Stone with all the senses

Building design

Huber Naturstein, partner of Italian natural stone supplier Antolini, recently opened its Stone Gallery. For STEIN, the owner took the time to give us a tour of his “hallowed halls”, despite an upcoming major order for a luxury store. Franz Maximilian Huber doesn’t actually have time for a press appointment these days: he has several night shifts ahead of him at a […]

Huber Naturstein, partner of Italian natural stone supplier Antolini, recently opened its Stone Gallery. For STEIN, the owner took the time to give us a tour of his “hallowed halls”, despite an upcoming major order for a luxury store.

Franz Maximilian Huber doesn’t actually have time for a press appointment these days: he has several night shifts ahead of him at a customer’s premises in Munich’s Maximilianstrasse, Bavaria’s premier shopping mile when it comes to luxury stores. A jewelry store is being built here. The opening is scheduled for Valentine’s Day. The natural stone comes from Franz Maximilian Huber, the owner of Naturstein Huber from Markt Schwaben. He is an Antolini partner.

As Huber gives a tour of his “hallowed halls” on a Wednesday evening, his employees are still busy with the large natural stone slabs. One of them is sawing the grooves for the steel pins on the back of a slab. “The formats for the floor are so large that reinforcement is necessary to prevent breakage,” explains Huber. For Munich’s Maximilianstrasse, he will use flamed and polished hard stone and a limestone marble, both for the floor and for worktops. An umbrella stand and a mantelpiece will also be made of natural stone. The color spectrum ranges from red like “Ocean Red” to green like “Verde Borgogna”, as the natural stone company Antolini from Italy names its stones. “With one slab, you even get the feeling you’re standing in front of a school of mackerel,” says Huber. His passion for the stone is palpable, almost contagious.

The slabs from Huber Naturstein are “cut in structure”, which means that a pattern on one slab merges into the adjacent one. This creates a harmonious overall picture. “A computer program defines which slab goes with which slab,” says Huber. For particularly complicated floors, the stonemasons make a mask from chipboard and tracing paper beforehand so that the data can later be transferred digitally to the computer.

Just how well this works can be seen in the entrance area of Huber Naturstein. This is also where the so-called Stone Library is located: the various stones that Huber offers are arranged here according to color and processing method. Huber calls this a “haptic experience”.

The Stone Gallery in the rear storage rooms of Huber Naturstein is an even greater experience. What could be seen in small sections in the entrance area is displayed here in large format slabs in a huge warehouse. On entering, Huber taps his cell phone and switches on the sound system in the hall with an app. Light blues sounds and beguiles visitors. 400 square meters of natural stone hangs on the wall here. There are even more slabs downstairs. The floor is not made of concrete, but is covered with carpet so that it has an effect of its own. “The concept for the Stone Gallery came from my partner Antolini,” says Huber. It was only completed a few weeks ago.

But the concept also has its price. “One square meter can cost as much as 2,000 euros,” says Huber. With a waste of half the material, you have to think economically, says Huber, who has a degree in business administration.

Surface treatment instead of engineered stone

He answers whether he has ever tried engineered stone: he has, but not a single slab has been sold. “If people have the choice between engineered stone and natural stone, they always choose the original” – at least that’s Huber’s experience.

A new surface for marble from Antolini that makes the material acid-resistant is due to be launched in the summer. Huber is counting on such innovations: “That will move the market!”

It is now eight o’clock in the evening. The sun has already set. “Yesterday we worked until ten,” says Huber. Tomorrow we’ll start again at seven in the morning. Finally, Huber talks about the “old days”: he comes from a traditional family of stonemasons. His ancestors have been working in the trade since 1860. In 2003, he pulled his father’s company out of insolvency. In the meantime, 14 years have passed and Franz Maximilian Huber provides work for 20 employees. And then he says a rather beautiful sentence: “Every single day I am surprised with new rocks.” You can feel his passion in every single sentence. He’s right: a stone is not just a stone.

You can find out more about Huber Naturstein at huber-naturstein.com.

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Architecture Film Days of the Bavarian Chamber of Architects

Building design

At the beginning of April, the Bavarian Chamber of Architects’ Architecture Film Days are on the program at the Munich Film Museum. This time, the cooperation between the Chamber and the Film Museum will take visitors on a short trip around the world. “A house in Buenos Aires. A house in Berlin. In Bucharest. In Vienna. In Palestine … How can the stories of houses be told? Through the rooms, […]

At the beginning of April, the Bavarian Chamber of Architects’ Architecture Film Days are on the program at the Munich Film Museum. This time, the cooperation between the Chamber and the Film Museum will take visitors on a short trip around the world.

