove yourself and to make a lasting impression. For us, these six months offer an excellent opportunity to get to know good and talented students better – we are happy to make use of this when looking for and acquiring future employees.
Many in our team started as interns/volunteers and have returned to our team as employees after completing their studies and are now a permanent part of our team.

This is your first time at the Baumeister Academy. Why are you taking part?
Because we believe that the Academy creates a win-win situation for both sides and because we hope to get to know and appreciate excellent new people along the way.

What do you expect from your trainees?
Enthusiasm, team spirit, courage and a willingness to learn.

Can the absolute beginners, those who have just come from university and are starting in your office, do anything? What do they lack?
Beginners are characterized by a certain naivety and impartiality in their approach to projects and problems. We really appreciate that!
One of our office’s recipes for success has always been that we look for unconventional solutions and are certainly not satisfied with the first answer and solution that comes along – another reason why we never wanted to specialize in one area or typology with our office and work in as broad a field as possible.

“It’s always been like this, it has to be like this again” is a killer of any progress and any design concept. That’s why we also see problems as potential – because they force us to break out of established and familiar thought patterns.
Solutions and concepts are discussed with the respective project teams in weekly workshops. Everyone can contribute to this discussion and help shape it directly and immediately – in the end, it’s all about working out and honing the best idea, and we don’t care whether this idea is put forward by a senior architect or an intern.

“Definitely nine-to-five – or even shorter if we can get the ideas down on paper faster!”

Are you more the “nine-to-five” type or more the “eleven-to-midnight” type? And what about overtime in the office?
Definitely nine-to-five – or even shorter if you can get the ideas down on paper faster!
We have largely flexible working hours and are certainly not workaholics (anymore). Of course, there are deadlines, deadlines and the occasional pressure of deadlines, where things can get longer – but any overtime is compensated for at short notice.
Ideas and creativity require periods of relaxation and plenty of time to be inspired. This doesn’t happen if we just sit at a desk or behind a computer.

What caused the last big argument?
The great thing about our office partnership is that we haven’t had a big argument in 20 years. Of course, we discuss a lot and don’t always agree – but in what is now our “longest relationship”, we have always been able to agree on major decisions without arguing or voting. That is certainly a stroke of luck!

Generalist or specialist? What does a young architect need to be today?
Generalist and all-rounder!

“When we founded our office 20 years ago as fresh graduates, we couldn’t have imagined in our wildest dreams where we are today with our 80-strong team.”

What has been your greatest success?
AllesWirdGut!
When we jumped in at the deep end 20 years ago as fresh graduates straight out of university, inexperienced and naïve, and founded our office, we could never have imagined where we are today with our 80-strong team. And we are looking forward to developing this further.

You’ve been in the architecture business for a long time. Is there anything that can still surprise you today?
An open and enthusiastic counterpart (client, craftsmen, etc.), who is open to ideas and concepts, surprises us again and again – but at the same time it is also the stroke of luck that makes us still passionate about designing and building.

Your tip for budding architects?
Open your eyes and ears – and get out into the world!

The Baumeister Academy is an internship project of the architecture magazine Baumeister and is supported by GRAPHISOFT and BAU 2019.