STEIN film tip: artificial stone or stone art?

Building design

What happens in the desert stays in the desert. At least in the case of American pop artist and photographer Ed Ruscha. He has a vacation home in the Mojave Desert, 15 kilometers from Landers in southern California, where Giant Rock is located. Geologically, the desert is of great interest, as the San Andreas Fault has created an enormous number of rock layers and […]

What happens in the desert stays in the desert. At least in the case of American pop artist and photographer Ed Ruscha. He has a vacation home in the Mojave Desert, 15 kilometers from Landers in southern California, where Giant Rock is located. Geologically, the desert is of great interest, as the San Andreas Fault has brought an enormous number of rock layers and types to the surface. But ufologists also come here time and again to hold conventions, and the infamous Area 51 is not far away either.

Ruscha has now picked up on these psychedelic vibes, creating an artificial rock in 1976 and placing it in the desert. It is not clear why, but the idea of a fake rock in a sea of originals has the ironic feel of a fake Mona Lisa in the Louvre. “What is art?”, it seems to ask. However, the papier-mâché core of the imitation quickly disintegrated in the weather and Ruscha set about creating a waterproof stone replica. Using synthetic resin and sand, he cast a man-sized fake rock that looks very similar to a large compressed sandstone tennis ball. Strictly speaking, his second artificial stone is a quartz composite. This second specimen was finished in 1979: Rocky II, in reference to Sylvester Stallone’s boxing film, which was released in the cinema in the same year. Rocky II is said to still lie somewhere in the 35,000 square kilometer area.

All this would have been forgotten if the French filmmaker Pierre Bismuth had not come across film footage in 2005 in which Ruscha places Rocky II in the desert. Bismuth documented his research in the extremely amusing film “Where is Rocky II?”, in which he also reflects on why Ruscha went to such lengths without letting the world in on it. The artist himself remained silent, and the art world seemed to know nothing about the project. Bismuth even hired a former homicide detective as a private investigator for his thrillingly absurd scavenger hunt, whose observations repeatedly bring the aloof, elitist art world back down to earth. Bismuth also interweaves this research with a fictional plot in which he ponders whether Ruscha may have buried a dark secret under the stone and whether he may have succeeded in committing the perfect crime. The result is a wonderfully entertaining detective film about the nature of art – and an art stone that has been swallowed up by the earth.

WHERE IS ROCKY II? (OT: “Where is Rocky II?”), USA 2016, 93 minutes. Director: Pierre Bismuth; with: Ed Ruscha, Milo Ventimiglia, Robert Knepper, D.V. DeVincentis, Anthony Peckham, Mike White. Rapid Eye Movies. The film is available as video on demand, for example directly from the distributor Rapid Eye Movies: https://vimeo.com/ondemand/whereisrocky2

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Stone craftsmanship and culture in Wunsiedel

Building design

The European Training Centre for Stonemasonry and Stone Carving in Wunsiedel has been organizing an exchange programme with the Turkish university in Torbali since 2011. The “Torbali Meslek Yüksekokulu” faculty at Dokus Eyül University in Izmir specializes in stone technology, sculpture, mosaic techniques and monument conservation. During the one-week exchange program, the Turkish students’ and engineers’ experience in stone processing will be […]

The European Training Centre for Stonemasons and Stone Sculptors in Wunsiedel has been organizing an exchange programme with the Turkish University in Torbali since 2011.

The “Torbali Meslek Yüksekokulu” faculty at Dokus Eyül University in Izmir specializes in stone technology, sculpture, mosaic techniques and monument conservation. During the one-week exchange program, the Turkish students and engineers will deepen their experience in stone processing in numerous workshops at the training center for the stonemasonry trade. During an excursion to the cathedral building hut in Regensburg, they will also learn about the intricacies of stone processing and the traditional stone craftsmanship and, after the climb, will be able to enjoy a unique view over the city. Intercultural professional cooperation not only promotes the students’ professional development. They also get to know a new culture through dialog with each other.

Find out more about the exchange program and the EFBZ here.

PROJECT FLOORS presents OAK SELECTION

Building design
Shown decor PW 3241

Shown decor PW 3241 (Photo: PROJECT FLOORS)

Oak decors remain a timeless classic. PROJECT FLOORS therefore presents its new additional collection: OAK SELECTION.

Oak is a timeless classic and remains the undisputed leader among wood decors. Oak is associated with quality, tradition and coziness. Especially in very modern interior concepts, an oak decor is grounding and brings warmth. But this type of wood is also perfect for more rustic styles. In short: a versatile wood decor that is in high demand for good reason.

PROJECT FLOORS is constantly developing new products and has decided not to wait until the next collection change before releasing them. An additional collection has therefore been launched, comprising eight completely new oak decors, two in a larger format and three already familiar ones. However, the ideas of oak decors are quite different: “We have put together a selection that ranges from a limed, almost white surface to dark stained bog oak,” says Bernd Greve, Managing Director and Sales Manager of PROJECT FLOORS. “So there should be something for every taste, also because the selection from this wood segment has been bundled in a compact and clear way.”

The OAK SELECTION decors are planks for full-surface bonding. The 13 decors are available in two wear layers, each for the residential and commercial sectors.