“A house in Buenos Aires. A house in Berlin. In Bucharest. In Vienna. In Palestine … How can the stories of houses be told? Through the rooms they are composed of, the objects with which they are furnished, as a work of passage? Do houses have an identity? What role do the people in them play? What part do they play in this story? Do they really need it?” So asks Fritz Göttler in his introductory essay, which he wrote for the program booklet of the Film Museum.

The organizers invite you on a mini world tour that begins with two films about Renzo Piano. These include the latest film by Carlos Saura! The four-day tour takes in France, Germany, Austria, Italy, Romania, Israel, Japan and Mexico.

All stops can be found at www.byak.de/19-architekturfilmtage.

You can find the program here: www.byak.de/AFT2019_web.pdf

19th Architecture Film Days of the Bavarian Chamber of Architects
April 4 to 7, 2019

Munich Film Museum
St.-Jakobs-Platz 1
80331 Munich

Admission fee

Chamber members and members of the Munich Film Center 3 EUR (with membership card),
all others 4 EUR

Ticket orders

The Film Museum accepts ticket orders by calling (089) 23396450. Please leave your ticket requests on the answering machine, the tickets will then be available for collection at the box office, St.-Jakobs-Platz 1.

The Celebration of Co-creation

Building design

Public Space and Bathing Culture, which currently appropriates an area of the derelict harbor at Frihamnen in Gothenburg, Sweden, is more than a participation project or an urban renewal process. Through prototyping, the city is nurturing a transformation culture of site-specific interventions, that may change city governance from the inside out.

Public Space and Bathing Culture, which currently appropriates an area of the derelict harbor at Frihamnen in Gothenburg, Sweden, is more than a participation project or an urban renewal process. Through prototyping, the city is nurturing a transformation culture of site-specific interventions, that may change city governance from the inside out.

The public sauna situated at the harbor of Gothenburg in Sweden might not be a discreet project, but it is most definitely an agglomeration of small-scale initiatives that fosters a much-needed creative resistance towards the long-term strategic visions and plans in place for the transformation of this derelict harbor area.

Commissioned by the city planning authorities and public developer Älvstaden Utvecklings AB, the public sauna by Berlin-based architectural practice Raumlabor is one of several prototypes constituting the initiative “Public Space and Bathing Culture”. The collaboration between the city’s representatives and raumlabor have so far resulted in prototypes such as the beach, the pool, the sauna, a sailing school, the roller-derby rink, urban farming, a park at one of the abandoned hangars at the site, and “The Mountain” – a water installation for children by artists Akay and E.B Itso.

The aim of the prototypes is to spur exploration into what constitutes a park of the 21st century, which will inform the design and programming for a future park to commemorate the 400th anniversary of the City of Gothenburg in 2021. The park will be dubbed the Jubileumsparken, which translates to “Jubilee Park.” The current initiatives deploy the label Jubileumsparken 0.5, the suffix of 0.5 indicating that the prototypes are in fact temporary constructions.

Transforming from within.

In 2010, the City of Gothenburg launched a city-wide vision for rehabilitating nine urban districts, all located in proximity to the banks of the Göta River. Dubbed the “River City Gothenburg Vision”, and adopted by city council in October 2012, the vision encompasses one of the most ambitious urban renewal projects ever undertaken in Sweden. Presently being molded in policy documents and planning guidelines, the current implementation phase focuses on the transformation of the Frihamnen district, a dilapidated industrial zone and vast harbor area sited on the north bank, just across the river from the Gothenburg central station.

Since the City of Gothenburg aimed for an urban design that not only celebrated site-specific qualities, but also made them accessible and inhabitable for all spectra of Gothenburg’s population, the city supplemented master-planning and initiated an innovative approach to urban transformation. The two main incentives for innovation include the mobilization of the municipality-owned company Älvstranden Utvecklings AB, and the decision to pursue prototyping of a park design at Jubileumsparken 0.5. Through the public developer, the city facilitates a more creative intersection between land distribution, design, strategic planning, and politics. With prototyping at Jubileumsparken 0.5, the city jumpstarts place-making at Frihamnen prior to introduction of real estate speculation, which often emerges in concurrence with land subdivision and distribution.