Summer temperatures pose major challenges for museums. Photo: Bibhash (Polygon.Cafe) Banerjee on Unsplash

Summer temperatures pose major challenges for museums.
Photo: Bibhash (Polygon.Cafe) Banerjee on Unsplash

Not only are we groaning under the heatwave, but also museums and the works of art entrusted to them. Due to climate change, we are having to deal with extreme heat more and more frequently, and museums are looking for ways and strategies to prepare themselves. What measures are they taking? How can exhibition venues become climate-resilient and sustainable?

Climate change also poses fundamental challenges for cultural institutions worldwide. More and more museums are therefore developing strategies to make their operations, collections and exhibitions sustainable. This is not just about reducing CO₂ emissions, but also about institutional resilience, social responsibility and setting an international example. The term “sustainability in museums” encompasses far more than just technical measures – it requires a rethink of the entire cultural sector.

According to a study by the International Council of Museums (ICOM, 2024), air conditioning accounts for up to 70 percent of energy consumption in many museums. The Royal Academy of Arts in London has therefore installed a new system with adaptive airflow that saves CO₂ without compromising conservation standards. As the “Museum Sustainability Alliance” emphasizes, museums as social actors must also lead the way in ecological action – and sensitize visitors and partners to sustainable behavior. Sustainability in museums means combining environmental awareness with cultural responsibility.

A key area of activity is exhibition construction in particular. More and more museums are relying on modular wall systems, regional materials and multiple use. The Weltmuseum Wien, for example, uses recyclable plinths and works with loans from neighbouring countries to minimize transport routes. Digital exhibitions and augmented reality are also considered CO₂-saving alternatives. As the German Museums Association Journal 2025 writes, “in future, sustainability must be just as much a part of curatorial planning as storytelling”. Sustainability in museums will thus become an integral part of every exhibition.

Periods of heat, flooding and air pollution are increasingly endangering depots and collections. Museums are responding to this with adapted climate corridors, low-pollutant packaging and sensor-controlled early warning systems. Organic materials such as textiles, leather and wood are particularly at risk. For this reason, the Rijksmuseum Amsterdam has installed a monitoring system that detects microscopic climate changes and controls automatic ventilation impulses. Sustainability in museums here also means preventive conservation under changing environmental conditions.

Sustainability in museums is not only technical, but also social. This includes fair working conditions, diversity, barrier-free offers and inclusive educational programs. Many museums – such as the Humboldt Forum in Berlin – are now integrating sustainability into their mission statement. The involvement of local communities, transparent communication processes and participatory projects are all part of a holistic sustainability concept. Sustainability in museums thus not only promotes environmental protection, but also strengthens social interaction.

The path to genuine sustainability is complex for museums – but unavoidable. It opens up new scope for action for conservators, exhibition makers and collection managers, but also requires interdisciplinary cooperation and continuous training. If you want to do sustainable cultural work, you have to consider ecological, economic and social aspects together. Museum practice is facing a change that is more profound than any modernization of recent decades. Sustainability in museums is thus becoming the key to climate-resilient and future-proof exhibition venues.

Read more:What measures is the Folkwang Museum in Essen taking to become a green museum?

YOU MAY ALSO LIKE

Paris altitude record

Building design

© Takuji Shimmura

The “Home” project by French architects Harmonic & Masson and Comte Vollenweider Architectes is a first in Paris: it is the first residential building since the 1970s to reach a height of 50 meters.

The “grand ensembles”, the large French housing estates located on the periphery, do not have the best reputation. Time and again there are riots there, which have recently also reached the city centers. The authorities have a correspondingly allergic reaction: any building that is longer than 30 meters and has a repetitive arrangement of windows and balconies immediately brings the unpopular typology to mind. The last buildings date back to the 1970s, such as the “Olympiades” and “Front de Seine” estates in Paris. The city then stipulated that no building in the city center could exceed a height of 37 meters. The architectural idea of large housing estates seemed to have been forgotten.

Since 2011, residential towers up to 50 meters high and office buildings up to 180 meters high have been allowed to be built again. The “Home” project by French architects Harmonic & Masson and Comte Vollenweider Architectes is therefore a novelty: it is the first residential building since the 1970s to reach a height of 50 meters. It is located in the Paris Rive Gauche district, which is otherwise characterized by architectural banalities: if you stroll along the main axis of the district, the Avenue de France, monotonous shopping and office buildings line up one after the other. The new housing construction is a welcome change. Even the otherwise very critical Parisian newspaper “Le Monde” thought so.

The new residential building consists of two towers that are connected by a five-storey base and combine offices, private apartments, social housing and parking spaces. The often criticized monotony of large buildings was deliberately avoided: both the façades and the floor plans are varied and structured differently.

The two towers differ in shape and orientation: the first is stepped and 37 meters high, while the second consists of twisted prisms and rises 50 meters into the air. The resulting plasticity allows for an expressive façade design: instead of monotonous concrete slabs, the architects used silver or gold-colored aluminum panels. In addition to the playfulness of the façade, the geometry naturally allows for optimal lighting and a magnificent view of the city – everything here refers to the architecture of the new millennium. One is reminded of the architecture of the Ørestad district in Copenhagen.

The “old” towers of the city can be seen from the individual terraces of the apartments: the glazed archives of Dominique Perrault’s National Library from the 1990s and the eight blocks of the large “Olympiades” housing estate. New high-rise buildings are being planned by Edouard François and Jean Nouvel. The new housing development in Paris Rive Gauche is its forerunner – a mediator between past and future.

Submission to the “Houses of the Year 2025” competition

Building design

The deadline for projects is February 14, 2025 for "Houses of the Year 2025". Credit: Think Architecture

Every year since 2011, Callwey Verlag has honored outstanding single-family homes with the prestigious “House of the Year” architecture award. In 2025, architects are once again invited to submit their projects and thus become part of an impressive tradition that makes architectural innovation and excellence visible.

The competition offers architects a unique platform. A jury of experts will select the 50 best submissions, which will be presented in a high-quality book. Winning projects will also be honored at the Best of Architecture Summit on October 9, 2025. Participation not only means exclusive visibility in the industry, but also the opportunity to benefit from media coverage and networking – a springboard for any architecture firm.

New builds or conversions of single-family homes completed after January 1, 2022 are eligible to take part. Whether projects made of wood, concrete, brick or energy-efficient solutions: Diversity is welcome. Multi-generation houses or innovative renovations can also be submitted.

Previous winning projects, such as the spectacular Matzwitz House, show how differently and creatively modern single-family home architecture can be interpreted. From rustic elements to innovative materials – the range is impressive. The accompanying yearbook documents this diversity with impressive photos, plans and stories from clients and architects who have realized their visions.

Registration is free of charge, a participation fee is only due upon submission. Projects can be submitted until February 14, 2025. There is also the opportunity to submit innovative products for single-family homes for the “Architects’ Choice 2025” until May 30, 2025.

Put your work in the spotlight and become part of an extraordinary architecture competition. You can find more information here.