Swimming Pool Construction – STEIN, December 2023

Building design
Cover picture: Agrob Buchtal
Cover picture: Agrob Buchtal

In our Baths and Spas issue, we showcase swimming pools and wellness areas that are both architecturally and craftsmanship-wise sophisticated. The Schwaketentbad in Konstanz impresses with the harmonious interplay of ceramic tiles throughout its interior. And through the spa at the Hotel Plunhof in South Tyrol, you’ll learn why silver quartzite is so well-suited for wet areas. You’ll also read about what 2024 has in store for the industry economically.

What does the coming year hold? What can the stone industry expect? The groundwork seems to have been laid. As early as the first half of 2023, new orders in residential construction had plummeted by more than a quarter compared to the same period the previous year. And the signs don’t point to a recovery in the construction industry in 2024 either. Even if inflation slowly stabilizes at a manageable level, Germany is still grappling with high energy prices and an unstoppable shortage of skilled workers. This means entrepreneurs need to set the right course for the future. Our author, Annette Mühlberger, examines the economic situation in the construction industry and shows how skilled trades businesses can make sound, forward-looking decisions during these difficult times. Read more on this starting on page 36.

The Economic Situation in the Construction Industry

It comes as no surprise that Germany’s swimming pools are also grappling with high energy prices and a shortage of skilled workers. Yet it is precisely in such times that quality and craftsmanship come into sharp focus for both customers and contractors. We showcase impressive examples of this in this swimming pool and spa issue. Starting on page 6, our author Anne Fischer takes us to Konstanz to visit the new Schwakentenbad. The pool area beneath the sculpturally folded roof is characterized by the harmonious interplay of ceramic tiles from Agrob Buchtal.

The spa area at the Hotel Plunhof in South Tyrol is lavishly finished with silver quartzite. Read starting on page 22 to find out why this STEIN is so well-suited for swimming pool construction.

Germany’s Swimming Pools

Despite all the crises and less-than-promising overall economic forecasts, the STEIN editorial team encountered a positive atmosphere during their trade show visits to Verona and Bologna. That’s encouraging. After the difficult times of the pandemic, the industry’s need to meet face-to-face remains high. Both Marmomac and Cersaie were therefore pleased to see growing numbers of exhibitors and visitors. You can find impressions from our in-depth trade show visits starting on page 46.

The issue is available here in the shop.

In the November issue of STEIN, we explore the contemporary design language of sacred spaces. Find out everything about the memorials and sacred spaces issue here

We hope you enjoy reading STEIN.

The STEIN Editorial Team

Trade Show Highlights

In the Baths and Spa issue, we showcase swimming pools and wellness areas that are both architecturally and artisanally sophisticated. The Schwaketentbad in Konstanz impresses with the harmonious interplay of ceramic tiles throughout its interior. And through the spa at the Hotel Plunhof in South Tyrol, you’ll learn why silver quartzite is so well-suited for wet areas. You can also read about what 2024 has in store for the industry from an economic perspective.

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Leberecht Migge exhibition in Hamburg

Building design
migge

The "Spartacus in Green" exhibition runs until July 13

Until July 13, galerie renate kammer in Hamburg is showing sensational original garden plans and photos of Leberecht Migge’s late work

Garden architect, reformer and author of the “Green Manifesto”: Leberecht Migge is considered one of the most important landscape architects of the 20th century. 320 of his plans were published in the book “Leberecht Migge – The original landscape designs. The original garden plans. 1910-1920”. Until July 13, the galerie renate kammer in Hamburg is showing sensational original garden plans and photos of his late work.

The garden architect Leberecht Migge (1881-1935) positioned himself as a reformer of garden culture with the publication of his book “The Garden Culture of the 20th Century” in 1913 at the latest. In terms of content, he primarily focused on the urban planning area, for which he envisaged an adequate supply of open space. Accordingly, although he also designed spacious villa gardens, he primarily developed concepts for public parks and housing estates, as well as arboretums, which were intended to benefit the socially disadvantaged: They offered a balance to everyday working life and promised to improve the sometimes precarious food situation.

Self-sufficiency, efficient land use, a circular economy and maximizing crop yields through technical aids were among his key topics. With his direct demands, he is considered an important representative of social open space planning. A collection of his work from 1910 to 1920 with around 320 plans can be found in the Archive for Swiss Landscape Architecture (ASLA). It has now been published as the book “Leberecht Migge – The original landscape designs. The original garden plans. 1910-1920” and presented on May 14, 2019 at the University of Applied Sciences in Rapperswil together with an accompanying exhibition.

Against the backdrop of the urban gardening movement, the success of urban gardening initiatives, the discredits in intensive farming and the high demand for organically and regionally produced food, Migge’s approaches are once again highly topical. This was also demonstrated by the event in Rapperswil, which discussed precisely these points.

Another exhibition on Leberecht Migge, “Spartacus in Green”, can be seen in Hamburg until July 13, 2019. It shows original garden plans by Migge from the years 1910 – 1920, which come from the estate of his former employee Walter Leder at the Archive for Swiss Landscape Architects, which is making them available on loan. Migge’s entire legacy had been considered destroyed, which gives the plans a sensational significance. The galerie renate kammer, where the exhibition is being held, is also showing photos of Migge’s late work: the gardens of Villa Reemtsma in Altona-Othmarschen, which were created between 1930 and 1933.

Various lectures will also be held as part of the exhibition. You can find the program here.

gallery renate kammer | Münzplatz 11, 20097 Hamburg | Tue-Fri 12h-18h, Sat 11h-15h

This article appeared in G+L 07/2019 with the topic Processes.

Cultural landscape management

Building design

Photo: Philipp Herrman

The “stadt PARTHE land” research project in Leipzig focused on the challenges of cultural land management.

The natural landscape is gradually disappearing to make way for the cultivated landscape. However, progressive urban sprawl is also endangering this. Leipzig tackled these problems with the “stadt PARTHE land” research project, the final conference of which took place at the beginning of April. This revealed the challenges that successful cultural landscape management must face. A lack of interest is just one of them.

There is hardly a corner of the earth that man has not yet made his own and explored. Instead of being able to speak of natural landscapes, in most regions we have created cultural landscapes shaped by human activity. But even these are now under threat. Growing cities, new housing estates and ultra-modern industrial complexes – in short, endless land take – are leading to a number of landscape losses.

The idyllic Partheland, located to the west of Leipzig along the river of the same name, is also struggling with these problems. Although Leipzig is growing sustainably, according to Rüdiger Dittmar, Head of the Office for Urban Greenery and Water, it is growing. Under the motto “Makeln, Bewirtschaften, Zeigen”, the research project “stadt PARTHE land” has therefore been running since 2014 under the direction of Florian Etterer (TU Dresden). The aim is to improve the value creation and appreciation of natural resources and the unique characteristics of the Partheland. One of the core tasks of the project is to bring together all stakeholders from the city and surrounding area and their interests. The final conference in Leipzig at the beginning of April showed that the efforts are bearing fruit. The achievements of the innovation concept developed so far include the testing of new compensation methods such as production-integrated compensation as well as possible sheep sponsorships with a local shepherd in Partheland.

Cultural landscape management operates in a non-profit zone. There are no legal obligations, the measures to be implemented are uneconomical and ultimately no one is even interested in them. This is exactly where we need to start in the future. In addition to funding and organization, cultural landscape management needs, above all, a spatial connection to the region. The local stakeholders and their knowledge are basic building blocks that can only be built on with acceptance and interest from the population. Ultimately, every piece of land is home to someone and this must be protected.